Ranger of Cherokee Strip (1949) Poster

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6/10
The last of the singing cowboys doesn't get to sing
krorie22 January 2006
Monte Hale was the last of the B westerns singing cowboys. Unfortunately he doesn't sing in "Ranger of Cherokee Strip" since singing cowboys were going out of fashion by 1949. Actually Monte, who was more in the line of Tex Ritter than of Gene and Roy, had a pleasant voice and was a talented guitar player as well. He was more of a crooner than Tex, who was also a musicologist and folklorist. It has been said that Monte was ill at ease before the camera and it shows. His fans say that he was more personable in his live shows when he was close to his admirers and could shake their hands and look them in the eye. When I was a child I collected comic books. Among my favorites were the Monte Hale ones. I saw a few of his films but liked his comics better. Maybe the reason was his rather bland film image.

For a change the title "Ranger of Cherokee Strip" relates directly to the story. Monte plays a lawman in hot pursuit of an escaped convict, a half-breed Cherokee, Joe Bearclaws played with gusto by Douglas Kennedy, who crosses over into the Cherokee Nation where the ranger has no authority. After a run-in with Bearclaws the ranger, Steve Howard (Monte), attempts to get Bearclaws extradited back to Kansas. Both the ranger and the Cherokee chief played by veteran actor Monte Blue agree to give Bearclaws extra time to clear himself and catch the real perpetrators of the murder for which he has been convicted. Bearclaws also has a sweetie, Mary Bluebird (Alix Talton), running a Cherokee school with whom he wishes to spend some time. In the process poor Bearclaws is framed for yet another murder, the killing of the Cherokee chief. The plot thickens with the ranger working with the fugitive to find the culprits.

Several elements raise this routine oater above the ho-hum. One is the bigger budget used by Republic, the king of the B movies, making the stunts better and the action fast and furious. Another is the pairing of character actor Paul Hurst with Monte. Hurst added humor and prestige to the goings on. A third ingredient is the attempt to portray the Cherokee Nation and the Cherokee as they really were without the Hollywood stereotypes prevalent in 1949. Though there is plenty of room for improvement in this area, for example using Cherokee to play Cherokee would have been a bold step forward, it is still a noble gesture for its day and time. A final positive note for this film is the roster of bad guys used by Republic including the inimitable Roy Barcroft.

There is one humorous scene of note that takes place in the lobby of the Cherokee Counsel House when the ranger and fugitive first arrive. A hat salesman with the moniker the Mad Hatter gives a spiel that invites Sheriff Jug Mason (Hurst) to join in on the fun. He tries on some of the most outlandish toppers you're likely to see on film with none of them fitting. There is an anachronism here also. A young man named Will Rogers buys one of the hats while spouting witticisms. The real Will Rogers would have been a snotty nosed kid at the time the movie takes place which was long before he achieved notoriety as one of American's great humorists and philosophers, though it stills keeps with the flavor of the era before the Cherokee Nation became part of the state of Oklahoma. (It still maintains its separate identity to this day with its own tribal laws and administration.)

Though not on a par with Gene, Roy, and Hoppy, Monte Hale could still deliver the goods. Wothwhile for fans of the B Saturday afternoon cowboy flicks.
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6/10
No Jurisdiction on the Cherokee land
bkoganbing9 June 2013
Warning: Spoilers
One of Republic Pictures singing cowboys plays a straight dramatic role in Ranger Of Cherokee Strip. Monte Hale plays a Texas Ranger after an escaped Indian prisoner who has fled to the Cherokee nation in what was soon to be the state of Oklahoma. Douglas Kennedy plays the prisoner who makes a believer out of Hale that he was framed.

Kennedy was trying to persuade Cherokee tribal chief Monte Blue to not lease any more land to white cattlemen lest soon there be enough land for the Indians to call their own. Soon enough Kennedy is framed for the murder of Monte Blue, staged with an actor who is impersonating Blue's voice.

Even with no jurisdiction on tribal land, Hale and sidekick Paul Hurst manage to sort things out. Kennedy even gets Cherokee schoolmarm Alix Tilton as well.

Hale was a fine cowboy hero. Sad he came along just as television was taking away the audience for his kind of film and he never transitioned to the small screen. Ranger Of Cherokee Strip is a fine example of his work.
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3/10
"Anything you might say or do here carries about as much weight as the howl of a hound dog."
classicsoncall23 October 2005
Warning: Spoilers
As a collector of old time Western movie posters, I'm compelled to get my hands on a copy of the film corresponding to the titles I've gotten. My Monte Hale poster comes from "Ranger of Cherokee Strip", so therein lies my motivation to see this film. Believe me when I tell you, the poster is better than the movie.

Hale portrays ranger Steve Howard, on the trail of Joe Bearclaws (Douglas Kennedy), recently escaped from the Kansas Penitentiary and heading for Oklahoma's Cherokee Indian Territory. Bearclaws maintains his innocence, and is intent on reaching Chief Hunter (Monte Blue), before the chief agrees to sign a lease agreement giving local cattlemen the right to cross Indian territory with their herds. Bearclaws is aided along the way by friend and sheriff Jugs Mason (Paul Hurst), who believes in his innocence.

The writers of the story obviously took great liberty in overlooking basic human emotion in their development of the characters. For example, when ranger Howard first catches up with Bearclaws, they duke it out in wild fashion. Feigning a knockout, Bearclaws lies motionless on the ground, and as Howard checks his condition, the Indian knocks him out with a good sized rock. The fact that he didn't crack the ranger's skull open is one thing, but in their very next scene together, Howard more or less just brushes it off. He arrests the Indian again, but doesn't restrict him in any way, or even take away his gun! After riding a sufficient distance, Bearclaws and the sheriff simply turn the tables on Howard once again.

This kind of nonsense goes back and forth for most of the film. When it comes to Bearclaws' meeting with Chief Hunter, Howard okays a delay in the Chief's signing extradition papers for Joe, and actually lets him leave to meet with his fiancée Mary Bluebird (Alice Tilton) at the Eagle Junction Cherokee school. While he's gone, the local heavies under the direction of main bad guy McKinnon (Frank Fenton) frame Joe for the murder of Chief Hunter. This time though, ranger Howard along with Sheriff Jugs hatch a plan to exonerate him and bring the villains to justice.

Don't get me wrong now, I'm a major fan of the "B" Western genre, but this movie is pretty much a mess and seriously defies credibility. There isn't much believable here, not the least of which is an Irishman portraying an Indian - major casting faux pas! I recommend the poster.
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