Houdini (1953) Poster

(1953)

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7/10
Curtis looks terrific as Houdini, the showman and the self-promoter...
Nazi_Fighter_David29 April 2000
By the early 1900s, the extraordinary Houdini earned an international reputation for his theatrical tricks and daring feats of extrication from shackles, ropes, handcuffs, and Scotland Yard's jails...

The film depicts Houdini's memorable escape from any pair of handcuffs produced by the audience; the outdoor exhibition, when he allows himself to be hanged upside down from his ankles, suspended from the roof of a high building, in a strait jacket; and, the dramatic act, when he accepts to be shackled with irons and placed in a box that is locked, roped, and submerged in frozen waters...

The film also exposes Houdini's campaign against mind readers, fraudulent mediums and others who claim supernatural powers... Houdini shows a passionate talent for escapology and the film did much to create the 'Water Torture Cell' illusion...

With his pretty-boy looks, Tony Curtis handles the title role with passionate skill... His energetic performance, as the talented and motivated magician, is very good...

With good period atmosphere, but with more attention to romance than to interesting detail, the film is quite enjoyable and colorful...

Janet Leigh does a great job as Houdini's faithful wife...
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6/10
Right Cast But This one Cries for a Remake
DKosty12318 May 2009
Tony Curtis was the proper person to play Harry Houdini when this movie was made. He had the right attitude. Janet Leigh, his wife in real life then, was outstanding as Bess Houdini and the sparks between them show on this film. To me the problem is the script.

The real Houdini's life was much more interesting than the points of his life presented here. The story covers some highlights of Harry's life, and a little of the special relationship with his mom. It totally leaves out Harry's brother, the great Hardine. It doesn't get into the barn storming career or the great tricks Houdini did enough.

The film also fails script wise to show how well Erich Weiss promoted himself enough. I think the script was designed for Curtis & Leigh and misses the best parts of Harry's life. From what I have seen and read about Houdini, a much more interesting story is there to be told. This story does not tell it entirely.

I am glad they tried to do what they did here. For Curtis & Leigh fans this is a great showcase. If it were to be remade, there are more highlights of Houdini's amazing life that could be written to make a better film. I'd challenge Hollywood to tackle that. For now, this is the best we've got, but I have to wonder what could have been with a better script.
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6/10
The Magic Standard
bkoganbing16 April 2008
Even over 80 years after his demise the name Houdini is still the standard by which magicians of all kinds are measured. David Copperfield, Rick Blaine, these guys are nothing in terms of popularity that Harry Houdini earned. The tricks he did are still being performed or attempted by magicians who want to make a name for themselves.

Paramount obtained the rights to the Houdini story from the estate of Harry Houdini from the guy his widow Bess gave it to after she died in 1943. They shelled out some big money at the time to obtain loan out services for Tony Curtis from Universal and Janet Leigh from MGM. The two of them had gotten married the year before and as a couple were getting a lot of publicity as young Hollywood marrieds. Houdini turned out to be the first of five films they did together, six if you count the joint appearance they did in the all star Pepe.

Back then, young and in love, Tony and Janet function beautifully as a team as Harry Houdini and his beloved wife Bess. Angela Clarke plays Houdini's mother who was also important in his life. What's not shown is the tension between the two women, they were not friendly. But that's one of several inaccuracies.

In fact this biographical film is mostly a work of fiction. But it's pleasant enough entertainment and it was the first film that Tony Curtis starred in that could be considered an A production. In his memoirs he recalls the experience as a pleasant one because of Janet and director George Marshall who he says was a good man to work with and an under-appreciated talent.

One thing that is shown is Houdini's interest in the occult after the death of his mother in 1920. He did in fact go around debunking fakers in the field which is field that is saturated with them. One thing not in the film is the fact he came into conflict with Sir Arthur Conan Doyle, creator of Sherlock Holmes, and fervent believer in the reachable spirit world. That in itself would make an interesting film.

