By Lee Pfeiffer
The British Film Institute (BFI) deserves praise for continuing to invest in restorations of worthy, but largely forgotten, British films from bygone eras. Case in point: the 1953 crime drama "Cosh Boy" (absurdly re-titled "The Slasher" for American release in order to make it appear to be a "B" horror movie.) Incidentally, a "cosh" is old British slang for a blackjack used by thugs to strike victims over the head. The low-budget B&W production is typical of the film output in post-wwii Britain. Britain was on the winning side but after initial jubilation the reality of living in an almost bankrupt nation set in. Rationing was strict, much of the country was in ruins and crime and juvenile delinquency began to rise. "The Slasher", co-written and directed by Lewis Gilbert, touches on these problems by examining how the delinquency problem was exacerbated in part by the loss...
The British Film Institute (BFI) deserves praise for continuing to invest in restorations of worthy, but largely forgotten, British films from bygone eras. Case in point: the 1953 crime drama "Cosh Boy" (absurdly re-titled "The Slasher" for American release in order to make it appear to be a "B" horror movie.) Incidentally, a "cosh" is old British slang for a blackjack used by thugs to strike victims over the head. The low-budget B&W production is typical of the film output in post-wwii Britain. Britain was on the winning side but after initial jubilation the reality of living in an almost bankrupt nation set in. Rationing was strict, much of the country was in ruins and crime and juvenile delinquency began to rise. "The Slasher", co-written and directed by Lewis Gilbert, touches on these problems by examining how the delinquency problem was exacerbated in part by the loss...
- 2/4/2020
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
3-D in CinemaScope? That seems like a strange combination, but this obscure treasure hunt adventure with Joanne Dru and Mark Stevens is indeed billed as being filmed in the ‘Miracle of Stereo-Vision,’ five years after the demise of Hollywood’s first fling with ‘depthies.’ Kino and the 3-D Film Archives extras include two vintage 3-D shorts, one of them never screened in 3-D.
September Storm
3-D Blu-ray
Kino Classics
1960 / Color / 2:39 widescreen / 92 min. / Street Date March 28, 2017 / available through Kino Lorber / 34.95
Starring: Joanne Dru, Mark Stevens, Robert Strauss Asher Dann, Jean-Pierre Kérien, Véra Valmont..
Cinematography: Lamar Boren, Jorge Stahl Jr.
Film Editor: Alberto Valenzuela
Art Direction: Boris Leven
Underwater director: Paul Stader
Original Music: Edward L. Alperson Jr., Raoul Kraushaar
Written by W.R. Burnett from a story by Steve Fisher
Produced by Edward L. Alperson
Directed by Byron Haskin
The 3-D Film Archive has been an amazing resource for the fascinating depth format,...
September Storm
3-D Blu-ray
Kino Classics
1960 / Color / 2:39 widescreen / 92 min. / Street Date March 28, 2017 / available through Kino Lorber / 34.95
Starring: Joanne Dru, Mark Stevens, Robert Strauss Asher Dann, Jean-Pierre Kérien, Véra Valmont..
Cinematography: Lamar Boren, Jorge Stahl Jr.
Film Editor: Alberto Valenzuela
Art Direction: Boris Leven
Underwater director: Paul Stader
Original Music: Edward L. Alperson Jr., Raoul Kraushaar
Written by W.R. Burnett from a story by Steve Fisher
Produced by Edward L. Alperson
Directed by Byron Haskin
The 3-D Film Archive has been an amazing resource for the fascinating depth format,...
