The Werewolf (1956) Poster

(1956)

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7/10
Overlooked
preppy-329 October 1999
Interesting horror film about a man who becomes a werewolf because of science. A man is recovered from a car crash. A scientist injects him with a serum to fight radiation poison. A side effect causes him to (occasioanlly) turn into a werewolf. No full moon or silver bullets are involved here.

This might be the first horror film to have a person becoming a werewolf through scientific means! The performances are good (especially Steven Ritch as the werewolf), the scenery is beautiful, there are some nice directorial touches and the people talk and act like real people. The makeup is awful and I wasn't really scared, but I was never bored. Sadly, this isn't available on video. Well worth catching on TV.
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6/10
More Drama than Horror
claudio_carvalho23 November 2019
In Mountaincrest, a stranger without memory arrives in a bar to have a drink. When he leaves the bar, a local tries to robber him but he turns into an animal and kills the attacker. Deputy Ben Clovey (Harry Lauter) hunts down the animal but is wounded by it. Sheriff Jack Haines (Don Megowan) organizes a party to find the beast. Meanwhile the nurse Amy Standish (Joyce Holden) and her father, the local doctor, receive a man called Duncan Marsh (Steven Ritch) that recalls that he had a car accident and two doctors have treated him. But he flees and Haines wants to hunt him down but Amy and her father wants to convince him to capture Duncan to see how they could treat him. When is wife Mrs. Helen Marsh (Eleanore Tanin) and her son Chris arrive in Mountaincrest, Sheriff Haines is convinced that shall capture the werewolf alive. But the doctors that conducted the experiment arrive in the town expecting to kill him.

"The Werewolf (1956)" is a film with the genre more drama than horror. The sad saga of the family man Duncan Marsh is heart breaking. The plot is interesting and the transformation is excellent for a 1956 movie. The performance of Steven Ritch is also great. My vote is six.

Title (Brazil): "O Lobisomem" ("The Werewolf")
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7/10
The Werewolf
Scarecrow-8831 October 2007
Warning: Spoilers
Duncan Marsh(Steven Ritch)is "poisoned by radiation" leading to his lycanthrope affliction at the hands of corrupt scientists Dr Morgan Chambers(George Lynn) & his assistant Dr. Emery Forrest. It's in Chambers head that he will inflict the human race with lycanthropy leading to their destroying themselves saying he wishes to "cure the world" of those he deems unworthy to live in. Marsh accidentally kills a man trying to steal from him and this leads to a manhunt with Sheriff Jack Haines(Don Megowan), his deputies, & fellow deer-hunting citizens trying to find the afflicted werewolf in the woodland near the sleepy town they occupy. Meanwhile, Chambers and Forrest head for Mountaincrest themselves with plans to murder Marsh so that they will not be implicated for their crimes against humanity and the natural order of things.

The film's strength, in my opinion, is the humanistic struggle to save a victim of man's evil scientific goals and corrupt convictions. The sheriff is stuck between a rock and a hard place, often seeking guidance in how to lead his men on the hunt for Marsh. His moral guidance often comes from town physician Dr. Gilchrist(Ken Christy)and girlfriend nurse Amy(Joyce Holden). They are his voices of reason and humanity in such a difficult search for a man who doesn't wish to harm anyone, but is plagued with a primal animal that is dangerous.

Good little werewolf movie, packs a bit of an emotional wallop thanks to Ritch's unfortunate situation and it's effects on his family and the paranoid, afraid community of Mountaincrest. The mountainous setting is rich with atmosphere and it's a breath of fresh air from the usual movie lot sets. This film uses dissolves when Ritch turns from human to werewolf and vice versa from the same make-up man behind "The Return of the Vampire."
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Hairy Sleeper finally Gets Released!
michaeldukey200024 November 2007
Lensed by the same director of the bigger budgeted Earth Vs. The Flying Saucers and meant to be a companion for the lower half of the bill The Werewolf surprised everybody by being a taut face value chiller with more character emphasis than usual for this type of subject.