I'm sure if Harry Houdini were able to comment he'd probably say he liked the film. He'd have to wait for a more accurate film about his life in the Eighties from Paul Michael Glaser and Sally Struthers. But I'd be flattered all to heck to think Tony Curtis was my type.
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Who cares if it isn't accurate, it sure is fun!!
MCETXCEM17 October 2004
If it wasn't for the movies and the books on Harry Houdini's life he would fall into a category of un-interesting performers who only could do one thing perform

He lived in a time where his talents were in great demand and despite the fact that this film is not accurate it is lovingly presented by Paramount a **Color Film** in a time where Black and White films were still commonplace, Tony Curtis and Janet Leigh at the peak of their building careers and George Marshall a veteran director of close to 120 films

They knew what they were doing when the movie partially fictionalized Houdini's life possibly because he was a one note person, a magician, an escape artist, a performer

The movie is excellent!! and that is all that matters, if I am not mistaken almost every remake has fictionalized his life in one way or another, this movie is a true gem!!
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7/10
The greatest showman
TheLittleSongbird26 August 2018
'Houdini' was partly seen because Harry Houdini was a very interesting man and his life, cut short too early in tragic circumstances from peritonitis/complications from a ruptured appendix (although it is also believed it was caused by being punched in the abdomen), even more fascinating.

Found myself quite by accident seeing a number of Tony Curtis films and it's turned into something of a quest. It is interesting to see Curtis and then-wife Janet Leigh together on film, and 'Houdini' is the first of five pairings. It certainly serves them well and one can see what the appeal is. While 'Houdini' is very well made and entertaining on its own as a film, the man himself and his life, of which the film is very loosely based upon, are not as well served.

A longer length would have benefitted, so that the script could have gone into more detail and depth with what is presented while also including more. Houdini's life was much more colourful and interesting than this intriguing and fun if slightly "cliff notes" depiction, and with a longer length the film would have been more detailed and not as rushed structurally.

There are also liberties, some of them not hurting the film much but the more dramatic licenses do and distort a bit, especially the over-dramatic ending. Didn't see the point of the change, it would have been more moving if the truth was intact.

On the other hand, Curtis puts a lot of energy and passion to the title role and his performance is one of his best early ones. Leigh is incredibly charming and their romantic chemistry sparkles and moves, one does feel like they're in love. This is something very important, seeing as this is an element of the story that is focused on sizeably. Torin Thatcher is particularly good of the solid supporting cast.

Furthermore, 'Houdini' looks great, the sumptuous period detail and vibrant colours are a feast for the eyes. The story moves efficiently and still remains absorbing and easy to engage and identify with. The script is thoughtful, is a lot of fun and doesn't fall into cloying sentimentality, with elements of Houdini's life that do really intrigue (i.e. Houdini's campaign against anything supernatural) and the stunts/escapes are genuinely awe-inspiring and suspenseful, some edge of your seat stuff there. The characters engage, Houdini is a source of admiration and inspiration, and the direction shows visual and dramatic skill.

Summing up, good but not great, Curtis, Leigh, their chemistry, the visuals and stunts make it a worthwhile watch. 7/10 Bethany Cox
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6/10
Amusing though partially fictionalized biography based on the greatest escapist
ma-cortes20 July 2011
Spectacular biography of famed escape artist dealing with the Great Houdini. At the outset, he had little success he performed in dime sideshows, and even doubled as "The Wild Man .At the same the young Houdini (Tony Curtis) enters into a passionate affair with a beautiful girl. Harry met fellow performer Wilhelmina Beatrice (Bess) Rahner (Janet Leigh), whom he married. Bess acts in the shows , which became known as "The Houdinis." For the rest of Houdini's performing career, Bess would work as his stage assistant. During Harry Houdini's tour of Britain in 1926, the master escapist realizes a highly publicized show. Within months, he was performing at the top vaudeville houses in the country. In 1900, his manager arranged for Houdini to tour Europe. After some days of unsuccessful interviews in London, Houdini managed to interest a manager of the Alhambra Theatre. He gave a demonstration of escape from handcuffs at Scotland Yard, and succeeded in baffling the police so effectively that he was booked at the show.

