An alien lands in Washington, D.C. and tells the people of Earth that they must live peacefully or be destroyed as a danger to other planets.An alien lands in Washington, D.C. and tells the people of Earth that they must live peacefully or be destroyed as a danger to other planets.An alien lands in Washington, D.C. and tells the people of Earth that they must live peacefully or be destroyed as a danger to other planets.
- Awards
- 3 wins & 1 nomination total
Patrick Aherne
- General at Pentagon
- (uncredited)
Larry Arnold
- Scientific Delegate
- (uncredited)
Walter Bacon
- Sightseer at Spaceship
- (uncredited)
Rama Bai
- Scientific Delegate
- (uncredited)
Oscar Blank
- Peddler
- (uncredited)
Marshall Bradford
- Chief of Staff
- (uncredited)
Chet Brandenburg
- Farmer
- (uncredited)
John Brown
- George Barley
- (uncredited)
John Burton
- British Radio Announcer
- (uncredited)
Wheaton Chambers
- Mr. Bleeker
- (uncredited)
Spencer Chan
- Scientific Delegate
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
A spacecraft makes its way towards the earth, it's like a saucer with a rounded, curving girth, when it lands, a man descends, he comes in peace, wants to make friends, and then he's shot, because of difference, we're averse. A robot then appears and shows its power, disintegrating weapons, with its glower, but the alien assailed, gets the giant to curtail, though the sentiment is clear for all to see. It's not too long before the foreigner has gone, assimilating to a world gone wrong, finding out about mankind, finding out how we're so blind, to trajectories that lead to our extinction.
I don't think the message is any different all these years later, just more pertinent.
I don't think the message is any different all these years later, just more pertinent.
A UFO lands on the Washington Mall which is quickly surrounded by the military. Klaatu (Michael Rennie) emerges and tries to make contact. A nervous soldier accidentally shoots him. His robot Gort comes out to defend him. He's brought to Walter Reed hospital and he asks to meet all of the world's representatives. International squabbling makes a meeting impossible. Klaatu escapes the hospital and goes to a boarding room where widow Helen Benson (Patricia Neal) and her son Bobby are staying. While Helen has the day with Tom Stephens, Klaatu babysits Bobby and learns about the world. Bobby leads Klaatu to Helen's boss Professor Jacob Barnhardt. It is an iconic 50s sci-fi. The story is timeless although it doesn't have many exciting thrills. The 50s style directions are a little stiff. The staging is somewhat static but it is still quite compelling. This is more of a message movie and Gort is one of the great robots of all time.
When I first saw this movie (on television circa 1957)I was just a young child four years of age. I remember sitting on my father's lap and watched the whole thing through my fingers as I held my hands over my eyes for protection (yeah...right!). Gort and Klaatu were magnificent space travelers...and with a message of peace during a time that the Soviets and U.S. were deep into the 'cold war'. Very timely! Very scary! It spooked me then and I still get a chill watching the movie today. But, it's one of the classics that will live on forever! It's message is as meaningful today as it was back in the 50's. Maybe we should all watch it again and take notes.........
10Snootz
Up-front: anyone who low-rated this does not understand what science fiction is about, at all. To those who judged this harshly: You can go back to watching Transformers; you're in the wrong theater. Such people should be tied to the back side of a Bantha with tummy problems. ;D
Okay, on to the serious review: Who doesn't recognize the term "Gort, Klaatu barada nicto"? This film set the bar for so many films to come, in an age when monsters were a guy in a gorilla suit and a space helmet, giant ants were terrorizing a city, and another guy in a rubber suit was stomping on a miniature Tokyo. Among that, we suddenly find a movie with actual meaning, a moral, a great plot and story-line, decent acting, an honest-to-goodness valid warning-- and one of the best robot presentations EVER.
Was it perfect? No. I don't know as I've ever seen a perfect film. Were there flaws? Sure. What do people expect? It's the overall cinematic presentation that is the thing here-- the experience of a movie capturing the audience and making them say, "Wow". Relatively few films have accomplished that over the decades. This film did.