As other reviewers have stated the performances,locale,direction and lighting are much better should be for a story about kooky scientists turning a luckless schmoe into a hirsute mutant but it also has a film noir element that mixes in quite nicely amidst the western pines of Big Bear lake.

Unlike some other viewers I didn't have a problem with the make up. It was meant to scare kids and it did. A year later you can see similarities in the design for Michael Landon's beastly side in I Was A Teenage Werewolf.

After the late sixties this exhausted it's run on local Chiller theaters and became very hard to find until now.

For a reasonable price you can get a gorgeous widescreen DVD transfer of The Werewolf along with other B movie faves The Giant Claw,Zombies Of Mora Tau and Creature With The Atom Brain.

The name of the set is Icons Of Horror Sam Katzman. It comes with some great extras but one of them produced by the same Three Stooges dept. at Columbia has enough vile Asian stereotypes to make A Fu-Man-Chu movie look P.C.

Take a trip back to matinée-ville with this and enjoy.
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7/10
A nice variation on the usual werewolf film
planktonrules11 November 2007
Warning: Spoilers
In the mid to late 1950s, Hollywood tried (unsuccessfully) to revive the 1930s and 40s horror film with mostly poor results. The biggest problem with most of these later movies is that they were obviously given much lower budgets and no-name actors that didn't do the material justice. Such films as I WAS A TEENAGE WEREWOLF and THE VAMPIRE were very dull and sad imitations of the earlier Universal horror films.

In light of this, I was expecting THE WEREWOLF to be yet another dull low-budget monster film. In some ways, I was right--the budget was super-low and the actors were all complete unknowns. However, despite this poor pedigree, the overall effort was far better than I ever would have expected. Not only was the acting pretty good, but the plot was excellent despite somehow combining the werewolf and atomic menace genres! It seems that two evil and annoying doctors have decided to do some less than ethical research on some poor shmoe. When a guy is brought to them after a minor traffic accident, they inject him with some radioactive serum that makes him become a werewolf-like creature. But, since he isn't really a werewolf, it's okay that the plot doesn't follow the old Lon Chaney, Jr. mold. In the process, the film is quite entertaining and did a great job of making you care about this poor unfortunate soul. Far better than you'd expect--this one is a keeper.

By the way, while I felt very positively towards this film, I must still point out that there is a PLAN 9 FROM OUTER SPACE-like moment late in the film where it goes from pitch black outside to daytime and back again due to lousy editing. It's pretty silly and very noticeable.
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7/10
Holds up surprisingly well
irishm15 June 2011
This film scared the pants off me as a kid (which I loved!) and when I finally found it again and watched it as an adult I was pleasantly surprised to find that I still enjoy it. And parts of it, namely the cave sequence and the fight in the dark alley, still give me the creeps. I found this werewolf much scarier than Chaney Jr.'s version. Steven Ritch's portrayal has a wildness and rawness to it that gives his lycanthrope that extra edge. Watch how he drools as he sinks his fangs into that hunk of bait in the woods, for instance. Oh, there are a few flaws... and I find the scene at the doctors' lab very long, talky and dull... but all in all I'd recommend this to any classic horror film buff. Well done. Hard to believe something of actual quality was produced by the same man responsible for "The Giant Claw"!
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5/10
Strange but watchable
mhorg201820 June 2018
This is the first time in Hollywood where a werewolf is created by radiation! Yes, scientists in an attempt to cure a man, turn him into a werewolf. Unlike regular ones... well that would be telling. As usual with most werewolves, he does garner a lot of audience sympathy. After all, he didn't want to become a werewolf!
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7/10
Entertaining 1956 Film
whpratt113 January 2008
Never seen this film before and was pleasantly surprised to see this film had some Sci-Fi effects and it involved itself with two doctors who find a man Duncan Marsh, (Steven Ritch) who was in a car accident who has no memory and they inject him with a serum which has some strange effects on his body. Duncan Marsh is a married man and has a son and he escapes from these doctors and runs into a bar and has a few drinks and tries to seek help but as he leaves the bar he is approached by a man who wants to take his money and something happens to this man. Soon after this incident, the town believes there is a wild animal on the loose because they find a man killed by a sort of wolf or wild animal. This is a rather low budget film, but it has real live background on a California park and has a great deal of realism and horror. Enjoy.
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5/10
Unusual tale of lycanthropy
bkoganbing27 January 2019
This B horror picture from Columbia with a cast of familiar players is better than I thought it would be. At the heart of it is a truly tragic figure in Steven Ritch who is just your average guy with wife Eleanor Tanin and son Kim Charney. He gets involved in an automobile accident and unfortunately gets himself treated by a pair of deranged scientists S.John Launer and George Lynn who decide he'd make a good test subject for an experiment.