It's a story with Harry Houdini, arguably the greatest illusionist and escape artist of our time. This is a mostly fictionalized biopic of Houdini's life, was made. It contains thrills, suspense , emotions, a romantic story and is quite entertaining . This film, well played by Tony Curtis and Janet Leigh, has contributed, in part, to several misconceptions about Houdini's life. For example, it portrays the cause of Houdini's death to be the magician's failure to escape from the Chinese Water Torture Cell. (Curtis's Houdini agrees to seek medical attention "when the tour is over.") Houdini actually developed the Chinese Torture Cell trick fourteen years before he died and performed it numerous times. The motion picture is finely directed by Geoorge Marshall.

The picture is partially based on facts , the real events were the following : Houdini's "big break" came in 1899 when he met manager Martin Beck in rural Woodstock, Illinois. Impressed by Houdini's handcuffs act, Beck advised him to concentrate on escape acts and booked him on the Orpheum vaudeville circuit. Within months, he was performing at the top vaudeville houses in the country. In 1900, Beck arranged for Houdini to tour Europe. After some days of unsuccessful interviews in London, Houdini managed to interest Dundas Slater, then manager of the Alhambra Theatre. He gave a demonstration of escape from handcuffs at Scotland Yard, and succeeded in baffling the police so effectively that he was booked at the Alhambra for six months.Houdini became widely known as "The Handcuff King." He toured England, Scotland, the Netherlands, Germany, France, and Russia. In each city, Houdini would challenge local police to restrain him with shackles and lock him in their jails. In many of these challenge escapes, Houdini would first be stripped nude and searched. In Moscow, Houdini escaped from a Siberian prison transport van. Houdini claimed that, had he been unable to free himself, he would have had to travel to Siberia, where the only key was kept. In Cologne, he sued a police officer, who alleged that he made his escapes via bribery. Houdini won the case when he opened the judge's safe (he would later say the judge had forgotten to lock it). He would free himself from jails, handcuffs, chains, ropes, and straitjackets, often while hanging from a rope in plain sight of street audiences. Because of imitators, on January 25, 1908, Houdini put his "handcuff act" behind him and began escaping from a locked, water-filled milk can. The possibility of failure and death thrilled his audiences. Houdini also expanded repertoire with his escape challenge act, in which he invited the public to devise contraptions to hold him. Brewers challenged Houdini to escape from a barrel after they filled it with beer in Scranton, PA and other cities. Many of these challenges were prearranged with local merchants in what is certainly one of the first uses of mass tie-in marketing. Rather than promote the idea that he was assisted by spirits, as did the Davenport Brothers and others, Houdini's advertisements showed him making his escapes via dematerializing, although Houdini himself never claimed to have supernatural powers.Poster promoting Houdini taking up the challenge of escaping an "extra strong and large traveling basket" . In 1912, Houdini introduced perhaps his most famous act, the Chinese Water Torture Cell, in which he was suspended upside-down in a locked glass-and-steel cabinet full to overflowing with water. The act required that Houdini hold his breath for more than three minutes. Houdini performed the escape for the rest of his career. Despite two Hollywood movies depicting Houdini dying in the Torture Cell, the act had nothing to do with his death. Throughout his career, Houdini explained some of his tricks in books written for the magic brotherhood. In Handcuff Secrets (1909), he revealed how many locks and handcuffs could be opened with properly applied force, others with shoestring. Other times, he carried concealed lockpicks or keys, being able to regurgitate small keys at will. When tied down in ropes or straitjackets, he gained wiggle room by enlarging his shoulders and chest, moving his arms slightly away from his body, and then dislocating his shoulders.For most of his career, Houdini was a headline act in vaudeville. For many years, he was the highest-paid performer in American vaudeville. One of Houdini's most notable non-escape stage illusions was performed at New York's Hippodrome Theater, when he vanished a full-grown elephant (with its trainer) from the stage, beneath which was a swimming pool. In the final years of his life (1925/26), Houdini launched his own full-evening show, which he billed as "3 Shows in One: Magic, Escapes, and Fraud Mediums Exposed".
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7/10
Enjoyable for the acting but not the accuracy
AlsExGal30 July 2023
This film is a very enjoyable if not completely accurate rendition of Harry Houdini's life. Tony Curtis and Janet Leigh, young and in love in real life, do a great job of playing Harry and Bess Houdini. An amateur magician himself, Curtis gives a great performance in the first really good role of his career. There will be many to come. What's accurate about this film? Most of the escapes shown in the film such as when Houdini allowed himself to be hung upside down outside of a tall building while confined in a strait jacket, his offering and succeeding to escape from any pair of handcuffs that his audiences could produce, and his decision to go through with being locked in a box submerged in water while he himself is bound in chains.

