Force of Arms (1951) Poster

(1951)

User Reviews

Review this title
19 Reviews
Sort by:
Filter by Rating:
7/10
A Stepping Stone To "The Americanization of Emily"
jjsemple12 March 2017
People keep comparing this film with "A Fairwell To Arms" (1932). If that is true, then it can also be seen as a stepping stone to "The Americanization of Emily" (1964) — highlighting how changing American attitudes toward war have become gradually more cynical.

Seems like the "Emily" team — writers and director — might have been influenced by Sgt. Joe 'Pete' Peterson (Holden character), transposing Garner's Charlie Madison to be an updated version of same. 1932 > 1951 > 1964.

All three successfully integrate Romance and War, ably supporting the theme that Love is the stronger force. So why do we keep on making war?
5 out of 5 found this helpful. Was this review helpful? Sign in to vote.
Permalink
5/10
No More Than Enjoyable!
jpdoherty22 August 2009
Warning: Spoilers
It's hard to say if FORCE OF ARMS is a romantic love story with a war background or if it is a war film with a romantic background! Either way it comes across as an enjoyable 100 minute motion picture. Very loosely based on Hemingway's WW1 epic romance "A Farewell To Arms" it was produced by Anthony Veiller for Warner Bros. in 1951 and the usual workmanlike direction came from the legendary Michael Curtiz.

Beautifully photographed by genius cinematographer Ted McCord in glorious black & white and from a splendid screenplay by Orin Jannings it starred William Holden as a battle weary, hard bitten GI who during the German occupation of Italy in 1943 and the Battle Of San Pietro falls in love with a reluctant WAC (Nancy Olson).

Holden delivers one of his very best performances but he's left really to carry the movie almost on his own. This is a fault with the picture! He is surrounded by what is essentially a cast of minor players! Third billed is Frank Lovejoy who is as unimpressive as ever! Then we have what are called the supporting players (in this case Holden's GI buddies) such as the bland Gene Evens (who seemed to be in everything during this period), the irritating Dick Wesson (trying as usual to be humorous and not being very successful) and Paul Picerni who never did anything worthwhile with his career. But for me the most disappointing piece of casting is that of the pivotal female lead! Although she won an Oscar nomination for her performance in Billy Wilder's brilliant "Sunset Boulevard" I always found Nancy Olson to be an unremarkable actress and most wanting in the looks/glamour department. She always gave me the impression of looking more like a favourite aunt rather than a lover or even a leading lady! However, she must have held some fascination for Holden as she was his leading lady in three other films - "Sunset Boulevard"(1950), "Union Station" (1950) and "Submarine Command"(1951). Who knows - perhaps she was HIS aunt too! HUH?

Besides Holden's winning performance, a literate screenplay, the atmospheric art direction (the Italian mock-ups are splendidly realised) there is also a wonderful score by the great Max Steiner. For the battle sequences he brings into play some military cues he wrote for other Warner war pictures he scored such as "Sergeant York" (1941). But the main central theme is an inspired and memorable bit of writing! First heard under the titles it is at once a sumptuous sweeping melody that is hauntingly used in the love scenes making them both meaningful and heartfelt.

FORCE OF ARMS despite some iffy aspects is an enjoyable enough drama set in wartime with Holden as always making it watchable. A few years after its initial release in 1951 it was reissued with the unfortunate and unforgivable title "A Girl For Joe"!
12 out of 18 found this helpful. Was this review helpful? Sign in to vote.
Permalink
6/10
Drama, romance, and World War II
dinky-419 December 2002
Some have called this an updated version of "A Farewell to Arms," but if the time has been moved forward from World War I Italy to World War II Italy, the quality has also been moved down from "memorable" to "routine." There's really nothing much wrong with this production but there's little to distinguish it, either, and one sometimes gets the uncomfortable feeling that the death and destruction of the greatest war in human history is simply being used as the background for yet another boy-meets-girl story.

William Holden has a shower scene which shows he was still, at this point in his career, in his "hairy-chested" mode. Just a few years later, beginning with "Love Is a Many-Splendored Thing," he entered his "shaved chest" period.