Without the aid of the full moon and other bits of werewolf lore, Ritch goes in and out of being a werewolf day or night and without warning. He's pretty invincible when he's in wolf mode.. Sheriff Don Megowan and deputy Harry Lauter are tracking him, good doctors Joyce Holden and Ken Christy want to treat him. The bad docs want to kill him as a coverup.

Horror movie fans would do well to check this one out.
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7/10
Above average werewolf tale.
Hey_Sweden29 October 2016
Steven Ritch plays a stranger who arrives in the small California town of Mountaincrest, with no memory of who he is or how he got there. He also has the unfortunate tendency to sprout hair, claws, and fangs at any old time, and the townsfolk attempt to catch Ritch in his wolfish form. Then two doctors (S. John Launer, George Lynn) follow Ritch there, knowing full well that they're the ones who put him in his predicament, and try to cover up their actions.

"The Werewolf" is a well acted, modest production that gets great mileage out of its Big Bear Lake locations, as well as fine atmosphere. It also puts a fresh spin on the standard werewolf story, taking it into the Atomic Age and giving us a lycanthrope born of not myth and legend but of scientific meddling. Of course, like many a good werewolf story, it's also a tragedy, with a main character who does earn our sympathies. People like Dr. Gilcrist (Ken Christy) and his niece Amy Standish (Joyce Holden) work at convincing the law, represented by Don Megowan as the sheriff and Harry Lauter as his deputy, to please try to take Ritch alive, if possible, knowing that he is a basically good man who cannot control what is happening to him.

The werewolf makeup by Clay Campbell is decent, the stock music appropriated serves its purpose, and there is some very crisp black & white photography by Edward Linden. The performances are fine, with Megowan as a sturdy, jut jawed (if not that expressive) hero; Eleanore Tanin and Kim Charney are appealing as Ritchs' distraught wife and son.

Good entertainment, with a striking finale done in long shot at a dam.

Seven out of 10.
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5/10
no origins needed
SnoopyStyle25 October 2020
A stranger walks into a small mountain town bar. When he leaves, he is harassed by a robber. He fights back turning into a werewolf and killing the robber. Deputy Ben Clovey tries to track down the killer but loses him in the woods. The tracks turn into wolf tracks despite there are no wolves in the area. Clovey gets mauled and Sheriff Jack Haines takes him to Dr. Gilcrist.

The stranger should be kept more mysterious and never to be seen again in this town. He should be a boogeyman or a ghost. There is no need to dig into his origins. All that with the mad scientist is a waste of time. This should be a movie about Clovey turning into a werewolf and killing his friends. As for the transformation, it's a straight-on shot on his face being superimpose one image after another with him having more and more werewolf makeup. It's a good visual for a quick and dirty effect. It's not the most compelling but it'll do the trick. The makeup is fine for this early attempt. On the other hand, the story is simply wrongheaded.
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8/10
This town has The Creature From The Black Lagoon for a sheriff!
reptilicus12 June 2003
An old monster gets a new touch in this movie from the late 1950's.