What's inaccurate in the film? It's more a matter of what is omitted. The film does mention Houdini's running battle with spiritualists. What it doesn't mention is Houdini's tiff with Sir Arthur Conan Doyle over the whole issue. The depth and length of this disagreement is considerable, though, and it's understandable that in a film not of documentary length that it had to be left out.

It makes a good double bill with the1976 made-for-TV film "The Great Houdini" with Paul Michael Glaser in the title role. That 70's version of Houdini's life gives more details about what made the man tick, even if there is something about its atmosphere that transports one back to the days of disco.
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6/10
Super glossy, super fictionalized bio pic...
moonspinner5520 January 2008
The story of master magician Harry Houdini (1874–1926) becomes a glossy star-vehicle for Tony Curtis in the lead--and though the facts of Houdini's life are lumped right together with the Hollywood dross (as if this movie magazine-styled spread were one big true-life story), one is drawn in by Curtis' apparent commitment to the role. Director George Marshall stages some exciting set-pieces and a nice romance ensues between Tony's Houdini and assistant Bess, played by Curtis' real-life spouse Janet Leigh (doing appealing work). Philip Yordan adapted Harold Kellock's book, and the results are (surprisingly) entertaining despite all the requisite corn and clichés. **1/2 from ****
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6/10
Very, very loosely based on Houdini's actual life
pauljcurley6 September 2006
I saw this movie on TV when I was a kid in the 70s and became fascinated with Houdini (I was especially fascinated by the scene where he is trapped under the ice-covered Detroit River).

However, having read the excellent biography by Kenneth Silverman, and seeing the movie again, I realize that it is only very, very loosely based on Houdini's actual life. Very few of the events that are depicted in the movie actually occurred.

Examples (from my memory of the biography) - Houdini did not meet his wife Bess while playing a "Wild Man" in a freak show, he did not take some time off from performing magic to work in a lock manufacturing plant, there was no mystical German magician who Houdini sought out in his European travels, he never had a German personal assistant, and he did not die on stage performing a trick that Bess had asked him not to perform. In addition it does not cover a number of other topics, such as the fact that Houdini was a pioneer aviator.

On the other hand, it gets some basic details right: his close relationship with his mother, his efforts to contact her after death through psychic mediums, and his efforts to expose fraudulent psychics.

On balance, I generally like what they did in terms of weaving a few factual details into an otherwise fictionalized account of Houdini. However anyone seeking to separate myth and fact about Houdini should check out the Silverman biography.
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8/10
Curtis Gives Another Good Performance
ccthemovieman-17 October 2006
Tony Curtis is almost always good in whomever he plays, and he was fascinating in here as the famous magician "Harry Houdini." Curtis had a number of good roles in his prime. Speaking of "prime," Janet Leigh didn't look too bad in her prime, either: a very pretty lady.

I don't know how accurate this biography was, but I do know that this movie should have been longer. I usually say the opposite about films, but in this case, I would like to have seen more details about his life and death. His failure to communicate with dead - Houdini's misguided belief - wasn't discussed much.

