The sun shines bright on the Tiffany Network's daytime fans. CBS has renewed its entire daytime lineup through the 2016-2017 television season.
CBS has renewed the Let's Make a Deal, The Price Is Right, The Young and the Restless, The Bold and the Beautiful, and The Talk TV shows through 2017. (It's worth noting that CBS had renewed Y&R through 2017 back in January 2014.)
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CBS has renewed the Let's Make a Deal, The Price Is Right, The Young and the Restless, The Bold and the Beautiful, and The Talk TV shows through 2017. (It's worth noting that CBS had renewed Y&R through 2017 back in January 2014.)
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- 4/27/2016
- by TVSeriesFinale.com
- TVSeriesFinale.com
The 2014 Viennale gets underway on October 23rd and runs to November 6th. The festival has published a preview of their lineup:
Features
Frank (Lenny Abrahamson)
Jauja (Lisandro Alonso)
Clouds of Sils Maria (Olivier Assayas)
Winter Sleep (Nuri Bilge Ceylan)
Whiplash (Damien Chazelle)
Two Day, One Night (Jean-Pierre & Luc Dardenne)
Li'l Quinguin (Bruno Demont)
Hard to Be a God (Aeksej German)
Adieu au langage (Jean-Luc Godard)
Mambo Cool (Chris Gude)
Amour fou (Jessica Hausner)
The Last Summer of the Rich (Peter Kern)
Time Lapse (Bradley King)
The Kindergarten Teacher (Nadav Lapid)
Sorrow and Joy (Nils Malmros)
Suddarth (Richie Mehta)
Macondo (Sudabeh Mortezai)
Force Majeure (Ruben Ostlund)
I'm Not Him (Tayfun Pirselimoglu)
Favula (Raúl Perrone)
Buzzard (Joel Potrykus)
A Proletarian Winter's Tale (Julian Radlmaier)
Two Shots Fired (Martín Rejtman)
Mauro (Hernán Rosselli)
The Sad Smell of Flesh (Cristóbal Arteaga Rozas)
Love is Strange (Ira Sachs)
The Tribe (Myroslav Slaboshpytskiy)
Why Don't You Play in Hell?...
Features
Frank (Lenny Abrahamson)
Jauja (Lisandro Alonso)
Clouds of Sils Maria (Olivier Assayas)
Winter Sleep (Nuri Bilge Ceylan)
Whiplash (Damien Chazelle)
Two Day, One Night (Jean-Pierre & Luc Dardenne)
Li'l Quinguin (Bruno Demont)
Hard to Be a God (Aeksej German)
Adieu au langage (Jean-Luc Godard)
Mambo Cool (Chris Gude)
Amour fou (Jessica Hausner)
The Last Summer of the Rich (Peter Kern)
Time Lapse (Bradley King)
The Kindergarten Teacher (Nadav Lapid)
Sorrow and Joy (Nils Malmros)
Suddarth (Richie Mehta)
Macondo (Sudabeh Mortezai)
Force Majeure (Ruben Ostlund)
I'm Not Him (Tayfun Pirselimoglu)
Favula (Raúl Perrone)
Buzzard (Joel Potrykus)
A Proletarian Winter's Tale (Julian Radlmaier)
Two Shots Fired (Martín Rejtman)
Mauro (Hernán Rosselli)
The Sad Smell of Flesh (Cristóbal Arteaga Rozas)
Love is Strange (Ira Sachs)
The Tribe (Myroslav Slaboshpytskiy)
Why Don't You Play in Hell?...
- 8/22/2014
- by Notebook
- MUBI
Wallace Beery movies: TCM offers a glimpse into Beery’s extensive filmography (photo: Marie Dressler and Wallace Beery in ‘Min and Bill’) According to the IMDb, the Wallace Beery Filmography features nearly 240 movie titles, including shorts and features, spanning more than three decades, from 1913 to 1949 — the year of his death at age 64. You’ll be able to catch about a dozen of these Wallace Beery movies on Saturday, August 17, 2013, as Turner Classic Movies continues with its "Summer Under the Stars" series. (See “TCM movie schedule: Wallace Beery from Pancho Villa to Long John Silver.”) Wallace Beery, much like fellow veteran Marie Dressler, with whom he co-starred in Min and Bill and its sequel, Tugboat Annie, was a Hollywood anomaly. At age 45, the ugly, coarse-looking actor became a top box-office draw in the United States after languishing in supporting roles, usually playing villains, throughout most of the silent era. Beery and Dressler,...