Back when it was popular to blame radiation for everything this movie offers a pair of dedicated but very misguided scientists who want to show the world what hideous mutations atomic radiation can create. They could just have gone to the movies any Saturday and seen all manner of mutants but no, these guys take a car crash victim Duncan Marsh (Steven Ritch, taking a break from the westerns he usually appeared in) and inject him with a serum derived from the blood of a radioactive wolf. (If that sounds familiar it's because the same plot, minus the radiation angle, was used in PRC's 1942 thriller THE MAD MONSTER.) The crash has given Duncan traumatic amnesia and thanks to the serum when he gets angry or frightened he turns into a . . .well you saw the title.

Stopping at a small mountain town, Duncan is tracked there by the scientists who suddenly aren't too anxious to have the world see what they have done (now if they had thought about that 3 reels earlier we wouldn't have had a movie!). The sheriff of the town is Don Megowan who played the Creature from the Black Lagoon in THE CREATURE WALKS AMONG US. The town doctor wants to save Duncan but the sheriff knows the beast has to be stopped one way or the other before the body count gets any higher.

Okay so the end of the movie is pretty much inevitable but director Fred F. Sears, who also gave the world THE GIANT CLAW and EARTH VS. THE FLYING SAUCERS, gives us a very atypical scene where Duncan is allowed to see his wife and child before he . . . well you'll see what I mean.

I love this movie for many reasons, one of which is that I also had a Super8mm 11 minute digest of it when I was a kid. Now I have the whole thing on video.
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7/10
I may have to revise my opinion of Sam Katzman...
lemon_magic21 March 2011
Warning: Spoilers
This genuinely interesting and well made black-and-white horror film was a pleasant surprise, given the director and producer previously gave us "The Giant Claw" (good character scenes, ludicrous monster effects) and "Earth Vs. The Flying Saucers" (good special effects by Harryhausen, wooden, clunky and low energy "live" scenes").

The "buzz" on this one is supposed to be that this was the first "scientific" werewolf on film, but I recall George Zuckoff starring in a PRC poverty row production called "Mad Monster" which was very similar in story and setting. It's OK, though - "Mad Monster" was deservedly forgotten, while this effort is considerably more fun to watch.

Played with some depth and sympathy by all the main actors and some well lit and shot B&W photographu,this little parable has a nice haunting ending and is unusual in that the victim gets to see his family before meeting his fate.

I liked it a lot. It seems that Sam Katzman may have been less of a hack than I previously though.
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4/10
Side effects may include excessive hair growth and a hunger for raw meat.
BA_Harrison27 May 2023
Scientific advancement has always been fraught with risk and danger. In The Werewolf, a pair of unscrupulous doctors test their treatment for radiation sickness on an unwilling guinea pig - automobile accident victim Duncan Marsh (Steven Ritch) - with unexpected and disastrous side effects: their experiment turns the man into a bloodthirsty werewolf. Doh!

With such a silly reason for a case of lycanthropy, this one sounds like it should be a hugely enjoyable slice of 50's B-movie schlock horror, but it's not nearly bonkers enough to qualify as such. Once the werewolf has been introduced, running amok in the small town of Mountaincrest, the plot goes nowhere, the majority of the film consisting of the hunt for the lycanthrope by local police, which doesn't prove very riveting.

Furry-faced with sharp teeth and claws, but wearing a suit, the monster is more likely to elicit laughter than scares - and the transformation effects - old-school dissolves between the different stages in make-up - are also good for a few giggles, but with such a predictable script (the nasty scientists get what's coming to them and it doesn't end well for Marsh, shot down by a torch-wielding mob), this is a disappointingly weak werewolf movie.
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Spare, obscure horror film
James L.18 November 2000
The Basic Plot: The unraveling of the mystery of two scientists,a werewolf, and a missing man.