I guess there were a couple of more modern-day films on Houdini, but they must not have been anything much since I never heard about them. Too bad, because a good re-make of this movie might be something to see.
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7/10
Routine, well made bio-pic of the escape master
secondtake12 October 2012
Houdini (1953)

You might think this is an odd pairing in an odd biopic, Tony Curtis as the brilliant escape artist and Janet Leigh as his assistant and wife. But it works. Yes, it is a somewhat glitzy, and totally entertaining version of the man's life, but it is solid and well done. And the colors are dazzling throughout. There's no escaping that.

Curtis is a true star already, and he is his usual charming self. I don't have a clue what Houdini was like in person, but there is a suspicion while watching that Curtis keeps it all a little light and breezy. In fact the whole movie is kind of airy, even when the young couple struggles to get their lives going. Leigh is cheerfully supportive, most of the time, and ends up in a formulaic role. Luckily she gives it enough energy to make it work.

When it comes down to it, there is little to say without comparing this to Houdini's known biography. And in fact the movie keeps pretty close to what is widely known. But of course the details are all a mush in order to make a kind of fairy tale of the whole thing. That's okay as long as you see it as such.

If you want lots of detail on all this you should find the TCM article, the long one, on the web. I hope they'll forgive me stealing this one paragraph:

--Casting newlyweds Curtis and Leigh was a publicity coup for Paramount, as the public was fascinated by the young marrieds and was eager to see them together on screen. Both were under contract to other studios, so Paramount had to negotiate loan-outs, Curtis from Universal, Leigh from MGM. As a result of the complex contracts, according to Curtis's autobiography, "The studios got a lot of money for it, but we just got our regular salaries."--

This is a true Technicolor job in the old academy 4:3 format, one of the last before widescreen swept the industry in the next year. Behind the camera is the well respected Ernest Laszlo ("Impact," "D.O.A.," and "Stalag 17") who does a great job with the camera but for some reason lit everything brightly and evenly. The result is lack of mood--and many of the scenes are begging for mood, like the flea-bitten carnivals. There are some notable sequences, like the underwater stuff, and the magic tricks required some photographic slight of hand as well.

So director George Marshall, known for cranking out lots of well made if unimaginative films, has another. It's good, and if you like the two main actors or the subject--or all three--you'll really enjoy it.
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8/10
Just in case
youwine29 February 2004
What an odd coincidence, just in case you didn't know it: Harry Houdini was born in Budapest, his real name was Weisz Erik (Eric Weisz). Tony Curtis was born to parents both born in Budapest, his real name is Bernard Schwartz. Tony Curtis, nearing his eighties, still speaks Hungarian fluently.

Budapest & Budapest ... Weisz and Schwartz - White and Black.

Though this movie is pure romantic fiction, rather than a biopic, it is thoroughly enjoyable, thanks to Ms. Leigh and Mr. Curtis. (i.e. Houdini wasn't born on Halloween's day but on 24. March in 1874, and he had escaped from the Chinese Torture Chamber a lot of times, and as such, he didn't die the way depicted in this movie - he was killed by a punch on his stomach, a trick he wasn't prepared to)

Still, see this picture if you get a chance: it is colorful and exciting.
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7/10
Now get out of that!
Lejink25 October 2017
Here's a bright, colourful, entertaining if not always factually accurate biopic of the great escapologist Harry Houdini. Tony Curtis plays the part with great brio as you'd expect and is well supported by his fretful but usually supportive wife played coincidentally by his real life wife of the time Janet Leigh.

Of course being a Hollywood screen biography, it plays pretty loosely with the facts, most obviously with his apparent death scene in the last reel just after he's broken out of his not-quite death- defying water torture escape. Maybe the director thought that the reputed story of a young student punching him in the stomach unawares was a bit tawdry but this substitute conclusion seemed over-melodramatic in the extreme.

Otherwise, while I'm no expert on Houdini's career I did recognise other familiar incidents in the entertainer's life, including breaking out of a London prison, the straitjacket escape suspended outside a New York skyscraper and the plunge under the ice sealed in a safe although you have to wonder how he could possibly miss the big hole cut in the ice right above him through which the safe was dropped. The movie also takes in his interest in spiritualism as he attempts to connect with his mother in the afterlife after her death.

