14 out of 16 people found the following comment useful :- A great satire of the okinawan experience after WWII, 8 December 2004
Author:
r-silvestri from port orchard, wa. USA
I have spent many years on Okinawa and am always amazed at Brando's
ability to create a character (Sakini) that is true to the Okinawan
character. I have watched it many times over and enjoy it every time.
When I'm asked why I visit Okinawa so often, I usually loan them my
copy of "Teahouse" and wait for a response. It is a story of a
resilient and happy people who have retained their culture, through
many invasions. Brando's monologue at the beginning and end of the film
masterfully explains it all. The kids will like it and adults should
get a laugh while watching the arrogant victors being steered to the
Okinawan's needs in a hilarious manner. It's not quite history and it's
not quite fantasy, but it's all good fun.
10 out of 11 people found the following comment useful :- Fun and gentle view of cultures meeting, 26 March 2005
Author:
ddavis-usnr from Los Angeles, California
This film is an under-appreciated and charming little adventure set in
the time immediately after World War II. It has a very enjoyable mix of
some excellently-cast actors, from the laid-back Glenn Ford, the
frenetic Eddie Albert, and the pompous Paul Ford, to the host of
beguiling Japanese actors. Casting Marlon Brando as Sakini requires a
little suspension of belief, but his contribution quickly adds to the
seductive quality of the movie. It turns out to be a good send-up of
the officious, but largely benign, senior military leadership of the
era, but largely revolves around Glenn Ford's character, Capt. Fisby,
finding his métier. Mainly it is a loving and alluring little fiction
about two peoples getting to know and appreciate each other.
It is a very nice little comedy to be enjoyed, but it clearly is not
meant to be a documentary representation of U.S. Military occupation
forces, and if it is viewed as such, much of the magic of the movie
will be lost. While it may contain a few minor instances of the
attitudes of that day, some of which are no longer politically correct,
there is no malice in the characterizations and the overall message is
one of appreciation of both cultures. A very enjoyable way to escape
the hassle and hustle of today.
10 out of 11 people found the following comment useful :- Simply hilarious, 20 August 2000
Author:
SquirePM from Birmingham, Alabama
This movie is a joke! A joke! Get it??? A joke from beginning to end.
And it's hysterical. From the patently ludicrous comedy turn by Marlon
Brando to the patented comic shtick by the wonderful Paul Ford. With
Glenn Ford and Eddie Albert sandwiched in the middle in a farcical romp
that barely lets you stop laughing long enough to catch your breath.
Ah, the mighty American conquerors, hornswoggled by the "simple
peasants" of the beaten nation. Peter Sellers did this again a few
years later in The Mouse That Roared - - let's get the Americans to
beat us in a war so they'll make us rich!
But this one is a LOT funnier. ***** out of *****
And by the way, when I sent this tape to my daughter she called me and
said she liked the film but I told her Marlon Brando was in it, and he
wasn't! Ah, these twentysomethings!
10 out of 12 people found the following comment useful :- Brando great!, 14 April 2005
Author:
wiggy3056 from Philadelphia,Pa.
For a guy who had some heavy duty roles,Waterfront,Sreetcar etc. this
role was a real challenge for Brando and he is fabulous and steals
movie although Glenn Ford is great too. This shows Brando's brilliance
as an actor not that there was ever any doubt but this early in his
career to take this comedic challenge shows his versatility. Is Glenn
Ford ever bad? I don't think he gets the credit for all his talent.
This movie probably could not be made today a victim of PC. Must have
Asian play Asian and don't offend the the Japanese although the only
people made to look like fool were the Americans which is fine with me
because it's a comedy and people are suppose to look foolish. Never on,
but caught on TCM.
13 out of 19 people found the following comment useful :- great film, 9 March 2004
Author:
kyle_furr
Marlon Brando stars as a Japanese interpreter and Glenn Ford plays a captain
who has been in almost every branch in the military. Ford is ordered to go
to a Japanese village to teach the people about democracy and to build a
schoolhouse in the shape of the pentagon. The Japanese are only interested
in building a teahouse and their isn't enough money to build both. The
Japanese try to sell some homemade stuff but it won't sell until Ford finds
out that they also make brandy. The military can't get enough brandy, so
they build a teahouse instead of a schoolhouse. The military don't like what
Ford is doing so they send a psychiatrist but he ends up helping them out
instead. I thought Glenn Ford was great here and Brando also did a good job.