Dick Wesson supplies some "comic relief" which is just as grating as his work in "Destination Moon."
10 out of 17 found this helpful. Was this review helpful? Sign in to vote.
Permalink
Curtiz the pro
Hunt25463 September 2011
Just caught it on Turner. The reviews calling it "routine" show how dull-normal some people are. In fact, the old pro Michael Curtiz (look him up) brings an extraordinary sensibility to the film. Gone are his romantic stylings of Casablanca and Robin Hood, his lush, overdone Warner's agreeable foolishness. Instead, he portrays war as bitter and without glory, full of random death and meaningless violence. The three combat sequences are superb, and Holden, as he would later demonstrate in "Bridge on the River K" is brilliant as a reluctant soldier who has no sense of glory and no wish to be a hero, but is nevertheless the everyman Infantryman, who knows he must do his duty. Curtiz doesn't turn this evocation of battle into boy's fantasy; it's hard, bitter, terrifying and brutally unfair to children and especially young American men who never thought they'd be dying in the slopes of Mt. Casino. The romance is nicely done, even if the ending is trite (but, in the way that cheap melody can be, amazingly satisfying). Olsen and Holden have great chem (as they proved in three other films as well) and all in all, the whole piece is kept in a register of near-realism that's very affecting. A neglected minor gem from the great Curtiz.
23 out of 25 found this helpful. Was this review helpful? Sign in to vote.
Permalink
7/10
force of arms
mossgrymk15 September 2022
Forget San Pietro. The real conflict in this early 50s combat film is between anti war cynicism and patriotic effusion. The later wins out, as it almost always would in a pre 1960s Hollywood war movie, but the fact that there is even a spirited contest between the two ideologies shows just how far in the rear view mirror WW2, our only morally justified foreign engagement, had receded by 1951, especially once Korea had taken its place.

So if only as a marker of American society's changing views on war and flag waving this film would be worthy of notice. It is also the last good work of its director, the great Michael Curtiz*, who has at least two films in the top Hollywood 100 of the twentieth century (three if you're a "Yankee Doodle Dandy" fan, which I am not) featuring very realistic, hard bitten battle scenes.

Unfortunately, as previous reviewer planktonrules noted, the film is marred by some of the worst, gushy, mushy, cloyingly romantic dialogue, in the love scenes between William Holden and Nancy Olson, this side of a Fanny Hurst novel. I mean, Holden is a legitimately great actor but not even he can survive such lines as "With you I will live forever", spoken sincerely. And Olson, a much less skilled thesp, is completely done in by the lovey dovey twaddle composed by scenarist Orin Jannings, a scribe with whom I am thankfully not familiar.

Bottom line: Give it a generous B minus 'cause I'm a big Curtiz fan.

*There are some who regard 1958's "King Creole", with Elvis, as good. I am not among them.
2 out of 2 found this helpful. Was this review helpful? Sign in to vote.
Permalink
6/10
love and war
SnoopyStyle19 January 2024
It's been tough fighting in Italy. Sgt. John 'Pete' Peterson (William Holden) and his men are getting pulled out for five days after a terrible battle. He meets WAC Lt. Eleanor MacKay (Nancy Olson). Maj. Blackford (Frank Lovejoy) has a battlefield commission for him. He gets closer to Lt. MacKay and soon has to go back to the front.

This movie is divided between love and war. The love part has a melodramatic romance with some limited heat. She's a good girl on the rebound from a trauma. He's been in the thick of it. The romance is rather old fashion. The war part has some functional battles with a mix of real and staged footage. The fighting is somewhat realistic with many friendlies killed.
2 out of 2 found this helpful. Was this review helpful? Sign in to vote.
Permalink
6/10
it's all out of place
edumacated12 September 2010
this film was written about, but not about wwII. the location of the ridges of italy was no accident. it was picked to more replicate the terrain of the war being fought at the time of filming--and that was the almost brand new, ugly war in Korea.

so what we have is a prior war standing in for an all too real non-declared war in Korea. the administration called it a police action. and this one was treated as a fart in a tea bag. despite how warlike it felt to the men who were fighting it.

so instead of the us making korean war films, during what they called a conflict, they made wwII films--what a rip-off. no wonder the korean vets call this the forgotten war.

all you can say is: anything that comes out of hollywoods mandated ignorance of non-reality has to be crap.