These quibbles apart, the movie was energetic and highly watchable as befits its subject. Curtis and Leigh make a handsome couple and the sets variously including recreations of a carnival show- ground, jail and vaudeville theatres are also easy on the eye.

In short, this film was fine escapist entertainment - sorry!
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4/10
Not Much Substance Here (A Product Of Its Times)
zkonedog3 March 2017
After being introduced to this movie as a child by my father, I remembered it being quite a spectacular. To a child's eyes, it probably was. However, from an adult perspective, this is the epitome of the "style over substance" Hollywood that ruled the decade in which it was made (1950s).

For a basic plot summary, this film tells the rough story of Harry Houdini (Tony Curtis), known to this day as the greatest magician of all-time. His wife, Bess (Janet Leigh), also plays a key role, as the two sometimes work together while other times are at odds over Harry's magic-fueled obsessions. This film follows the rough chronological timeline of Houdini's life, but to say that it is an accurate portrayal would be a disservice, as it really mashes a lot of things together and is just plain wrong on other accounts.

Simply put, "Houdini" is a product of its times, back when movies weren't supposed to be anything "deep". Families went to movies together, so they had to have a broad (which often equaled bland) appeal. The tale of Houdini is an utterly fascinating one, but in this portrayal it is more about letting Curtis be his charming self and putting Leigh in as many fancy dresses to show off her curves as possible.

So, if you are old enough to have watched "Houdini" around its theater date, this movie might hold a good deal of nostalgic value to you. It also seems to be great for children, as it is quite colorful and the action is always moving forward. However, if you are looking for even a hair of substantial material about Houdini and his life, please look elsewhere. Only a few scenes (mostly in the final 15 minutes of the picture) convey any real, heartfelt emotion. Otherwise, this is all about the "pomp and circumstance".
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Tony Curtis as the great performer, in a fine film for everyone...
JRobert27 October 1998
..since he is and has been an amateur magician, Curtis was perfect to portray Houdini, the master magician and above all.. the master escape artist! A beautiful technicolor film that has the atmosphere of vaudeville and showbiz of the day, it invokes the mystery of the great showman's lifestyle and his unusual death on Halloween. Janet Leigh,as Houdini's wife, Bess, adds to the fun... and for those that love magic and magicians, this will satisfy you. The early life, the escapes from ropes, chains and jail cells the world-over, from the icy waters of rivers and lakes, it is all here. Slicked up naturally not so much to educate us, but to entertain.. ...!
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7/10
become an endurance
christopher-underwood1 March 2023
It was most enjoyable and in a 106 minutes I was not expecting for a long Houdini biography and it isn't. So the film is fun especially the early part with the magician at the fair although as he starts to escape from handcuffs and then maybe the magic becomes real escapes. As the acts are performed around the high building and in the icy river they become an endurance and I'm sure he went on and on although I would have preferred just tricks. The story continues after his mother dies and he is keen to check-out mediums, were they up to fraudulent tricks like he used to do. Tony Curtis is splendid here maybe not quite as good as he was in Trapeze (1956) or especially with Sweet Smell of Success (1957) and later The Boston Strangler (1968). Janet Leigh, his wife, was good in this and later she would do many others like, Touch of Evil (1958) and Psycho (1960).
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7/10
Not Houdini, but Entertaining
Hitchcoc15 December 2016
I saw this many years ago and now recently. Having read a great deal about Harry Houdini, the complexities of the man were pretty much overlooked in this film. Not much was made of the stocky, feisty, combative guy. We are mostly looking at his talent for escapes. This is is a movie with great suspense and excitement. How could it not be with so many potential catastrophes. Houdini was at war with the metaphysical. This is not covered. His experiences with Conan-Doyle are overlooked. I guess if the movie had not been called Houdini, and some guy with virtually any name were portrayed as the greatest escape artist in the world, it would have been just as exciting. I've always had a little trouble with Curtis's voice and acting style. Still, this is a lot of fun. It just scratches the surface of the character.
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7/10
Charming classic with a theatrical flair
brendanjames-4169715 March 2018
A romantic film in colour-popping technicolour about the magic of storytelling and illusionism. Tony Curtis as Houdini... wasn't sure at first but it works with Janet Leigh as his wife - so for star power alone it sells its message.