6 out of 6 people found the following comment useful :- Gentle fun, heartwarming - a gem !, 21 April 2005
Author:
Robert D. Ruplenas
I just had the chance to see this charming movie again in widescreen
format in what evidently is a new or restored print on Turner Classic
Movies, and I'm realizing that I love the flick more and more each time
I see it. The wonderful cast - Glenn Ford, Paul Ford (ironic - no
relation!), Eddie Albert, Marlon Brando and Harry Morgan - do a fine
job of playing out the movie's humorous meditation on culture clash,
and the ability of a strong but flexible people to maintain their
Eastern ways in the face of Western "aid". Brando, in particular, is
surprising; this is about as far from Stanley Kowalksi or Terry Malloy
as you can get, and one would not think him able to do much with a
humorous, cross-racial characterization, yet the brilliant and
convincing manner in which he pulls it off reminds us of the great
thespian talent he once possessed and which he tended to squander as
his life progressed. I believe this film had its origins in a very
successful stage play; we can thank the forces involved for committing
this funny, charming, and ultimately heart-warming story to celluloid.
Best line: "I've come to a state of gracious acceptance somewhere
between my ambitions and my limitations."
6 out of 7 people found the following comment useful :- It just gets better at every screening!, 2 December 2003
Author:
yvesrodier-1 from Montreal
This movie is soooooo funny!
For those who think it is racist, wake-up!!! The Americans are the ones
being made fun of! And Brando as a Japanese? Just hilarious!!! Who would
have thought?!
I can't believe that some people are saying Glenn Ford stumbles while
tying
to ad-lib his lines... IT IS CALLED ACTING!!! And he does a wonderful job
at
it!!!
See this movie, and judge by yourself! 4 1/2 * out of 5
7 out of 9 people found the following comment useful :- Above average comedy, 11 July 2004
Author:
Robert J. Maxwell (rmax304823@yahoo.com) from Deming, New Mexico
I've seen this several times and it loses nothing with re-viewing, as long
as you don't overdo it, I guess. Basically it's a story of Glen Ford going
native, seduced by Marlon Brando, Machiko Kyo, a horde of Okinawan
villagers, with Eddie Albert as a closet hydroponicist who gets sucked in
along the way.
It has its weaker moments when it becomes a little cute, the way sitcoms are
cute, and the ending is a feel-good addendum that tries to graft a happy
ending onto an unhappy situation. The ending is less organic than Eddie
Albert's vegetables.
Marlon Brando -- well, he's not Japanese. He's too tall and too hefty, and
the role was really beneath him. The guy at the time was a fantastic
dramatic actor, not a comedian. Paul Ford as Colonel Purdy is fine. No one
has expressed disbelief better while on the phone. Albert doesn't have to
do much. But Glen Ford couldn't be improved upon as Captain Fisbe, the
abject schlemiel who always flunks every test of wits that's thrown in his
direction. I couldn't stop laughing at some of the scenes -- Kyo wrestling
with Ford while she struggles to remove his clothing, and Colonel Purdy on
the phone, asking him, "What are you doing about physical education?", as
Ford flops gracelessly on the floor. Ford doing a fine imitation of having
a manic episode when Albert visits him -- "This is my cricket cage," and
then adding quickly, so as not to be misunderstood, "I haven't got my
cricket yet."
The script is full of yoks. Colonel Purdy demanding an explanation from
Ford of exactly what he's been teaching the villagers. "Well, Colonel, you
know, from each according to his abilities, to each according to his needs,
share and share alike --" Purdy: "That's COMMUNISM!"
Alas it falls apart after the show at the opening of the teahouse. But
that's nothing much, a wasted ten minutes. It's worth seeing, not only for
the many successful gags but for Glen Ford's superb performance as well.
