Killer Shark (1950) User Reviews

Roddy McDowall Rocks the Boat

[wes-connors · 4/10 · 8 July 2011]

Taking a break from college, snobby Roddy McDowall (as Ted White) goes down to Mexico and reconnects with his shark-hunting father, wizened Roland Winters (as Jeff). After not seeing each other for a dozen years, the two have a major culture clash. When his father is injured, young McDowall takes control of the "Sunrays". This angers the crew, who decide to jump ship. Out to prove his mettle, McDowall assembles another crew, but they take advantage of their inexperienced young boss...

After his successful child star years, McDowall found himself a Monogram Pictures player for a couple of these low budget films, before moving on to television appearances. Interestingly, you can spot white-capped Dickie Moore (as Jonesy) in the bar and on the second crew. McDowall and Moore were on the same career trajectory. Note, there is no "Killer Shark" in the story; instead, footage of some men fishing for small sharks is inserted. The cast and crew do their best with the time and money.

**** Killer Shark (3/19/50) Budd Boetticher ~ Roddy McDowall, Roland Winters, Dickie Moore, Douglas Fowley

Low-grade "adventure" has nothing going for it

[frankfob · 3/10 · 2 June 2012]

Roddy McDowell (who was also a co-producer, so he has no one to blame but himself) stars in this blah quickie from Monogram about a college student who goes to sea with his father, the captain of a shark-hunting boat, and the troubles that ensue. McDowell is, frankly, not very good in the role; his character comes across as naive, dense and rather stupid. The supporting cast is, for the most part, weak, the script is convoluted and trite, and the only remotely "exciting" thing that happens in the picture is some poorly integrated stock footage of a real shark boat hauling several large sharks--and one VERY large shark-- aboard as part of their catch. There are some phony dramatics involving villain Douglas Fowley, as a shady crew member mixed up with smugglers, and some painfully unfunny comic relief from rotund Nacho Galindo as a cook named "Maestro" who giggles and laughs uncontrollably throughout the picture.

Director Budd Boetticher--billed here as Oscar Boetticher--has done much better (much, MUCH better) work. This film isn't really worth wasting your time on; it's talky, boring and the "fight" scene that occurs near the end of the film is very poorly done. Overall, a real snoozer. Skip it.

"Killer Shark", is it? Felt more like "Killing of the Sharks" to me...

[Coventry · 4/10 · 27 July 2020]

In case you ever wonder, like I did, if Steven Spielberg's landmark "Jaws" really was the first movie ever to entirely revolve on sharks on a killing spree, you can rest assured ... it is! Samuel Fuller's interesting failure "Shark!" from 1969 features two brief attacks, but furthermore deals with human greed, smuggling and double-crossing. In 1932 already, the legendary Edward G. Robinson starred in a film called "Tiger Shark". I haven't seen it yet, but the plot synopsis makes me doubt that it contains a lot of virulent shark action. My final hope to come across a predecessor for "Jaws" was this 1950 action/adventure movie with the promising title "Killer Shark".

Alas, predictably but alas, "Killer Shark" is hardly an adventure film, let alone a thriller with worthwhile attack footage. Moreover, it's a typical product of its time, which basically means that it features a lot of stock footage of defenseless sharks getting caught in fishing nets, dying painfully, and being cut up for their valuable livers. Apart from being a fan of shark horror-movies, I'm primarily a huge admirer of the beautiful animal species, so this was actually an agonizing sight. The very young and baby-faced Roddy McDowell joins his father, whom he hasn't seen in twelve years, for a summer of hunting for sharks at sea in the Mexican Gulf. His ignorance, however, causes an accident in which his father and another crew member badly get injured. To avoid a financial catastrophe for his old man, he takes the fishing boat out to sea himself, but scouted for a crew in the wrong part of town. "Killer Shark" is okay to watch once (minus the shark-killing footage, though) for some of the supportive performances, including Dickie Moore, and the misplaced slapstick-finale.

Dreadful cheapskate movie

[lorenellroy · 4 August 2003]

There is little about Killer Shark that is any way recommendable .It was made on a shoestring budget and it shows .

The theme is a variation on the classic Captains Courageous .A young College student spends the Summer working on his fathers rusting old shark fishing boat and is responsible for a serious accident which sees two men-including his father-severely injured.This places at risk his fathers ability to repay the loan on his vessel and so he resolves to put a crew together and go out in search of shark himself.Unfortunately he hooks up with a crew of robbers who plan to make away with the cargo themselves.

Poorly acted ,flat and ugly in its lighting and with a crude anti intellectual message this is a tedious experience that makes then same directors brilliant Randolph Scott Westerns from the same era all the more remarkable by contrast.

Give it a miss.

young Roddy McDowall

[SnoopyStyle · 5/10 · 15 July 2022]

Ted White (Roddy McDowall) joins his fisherman father's crew. He's terribly green and wimpy. His accident send his father to the hospital and the crew has left them. He has to find a new crew.

This has a young Roddy McDowall in the lead. That's it. That is all there is here. It's a low budget indie. The story has a questionable turn. McDowall is playing another weirdo. I would be more intrigued if he did that with the initial crew. It would lead to a final confrontation with his father. That's a better story.