The special effects for that day were superb. The modern-day remake didn't come close to the quality of this 1951 film. The story has stood the test of time and is even more applicable today that it was back then (only now we can add the destruction of our own world to the mix).
This movie is as close to pristine as a movie can get (for that day) , and proudly takes its place among non-sci-fi classics-- and even sci fi classics that came later. Had the HUGO awards existed in '51 I have no doubt this film would have taken top slot.
Okay, on to the serious review: Who doesn't recognize the term "Gort, Klaatu barada nicto"? This film set the bar for so many films to come, in an age when monsters were a guy in a gorilla suit and a space helmet, giant ants were terrorizing a city, and another guy in a rubber suit was stomping on a miniature Tokyo. Among that, we suddenly find a movie with actual meaning, a moral, a great plot and story-line, decent acting, an honest-to-goodness valid warning-- and one of the best robot presentations EVER.
Was it perfect? No. I don't know as I've ever seen a perfect film. Were there flaws? Sure. What do people expect? It's the overall cinematic presentation that is the thing here-- the experience of a movie capturing the audience and making them say, "Wow". Relatively few films have accomplished that over the decades. This film did.
The special effects for that day were superb. The modern-day remake didn't come close to the quality of this 1951 film. The story has stood the test of time and is even more applicable today that it was back then (only now we can add the destruction of our own world to the mix).
This movie is as close to pristine as a movie can get (for that day) , and proudly takes its place among non-sci-fi classics-- and even sci fi classics that came later. Had the HUGO awards existed in '51 I have no doubt this film would have taken top slot.
I love a good sci-fi movie as much as the next person, and I do have some favourites of the genre, Alien, Blade Runner, Empire Strikes Back, Metropolis and 2001:A Space Odyssey are wonderful movies, and like The Day the Earth Stood Still they not only have an influence on other movies of the genre and in general but also timeless classics in many more ways than one. The Day The Earth Stood Still has been a favourite since I first saw it and I still at 18 hold it in great regard. It still looks wonderful for its time, the effects and designs are wonderfully composed if purposefully simple and the cinematography is exemplary. Bernard Hermann's score is tense and wondrous, the script is deft, Robert Wise's direction is superb and while it has some solemn philosophical aspects and some heavy-handed symbolism neither of which are flaws in any way the story is compelling from start to finish. The acting is also impressive, Lock Martin is good as giant Gort but the real revelation is Michael Rennie's authoritative, dignified and sympathetic Klatu. Overall, a sci-fi masterpiece. 10/10 Bethany Cox
Storyline
Did you know
- TriviaLock Martin, the doorman at Grauman's Chinese Theater, was cast because of his nearly seven-foot height; however, he was not a physically strong man and could not actually carry Patricia Neal, so he had to be aided by wires (in shots from the back where he's carrying her (actually a lightweight dummy in his arms). He also had difficulty with the heavy Gort suit and could only stay in it for about a half hour at a time.
- GoofsKlaatu arranges to have the electromagnetic fields neutralized from 12.00 pm to 12:30 pm EST, yet it is clearly broad daylight in every country in which people are struggling with inoperative devices. In Asia and the Middle East, it should've been nightfall during this time frame.
- Crazy creditsElmer Davis, H.V. Kaltenborn, and Drew Pearson identify themselves when they appear on screen. Radio personality Gabriel Heatter is identified by an announcer.
- ConnectionsEdited into The Giant Claw (1957)
Details
- Release date
- Country of origin
- Languages
- Also known as
- El día que paralizaron la Tierra
- Filming locations
- The Ellipse, National Mall, Washington, District of Columbia, USA(landing of the flying suacer on the oval)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $1,200,000 (estimated)
- Gross worldwide
- $651
- Runtime1 hour 32 minutes
- Color
- Aspect ratio
- 1.37 : 1
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