6 out of 8 people found the following comment useful :- Marlon Brando as Japanese?, 5 May 2003
Author:
Ilya Mauter
Casting Marlon Brando in this film as Sakini, a Japanese interpreter for
American troops in post WW-II Japan is considered by many critics and film
historians alike as one of the worst casting errors ever made in a film
history. In my opinion, though, Marlon Brando is the one responsible for
turning this quite an average film into a hillarious comedy. Yes, they
really did it. With a little bit of make up and great effort from actor's
part to learn Japanese mannerism and language in order to get an accent in
his speech we have here Marlon Brando in his most unimaginable role. The
rest of the cast is also quite good, namely Paul Ford as Colonel Waiwright
Purdy III, a somehow cliche figure of
stubborn, narrow minded US military officer and Glenn Ford by his side as
Captain Fisby, for whom Brando's character Sakini ends up working as an
interpreter and, of cause, unforgettable Machiko Kyo, as a spirited geisha,
whom lovers of Japanese cinema must remember from Akira Kurosawa's films.
Directed by Daniel Mann (Butterfield 8, Come Back, Little Sheba) and based
on John Patrick's stage play that was a big hit on Broadway at it's time,
The Teahouse of the August Moon is slow in parts and in terms of some
aspects of the story considerably aged and outdated but still funny and
entertaining movie. 8/10
4 out of 6 people found the following comment useful :- A gem!, 11 July 2004
Author:
Almeirazz from California
This movie was the first chance to see Marlon Brando in a truly comical
role, not the "He Man"-unbelievably good! His accent, his body
movements, the Japanese he spoke, hard to believe this was the same man
who did the Waterfront.I really think he deserved an award for this
role. These were a couple of the most enjoyable hours I've ever spent.
Having lived in Okinawa, and familiar with the practical, down-to-earth
people there, I enjoyed the movie that makes so much fun and
caricatures narrow-mindedness and pompousness while exalting
creativity, adaptation, and "what really matters". The movie does make
fun of the narrow-mindedness of some Americans, and shows the Okinawans
with respect and tenderness, as assertive, business-minded, resilient,
and proud. A real quality movie, and I'm so glad I taped it from Turner
Classic movies.10 out of 10.
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The Teahouse of the August Moon (1956)
14 out of 16 people found the following comment useful :-
A great satire of the okinawan experience after WWII, 8 December 2004
Author: r-silvestri from port orchard, wa. USA
I have spent many years on Okinawa and am always amazed at Brando's ability to create a character (Sakini) that is true to the Okinawan character. I have watched it many times over and enjoy it every time. When I'm asked why I visit Okinawa so often, I usually loan them my copy of "Teahouse" and wait for a response. It is a story of a resilient and happy people who have retained their culture, through many invasions. Brando's monologue at the beginning and end of the film masterfully explains it all. The kids will like it and adults should get a laugh while watching the arrogant victors being steered to the Okinawan's needs in a hilarious manner. It's not quite history and it's not quite fantasy, but it's all good fun.
10 out of 11 people found the following comment useful :-

Fun and gentle view of cultures meeting, 26 March 2005
Author: ddavis-usnr from Los Angeles, California
This film is an under-appreciated and charming little adventure set in the time immediately after World War II. It has a very enjoyable mix of some excellently-cast actors, from the laid-back Glenn Ford, the frenetic Eddie Albert, and the pompous Paul Ford, to the host of beguiling Japanese actors. Casting Marlon Brando as Sakini requires a little suspension of belief, but his contribution quickly adds to the seductive quality of the movie. It turns out to be a good send-up of the officious, but largely benign, senior military leadership of the era, but largely revolves around Glenn Ford's character, Capt. Fisby, finding his métier. Mainly it is a loving and alluring little fiction about two peoples getting to know and appreciate each other.
It is a very nice little comedy to be enjoyed, but it clearly is not meant to be a documentary representation of U.S. Military occupation forces, and if it is viewed as such, much of the magic of the movie will be lost. While it may contain a few minor instances of the attitudes of that day, some of which are no longer politically correct, there is no malice in the characterizations and the overall message is one of appreciation of both cultures. A very enjoyable way to escape the hassle and hustle of today.