the true reality being: you can't make a decent war movie without several years passing after the conflict--especially when the war you're filming is not the one you're filming.
3 out of 27 found this helpful. Was this review helpful? Sign in to vote.
Permalink
10/10
Anything but another war flick
tonyirwin-5894629 December 2017
It would be easy to pass off Force of Arms as just another post-WWII action/romance movie until you're a few frames into viewing it. Surprisingly realistic with actual combat footage interspersed with filming. Strong yet sensitively-understated performances by Holden, Olson, and, in a supporting role, Frank Lovejoy. An inspired and superior script helps convey the chaos of combat, its effects on those who are scarred by it, and the powerful force of love that can somehow emerge in the midst of the sheer will to survive. A classic that feels as real in 2017 as when it was filmed.
10 out of 11 found this helpful. Was this review helpful? Sign in to vote.
Permalink
4/10
SwanningAround's Review Unforgivably Inaccurate
robertpaulk23 January 2019
When Holden rejoins his 36th division unit, one of his soldiers says "We're gonna cross the Rapido". The film ignores the crossing, just shows 10 seconds of a pontoon bridge being erected, then proceeds to some village fighting. Swanning's review praises commanding general Mark Clark, the real life man in charge of this mission. History shows that the Rapido mission (in fact across the Gari River) was an ill-conceived colossal catastrophe, one of the worst blunders of WW2. Despite his field officers' protests that the mission was tactically unsound with many other favorable options, Clark ordered the attack consisting of rubber rafts across an open river directly under German fire. The American troops were routed, 1,300 kiled or wounded and 700 captured in 2 days. So disastrous was this battle that in 1946 Congress conducted an investigation of the matter, trying to assign blame to Clark's inexplicable conduct. It ended in a whitewash of Clark, but despite being the CG in Korea, that was the end of his career. He never spoke of it again, but thousands of Texan relatives of those slaughtered soldiers continue to hate Clark and revile his name.
5 out of 9 found this helpful. Was this review helpful? Sign in to vote.
Permalink
9/10
The action scenes and equipment are first rate.
swojtak25 January 2013
I really liked this movie. I fast forwarded through the love scenes though. I am a Holden fan and I seem to like his snide comments he always seems to make. His comments are usually like "gallows humor". In times of stress everything seems to take on a different view or meaning. I also liked where Holden seems to exhibit PTSD. He talks about the horror of the battlefield and his men dying for no reason. I liked this because I thought the US Government did not want anything but us the good guys and the enemy the bad. Most war movies show us never getting hurt and the enemy all dying, What tipped me off was the word "San Pietro". John Huston made a movie called that and it was banned by the Government and not shown because it showed people actually getting killed. Lastly, all the equipment looked real and used in the real manner even down to the mail room! Usually I can find many errors in guns and ammo. Another good movie to watch is, "Pork Chop Hill" with Gregory Peck. You actually see men using body armor and guns and ammo used in the proper manner.
10 out of 11 found this helpful. Was this review helpful? Sign in to vote.
Permalink
3/10
Uncredited rewrite of Hemingway...melodramatics on the battlefield
moonspinner553 September 2011
A ludicrous war picture from Warner Bros., an uncredited rewrite of Ernest Hemingway's "A Farewell to Arms" set in Italy during WWII. Stationed near Napoli, American army sergeant William Holden takes a midnight walk through the cemetery and bumps into female lieutenant Nancy Olson; he tries picking her up but she, a wholesome farmer's daughter and former teacher, sternly rebuffs him. The next day, after the sergeant has been promoted to lieutenant himself, the two go out for drinks and she talks seriously how war has made 'love' into a dirty word, but Holden is too busy smelling her hair and noticing how her eyes light up to give a response (due to the gummy cinematography, Olson never lights up). She's been hurt by true love before--hence her appearance in the cemetery--so we wait while Holden thaws her out...slowly. Tersely-written screenplay by Orin Jannings leaves no foxhole cliché unturned! This was the third teaming of Holden with Olson--they should have quit while they were ahead. *1/2 from ****
6 out of 15 found this helpful. Was this review helpful? Sign in to vote.
Permalink
8/10
Romance In The Italian Campaign
bkoganbing4 July 2007
The original story behind Force of Arms was written by Richard Tregaskis, war correspondent from World War II, best known for Guadalcanal Diary. Of course some would argue that Tregaskis borrowed a lot of the plot from the previous war that Ernest Hemingway chronicled in A Farewell to Arms.

