| Photos (see all 51 | slideshow) |
| Leslie Caron | ... | Gilberte aka 'Gigi' | |
| Maurice Chevalier | ... | Honoré Lachaille | |
| Louis Jourdan | ... | Gaston Lachaille | |
| Hermione Gingold | ... | Madame Alvarez | |
| Eva Gabor | ... | Liane d'Exelmans | |
| Jacques Bergerac | ... | Sandomir | |
| Isabel Jeans | ... | Aunt Alicia | |
| John Abbott | ... | Manuel | |
| rest of cast listed alphabetically: | |||
| Pasha | ... | White horse at Pré Catelan | |
| Marie-Hélène Arnaud | ... | Girl at Maxim's (uncredited) | |
| Jack Ary | ... | Waiter at "Palais de Glace" (uncredited) | |
| Richard Bean | ... | Harlequin (uncredited) | |
| Cecil Beaton | ... | Gentleman in park (uncredited) | |
| Jacques Bertrand | ... | Maitre d'Hotel Maxim's (uncredited) | |
| Hubert de Lapparent | ... | Gaston's private secretary (uncredited) | |
| Cilly Feindt | ... | Girl on horseback at Pré Catelan (uncredited) | |
| Edwin Jerome | ... | Charles - Alicia's butler (uncredited) | |
| Corinne Marchand | ... | Young lady with white sunshade (uncredited) | |
| Maurice Marsac | ... | Prince Berensky (uncredited) | |
| Anne-Marie Mersen | ... | Girl at Maxim's (uncredited) | |
| Bernard Musson | ... | Guest at Maxim's (uncredited) | |
| Dorothy Neumann | ... | Designer (uncredited) | |
| Jean Ozenne | ... | Monsieur Lachaille (uncredited) | |
| Maruja Plose | ... | Mannequin (uncredited) | |
| Ohad Rossen | ... | Bit Part (uncredited) | |
| Roger Saget | ... | Pierre (uncredited) | |
| Pat Sheehan | ... | Blonde (uncredited) | |
| Marilyn Simms | ... | Redhead (uncredited) | |
| Lydia Stevens | ... | Simone (uncredited) | |
| Jack Trevan | ... | Coachman (uncredited) | |
| François Valorbe | ... | Henri - Gaston's butler (uncredited) | |
| Monique van Vooren | ... | Showgirl (uncredited) | |
| Betty Wand | ... | Gigi (uncredited) (singing voice) | |
| Richard Winckler | ... | Bit part (uncredited) | |
| Leroy Winebrenner | ... | Lifeguard (uncredited) | |
Directed by | |||
| Vincente Minnelli | |||
| Charles Walters | (uncredited) | ||
Writing credits | ||
| Colette | (novel "Gigi") | |
| Alan Jay Lerner | (screenplay) | |
Produced by | |||
| Arthur Freed | .... | producer (uncredited) | |
Original Music by | |||
| Frederick Loewe | |||
Cinematography by | |||
| Joseph Ruttenberg | (director of photography) | ||
| Ray June | (uncredited) | ||
Film Editing by | |||
| Adrienne Fazan | |||
Production Design by | |||
| Cecil Beaton | |||
Art Direction by | |||
| E. Preston Ames | (as Preston Ames) | ||
| William A. Horning | |||
Set Decoration by | |||
| F. Keogh Gleason | (as Keogh Gleason) | ||
| Henry Grace | |||
Costume Design by | |||
| Cecil Beaton | |||
Makeup Department | |||
| Sydney Guilaroff | .... | hair stylist | |
| Guillaume | .... | hair stylist | |
| Charles E. Parker | .... | makeup artist (as Charles Parker) | |
| William Tuttle | .... | makeup artist | |
| Robert J. Schiffer | .... | makeup artist (uncredited) | |
Second Unit Director or Assistant Director | |||
| William McGarry | .... | assistant director | |
| William Shanks | .... | assistant director | |
| Noël Howard | .... | assistant director (uncredited) | |
| Hank Moonjean | .... | assistant director: France (uncredited) | |
Sound Department | |||
| Wesley C. Miller | .... | recording supervisor (as Dr. Wesley C. Miller) | |
| Van Allen James | .... | sound editor (uncredited) | |
Editorial Department | |||
| Charles K. Hagedon | .... | color consultant | |
Music Department | |||
| André Previn | .... | conductor | |
| André Previn | .... | music supervisor | |
| Conrad Salinger | .... | orchestrator | |
| Robert Tucker | .... | vocal supervisor | |
| Alexander Courage | .... | additional orchestrator (uncredited) | |
| Maurice De Packh | .... | additional orchestrator (uncredited) | |
| Robert Franklyn | .... | additional orchestrator (uncredited) | |
| Albert Woodbury | .... | additional orchestrator (uncredited) | |
Other crew | |||
| Françoise Bouchez | .... | production assistant (uncredited) | |
| Alex Romero | .... | assistant choreographer (uncredited) | |
Thanks | |||
| Sem | .... | acknowledgment: opening credits from drawings by | |
![]() |
![]() |
![]() |
![]() |
![]() |
| The Pink Panther | Sabrina | My Fair Lady | Terms of Endearment | The Nanny Diaries |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
| Add this title to MyMovies |
Directed by Vincente Minnelli and starring Leslie Caron as the title character, "Gigi" (1958) is nothing short of sweet and delightful. Gigi is a coltish teen in 1900's Paris who lives with her grandmother Madame Alvarez (Hermione Gingold) and who loves to hang out with family friend Gaston Lachaille (Louis Jourdan), an international jet-setter and playboy whose every relationship is documented in the papers. The pseudo-narrator of the film is Henri Lachaille (Maurice Chevalier), Gaston's uncle and a notorious playboy in his own right, who loves to give his nephew relationship advice, solicited or not. Gigi is being bred by her grandmother and aunt to become a refined woman so she can become a mistress for rich and powerful men, so it comes as both a surprise and delight to the women to discover that Gaston may be a suitable candidate. However, Gigi's innocence may not allow this to happen, as she struggles with making the transition between carefree girl to a refined lady with social responsibilities.
Musicals are a rare genre on my "films I adore" list, but "Gigi" has long been a favorite film of mine, despite its sappy moments and sometimes corny jokes. What makes "Gigi" such a good film is its unmitigated Charm with a capital "C"; one can't help but grin a little when Chevalier sings "Thank Heaven for Little Girls" because he doesn't stop flashing that high voltage smile himself. And I cannot get through the scene between Chevalier and Gingold when they sing "I Remember it Well" by the seaside without tearing up because it is just so damn cute. Sure, the revelations and epiphanies are pretty easy and kind of out of nowhere, but considering it is an MGM musical from the 1950's, I would be surprised if there weren't these kinds of things. Everyone in the film looks like they are having a good time (particularly Chevalier), and the great Lerner-Loewe music against the Parisian backdrop is enough to sell me.
"Gigi", while being a 10-time Oscar winner (including Best Picture) has unfortunately been marginalized by some as a typical MGM fluff piece, could be a hard sell, particularly to the jaded Generation Y - and - younger audience. However, since I myself am probably one of the most cynical film-viewers I personally know of, take my word for it "Gigi" is a lot of fun, and a good way to spend two hours. 8/10 --Shelly