10 out of 11 people found the following comment useful :-

Simply hilarious, 20 August 2000
Author: SquirePM from Birmingham, Alabama
This movie is a joke! A joke! Get it??? A joke from beginning to end.
And it's hysterical. From the patently ludicrous comedy turn by Marlon Brando to the patented comic shtick by the wonderful Paul Ford. With Glenn Ford and Eddie Albert sandwiched in the middle in a farcical romp that barely lets you stop laughing long enough to catch your breath.
Ah, the mighty American conquerors, hornswoggled by the "simple peasants" of the beaten nation. Peter Sellers did this again a few years later in The Mouse That Roared - - let's get the Americans to beat us in a war so they'll make us rich!
But this one is a LOT funnier. ***** out of *****
And by the way, when I sent this tape to my daughter she called me and said she liked the film but I told her Marlon Brando was in it, and he wasn't! Ah, these twentysomethings!
10 out of 12 people found the following comment useful :-

Brando great!, 14 April 2005
Author: wiggy3056 from Philadelphia,Pa.
For a guy who had some heavy duty roles,Waterfront,Sreetcar etc. this role was a real challenge for Brando and he is fabulous and steals movie although Glenn Ford is great too. This shows Brando's brilliance as an actor not that there was ever any doubt but this early in his career to take this comedic challenge shows his versatility. Is Glenn Ford ever bad? I don't think he gets the credit for all his talent. This movie probably could not be made today a victim of PC. Must have Asian play Asian and don't offend the the Japanese although the only people made to look like fool were the Americans which is fine with me because it's a comedy and people are suppose to look foolish. Never on, but caught on TCM.
13 out of 19 people found the following comment useful :-

great film, 9 March 2004
Author: kyle_furr
Marlon Brando stars as a Japanese interpreter and Glenn Ford plays a captain who has been in almost every branch in the military. Ford is ordered to go to a Japanese village to teach the people about democracy and to build a schoolhouse in the shape of the pentagon. The Japanese are only interested in building a teahouse and their isn't enough money to build both. The Japanese try to sell some homemade stuff but it won't sell until Ford finds out that they also make brandy. The military can't get enough brandy, so they build a teahouse instead of a schoolhouse. The military don't like what Ford is doing so they send a psychiatrist but he ends up helping them out instead. I thought Glenn Ford was great here and Brando also did a good job.
6 out of 6 people found the following comment useful :-

Gentle fun, heartwarming - a gem !, 21 April 2005
Author: Robert D. Ruplenas
I just had the chance to see this charming movie again in widescreen format in what evidently is a new or restored print on Turner Classic Movies, and I'm realizing that I love the flick more and more each time I see it. The wonderful cast - Glenn Ford, Paul Ford (ironic - no relation!), Eddie Albert, Marlon Brando and Harry Morgan - do a fine job of playing out the movie's humorous meditation on culture clash, and the ability of a strong but flexible people to maintain their Eastern ways in the face of Western "aid". Brando, in particular, is surprising; this is about as far from Stanley Kowalksi or Terry Malloy as you can get, and one would not think him able to do much with a humorous, cross-racial characterization, yet the brilliant and convincing manner in which he pulls it off reminds us of the great thespian talent he once possessed and which he tended to squander as his life progressed. I believe this film had its origins in a very successful stage play; we can thank the forces involved for committing this funny, charming, and ultimately heart-warming story to celluloid. Best line: "I've come to a state of gracious acceptance somewhere between my ambitions and my limitations."
6 out of 7 people found the following comment useful :-

It just gets better at every screening!, 2 December 2003
Author: yvesrodier-1 from Montreal
This movie is soooooo funny!
For those who think it is racist, wake-up!!! The Americans are the ones being made fun of! And Brando as a Japanese? Just hilarious!!! Who would have thought?!
I can't believe that some people are saying Glenn Ford stumbles while tying to ad-lib his lines... IT IS CALLED ACTING!!! And he does a wonderful job at it!!!
