My Man and I (1952) Poster

(1952)

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5/10
I really wanted to like this, but the 1-dimensional characters held me back
Ursula_Two_Point_Seven_T20 August 2005
Warning: Spoilers
This movie could've been really good -- the premise was wonderful, and the cast was pretty darned good. Unfortunately, the characters were drawn as fairly one-dimensional -- the good characters (esp. The main character, Chu-chu Ramirez) were too goodie-goodie, and the bad characters (the Ameses in particular) were stereotypical in their vileness.

The movie concerns newly naturalized citizen Chu-Chu Ramirez (played very well by Ricardo Montalban). He is so proud to be a United States citizen, and carries around a letter written to him by the president of the U. S. which he reads quite often. Chu-Chu believes in the wonderful system of his new country: hard work, fairness, lawfulness, and justice. Some of the lines he spouts are pretty corny, though R. M. does as good as anyone could to make them sound earnest and sincere: pointing to a stack of books he just purchased, he tells his Mexican friends, "Encyclopedia: second-hand set, information as good as new." and tells one of his friends who is unwilling to pick asparagus because the pay is too low, "A poor job is better than no job."

Chu-chu goes off to find work. He comes to some land owned by a Mr. Ames and gets hired on for a month to clear a plot of land, at the end of which time he is to be paid $90. Mr. Ames and his wife are both about as stereotypically bigoted as you can get. To further the cliché, Mrs. Ames (the always great Claire Trevor) is sexually frustrated and is attracted to the handsome and very buff and shirtless Chu-Chu Ramirez. When she comes on to him, he refuses her advances (with yet another corny line which I failed to write down so I can't quote it here) -- from then on, Mrs. Ames is a woman scorned and is out for revenge.

In the meantime, Chu-chu meets alcoholic Nancy in a bar in town (played by Shelly Winters, whose character is the least one-dimensional of the bunch). For some reason that was never clear to me, Chu-chu is instantly smitten with her (even though we never see her when she's not drunk and full of self-pity), and goes out of his way to help her -- pays her bar tab, puts up his beloved letter from the President as collateral so he can borrow $20 from his cousin to give to Nancy whom he's just met that evening, etc.

After Chu-chu's work is done at the end of the month, he collects a check for $90 from Mr. Ames, which is pure rubber. Chu-chu makes several attempts to collect the money, including suing Mr. Ames in small claims court (and Chu-chu wins), but Ames still refuses to pay. Later on, a fight ensues between Mr. And Mrs. Ames (Mr. Ames knows the Mrs. Is hot to trot for Chu-chu) and good old wife-beater Ames slaps the Mrs. Around and ends up getting shot in the shoulder from his own gun. The two Ameses agree to tell the authorities that Chu-chu shot him -- this is Mr. Ames' revenge on Chu-chu for daring to stand up to him and try to collect his wages, and Mrs. Ames' revenge on Chu-chu for him having turned down her sexual advances.

Chu-chu is tried and convicted, but remains the eternal optimist (please!). He briefly escapes captivity to find Nancy and tell her he loves her and to make her promise she won't try to kill herself again (she attempted suicide while he was in jail). He is taken back to jail, and the sheriff (who has taken quite a liking to big-hearted Chu-chu) drops some hints to Chu-chu's friends as to how they might get the Ameses to confess to their lies about Mr. Ames' injury. The friends camp outside the Ameses' land, staring at them day and night, singing songs at night, in an attempt to psych them out and break them down. Nancy comes to the Ameses' door and tells them about what a wonderful man Chu-chu is and how his love saved her life. Mr. And Mrs. Ames look at each other and wonder how they got to be so mean and bad as they are, and decide to tell the police that they lied about Chu-chu. (Unbelievable plot development!)

Chu-chu is released from prison, still the eternal optimist, not jaded in the least by the injustices done to him. Yeah, right! As I said, there was tons of potential here -- a story of a hard-working immigrant and the struggles he faces in his new home country -- but Chu-chu was played as too cloyingly good, and his adversaries were missing only the handlebar mustaches that they'd twirl with their fingers. That being said, though, I felt all the actors did really well with their mediocre material; they definitely made the best of the bad script.
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7/10
much better than i expected
markneff19609 November 2004
i was very surprised. the script was first rate. the story had a lot of twists and turns. seeing jack elam play a Mexican is reason enough to see this movie. was never much of a shelley winters fan but she was good. previously knew ricardo motalban as khan and the joker. he gives a very good performance but it is the script that is the key. some may call the story corny or idealistic but it still holds up today. the Mexican are portrayed very sympathetically probably much more so than the way they are perceived today. The movie is a commentary on the American dream circa 1952 but if you replace the mexicans with just about any non-elite group, including every day Americans it still is relevant
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6/10
The American dream
jotix1009 August 2005
Chu Chu Ramirez, the Mexican immigrant has reason to feel elated: he has just become an American citizen. Ramirez believes in the fairness of his new country, after all, he complies with the law, keeps away from trouble and believes he has a future in the country.