The Praise: Tense, quiet, and spare, it is frightening in an amount of moments with the werewolf. The western locations are great, and the werewolf is sympathetic,plus good acting by a cast of nobodies. Not a major production, it is probably low-budget because of the no-frills look of the film and the lack of any stars. Odd because in parts it looks, feels, and acts like a western. If you detached some scenes without the Werewolf it could pass as a western. The Flaws: Ridiculous makeup. P.S : Extremely rare, it has never been released on VHS, DVD, Laserdisc etc.. Only way to see it is through TV, and I taped it off the AMC Halloween festival, and the tape has become part of my library of rare horror films.
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7/10
Under-rated Werewolf Movie
vtcavuoto4 February 2006
Warning: Spoilers
"The Werewolf" is a good film from the 1950s with a different angle. Instead of the doomed person being bitten by a Werewolf, he is experimented on after a car crash. This is evident in the fact that he turns into a Werewolf even without a full moon and also in the daylight. Steven Ritch plays a very sympathetic Werewolf, much along the lines of Lon Chaney, Jr. in "The Wolfman". The Werewolf make-up is average but the locale is pretty. The acting is good as well. There isn't a whole lot of action but the movie sustains viewer interest. I think that had there been a bit more action, I would rate this higher. Given the limited budget, I think that the producer and director did a very credible job. Overall, I'd say the film is very entertaining.
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6/10
Atom-Age Lycanthrope.
AaronCapenBanner30 October 2013
Fred F. Sears directed this better-than-expected science fiction horror tale that stars Steven Ritch as an auto-accident survivor who is rescued by two scientists who inject him with an experimental serum intended to cure nuclear fallout, but instead has the unfortunate side-effect of turning him into a werewolf, which proceeds to terrorize the local mountain community, with his concerned wife and son in pursuit.

Not bad thriller dispenses with supernatural clichés to present a scientific explanation for the werewolf, an innovative touch. Steven Ritch is excellent, making you care about his tragic plight. Other performances are good, with effective location filming. Memorable bridge climax is fine(if a bit too abrupt). Has some obvious flaws, but otherwise a reasonably tense thriller.
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4/10
Predictable, but interesting.
michaelRokeefe9 June 2000
A not very scary horror movie. The familiar plot takes a lot away from the film. The music and scenery out shines the acting in this black and white tale of a fellow that sporadically turns into a wolf. Unfortunate Duncan Marsh is treated with an experimental serum following a car accident. Not only does he wander around with amnesia; when he feels threatened, he turns into a werewolf.

Steven Ritch plays Marsh. Harry Lauter is the Deputy, just one of the many gun toting folks trying to catch the wolf man. Also appearing are Joyce Holden and Don Megowan. Not exactly a BOMB, but far from a great horror thrill.
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6/10
Decent Adaptation Of The Werewolf Genre To The 1950's Cold War Era
sddavis631 January 2013
I'd be the first one to admit that this isn't the greatest werewolf movie that's ever been made. In a lot of ways, it's pretty standard, B- movie stuff. In the action and the chills there really isn't much here that you won't see in other werewolf movies from the era. The cast isn't especially well known (it is a low-budget, B-movie after all, so it doesn't have anyone even approaching the status of a "star") although the performances are fine. The "transformation" scenes are pretty standard for the era; the makeup is OK. What really made this work, though, was the premise. The relatively mundane title suggests a lack of creativity; in fact, this was a rather unique way of approaching the genre.

It's a pretty good way of blending a 1940's "horror" type theme (werewolves) with a 1950's theme (radiation, and the fear of nuclear war and the fallout from it.) Essentially, the werewolf in this is an even more sympathetic figure than usual. After suffering a minor injury in a car accident, Duncan (Steven Ritch) is experimented on by two doctors who want to find out what would happen if people were exposed to large doses of radiation, so that they can be prepared to deal with (and survive) the aftermath of an atomic war. What they discover is that the radiation turns Duncan into a bloodthirsty, werewolf-type beast who goes on a killing spree in a small town and in the woods surrounding it. So there's no full moon in this, no animal bite. The guy is just the victim of the experiments of a couple of unsavoury scientists.