Still it's a nice romantic story brought to life by the teaming of William Holden and Nancy Olson who did four films together back at this time. Nancy Olson in fact got an Oscar nomination in the Best Supporting Actress category for Sunset Boulevard which was their first film together.

After his company is relieved on the San Pietro front in the Italian theater, William Holden meets WAC Nancy Olson and a romance blooms. But it's back to the front, in fact Holden gets himself wounded twice during the course of Force of Arms.

Actual combat footage from the Italian campaign is used along with newsreels from the liberation of Rome where the climax takes place. There are good performances here also by Frank Lovejoy and Katherine Warren as the respective commanding officers of Holden and Olson.

This was Bill Holden's first great romantic role along the lines of Humphrey Bogart in Casablanca. It's a harbinger of what we would later get from him in films like The Bridges of Toko-Ri and Love Is A Many Splendored Thing.

It's a sadly neglected film, one of Bill Holden's better films and should not be missed.
26 out of 33 found this helpful. Was this review helpful? Sign in to vote.
Permalink
Surprisingly Engaging War Romance
dugan493 September 2011
I wasn't sure what to make of this at first since I had never heard of the movie before I saw it on Turner recently, but almost right off the bat this earnest war/romance drama shows it's mettle.

William Holden is a GI on a short leave in Naples during the Allied advance up Italy. He meets WAC Nancy Olson , and after a short resistance on her part they fall in love , more or less at first sight. I liked the dialog between the two of them during this 'courtship' , it is well written and though Holden plays the wisecracker he so often did in his roles, it seems natural in these scenes.

The rest of the film tracks their time in Italy, together and apart, as Holden returns to the front and faces the need to prove his courage and cool under fire.

The thing that made this movie stand out is the treatment of a war time in service romance that is neither played for laughs or pathos. It is slightly melodramatic at times, but appropriately so for the material.

One of the better films of this type I have seen.
12 out of 14 found this helpful. Was this review helpful? Sign in to vote.
Permalink
3/10
The writers obviously knew very little about romance.
planktonrules24 January 2019
I noticed other people said they thought this film was a remake of "A Farewell to Arms". Well, to me it's more a reworking....with enough differences to make it watchable. So, my reason to say to avoid it has nothing to do with this...but the writing.

The film is set in WWII. William Holden plays Sgt. John Peterson. Soon because of his heroism and coolness under fire, he's given a battlefield commission. This is good, because a little-known rule was that nurses were NOT allowed to date enlisted me because the nurses were officers. Now that John is a Lieutenant, the road is paved for him to date pretty nurse Eleanor McKay (Nancy Olson). At first, she wants nothing to do with him...but eventually he wears her down and they fall in love. What's to come of this romance?

The film has a few strikes against it. The biggest, by far, is the cheesy romantic dialog. I have heard more believable and romantic dialog in Steven Seagal and Tom Green movies!! Sappy, ridiculous and pretentious...the writers simply had no idea how to write romance. Additionally, the film was a weird combination of combat sequences and romance...and I think less combat and more romance (or the other way around) would have worked better. Finally, a few segments of grainy stock footage were used in these battles....they didn't fit and looked lousy. All in all, despite it being a Holden film, it's a bad film...one of his worst.
4 out of 11 found this helpful. Was this review helpful? Sign in to vote.
Permalink
10/10
Curtiz as good as Casablanca but grittier
wkling-121 August 2013
Directed by Michael Curtiz (Casablanca) with music by the great Max Steiner (King Kong, Gone With The Wind, Casablanca, Treasure of the Sierra Madre) The script crackles with great dialogue, William Holden is the best I've ever seen him, Nancy Olson is able to deliver the most romantic lines with real emotional honesty--not an easy thing to do. The idea here is a kind of bleak existential gallows humor mixed with a deeply felt love story. It also brings up PTSD. All the actors are at their best and believable. The photography mixes real combat footage well.The war attitude is soldiers wanting to do a job because they feel a responsibility to their brothers-in-arms and their loved ones back home. It's a real gem and I'll never forget it.
11 out of 14 found this helpful. Was this review helpful? Sign in to vote.
Permalink
8/10
Love Will Keep Them Together!
zardoz-139 April 2010
Warning: Spoilers
Battle-torn Italy in World War II provides the rugged life and death setting for "Casablanca" director Michael Curtiz's "Force of Arms," a compelling action romance yarn with William Holden and Nancy Olsen lovers. This above-average 1951 World War II movie about the U.S. Army tangling with the entrenched Wehrmacht during the explosive Italian campaign might alienate hardened armchair warriors who prefer their olive-drab heroes in action against the enemy instead of kicking back to cuddle with a babe lieutenant. Indeed, you'll get your fill of combat scenes. Artillery punches holes in the terrain and our guys scramble for cover. Farmhouse concern machine gun nests and our guys scramble for cover. The romance takes the back seat in the preliminary part, but the lovey-dovey stuff dominates the middle part, and two share in the finale. The good news is that the ever-reliable Curtiz knows how to stage close-quarters combat scenes and lenser Ted McCord is as much an expert at shooting these battlefield episodes. McCord's black & white photography captures the gritty realism that stands out of "Mr. Soft Touch" scenarist Orin Janning's screenplay that features some first-rate dialogue. Frank Lovejoy co-stars as Major Blackford, a tough-as-nails major while Gene Evans is equally tough as an NCO, Sergeant Smiley 'Mac' McFee, who isn't getting mail from his wife back home. Let's not forget Dick Wesson as Kleiner. The supporting cast isn't too shabby.