- 8/17/2013
- by Andre Soares
- Alt Film Guide
I don’t know if The Sun Shines Bright (1953) is John Ford’s most neglected film—there are numerous candidates on the Old Master’s résumé—but it is the one he cited as his personal favorite. Now it’s available on Blu-ray and DVD in a sparkling transfer from Olive Films. Unlike its forerunner Judge Priest (1934), the Will Rogers vehicle that fell into the public domain, this film is seldom revived. What’s more, Olive is offering the complete 100-minute version as Ford intended it, not the one that Republic Pictures’ Herbert J. Yates cut by ten minutes back in 1953. (Some twenty years ago Republic stumbled onto the uncut negative, which was meant for overseas distribution, and used it...
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[[ This is a content summary only. Visit my website for full links, other content, and more! ]]...
- 4/3/2013
- by Leonard Maltin
- Leonard Maltin's Movie Crazy
Moviefone's New Release of the Week "Lincoln" What's It About? Steven Spielberg and Daniel Day-Lewis take on the story of The Great Emancipator in "Lincoln." The film centers on honest Abe's final months in office, trying to unite a divided country and abolish slavery. See It Because: With the incomparably method Day-Lewis at the forefront, looking like the spitting image of the 16th President, he successfully altered the public's perception of Lincoln -- and went on to win an unprecedented third Academy Award for Best Actor . New on DVD & Blu-ray "Easy Money" What's It About? Three men -- a status-chasing business student, a two-bit crook, and a single-dad mafia hitman -- collide in this heavy, stylish Swedish crime thriller. In or Out?: In. "The Collection" What's It About? A poor man's version of the "Saw" franchise tries to get a sequel off the ground, and fails. In or Out?...
- 3/28/2013
- by Eric Larnick
- Moviefone
A red letter day. There's a new Senses of Cinema out and it opens with the first part of Daniel Fairfax's interview with Jean-Louis Comolli, who edited Cahiers du cinéma from 1965 to 1973. Senses editor Rolando Caputo: "At the time, Cahiers was undergoing its so-called 'Marxist-Leninist' phase, with a heavy overlay of Lacanian psychoanalytic theory." And Slavoj Žižek would have been in his late teens, early 20s. At any rate: "Put simply, at stake was the demystification of the 'cinematic apparatus' to demonstrate how ideology was both embedded within the technology of cinema and an effect of its representational modes."
Fairfax: "Having steadily made films over the last 40 years — including the magisterial series on the French electoral machine, Marseille contre Marseille (1996) — Comolli has also pursued a prolonged theoretical pre-occupation with the cinema, which, in various ways, is profoundly defined by his earlier participation in Cahiers. Refreshingly, he has never sought to repudiate his radical past,...
Fairfax: "Having steadily made films over the last 40 years — including the magisterial series on the French electoral machine, Marseille contre Marseille (1996) — Comolli has also pursued a prolonged theoretical pre-occupation with the cinema, which, in various ways, is profoundly defined by his earlier participation in Cahiers. Refreshingly, he has never sought to repudiate his radical past,...
- 3/20/2012
- MUBI
There is a terrific series titled ”Auto-Remakes” starting today at Anthology Film Archives in New York. The series, which runs through March 31, pairs films made and remade by the same director (in the way Michael Haneke did recently with Funny Games). C. Mason Wells, one of the programmers, writes “Anthology surveys the history of auteurs who – per Ken Jacobs – returned to the scene of the crime. Whether out of dogged perfectionism, playful abandon, or, yes, monetary gain, they changed their own films from black-and-white to color, from documentary to reenactment, from tragedy to comedy, from silent to sound, from noir to Western, from video to celluloid – reimagining the same stories, characters, or ideas with new collaborators, technologies, and formal strategies.”
What’s interesting about the pairs of posters for these films is that they are markedly similar. Aside from the casting, you can’t tell much about what differentiates the original and the remake,...
What’s interesting about the pairs of posters for these films is that they are markedly similar. Aside from the casting, you can’t tell much about what differentiates the original and the remake,...
- 3/18/2011
- MUBI
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