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"Pulitzer Prize Playhouse" (1950)
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showtimesofficial sitesmiscellaneousphotographssound clipsvideo clips"Pulitzer Prize Playhouse" (1950)TV series 1950-1952
Overview
Writers:
Maxwell Anderson (play) (episodes 1.07, 1.20, 1.21 and 1.37)Owen Davis (play) (episodes 1.23, 1.28 and 1.35)
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Release Date:
6 October 1950 (USA) morePlot:
Dramatic anthology series presenting plays adopted from Pulitzer Prize winning stories, plays, novels, etc.Plot Keywords:
Awards:
Won Primetime Emmy. Another 1 nomination moreUser Comments:
The 62 Year Old Maxwell Anderson moreCast
(Series Cast Summary - 14 of 15)| Charles Dingle | (6 episodes, 1950-1951) | ||
| Nina Foch | (4 episodes, 1951-1952) | ||
| James Dunn | (3 episodes, 1951) | ||
| Wright King | (3 episodes, 1951) | ||
| Gene Raymond | (2 episodes, 1950-1952) | ||
| Kent Smith | (2 episodes, 1950-1952) | ||
| Spring Byington | (2 episodes, 1950-1951) | ||
| Helen Hayes | ... | Mary, Queen of Scots (2 episodes, 1950-1951) | |
| Wanda Hendrix | (2 episodes, 1951-1952) | ||
| Otto Kruger | (2 episodes, 1951-1952) | ||
| Thomas Mitchell | (2 episodes, 1951-1952) | ||
| Mildred Natwick | ... | Queen Elizabeth I (2 episodes, 1951) | |
| Fredd Wayne | ... | Corb (2 episodes, 1951) | |
| John Forsythe | (2 episodes, 1952) |
Additional Details
Runtime:
USA:60 minCountry:
USALanguage:
EnglishColor:
Black and WhiteSound Mix:
MonoMOVIEmeter: 
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Trivia:
During the first season (October 1950 - June 1951), the show ran 60-minutes on ABC on Fridays between 9:00 and 10:00 PM. In the second season (December 1951 - June 1952), the show was reduced to 30-minutes on ABC and alternated with "Celanese Theatre" on Wednesdays between 10:00 and 10:30 PM. moreFAQ
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| "The Philco Television Playhouse" | "Celanese Theatre" | "Cosmopolitan Theatre" | "Nash Airflyte Theatre" | "The Prudential Family Playhouse" |
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In the same year that Maxwell Anderson wrote 'High Tor' for 'The Philco Television Playhouse' on September 10th 1950, he wrote a couple of episodes for this series simply because he was a pulitzer prize winner. The question to ask is does his plays have a natural home on the silver screen?