| Photos (see all 19 | slideshow) |
| Jacques Tati | ... | Monsieur Hulot | |
| Nathalie Pascaud | ... | Martine | |
| Micheline Rolla | ... | The Aunt (as Michèle Rolla) | |
| Valentine Camax | ... | Englishwoman | |
| Louis Perrault | ... | Fred | |
| André Dubois | ... | Commandant | |
| Lucien Frégis | ... | Hotel Proprietor (as Lucien Fregis) | |
| Raymond Carl | ... | Waiter | |
| René Lacourt | ... | Strolling Man | |
| Marguerite Gérard | ... | Strolling Woman | |
| rest of cast listed alphabetically: | |||
| Georges Adlin | ... | South American (uncredited) | |
| Michèle Brabo | ... | Holidaymaker (uncredited) | |
| Édouard Francomme | ... | (uncredited) | |
| Christopher Lee | ... | Voices in English language version (uncredited) | |
| Suzy Willy | ... | Commandant's Wife (uncredited) | |
Directed by | |||
| Jacques Tati | |||
Writing credits(in alphabetical order) | ||
| Pierre Aubert | screenplay (uncredited) | |
| Jacques Lagrange | screenplay (uncredited) | |
| Henri Marquet | dialogue | |
| Henri Marquet | screenplay | |
| Henri Marquet | story | |
| Jacques Tati | dialogue | |
| Jacques Tati | screenplay | |
| Jacques Tati | story | |
Produced by | |||
| Fred Orain | .... | producer | |
| Jacques Tati | .... | producer (uncredited) | |
Original Music by | |||
| Alain Romans | |||
Cinematography by | |||
| Jacques Mercanton | |||
| Jean Mousselle | |||
Film Editing by | |||
| Suzanne Baron | (uncredited) | ||
| Charles Bretoneiche | (uncredited) | ||
| Jacques Grassi | (uncredited) | ||
Production Design by | |||
| Roger Briaucourt | |||
| Henri Schmitt | |||
Set Decoration by | |||
| Henri Schmitt | |||
Production Management | |||
| Fred Orain | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Pierre Aubert | .... | assistant director (uncredited) | |
Art Department | |||
| Pierre Clauzel | .... | property master | |
| André Pierdel | .... | property master | |
Sound Department | |||
| Jacques Carrère | .... | sound recordist | |
| Roger Cosson | .... | sound | |
| Guy Michel-Ange | .... | sound editor | |
Camera and Electrical Department | |||
| Pierre Ancrenaz | .... | assistant camera (as P. Ancrenaz) | |
| André Villard | .... | assistant camera (as A. Villard) | |
| Le Chevallier | .... | assistant camera (uncredited) | |
| André Marquette | .... | assistant camera (uncredited) | |
| Fabien D. Tordjmann | .... | assistant camera (uncredited) | |
| André Villard | .... | camera operator (uncredited) | |
Editorial Department | |||
| Raymond Dechanseau | .... | synchronization (uncredited) | |
Other crew | |||
| Sylvette Baudrot | .... | script girl | |
| Bernard Maurice | .... | general administrator | |
| Philip Schwob | .... | location manager (uncredited) | |
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| Play Time | Morte a Venezia | Vers le sud | Home Alone 2: Lost in New York | Jour de fête |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb France section | Add this title to MyMovies |
If you do not have the time or money to travel back to 1953 to spend a French holiday, you might as well just watch M. Hulot's Holiday. Honestly holidays are stressful and barely ever as good as you want them to be anyway, while this movie was much more than I expected it to be.
The humor in the film is warm, never condescending or patronizing to the characters. There is always the sense of fun. The movie really sells itself to me by not making Mr. Hulot a buffoon alone in the crowd. Circumstance and happening reveals everyone to be capable of situational humor, the accidents of the movie are shared with a laugh.
It is an observational movie, and the majority of the humor is not forced, neither upon us nor upon the movie itself. It merely shows how people can get involved in each others' lives, how funny the average day can be. It is like attending a family reunion, really. The camera does not stick itself to Mr. Hulot, but goes anywhere for a laugh. If a small boy is doing something funny, the camera will be there to capture it all, and then leave the boy. This would make another film feel large, but because there is no story to the film, because there is no main character to feel especially attached to, it always feels personal, it always feel like you are seeing something nobody else is.
Perhaps the best part is that the film sticks with you for days afterward, and soon Mr. Hulot's Holiday shows its real genius, as you start noticing similar things happening around you.