Alas, some of the dreams and aspirations of Chu Chu take a turn for the worse, when he goes to work for a farmer that promises ninety dollars to clear a field. Ansel Ames, the landowner, has no intentions of paying him anything at the end of the month. Chu Chu feels cheated, but since he firmly believes in the legal system, where he knows he will prevail. Chu Chu has a taste in the American justice and by the end, he is vindicated for the crime he didn't commit.

William Wellman's "My Man and I" has a dated look. Perhaps at the time when the film was released it showed more impact than what it has today. Ricardo Montalban and Shelley Winters have some good moments, as well as Claire Trevor and Wendel Corey. Jack Elam plays a minor part as a friend of Chu Chu.
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Doesn't Gel
dougdoepke7 December 2013
The ambitious Chu Chu Ramirez comes to America as a proud new citizen, only to be gypped out of money owed him by farmer Ames. At the same time, he meets downtrodden bar girl Nancy, whom he becomes romantically involved with. But her troubles are deep and difficult. Plus, farmer Ames frames him for an accidental shooting. Will Chu Chu somehow get the breaks he needs and deserves.

I'm not sure what the writers were trying to say here. It looks like something noble since Chu Chu (Montalban) is admirable in so many ways. Plus, he delivers nice little speeches about the virtues of America, suitable for the Cold War, McCarthyite year of 1952. But much of this, however well intentioned, is undone by a turgid script and an absolutely awful performance by Shelley Winters (Nancy). Her constant whining and sour expression (not a single smile) for 90-some minutes almost had me reaching for the "off" button. I realize she's a hard-luck gal, barely surviving at society's lower reaches, but did she have to spread it on so relentlessly and so thick. It made me think the sensible Chu Chu must be some kind of masochist to put up with it. Hers has got to be one of the dreariest turns in Hollywood annals.

At least there's the well-cast iceberg Wendell Corey as the heartless farmer Ames, and a de-glamorized Claire Trevor as his faithless wife. I was expecting their dark pairing to explode at any moment. At the same time, holding the film together is a handsome Montalban, quite winning as the ambitious immigrant. Looks to me like this was a B-production from Dore Schary's brief tenure as MGM head, when he tried to steer the studio away from Louis B. Mayer's relentlessly sunny film fare. Certainly, the settings and photography here are about as bleakly gray as possible. Maybe with a better, more focused script and a less dreary Nancy, the movie might have succeeded in its good intentions. But as things stand, the overall result lacks impact of any discernible kind.
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7/10
good
SnoopyStyle18 August 2022
Chu Chu Ramirez (Ricardo Montalban) is a proud new American citizen although he often faces racism just the same. He gets a job working on the Ames family farm. It's a small poor farm. He befriends cynical drunk Nancy (Shelley Winters). He gets into a money dispute with Mr. Ames. When Mr. Ames gets accidentally shot, Chu Chu gets the blame.

This is good although I would make a couple of changes. First, I would get rid of his friends. They do nothing great except the ending which I want to also change. He should stay with the Ames. There could be sexual tension on top of the racism. The farm would become a pressure cooker of intensity. The tension would be raised higher if Chu Chu is alone in the world. I would still keep Nancy around and quite frankly Shelley Winters' acting power. Finally, I would get rid of the Hollywood happy ending. This is still pretty good.
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7/10
Chu Chu Ramirez is perhaps TOO nice a guy.
planktonrules23 August 2022
"My Man and I" is a film which features a lovely performance by Ricardo Montalban as a Mexican-American named Chu Chu who has recently become a US citizen. He believes in the American Dream...and believes hard work and honesty will ultimately pay off. Unfortunately, he meets several people who test this to the limits...including a drunk lady (Shelley Winters) as well as a bully who cheats him out of a months' wages. What's next for the poor guy? See the film and find out for yourself.