I chose this film on Netflix having heard of Houdini through a Kate Bush song of the same name. Because I know the song quite well, I was kind of comparing the narrative of this film to the narrative of the song as I was watching, and I felt that the two do compliment each other well. So I would definitely recommend listening to Kate's less glossy spin on it after watching this (any excuse, though I'm pretty sure she was watching this when she chose to write the song from the perspective of Houdini's wife, Bess).

The real star, in my opinion, was the set design. It does well to keep us under spell of theatricality, and while it's never going to be Moulin Rouge it does hold up well in this department. Janet Leigh wears some wonderful period/showgirl costumes, and Tony Curtis gets ample an oppurtunity show off the fact that he's been working out, so there is eye candy galore.

Plot-wise, it's consistent - each scene has a narrative purpose and the screenwriter balances the plight of a showman versus the relationship with his wife well. Some excellent examples of coded suggestivity throughout the first half. The stage tricks are authentic and build suspense well.

Overall, a great pick for a Sunday afternoon classic. While this film won't change your life (like Moulin Rouge did for me), it's well made, well produced, interesting enough and you might learn something about the craft of stage-magic.
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7/10
romance in the focus here
blanche-219 August 2013
Warning: Spoilers
Tony Curtis and Janet Leigh turn in wonderful performances as Harry and Bess Houdini in "Houdini," a 1953 film. And why shouldn't romance be the centerpiece? Curtis and Leigh were newlyweds and one of the most gorgeous couples in Hollywood.

It's an odd thing - photos of Houdini don't show him as being that much of a hunk, but he seems to always be played by them, probably thanks to Curtis. A musical with Hugh Jackman starring is in the works.

Undoubtedly the greatest magician of all time, the film touches on some of Houdini's big escapes and magic, his relationship with Bess, of course, and his relationship with his beloved mother. And much of what is shown in the film is true: Houdini did double as the Wild Man in a side show, he did buy a dress belonging to Queen Victoria for his mother and presented her wearing it, he did escape from a London cell, etc. He also worked to debunk spiritualists and, though it isn't shown here, he came into conflict with Arthur Conan Doyle over this.

For some reason, the producers decided to change the way Houdini died, though the story of how he died is well known. Go figure.

The film is in color, with beautiful costumes, and the stars look marvelous.

One thing I've never been able to find out is if he did or did not communicate with Bess from the beyond. Bess said he did and then recanted. In a film I saw, a really old one, the woman playing Bess (or maybe it was Bess, I don't know) stated that she did get the secret code from Harry. Then she was visited by a bishop or higher up from the Catholic church (Bess was Catholic) and she was talked into saying that she never heard from him. So I wonder.

Good film, very entertaining, beautiful stars at the peak.
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6/10
It's Magic, You Know-o-o, Never Believe It's Not So...
mark.waltz17 August 2013
Warning: Spoilers
Belief and proof, that is the theme of this likable biography of one of America's entertainers, combination magician and escape artist. There's no doubt in my mind that this is a totally sanitized biography. However, as perfectly cast with Tony Curtis in the lead, the outcome is a view of one part of Houdini's life that is acceptable for the time it was made. Janet Leigh adds more to her role than being feisty window dressing, exuding humor in the early sequences, when she meets Curtis in cave man disguise and providing support for him in scenes where his credibility is questioned.

