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Damn Yankees! (1958)
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Overview
Tagline:
It's a picture in a million! Starring that girl in a million, the red-headed darling of the Broadway show, Gwen Verdon!Plot:
Film adaptation of the George Abbott Broadway musical about a Washington Senators fan who makes a pact... more | add synopsisAwards:
Nominated for Oscar. Another 2 wins & 5 nominations moreNewsDesk:
(3 articles)
Weinstein Says He Wants To Be the New Arthur Freed (From Studio Briefing. 26 June 2003)
Cinematographer Nominees To Participate In Public Chat (From Studio Briefing. 13 February 2002)
User Comments:
Good, soul-searching musical. moreCast
(Credited cast)| Tab Hunter | ... | Joe Hardy | |
| Gwen Verdon | ... | Lola | |
| Ray Walston | ... | Mr. Applegate | |
| Russ Brown | ... | Benny Van Buren | |
| Shannon Bolin | ... | Mrs. Meg Boyd | |
| Nathaniel Frey | ... | Smokey | |
| James Komack | ... | Rocky | |
| Rae Allen | ... | Gloria Thorpe | |
| Robert Shafer | ... | Joe Boyd | |
| Jean Stapleton | ... | Sister Miller | |
| Albert Linville | ... | Vernon | |
| rest of cast listed alphabetically: | |||
| William Adams | ... | Yankees team owner | |
Additional Details
Parents Guide:
Add content advisory for parentsRuntime:
111 minCountry:
USALanguage:
EnglishColor:
Color (Technicolor)Aspect Ratio:
1.85 : 1 moreSound Mix:
Mono (RCA Sound Recording)Filming Locations:
Warner Brothers Burbank Studios - 4000 Warner Boulevard, Burbank, California, USA moreMOVIEmeter: 
Fun Stuff
Trivia:
Right after the mambo number, as the male dancer (choreographer Bob Fosse) leaves the stage, the Joe Hardy character shakes the dancer's hand and says what sounds like, "Great work, Fosse!" moreGoofs:
Anachronisms: In the time depicted, major-league baseball players almost never had jersey numbers higher than the 50s... yet several players have numbers in the 60s and 60s, a practice rare until the 1980s. High numbers on a major league uniform ordinarily indicated someone invited to spring training who had little chance of making the club... and if such a player did make the club (possible with the usually-dreadful Washington Senators), the player got a lower number. moreQuotes:
Ballplayers: So what the heck's the use of cryin'? / Why should we curse? / We gotta get better / 'cause we can't get worse! moreSoundtrack:
A Little Brains, A Little Talent moreFAQ
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| Damn Yankees! | The Phantom of the Opera | Guys and Dolls | Gypsy | The Galloping Ghost |
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This is another film which would probably be better rated if it wasn't so slavishly compared to its stage original. It does its job just fine, thank you, but you must remember that stage and film are two different media in terms of what is allowed to be shown to the masses in the first place. In the conservative, postwar 50's there was very little controversy shown (or allowed to be shown) in the film and TV media; a Faustian book made into a film musical probably scared the Hays moral office to death! That said, the Abbott-Donen collaboration does a more than competent job of telling the story, and scores an extra base hit in my opinion by retaining most of the Broadway cast of the show in the first place. The casting rumors are legendary: I've read that the studio tried to get Cyd Charisse and possibly even Marilyn Monroe for Lola (assuring box-office returns), but the producers were smart enough to know that the role needed a real dancer-singer-actress combination. In short, it needed Gwen Verdon exclusively. And it got her. If you're still not convinced, take a second look at the exquisite midnight cafe' number, "Two Lost Souls."