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As the credits come up on screen at the end of Dead for a Dollar, the dedication “In Memory of Budd Boetticher” is bannered so prominently next to the title, it could almost serve as a subtitle for the film itself.
In fact, it’s not entirely clear whether or not it officially is the film’s subtitle. Either way, this entertaining latest feature from venerable writer-producer-director Walter Hill is soaked in elegiac love for the clean lines, brisk storytelling and moral clarity of classic westerns, like the kind Boetticher used to make, such as The Cimarron Kid (1952), The Man From the Alamo (1953) or Comanche Station (1960). Even the highly jiggery-pokered look of the film, presumably shot on digital but adjusted in post so that all the blues get filtered out, makes the movie look like something made 60 or 70 years ago. The palette is a study in earth tones,...
As the credits come up on screen at the end of Dead for a Dollar, the dedication “In Memory of Budd Boetticher” is bannered so prominently next to the title, it could almost serve as a subtitle for the film itself.
In fact, it’s not entirely clear whether or not it officially is the film’s subtitle. Either way, this entertaining latest feature from venerable writer-producer-director Walter Hill is soaked in elegiac love for the clean lines, brisk storytelling and moral clarity of classic westerns, like the kind Boetticher used to make, such as The Cimarron Kid (1952), The Man From the Alamo (1953) or Comanche Station (1960). Even the highly jiggery-pokered look of the film, presumably shot on digital but adjusted in post so that all the blues get filtered out, makes the movie look like something made 60 or 70 years ago. The palette is a study in earth tones,...
- 9/6/2022
- by Leslie Felperin
- The Hollywood Reporter - Movie News
” I have just received a dispatch that Santa Anna has captured San Antonio. Colonel Travis, with less than 200 men, has withdrawn across the river to the Alamo to prepare for its defense. At the moment, that is the only military force between the Mexican army and the Sabine River… and those men need help!”
Two lavishly produced Mexican war epics, The Man From The Alamo and They Came To Cordura make their high-definition debut in this star-studded double feature spotlighting the talents of Glenn Ford, Gary Cooper, Rita Hayworth, Julia Adams and many more!
The Man From The Alamo (1953) stars Glenn Ford as John Stroud, a heroic survivor of the brutal battle at The Alamo who is branded a coward for fleeing to warn the local townsfolk of the approaching Mexican armies. He sets out to clear his name and avenge those who killed his wife and child.
Directed by...
Two lavishly produced Mexican war epics, The Man From The Alamo and They Came To Cordura make their high-definition debut in this star-studded double feature spotlighting the talents of Glenn Ford, Gary Cooper, Rita Hayworth, Julia Adams and many more!
The Man From The Alamo (1953) stars Glenn Ford as John Stroud, a heroic survivor of the brutal battle at The Alamo who is branded a coward for fleeing to warn the local townsfolk of the approaching Mexican armies. He sets out to clear his name and avenge those who killed his wife and child.
Directed by...
- 6/17/2020
- by Tom Stockman
- WeAreMovieGeeks.com
The legendary Egyptian Theatre in Hollywood will host a screening of the 1953 film The Man from the Alamo on February 23. Peter Ford, son of the film's star Glenn Ford, will be on hand to autograph copies of his father's biography and female leads Julie Adams and Jeanne Cooper will also be attending to discuss the movie and sign copies of their respective books.
- 2/18/2013
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
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