- 3/14/2017
- by Glenn Erickson
- Trailers from Hell
Most British crime films of the '40s and '50s have been slow crossing the pond, but Olive Films has a winner here, a gloss on Yank gangster pix from an earlier era. Just clear of prison, a tough criminal vows to punish the gang that abandoned him, and carries it out a ruthless revenge. But I think it was a mistake for him to involve that dance hall girl... Appointment with Crime Blu-ray Olive Films 1946 / B&W / 1:37 flat Academy / 91 min. / Street Date June 21, 2016 / available through the Olive Films website / 29.98 Starring William Hartnell, Herbert Lom, Joyce Howard, Robert Beatty, Raymond Lovell, Alan Wheatley. Cinematography Gerald Moss, James Wilson Film Editor Monica Kimick Original Music George Melachrino Produced by Louis H. Jackson Written and Directed by John Harlow
Reviewed by Glenn Erickson
Ask today's American film fan about old British crime films, and he'll probably not be able to...
Reviewed by Glenn Erickson
Ask today's American film fan about old British crime films, and he'll probably not be able to...
- 6/21/2016
- by Glenn Erickson
- Trailers from Hell
Heavyweight boxer, James Bond stuntman and bodyguard to Hollywood stars
The abiding memory that millions around the world will have of Nosher Powell, who has died aged 84, is of him fighting in vain to save his aeroplane after it had been attacked by a seagull in Those Magnificent Men in their Flying Machines (1965). Gert Fröbe may have been the German officer in charge of the plane but it was Powell who, as the stuntman and double, ended up in the water.
Powell's first appearance as a stuntman was in Laurence Olivier's Henry V (1944). He also had small roles in David Lean's Oliver Twist (1948) and Cosh Boy (1953), with Joan Collins. In 1952 he was a boxer in Emergency Call, in which he fought the former world champion Freddie Mills. Powell had a decent if not outstanding boxing career himself, reaching No 3 in the British heavyweight rankings.
George Frederick Bernard Powell was born in Camberwell,...
The abiding memory that millions around the world will have of Nosher Powell, who has died aged 84, is of him fighting in vain to save his aeroplane after it had been attacked by a seagull in Those Magnificent Men in their Flying Machines (1965). Gert Fröbe may have been the German officer in charge of the plane but it was Powell who, as the stuntman and double, ended up in the water.
Powell's first appearance as a stuntman was in Laurence Olivier's Henry V (1944). He also had small roles in David Lean's Oliver Twist (1948) and Cosh Boy (1953), with Joan Collins. In 1952 he was a boxer in Emergency Call, in which he fought the former world champion Freddie Mills. Powell had a decent if not outstanding boxing career himself, reaching No 3 in the British heavyweight rankings.
George Frederick Bernard Powell was born in Camberwell,...
- 4/26/2013
- by James Morton
- The Guardian - Film News
Heavyweight boxer, James Bond stuntman and bodyguard to Hollywood stars
The abiding memory that millions around the world will have of Nosher Powell, who has died aged 84, is of him fighting in vain to save his aeroplane after it had been attacked by a seagull in Those Magnificent Men in their Flying Machines (1965). Gert Fröbe may have been the German officer in charge of the plane but it was Powell who, as the stuntman and double, ended up in the water.
Powell's first appearance as a stuntman was in Laurence Olivier's Henry V (1944). He also had small roles in David Lean's Oliver Twist (1948) and Cosh Boy (1953), with Joan Collins. In 1952 he was a boxer in Emergency Call, in which he fought the former world champion Freddie Mills. Powell had a decent if not outstanding boxing career himself, reaching No 3 in the British heavyweight rankings.
Continue reading...
The abiding memory that millions around the world will have of Nosher Powell, who has died aged 84, is of him fighting in vain to save his aeroplane after it had been attacked by a seagull in Those Magnificent Men in their Flying Machines (1965). Gert Fröbe may have been the German officer in charge of the plane but it was Powell who, as the stuntman and double, ended up in the water.
Powell's first appearance as a stuntman was in Laurence Olivier's Henry V (1944). He also had small roles in David Lean's Oliver Twist (1948) and Cosh Boy (1953), with Joan Collins. In 1952 he was a boxer in Emergency Call, in which he fought the former world champion Freddie Mills. Powell had a decent if not outstanding boxing career himself, reaching No 3 in the British heavyweight rankings.
Continue reading...
- 4/26/2013
- by James Morton
- The Guardian - Film News
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