The potential for a decent programmer disappears in the second half.

[mark.waltz · 5/10 · 4 July 2019]

This is more of a drama of how a young man (Roddy McDowall) grows up thanks to the necessities of life that leave him no other choice. He is the son of Roland Winters, who has lost his fortune and moved from the home McDowall grew up in onto a shark boat, and when a shark attack leaves Winters unable to continue to run it, McDowall must face his responsibility and take over. The first half shows how he interacts with Winters' crew, basically being rather snooty and blunt with them, at one point telling one of the crew members who asked a personal question to mind his own business. He is also very curt to the pretty Laurette Luez, daughter of Winters' first mate. But growing up has a sudden change in his personality, and when he's ready to return to school, it's apparent he's gotten more education out at sea than he had in a classroom.

This is an enjoyable Monogram programmer for the most part, but much of it slows down after the plot is established and McDowall begins to make decisions in his father's place. It has good location setting and some decent dialogue as well as a tense few minutes with a serious shark attack. You really don't see any sharks other than some stock footage, and much of the film is conversation, not action. Fellow child actor Dickie Moore has a smaller part, but there is a good percentage of actors playing the Hispanic crew who are variously are not Hispanic. Fifteen year old Robert Espinoza is a life force as the enthusiastic son of one of the crew members, and I wish there was more of him. It's basically a passable time filler that will leave no real impact after you are done.

"This is party for men only."

[classicsoncall · 6/10 · 2 June 2012]

Don't let the title fool you. If you're tuning in expecting something on the order of a warm-up for "Jaws" you'll be greatly disappointed. Most of the 'killer shark' footage is stock film, and the single incident that comes close to being a nail biter is that scene where a hungry great white chomps on the legs of Captain Jeff White (Roland Winters) and a crewman (Edward Norris) tries to pull him out of the ocean.

What the story is about has to do with a young college grad, Ted White (Roddy McDowall) hooking up with his seaman father after a dozen year absence. Together they hit the open ocean with a Mexican crew to hunt shark for their liver, which is packed into tin cans after the fish are gutted. There's no mention of what happens to the rest of the shark, and it would have been a shame if they weren't turned into steaks or some other commodity of commercial value.

McDowall had a significant career as a child actor and young adult following his American debut in 1941's "How Green Was My Valley", and he still looks incredibly young here. Doing a cheapo production for Monogram was probably as close to a low career point as one would imagine, but it paid the bills for folks like Roland Winters who had a six picture stint with them as Oriental Detective Charlie Chan.

What held my attention most in the picture were the actual scenes of the fishermen pulling in their catch. Sharks were being hauled aboard the Sunrays left and right using all manner of nets and hooks, but I suspect a lot of that was stock footage as well. As far as the story goes, one could make the case that this was a B Western plot that was simply moved to a different venue. It had the returning son (Westerns used nephews and nieces a lot), a pretty female romantic lead (Laurette Luez), and a host of good guys and bad guys who mix it up in a saloon brawl to close out the story. The one thing different when it was all over, McDowall's character was ready to head off into the sunset all by himself.

Actually a very good film

[Natasha_Dean · 7/10 · 2 July 2017]

Killer Shark gets a lot of flack from the general public but I can't really figure out exactly why. It has a good cast, generally good acting from everyone in it, and a decent story line. Sure it's got a couple of gaps in the plot, but remember this is a Poverty Row B movie we're talking about here. We shouldn't expect a masterpiece. That being said, I found it to be a very enjoyable film that held my interest from beginning to end. Roddy McDowall was a delight in the film, and he made the movie quite funny in some places (specifically his first night in the sleeping quarters having to endure the loud snores and dangling arms of one of the crew members!) The film touches on coming of age, and reuniting a broken family, making new friends and finding love and responsibility at a young age, and drives its messages home. Overall I feel it deserves more credit than it gets, and is definitely worth seeing for fans of Roddy McDowall.

Did Spielberg See This

[dougdoepke · 12 July 2011]

This little cheapo used to turn up regularly on late night LA TV, much to McDowell's chagrin, I expect. After all, from glossy MGM to miserly Monogram represents quite a tumble. Actually, the movie's not so bad, except for some of the acting that appears at times by the numbers. I just wish someone had put a cork in Galindo's (Maestro) mouth since he appears to confuse shrill giggling with acting.

Young Ted (McDowell) strives manfully to redeem himself after causing a fishing boat mishap injuring his dad and a deck hand. You know he's in trouble when he hires veteran bad guy Fowley (Bracado) to boss a new crew of cutthroats. At the same time, Laurette Luez, of the notorious Prehistoric Women (1950), drifts around the edges as eye candy.

What the production does best is approximate a seedy Mexican waterfront. It must have been done in LA since I can't imagine Monogram actually popping for location filming. The shipboard and shark scenes are occasionally interesting, causing me to wonder whether old movie freak Steven Spielberg saw A-picture possibilities in this little Monogram programmer. After all, stranger things have happened.