| Photos (see all 11 | slideshow) |
| Ralph Meeker | ... | Mike Hammer | |
| Albert Dekker | ... | Dr. G.E. Soberin | |
| Paul Stewart | ... | Carl Evello | |
| Juano Hernandez | ... | Eddie Yeager | |
| Wesley Addy | ... | Lt. Pat Murphy | |
| Marian Carr | ... | Friday | |
| Maxine Cooper | ... | Velda | |
| Cloris Leachman | ... | Christina Bailey | |
| Gaby Rodgers | ... | Gabrielle | |
| Nick Dennis | ... | Nick | |
| Jack Lambert | ... | Sugar Smallhouse | |
| Jack Elam | ... | Charlie Max | |
| Jerry Zinneman | ... | Sammy | |
| Leigh Snowden | ... | Cheesecake | |
| Percy Helton | ... | Doc Kennedy | |
| Mady Comfort | ... | Nightclub Singer | |
| rest of cast listed alphabetically: | |||
| Mort Marshall | ... | Ray Diker | |
| Strother Martin | ... | Harvey Wallace | |
| Sam Balter | ... | Radio Announcer (voice) (uncredited) | |
| Eddie Beal | ... | Sideman (uncredited) | |
| Marjorie Bennett | ... | Manager (uncredited) | |
| Fortunio Bonanova | ... | Carmen Trivago (uncredited) | |
| Leonard Bremen | ... | Man in Parked Car (uncredited) | |
| Robert Cornthwaite | ... | FBI agent (uncredited) | |
| Yvonne Doughty | ... | Receptionist (uncredited) | |
| Jesslyn Fax | ... | Horace's Wife (uncredited) | |
| John George | ... | Popcorn Vendor (uncredited) | |
| Joe Hernandez | ... | Radio Announcer (voice) (uncredited) | |
| Art Loggins | ... | Bartender (uncredited) | |
| Mara McAfee | ... | Nurse (uncredited) | |
| James McCallion | ... | Horace (uncredited) | |
| Silvio Minciotti | ... | Mover (uncredited) | |
| Ben Morris | ... | Radio Announcer (uncredited) | |
| Leonard Mudie | ... | Athletic Club Clerk (uncredited) | |
| Paul Richards | ... | Attacker (uncredited) | |
| Bing Russell | ... | Police Detective (uncredited) | |
| James Seay | ... | FBI agent (uncredited) | |
| Robert Sherman | ... | Gas Station Man (uncredited) | |
| Kitty White | ... | Vocalist in club (opening credits) (uncredited) | |
Directed by | |||
| Robert Aldrich | |||
Writing credits | ||
| Mickey Spillane | (novel "Kiss Me Deadly") | |
| A.I. Bezzerides | (writer) | |
Produced by | |||
| Robert Aldrich | .... | producer | |
| Victor Saville | .... | executive producer | |
Original Music by | |||
| Frank De Vol | (as Frank Devol) | ||
Cinematography by | |||
| Ernest Laszlo | |||
Film Editing by | |||
| Michael Luciano | |||
Casting by | |||
| Jack Murton | |||
Art Direction by | |||
| William Glasgow | |||
Set Decoration by | |||
| Howard Bristol | |||
Makeup Department | |||
| Robert J. Schiffer | .... | makeup artist (as Bob Schiffer) | |
Production Management | |||
| Jack R. Berne | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Robert H. Justman | .... | assistant director (as Robert Justman) | |
| Mark Sandrich Jr. | .... | assistant director (uncredited) | |
Sound Department | |||
| Jack Solomon | .... | sound | |
Music Department | |||
| Frank De Vol | .... | conductor | |
| Albert Harris | .... | orchestrator | |
Other crew | |||
| Robert Sherman | .... | assistant to producer | |
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Saw "Kiss Me Deadly" at the Aero Theater in Santa Monica as part of the Film Noir Festival which happens every year there. First time viewing, and expectations were high. We were lucky enough to have the first assistant director from the film, and Maxine Cooper who played Velda waved at us from the back of the cinema. However, the pre-film discussion was lackluster and a missed opportunity. The film itself was a gripping, complex tale, where neither the characters nor the audience knew what was going on. This Mike Hammer-played unconvincingly by big muscled, Beach boy looking Ralph Meeker is an opportunist with a heart of gold, a cad with a conscience, a bully with a soft streak. His sidekick and secretary Velda, didn't have the femme fatale aura I would have expected. However, there are a host of other character actors who flit in and out of the film who are worth the price of admission: Nick Dennis as Nick, Hammer's idiosyncratic car mechanic (va va voom); Leigh Snowden as Hammer's fastest pick-up ever and Cloris Leachman in a small but pivotal role, in her first film. Where the film falls down is in its central intrigue: 'the "great whatsit' which Hammer and everyone else in the movie is chasing, has a dated, ho-hum quality once the cat is out of the bag. Apparently the film was controversial in its day and the studio may or may not have been behind the changing of the ending at the time "Kiss Me Deadly "was issued. According to our presenter the final 5 minutes were confusingly cut to satisfy the U.S. Government. We got to see the film as originally intended by the director, but there's nothing there now which warrants the fuss made 50 years ago. In fact, the supposed "incredible" ending I've read about in other reviews played cheesily to me, to use a classic film critique term. Still, "Kiss Me Deadly" is worth seeing, as much for its foibles as its accomplishments, as well as for its wonderful glimpses into downtown Los Angeles, and Bunker Hill before the skyscrapers replaced its Victorian tenements.