It fits perfectly with the 1950's, Cold War era. People were afraid of nuclear war; they were afraid of radiation and what it might do as the weapons got progressively more and more powerful. So this, as a horror movie, would have managed to do what any decent horror movie tries to do - it would have played on the very real fears of every day people; a point the movie itself makes toward the end, in a scene when it's mentioned that people are afraid because now that they know it can happen to anyone, they also know there's a chance it could happen to them. This is a decent movie. (6/10)
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4/10
Good-looking but pointless co-feature is awfully familiar stuff...
moonspinner5511 January 2008
Residents of a mountain town are frightened out of their wits when a half-man/half-wolf goes on a rampage in their village (apparently they don't go to the movies much). Seems a car accident victim was taken in by two elderly doctors who performed a sneaky experiment on him in their laboratory--mad scientists in the modern age! Now, the werewolf--in a cheap suit and black Florsheims--is hungrily chasing down sheep in the snowy terrain and side-stepping the bear-traps. Routine B-movie, directed by Fred F. Sears (King of the Co-Features over at Columbia Studios), certainly looks good thanks to fine locations in Big Bear, CA and Edward Linden's crisp cinematography; however, the gaps of logic in the narrative and Sears' drowsy pacing make for an extremely long 80 minutes. Sears had a good ear for natural-sounding dialogue, and his cast (mostly unknowns, with the exception of curvy Joyce Holden as the doctor's assistant) is quite good. Still, this is the weepiest monster movie ever, with bleeding-heart characters who eventually (and humorously) turn in their liberal values for torches on their way up the mountain to kill the monster. Paging Maria Ouspenskaya! *1/2 from ****
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6/10
It's "Science" That's The True Monster!
Celluloid_Fiend10 September 2019
Warning: Spoilers
The ancient lore of a man turning into a beast, is a superstition nearly as old as man himself. But rather than the usual supernatural route such stories typically have, "The Werewolf" takes a different path, based in science, to fit the era of the Atomic Age it was created in.

After an unsuspecting salesman has a car accident, two scientists take him back to their lab and inject him with a serum they have been creating to fight off radiation from nuclear fallout. Unfortunately, the serum has the effect of turning him into a murderous werewolf. And now the man is trapped and a target for death, between a town that is fearful of him and the scientists looking to cover-up their horrific deed.

I liked the twist on the classic take of lycanthropy they did here, giving it a more modern and realistic feel. The backdrop of fear of nuclear annihilation as the catalyst for his predicament, certainly fit he mood and times of America in the 1950's. Steven Ritch was good as the hapless man who has been made into a monster. His anxiety and fear at what he's become came across as genuine. Don Megowan's turn as the town's sheriff, out to stop the monster but somewhat conflicted on just how to do it, was also a nice touch. I liked how he straddled the line between protecting the town and having compassion for the plight of the man made a monster. The moral quandaries he faces, between his duty to the badge and his sympathy for a man in an extraordinary circumstance, brought a nice dimension to the story. Most of the other performances range from adequate to unmemorable, which isn't surprising for 50's horror fare.

There were a few things that bugged me, however. First off, the scenes of the werewolf running through the woods, and the people out searching for him in them, seemed to drag at times. Like they were trying to pad out the film's length. At 79 minutes, there was easily a good 10 minutes that could have been trimmed and nothing of value would have been lost. Then you have the fact we never got to see the car accident and the scientists actually experiment on the man. Not even a flashback sequence. The extra time spent with the running in the woods scenes could have easily been used for such an important scene in the film. I also didn't care for the wife and son of the monster (played by Eleanore Tanin and Kim Charney, respectively). They really didn't add anything of value to the story and weren't even used in the final act of the film. Lastly, the ending of the film came off as rather abrupt and lacking in any kind of dynamic punch. It just sort of ends, right after the monster is shot. A very unsatisfying conclusion, to what had been a rather interesting and somewhat entertaining film.