See this movie, and judge by yourself! 4 1/2 * out of 5
7 out of 9 people found the following comment useful :-
Above average comedy, 11 July 2004
Author: Robert J. Maxwell (rmax304823@yahoo.com) from Deming, New Mexico
I've seen this several times and it loses nothing with re-viewing, as long as you don't overdo it, I guess. Basically it's a story of Glen Ford going native, seduced by Marlon Brando, Machiko Kyo, a horde of Okinawan villagers, with Eddie Albert as a closet hydroponicist who gets sucked in along the way.
It has its weaker moments when it becomes a little cute, the way sitcoms are cute, and the ending is a feel-good addendum that tries to graft a happy ending onto an unhappy situation. The ending is less organic than Eddie Albert's vegetables.
Marlon Brando -- well, he's not Japanese. He's too tall and too hefty, and the role was really beneath him. The guy at the time was a fantastic dramatic actor, not a comedian. Paul Ford as Colonel Purdy is fine. No one has expressed disbelief better while on the phone. Albert doesn't have to do much. But Glen Ford couldn't be improved upon as Captain Fisbe, the abject schlemiel who always flunks every test of wits that's thrown in his direction. I couldn't stop laughing at some of the scenes -- Kyo wrestling with Ford while she struggles to remove his clothing, and Colonel Purdy on the phone, asking him, "What are you doing about physical education?", as Ford flops gracelessly on the floor. Ford doing a fine imitation of having a manic episode when Albert visits him -- "This is my cricket cage," and then adding quickly, so as not to be misunderstood, "I haven't got my cricket yet."
The script is full of yoks. Colonel Purdy demanding an explanation from Ford of exactly what he's been teaching the villagers. "Well, Colonel, you know, from each according to his abilities, to each according to his needs, share and share alike --" Purdy: "That's COMMUNISM!"
Alas it falls apart after the show at the opening of the teahouse. But that's nothing much, a wasted ten minutes. It's worth seeing, not only for the many successful gags but for Glen Ford's superb performance as well.
6 out of 8 people found the following comment useful :-

Marlon Brando as Japanese?, 5 May 2003
Author: Ilya Mauter
Casting Marlon Brando in this film as Sakini, a Japanese interpreter for American troops in post WW-II Japan is considered by many critics and film historians alike as one of the worst casting errors ever made in a film history. In my opinion, though, Marlon Brando is the one responsible for turning this quite an average film into a hillarious comedy. Yes, they really did it. With a little bit of make up and great effort from actor's part to learn Japanese mannerism and language in order to get an accent in his speech we have here Marlon Brando in his most unimaginable role. The rest of the cast is also quite good, namely Paul Ford as Colonel Waiwright Purdy III, a somehow cliche figure of stubborn, narrow minded US military officer and Glenn Ford by his side as Captain Fisby, for whom Brando's character Sakini ends up working as an interpreter and, of cause, unforgettable Machiko Kyo, as a spirited geisha, whom lovers of Japanese cinema must remember from Akira Kurosawa's films.
Directed by Daniel Mann (Butterfield 8, Come Back, Little Sheba) and based on John Patrick's stage play that was a big hit on Broadway at it's time, The Teahouse of the August Moon is slow in parts and in terms of some aspects of the story considerably aged and outdated but still funny and entertaining movie. 8/10
4 out of 6 people found the following comment useful :-

A gem!, 11 July 2004
Author: Almeirazz from California
This movie was the first chance to see Marlon Brando in a truly comical role, not the "He Man"-unbelievably good! His accent, his body movements, the Japanese he spoke, hard to believe this was the same man who did the Waterfront.I really think he deserved an award for this role. These were a couple of the most enjoyable hours I've ever spent. Having lived in Okinawa, and familiar with the practical, down-to-earth people there, I enjoyed the movie that makes so much fun and caricatures narrow-mindedness and pompousness while exalting creativity, adaptation, and "what really matters". The movie does make fun of the narrow-mindedness of some Americans, and shows the Okinawans with respect and tenderness, as assertive, business-minded, resilient, and proud. A real quality movie, and I'm so glad I taped it from Turner Classic movies.10 out of 10.
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