Baby Doll (1956)

Director:

Elia Kazan

Writer:

Tennessee Williams (screenplay)

Release Date:

18 December 1956 (USA)

Genre:

Drama

Tagline:

19 years old and married...but not really!

Plot:

Steamy tale of two Southern rivals and a sensuous 19-year-old virgin.

Plot Keywords:

Repression | African American | Desire | Business Rivalry | Cotton

Awards:

Nominated for 4 Oscars. Another 2 wins & 8 nominations

Cast

Karl Malden	...	Archie Lee Meighan
Carroll Baker	...	Baby Doll Meighan
Eli Wallach	...	Silva Vacarro
Mildred Dunnock	...	Aunt Rose Comfort
Lonny Chapman	...	Rock
Eades Hogue	...	Town Marshal
Noah Williamson	...	Deputy

Runtime:

114 min | Argentina:115 min

Country:

USA

Language:

English

Color:

Black and White

Sound Mix:

Mono (RCA Sound System) | Stereo

Certification:

USA:R (re-rating 1969) | USA:Unrated (video rating) | USA:Approved (original rating) | Argentina:16 | Finland:K-16 | UK:X (original rating) | UK:PG (video rating)

Filming Locations:

Benoit, Mississippi, USA

Company:

Newtown Productions

Trivia:

Tennessee Williams's first choice for the title role of Baby Doll was Marilyn Monroe, (who was straining to improve herself as an actress at the time and wanted the role badly), although Elia Kazan preferred newcomer Carroll Baker, whose work he was familiar with from the Actors' Studio in New York.

Goofs:

Continuity: After Silva bursts through the door in the attic, Baby Doll is shown running from him with her blanket wrapped around her. The instant before she falls on to the attic beam, she removes the blanket, and holds it in her left hand. In the very next shot, after she has fallen, the blanket is wrapped around her body once again.

Quotes:

Silva Vacarro: Your husband sweats more than any man I know, and now I can understand why.

Movie Connections:

Featured in Sex at 24 Frames Per Second (2003) (V)

Soundtrack:

Shame, Shame, Shame

Uproariously funny black comedy about sexual frustration.

Wonderfully original, even after all this time, due to the matchless dialog of Tennessee Williams and the superb performances of the three principals, Karl Malden, Carroll Baker and Eli Wallach. Wickedly funny, sly and loopy all at the same time. A view of Southern white trash which only Tennessee Williams could have penned. Carroll Baker in a first class performance as the still-virginal but sexually precocious Baby Doll, married for two years but refusing to consummate her marriage until her twentieth birthday, looming large. Karl Malden as the frustrated husband, panting to get his hands on her, and Eli Wallach as the neighbor, determined to seduce Baby Doll before Malden, in revenge for Malden's burning down his cotton gin. Totally off the wall characterization with rich, witty dialog that constantly takes one by surprise. Watching Malden and Baker's characters with their dumber than dumber take on things (that totally cracks one up at their sheer stupidity!) one wonders just how much in-breeding Williams had in mind when he invented these people. Even Mildred Dunnock, as the minor fourth character of the ensemble, a batty aunt, has a full share of crazy antics that almost has one falling on the floor. Eli Wallach turns in a sly, smoother than smooth performance as the potential seducer that is wonderfully nuanced. When the movie first appeared is was condemned by the Catholic Church. Apparently there are critics who still uphold those initial views and would prefer to return to the time of total censorship than adopt a more realistic view of life. Baby Doll is not an indecent movie and never was. What it is is a glorious black comedy that has a place amongst the best works that Williams ever produced. Last, but not least, kudos to director Elia Kazan, who passed away on the very evening that this viewer was privileged to finally get to see this movie. This is definitely one for the collection!