Overview
Tagline:
... there was nothing to hold onto - except each other.
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Plot:
A small-town doctor learns that the population of his community is being replaced by emotionless alien duplicates.
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User Comments:
Don't let the title fool you. This one is a classic.
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| James V. King | .... | additional camera operator: final sequence (uncredited) |
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Crew believed to be complete
Additional Details
Also Known As:
Sleep No More
They Came from Another World (USA) (working title)
Walter Wanger's Invasion of the Body Snatchers (USA) (complete title)
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Runtime:
80 min
Aspect Ratio:
2.00 : 1
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Sound Mix:
Mono (Perspecta Sound encoding) (Western Electric Recording)
MOVIEmeter: 
12% since last week
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Fun Stuff
Trivia:
Only $15,000 of the budget was spent on special effects.
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Goofs:
Continuity: When Miles is carrying the sleeping Becky from her house to his car, her right arm is hanging limp on the way down the stairs and her left arm is holding Miles. But in the next shot at the front door her body position is changed, with her right arm around Miles shoulder and left arm hanging limp.
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This is one of the great movie allegories. Yes, it is an allegory on the McCarthy era. Yes, it is an allegory on conformist America. But it is also an allegory on the evils of communism and fascism. Yes, it is a plea for sanity and individualism, for creativity and artistic freedom. And again yes it is a great directorial achievement for Don Siegel. All that aside it is also an entertaining film that does what any great movie should do, it moves. The dialog is not stilted or full of clichés. It is original and insightful without becoming preachy. Was Kevin McCarthy chosen because his name was McCarthy and the film runs counter to McCarthism? I think he was chosen because he was one of the gifted actors of the 1950's whose talents were not fully realized by the film industry. His fellow actors and actresses in the movie shared the same fate. The movie is also a top notch thriller, as good as any Hitchcock. When you're talking about the films of the 1950's that help define the period only a few come to mind: "The Wild One," "Rebel Without A Cause," and "Bad Day at Black Rock" are often cited. But "The Invasion of the Body Snatchers" is the one to study. It epitomizes the American outlook and cold war hysteria of the era as no other film from the decade does.