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IMDb > Un condamné à mort s'est échappé ou Le vent souffle où il veut (1956)

Un condamné à mort s'est échappé ou Le vent souffle où il veut (1956)

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User Rating: 7.9/10 (2,705 votes)
Photos (see all 6 | slideshow)

Overview

Director:
Robert Bresson
Writers:
Robert Bresson (writer)
André Devigny (memoir)
Release Date:
26 August 1957 (USA) more
Genre:
Drama | Thriller | War more
Plot:
French Resistance activist Andre Devigny is imprisoned by the Nazis, and devotes his waking hours to planning an elaborate escape... more | add synopsis
Plot Keywords:
more
Awards:
Nominated for BAFTA Film Award. Another 2 wins & 1 nomination more
User Comments:
Triumph on Minimal Material in Realism more

Cast

 (Complete credited cast)
François Leterrier ... Lieutenant Fontaine
Charles Le Clainche ... François Jost
Maurice Beerblock ... Blanchet
Roland Monod ... Le Pasteur
Jacques Ertaud ... Orsini
Jean Paul Delhumeau ... Hebrard
Roger Treherne ... Terry
Jean Philippe Delamarre ... Prisoner No, 110
César Gattegno ... Le Prisonnier X
Jacques Oerlemans ... Chief Warder
Klaus Detlef Grevenhorst ... German Intelligence Officer
Leonhard Schmidt ... Le Convoyeur
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Additional Details

Also Known As:
A Man Escaped (USA) (short title)
A Man Escaped or: The Wind Bloweth Where It Listeth (USA) (complete title)
Vent souffle où il veut, Le (France) (short title)
more
Runtime:
99 min
Country:
France
Language:
French | German
Aspect Ratio:
1.37 : 1 more
Sound Mix:
Mono (Western Electric Sound System)
MOVIEmeter: ?
^ 10% since last week why?

Fun Stuff

Trivia:
Robert Bresson himself had been a prisoner of war during WWII. more
Movie Connections:
Featured in Weg naar Bresson, De (1984) more

FAQ

This FAQ is empty. Add the first question.
6 out of 8 people found the following comment useful:-
Triumph on Minimal Material in Realism, 20 January 2004
7/10
Author: jazzest (jazzest_jazzest@hotmail.com) from Chiba City, Japan

The stoically minimized material, a man's precisely prepared, calculated, and then executed escape from a Nazi-prison, effectively builds up an astonishingly intense tension. (For that matter, only similar film I can recall is Cluzot's Wages of Fear, made a couple of years earlier.) In this very quiet A Man Escaped, only music is sporadically inserted Mozart, but it might have worked better without any music.

Bresson audaciously began realism and stood alone in pre-New-Wave France, but left tremendous influences on generations of filmmakers to come.

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Related Links

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