This is a traditional World War II combat actioneer where officers are treated like royalty and our NCO hero wins a promotion from sergeant to lieutenant because his company commander got bitten by a Kraut bullet. The German enemy is portrayed from afar. In other words, you don't see any Nazis tearing about the landscape. Basically, you see the enemy in long shots, but never up close and personal. There are no portraits of Adolf Hitler and you never see any high ranking Nazi field marshals. William Holden delivers another fine anti-heroic performance as an NCO Sergeant Joe 'Pete' Peterson who receives a battlefield commission and meets a WAC. Nancy Olsen is appropriately doe-eyed as the sweet WAC, Lieutenant Eleanor MacKay. Indeed, Olsen looks cute in her brown uniform with all those buttons. The romance probably is as misty-eyed as the soap opera crowd prefers, but the film doesn't waste any of its 99 minutes. Of course, it is obvious when genuine battlefield footage is integrated into the conventional material.

The first-act shows Pete being baptized in combat and covered with valor. He and his unit are behind the 8-ball, but they survive a savage attack to save the day. During the action, Pete's company commander dies and he takes over. Pete's unit is pulled off the line and he recuperates only to discover that he has been promoted to lieutenant. The night before in a graveyard, he stumbled into a WAC lieutenant. Later, when they meet again, the attraction begins obvious. In the middle, the attraction is the attraction and they fall in love and wed. During the next part, Pete turns gunshy because he is thinking about staying alive and he gets Major Blackford killed during an artillery attack on a tank column. Frank Lovejoy makes the most of this role. Our hero winds up in a hospital and awakens 15 days later. Initially,he doesn't want to see her. Afterward, they get tight, get married on a three day leave and Pete gets to see Eleanor out of uniform. Pete maanges to swing a desk job behind the lines, but the Major's death haunts him so he decides to go back onto the frontlines. He is cut out from his unit during a tank attack (the tanks are all off-screen)and is taken prisoner. Predictably, everybody but Eleanor presumes that he is dead. The girl has got pluck and she goes in search of him. She finally catches up with him in Rome.

Altogther, the bullets outnumber the kisses.
8 out of 10 found this helpful. Was this review helpful? Sign in to vote.
Permalink
9/10
Historical, realistic war setting and love story
SimonJack24 October 2016
Warning: Spoilers
There are times when the most accurate, realistic portrayal of something in a non-comedy movie may be boring to some people. Maybe even most. Hollywood has known that for ages. Things that otherwise may be humdrum or so-so need to be spiced up. Often times, that's to the point of scenarios hardly resembling reality at all. "If that's what the public likes, give it to them," often seems the attitude in Hollywood.

At other times, Hollywood and certain producers, directors or writers, strive for realism, against the pressures for greatest box office appeal. I think "Force of Arms" is one such film. Oh, it has a fair share of reviewers who would have liked more blood and guts action, or hot romance with a local Italian, or something else. But I agree with those who appreciated this film for its realism and for its strong portrayals by the leads. There aren't many top stars here, but that seems to be how the plot was intended.