In the end, "The Werewolf" certainly broken some ground and took some chances with the classic trope of a man becoming a raving beast, adding a more modern take to a well wore bit of folklore. But some missed opportunities and poor filming choices, hinder it from becoming a truly all-time classic film. Still, for the interesting and unexpected direction it takes with something we all know so very well, that being the origins of lycanthropy, it still might be worth a watch for horror buffs and those who love the classic '"creature feature."
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4/10
Poor Werewolf...
TheCrowing133 January 2009
Warning: Spoilers
I purchased this movie expecting it to be half-ass considering I bought it in the Sam Katzman's producers pack. I was surprised to find an interesting film in which a sympathetic character is cursed well...(I don't want to spoil the movie at all) I was enjoying the film until about 50 or 60 min into it, at that point I wanted the story to move along the film spends a lot of time wandering in the hunt to find this abomination. Which you never really see much of, this is the kind of monster movie were the creature needs to be seen early in a spectacular way. This does not happen here, you don't even witness a transformation occurring, the real let down. I was still surprised how much i felt pity on the main character and wanted him to become cure. The film still didn't do it for me though when I start looking at the clock during a movie, it's not getting anything above 5 stars. 4/10
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8/10
A Pleasant Surprise For Horror Buffs
david-puckett9 October 2003
This is quite a good low budget film with a new twist to the werewolf story. There is nothing supernatural here. Forget the wolfbane and the silver bullets. Steven Ritch has the lead role and does a splendid job, making the monster even more sympathetic than the long suffering Larry Talbot of the Universal Wolfman flicks. His character, Duncan Marsh, appears in a mountain town having no memory of who he is or how he got there. Leaving a tavern, he is followed by a man who intends to rob him. The man pulls him into an alley and the werewolf claims his first victim. The story plays well the rest of the way. We find out that Duncan Marsh's condition is brought on by two doctors who use him as a test subject while treating him for injuries sustained in a car accident. A supporting cast of unknowns do a decent job of being believable. Elenore Tanin is especially effective as Duncan Marsh's wife. The Big Bear Lake locations give the film a lot of help.
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6/10
Has its moments!
JohnHowardReid23 August 2017
Warning: Spoilers
Steven Ritch (Duncan Marsh/the werewolf), Don Megowan (Jack Haines), Joyce Holden (Amy Standish), Kim Charney (Helen Marsh), Eleanore Tannin (Chris Marsh), Harry Lauter (Sheriff Clovey), Larry J. Blake (Dirgus), Ken Christy (Dr James Gilchrist), James Gavin (Fanning), S. John Launer (Dr Emery Forrest), George M. Lynn (Dr Morgan Chambers), George Cisar (Hoxie), Don C. Harvey (1st deputy), Ford Stevens (1st reporter), Marjorie Stapp (Min), Jean Charney (Cora), Jean Harvey (old woman).

Director and narrator: FRED F. SEARS.

U.K. release: 1 September 1956. 79 minutes.

COMMENT: Most attractively photographed -- and on real locations yet -- but rather indifferently directed for the most part and rather routinely scripted.

After a dramatic opening, Fred F. Sears' direction comes across as disappointingly routine. Although the special effects are effectively contrived, this particular movie could be regarded as but a minor entry in the werewolf cycle.

But it does have at least two more pleasing aspects, aside from its excellent black-and-white photography and its real locations. Our heroine, Joyce Holden, for instance, comes across as a mighty attractive lass. Alas, although she appeared in quite a few TV roles, she made only a dozen movies, of which this is the second last!

And it was also nice to see Harry Lauter (who really impressed us in "King of the Carnival") in a featured spot in this entry as the dull and stolid hero's deputy.
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5/10
Where's the horror?
Leofwine_draca27 June 2022
THE WEREWOLF (1956) is an American B-movie horror yarn that I caught on telly the other night. It begins with an amnesiac wandering into a bar before finding himself assaulted by the town drunk, but he has a surprise in store that soon leads the whole town on a manhunt. You don't hear much about this production and on seeing it you realise why: there's very little horror content and it feels much like a standard drama in terms of plotting and character. It also jettisons most of the expected werewolf mythos and atmosphere and other than some cool transformation scenes, doesn't have a whole lot to offer the seasoned horror fan; I WAS A TEENAGE WEREWOLF is much more fun.
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