I really appreciated Montalban's acting here and liked the character. My only complaint about him is that perhaps his character is too nice...too perfect. Still, it's a dandy film that explores the darker side of American life for some...even if the ending seems a bit hard to belive!
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6/10
The Foreigners are coming to America!! I hope they are making the right choice
jazzybill8 March 2003
I just watched the movie "My Man And I" from 1952 the movie cast includes "Shelley Winters", "Ricardo Montalban" , "Wendell Corey" "Claire Trevor", "Robert Burton (I)" "José Torvay"," Jack Elam" The movie was very interesting it is a good example how foreigners view America. What America has to offer and how good they think America is. However, as time passes by the foreigners realizes how the land of opportunity changes from what they thought it was all about. The foreigners that worked hard for white americans would not pay them the money they deserved to be paid. The americans treated the foreigners badly and didn't care about their well being. The bottom line is the Americans will cheat there way out of any situation to pay any foreigners money. I give the 1952 movie around a 6 out of a possible 10.
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7/10
***
edwagreen3 September 2015
Warning: Spoilers
Shelley Winters is wonderful here as a woman down on her luck and with a negative attitude and alcoholism mixed in, she presents some personality.

Befriended by recent immigrant Chu Chu Ramirez, Ricardo Montalban, who has lofty ideas about his life and values in his new country.

When Wendell Corey refuses to pay him his back wages, Corey, as Amsel Ames, and his depressed, scheming wife, Claire Trevor, blame Ramirez when a gun goes off injuring Corey.

The film is one of conscience mending and ultimate harassment of Ames and his wife by Chu Chu's Mexican friends. This eventually causes them to come to grips with what they have done to an innocent man.

The final hospital scene where Ramirez tells Nancy, Winters, that she has to get better, after her collapse following a lengthy talk by her to the Ames' is way over the top.
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9/10
Excellent 50's view of Mexican worker/gringo relations
alec-108 August 2005
First of all, I highly recommend this film.

It has a good heart. It is (very) well acted. It has an intelligent, unusual, thought-provoking screenplay. And--above all--it depicts a slice of Americana that is almost completely overlooked by mainstream US culture: the world and feelings and relationships of Mexican immigrants in the white/gringo-dominated world of southern California in the 1950s.

I'm simply blown away by the cast in this well-hidden little jewel. Wendell Corey, often a kind of honking mouthpiece of insensitivity, brings a great deal of nuance to this thankless role. Claire Trevor's portrayal is also very subtly done (though there are great parts of her role where her feelings are more-than-obvious). Shelley Winters is fantastic, and I say this as someone who finds most of Ms Winters portrayals and performances near repulsive. She is absolutely brilliant and I don't think I've ever seen this particular character-type (the cynical, emotionally destroyed, sensitive whose only recourse is alcoholism) ever more convincingly portrayed.

And then there's Mr. Rourke...uh...excuse me...Ricardo Montalban. The man who normally smirks and flexes his way through roles--depending upon his (truly remarkably) good looks and his flashing smile. I never knew there was a real actor underneath that bronzed torso. Hats off to Bill Wellman (the director)! What an incredibly understated performance! This film is worth seeing just for Montalban's astoundingly effective work.

And just a word about the ensemble acting: there are many hispanic actors in this film and, sadly, I must say that I've never seen or heard of any of them, but all the other parts are played with great aplomb. (My only minor complaint is that the producers saw fit to hire the late, great Jack Elam to play Ricardo Montalban's cousin. Why, I simply have no idea, as they used hispanic actors for all the other major hispanic roles. Oh well--he does a fine job and is almost a convincing Mexican.) The story itself is simple. I'm not going to relate it here. It seems to take a real noir turn at one point, but stick with it. The ending may be a bit too Hollywood for some, but--hey--it was 1952 and it's not Sweden and it's not Ingmar Bergman, folks.

Check it out--you won't be sorry.
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5/10
Interesting but degrading to Hispanics....
tksaysso24 June 2005
I just finished watching this movie. Ricardo Montalban stars as a dreamy-eyed Mexican immigrant farmhand who falls in love with downtrodden alcoholic loner Shelly Winters. A subplot has bad guy farmer Wendell Corey and his bitter wife Claire Trevor hiring and then stiffing Montalban's character for the work he did on their farm.

It was difficult for me to get past the embarrassingly sad broken English dialog the writers put in Montalban and his Hispanic friends' mouths. You get the impression that these particular writers must have penned all of the lines for Jay Silverheels as Tonto.

