Vesna na Zarechnoy ulitse (1956) Poster

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10/10
Movie of my childhood!
alijul-116 December 2007
I love this movie. I have a copy of it and I can watch it several times a month. I think that every woman (no matter what age) would want to be looked so adoringly at as Rybnikov looks at Ivanova in the last moments of the movie. This is a movie of my childhood and I may not be objective. But the actors are really good in it and sincerity and naivety of the story is just wonderful. Nina Ivanova had a short part in Ryasanov's "Easy Life" (Leghaya Zhisn) where she played the same part of Tatiana Sergeevna by then married to Alexander Savchenko (Rybnikov's part). I wonder how all that came around. May be that question should be directed to Eldar Ryasanov. Does anyone know about Ivanova's life? Is she still alive?
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Monumental film of Snow melting era
Dada_Tonya19 February 2003
Hi !

I recently saw this very old 1956 Soviet film in Russian TV and very much impressed to main roll actress Ms.Nina Ivanova of her beauty and excellent ability to play her roll.

Also theme song of this film is lovely and easy to sing.

This film might be one of best films of so called "snow melting era" of Soviet Union (after death of Josef Stalin in 1954) where peoples still had huge hope over the future of Soviet Union.

Even after collapse of Soviet Union, this film is still shining because of its straight hymn to human life.
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10/10
Very clean and soulful Soviet film
gala_potihonku4 August 2020
Warning: Spoilers
A must-see movie. A simple love story of a working guy and a teacher. There is no tricky plot or special effects. But it is not necessary. I really liked the scene in the classroom where Sasha confesses his love. Clean, from the heart, truthful and fervent. I watched and was a little jealous of Tatiana.

I think a lot of girls want to be loved with the same intensity. Note, despite the fact that the film is about love-not a single vulgar scene. And it doesn't look naive. No, I want to do the same.
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Spring on Zarechnaya Street (1956) d. Khutsiev and Mirroner
dkwootton17 October 2015
Spring on Zarechnaya Street (1956) is a romance following Tatyana, a new Russian literature professor teaching night school to workers, and Sasha Savchenko, a common factory worker that takes a liking to his teacher. Tatyana Sergeyevna precedes the Veronica character in The Cranes are Flying (1957), as they both reclaim the femininity that had been denied to women in socialist realism. The film is part of the Khrushchev Thaw, a period declaring Stalinism illegitimate and restoring the mitigation of Leninism. Cinema during the Khrushchev Thaw privileged the everyday Soviet, rather than the romanticized historical epics that categorized Late Stalinism. Directors Khutsiev and Mirroner literally portray the thaw on screen in the seasonal transition between winter and spring as we hold on puddles of melted ice.

While the out of sync audio in the YouTube version compromised the viewing experience and the moment of Sasha's embarrassment in the classroom was lost, as the paragraph on the blackboard is not translated, nevertheless Spring on Zarechnaya Street contains astonishing instances of cinematic beauty. As Sasha arrives at Tatyana's for tutoring, the two are staged facing each other in the frame but are separated on opposite planes. Khutsiev and Mirroner hold on the shot as the piano concert plays over the radio and the audience is able to grasp Sasha's longing for Tatyana. Several images stand out, such as the shallow focus close-up of Tatyana at the end of the dance as the out of focus couples hypnotically spiral around her face and the extreme long shot of Tatyana visiting the factory where she is entangled in the shadows of the overhead cables. The conclusion of the film is handled with remarkable elegance as Sasha opens the window into Tatyana's room causing a gust of wind to make a blizzard of Tatyana's papers.
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