This is a story about one GI, and how he advances through the ranks leading his men from the early involvement of the U.S. in WW II Africa and into Italy. Then it becomes a story of two people --- the GI and an American female officer (WAC), and a deep love that blossoms between them. Then it is a story about their love surviving through the 5th Army's push to liberate Rome.

I agree with others who saw William Holden's portrayal as superb. He goes from Sergeant to Lieutenant Joe "Pete" Peterson. It is one of the best performances of his career. Nancy Olson is very good as Lt. Eleanor MacKay, and Frank Lovejoy is very good as Major Blackford. Whether or not the story was an imitation of Ernest Hemingway's "Farewell to Arms" about WWI, "Force of Arms" is a very good account of the Italian campaign in WW II. It follows the U.S. 5th Army in Italy. Peterson's 36th Infantry Division was actually there and did the things the film covers.

At one point toward the end of the movie, the 36th is moving up to again try to cross the Rapido River. During that action in 1944, the 36th Division lost a large number of its men in two of its three regiments.

The battle scenes and action are gritty and very realistic in "Force of Arms." The romance that blossoms is not far-fetched because during the Italian campaign, forward units were replaced for R and R. And, because they were near cities, the GIs behind the lines were able to see women in bars, cafes and shops. Some, mostly officers, no doubt fraternized with Army nurses and other WAC officers. That is the case in this film, with Pete and Eleanor.

Another realistic aspect of this film was Pete getting a battlefield commission. That happened quite a lot in the European theater, but few movies show it. My father received a battlefield commission while serving in the 5th Army in Europe. He later returned to the States and went through OCS (Officer Candidate School). It's interesting that the Major himself was a product of OCS. So, he would have been one of the early active Army GIs well before the U.S. entered the war. And, he would have been promoted as officers above him were taken out of action.

About the only questionable scene in this movie was the major leading a tank assault. Blackford was an infantry officer, and was CO of a battalion or regiment. There's no way that an infantry officer was going to command or lead an armored assault. That was stretching credibility too far. The only other unreal aspect was in the script when Pete talked to Blackford on the radio. The Army never used the expression, "Over and out." It's contradictory. A person who expects a reply says, "Over!" One who is ending the conversation says, "Out!."

This is a very good and gritty picture of the Americans fighting in the Italian Campaign during WW II. It's also a nice wartime romance and love story.
3 out of 3 found this helpful. Was this review helpful? Sign in to vote.
Permalink
10/10
A realistic war movie
swanningaround30 September 2012
Warning: Spoilers
As a combat veteran, I can tell you that this movie is one hundred percent authentic. The action is certainly more realistic than modern day movies like Saving Private Ryan, which was full of gimmicks. In Force of Arms, nothing much is happening most of the time, then all hell breaks loose and your pals mostly die. You do not see the enemy most of the time and when you do, they appear for a split second as a target. It seems that the closer a film is to the actual events, the more realistic it is. This film was made only 7 years after the event. Saving Private Ryan was made some 60 years after WW2, which is too big a gap. The acting by Nancy Olsen and William Holden is superb. The film also depicts Clark's triumphal entry into Rome. Clark was probably the best general of WW2. He brilliantly bypassed the places where the Germans were anticipating an attack and bravely went straight through to save Rome. He was given the title of American Caesar.
9 out of 14 found this helpful. Was this review helpful? Sign in to vote.
Permalink
Forced Acting- Run of the Mill Yarn **1/2
edwagreen15 September 2011
Warning: Spoilers
A year after they joined Gloria Swanson with Oscar nominations for the memorable "Sunset Boulevard," Bill Holden and Nancy Olson were passionate in "A Girl for Joe," which was also known as "A Force of Arms." No matter what the title, the film was certainly a major disappointment.

The writing is weak here. Holden is the Lieutenant in the Army who meets fellow Lieutenant Olson, on a cemetery hill in Italy, where she is grieving for a lost love. Within moments, love blossoms between the both.

The film alternates between battle scenes and days off for enjoyment for the GI's.

We soon find ourselves with a wedding and Olson in a family way, only to have Holden, who is distraught with the deaths of his friend and a superior, go missing. We then find Olson frantically looking for him. Remember Little Boy Lost? Substitute a grown man for the child.
0 out of 3 found this helpful. Was this review helpful? Sign in to vote.
Permalink

See also

Awards | FAQ | User Ratings | External Reviews | Metacritic Reviews


Recently Viewed