If you can get past the dialog and the sheer amazement that someone would cast the late great bug-eyed character actor Jack Elam as a Mexican then the story and plot are pretty good. There are worse ways to spend nearly 2 hours.
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8/10
Great Little Movie
mls418225 November 2020
Ricardo Montalban as an upstanding, proud new immigrant to America, Wendel Corey as a cheating slimeball with a bitter, unsatisfied wife and Shelley Winters as an alcoholic floozie. Perfectly casting. You'll be impressed for its positive portrayal of immigrants and Montalban's narrow waist in ratio to his broad shoulders.
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5/10
Stormy weather in sunny California.
mark.waltz3 November 2020
Warning: Spoilers
This melodramatic romantic film has its four leads in typecast archetypes rather than real flesh and blood characters. Ricardo Montalban is the typical hard-working Mexican immigrants, his only goal working so he can get an honest day's pay, Wendell Corey as the American who cheats him, Claire Trevor as the sexually frustrated wife (who wouldn't be with Corey as their husband?) and Shelley Winters as the sad and cynical drunk whom Montalban is determined to save from herself. Violence erupts between Montalban and Corey when failed attempts to get paid result in a frame up by him and his wife. It's obvious, however, that the same flea Montalban will prevail and walk into the sunset after he rescues the drunken maiden in distress.

The performances are all very good even if the characterizations aren't sharp. Even the soulless eyes of the dreary Corey works with his nasty character, and Trevor, in spite of playing the same character that she had basically played in her Oscar-winning performance in "Key Largo", is mesmerizing to watch. The problem is that her basic look is very similar to Winters so it might have worked to have had someone different looking in one of the other female roles.

There was always the sense on screen that Montalban was basically playing a character very close to himself, handsome and noble and a fighter for justice. on those rare occasions where he played villains, it was basically a slap in the face to the audience. When his character get angry here, there is no way the audience could root against him. His temper is hinted at even more in a memorable brief bit when he intrudes on Winters, now working as a dancehall hostess, cutting in on the sailor who has just given her another ticket.

Winters is always fascinating to watch, call bruton character cynical and initially hateful to Montalban, mocking him for his incessant nobility, but realizing that she has hit pay dirt when it comes to the man she falls in love with. Whether or not there romance is believable as it grows is up to the viewer to decide, but I chose to give them the benefit of the doubt even though there are definite holes in the plot. Winters is perfect at playing these emotionally lost women who have been beaten by life because no matter the ridiculousness of the story, she throws herself in 100% to make you root for her no matter her station in life or how trashy the character seems to be.

In smaller roles as Mexican Americans, José Torvay and Jack Elam are very good as Dave show the influence in which they have aided Montalban in remaining straight and only fighting for what is naturally do to him. The build-up to how Corey and Trevor get their comeuppance is nice and suspenseful. This is a second string MGM melodrama that attempts in its own way to be profound in dealing with injustice, but the script weekends it from fully succeeding in its goals. For veteran director William A. Wellman, it's not one of his most well-known directorial credits, but she does build up the tension to aid the final to keeping the audience involved.
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It's a big country
dbdumonteil4 July 2008
Warning: Spoilers
I don't know which segment of "it's a big country" Wellman directed ,but "My man and I" can be seen as an "illustration by example" .

Chu Chu was born a Mexican and he is proud to have become an American citizen.He believes in justice,he thinks that America is the most beautiful country in the world ("Take me to America the beautiful,says Nancy,I have never been there").A very unusual endearing character ,always with a big smile on his lips,even when people treat him badly,he epitomizes the American dream,but in an altruistic way. His pals who try to save him use almost Gandiesque methods,friendly persuasion.

Well acted by Ricardo Montalban who never feels down in the dumps, by Shelley Winters as a I've-lost-all-my -illusions girl ,and Wendell Corey and Claire Trevor as a divided couple whose redemption was completely unexpected.

Was this Chu Chu some kind of saint?
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Fair
Michael_Elliott28 February 2008
My Man and I (1952)

** (out of 4)

Chu Chu Ramirez (Ricardo Montalban), a Mexican immigrant, becomes a U.S. citizen and plans on living the American dream of working, making a home and being happy. He gets a job with a racist couple (Claire Trevor, Wendell Corey) but after the work is done they refuse to pay him and go as far as to falsely accuse him of a crime, which might land him in jail. This film has a good heart behind it but the screenplay just wonders around and never really focuses on anything. The film follows a pretty standard storyline, which takes away any possible drama since we can see where everything is going. Montalban is excellent in his role but it's a shame he didn't have a better screenplay to work with. Both Corey and Trevor are great as well and they come off very easy to hate. Shelley Winters plays a troubled woman who is befriended by Chu Chu. The most interesting aspect is how Chu Chu views America as a place of good and where nothing can go wrong. When he's accused of the crime he has a hard time figuring out how an innocent man can go to jail and I wish the film would have centered more on these issues. Seeing how a foreigner views America is something interesting to work with but the film goes all over the place.
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