With Meet Me Tonight in Dreamland playing in the background, the film concentrates on how Houdini developed his act and his search for an obscure German magician whom he hopes can provide insight to the super- natural dangers of his profession. This makes the second half of the film more serious than the first. It aided Curtis in a rise in his career, helping him move beyond being the Jewish, male version of Maria Montez. The ending of the movie, certainly not for chlostrophobics, is one of the key weaknesses in the film, and is truly unrealistic even if it is based upon fact.
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8/10
Oh dear, seems that people were expecting a definitive bio.
hitchcockthelegend4 March 2008
It is what it is, namely a smashing piece of entertainment loosely based on a fabulous entertainer of days gone by.

The set up is very tidy as we see Houdini in his early days before he was an auditorium filler, we get a nice introduction to his interest in tricks and of course his romance with his sweetheart Bess (a lovely Janet Leigh). We then follow his career arc and get involved with his ego and the ever lasting pursuit of pleasing the audience that we now know leads to a dreadful conclusion. The set pieces are OK and the story from the page is handled very well, Tony Curtis shows both his best and worse sides in this, on one hand he is a wholesome handsome devil may care entertainer, yet on the other hand during scenes where he is one on one with another (notably Leigh), he hams like the front counter in the Butchers Shop.

This was the first time I had watched this since about 1990, and the thing that really hits home to me even now is that come the finale, I'm still hoping the great entertainer lives, I believe he will survive that final trick, and regardless of how accurate the film is, what I do know is that the film and its characters have engaged me from the off, job done. 8/10
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6/10
Good but nothing special
Sergiodave19 June 2021
I agree with one of the reviewers that the acting in the movie is very good but unfortunately the script is poor. An okay wet Sunday movie, but nothing more.
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9/10
Excellent movie with class (B+ Movie) My Ratings 9/10
THE-BEACON-OF-MOVIES-RAFA1 February 2020
Spectacular biography , Excellent movie. The chemistry and timing between Janet Leigh and Tony Curtis makes this movie believable. It concentrates on more of the positive aspects of Houdini's life, rather than the myths and exploitations
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6/10
Tony Curtis works Magic for George Pal
wes-connors12 September 2009
Loosely based on the life of renowned daredevil escape artist Harry Houdini; the operative word is, of course, "loosely". An Internet search for the biography of Mr. Houdini reveals material for a much, much better movie. Still, this is a very entertaining, briskly-paced, and colorful film. A George Pal production, ably directed by George Marshall, this "Houdini" focuses on slight-of-hand, magical "tricks" more than "special effects"; this results in a much more realistic-looking film than you might expect. The story emphasizes the romantic relationship between handsome Tony Curtis (as Houdini) and shapely Janet Leigh (as Bess). They are a very good-looking couple.

****** Houdini (7/2/53) George Pal : George Marshall ~ Tony Curtis, Janet Leigh, Torin Thatcher, Angela Clarke
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5/10
Other than the fact that much of it is crap, it IS entertaining.
planktonrules22 November 2012
Too often, films take a fast and loose approach to biopics. So, it didn't surprise me that much of "Houdini" was pure crap. Sadly, however, the discerning viewer is left wondering what is crap and what was really true about Houdini. I investigated a bit and found SOME of the movie was true--such as Houdini playing a wild man at a carnival early in his career. Unfortunately, Houdini's early death had nothing to do with how he died in the film. There is a line by an old magician (Ian Wolfe) who says "It will make you famous BUT it will kill you"--and the rest of the film went about proving that this man was prophetic. However, he was wrong--none of Houdini's tricks killed him! In another example, it made it seem as if the man believed that he would somehow return after death at the end of the picture--while he actually fought throughout his life to expose such things and felt it was all nonsense. So, you really cannot take this film as Gospel....it is a very, very broad view of Houdini's life and many, many liberties were taken with the truth.

Obviously, the film loses a few points for these untruths. However, apart from this, is it entertaining and worth seeing? Maybe. It is nice that Curtis was cast, as although he looked very little like Houdini, his ability to do magic and make the tricks looked good sure helped. It's just too bad you never learn much about him as a person in this portrayal. Not bad---just far from what it should have been, as Houdini's life was amazing (such as his career in films which was never mentioned) and it all is so sensationalized you never really get to know him. A flawed time-passer and that's about all.
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