The Fountainhead (1949)
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- Approved
- 1h 54min
- Drama, Romance
- 02 Jul 1949 (USA)
- Movie
Photos and Videos
Cast verified as complete
Gary Cooper | ... |
Howard Roark
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Patricia Neal | ... |
Dominique Francon
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Raymond Massey | ... |
Gail Wynand
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Kent Smith | ... |
Peter Keating
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Robert Douglas | ... |
Ellsworth M. Toohey
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Henry Hull | ... |
Henry Cameron
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Ray Collins | ... |
Roger Enright
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Moroni Olsen | ... |
Chairman
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Jerome Cowan | ... |
Alvah Scarret
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Rest of cast listed alphabetically: | |||
Ed Agresti | ... |
Rally Spectator (uncredited)
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John Alban | ... |
Courtroom Spectator (uncredited)
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Bob Alden | ... |
Newsboy (uncredited)
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John Alvin | ... |
Young Intellectual (uncredited)
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Morris Ankrum | ... |
Prosecutor (uncredited)
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Lois Austin | ... |
Female Party Guest (uncredited)
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Griff Barnett | ... |
Judge (uncredited)
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Edward Biby | ... |
Party Guest (uncredited)
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George Blagoi | ... |
Rally Spectator (uncredited)
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Monte Blue | ... |
Gas Station Executive (uncredited)
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Gail Bonney | ... |
Woman (uncredited)
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Ralph Brooks | ... |
Courtroom Spectator (uncredited)
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Nora Bush | ... |
Rally Spectator (uncredited)
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James Carlisle | ... |
Party Guest (uncredited)
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Steve Carruthers | ... |
Party Guest (uncredited)
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Glen Cavender | ... |
Pedestrian Onlooker (uncredited)
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Dick Cherney | ... |
Courtroom Spectator (uncredited)
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Dorothy Christy | ... |
Society Woman (uncredited)
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Tristram Coffin | ... |
Toohey's Secretary (uncredited)
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Tom Coleman | ... |
Court Clerk (uncredited)
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G. Pat Collins | ... |
Jury Foreman (uncredited)
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James Conaty | ... |
Party Guest (uncredited)
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Bill Dagwell | ... |
Banner Shipping Clerk (uncredited)
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Sayre Dearing | ... |
Courtroom Spectator (uncredited)
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Ann Doran | ... |
Wynand's Secretary (uncredited)
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Lester Dorr | ... |
Minor Role (uncredited)
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John Doucette | ... |
Gus Webb (uncredited)
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Jay Eaton | ... |
Party Guest (uncredited)
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Estelle Etterre | ... |
Woman at Enright party (uncredited)
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Charles Evans | ... |
Banner Board Member (uncredited)
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Franklyn Farnum | ... |
Courtroom Spectator (uncredited)
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Charles Fogel | ... |
Courtroom Spectator (uncredited)
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Kay Garrett | ... |
Courtroom Spectator (uncredited)
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Kenneth Gibson | ... |
Courtroom Spectator (uncredited)
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James Gonzalez | ... |
Courtroom Spectator (uncredited)
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Roy Gordon | ... |
Vice-President (uncredited)
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Herschel Graham | ... |
Reporter (uncredited)
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William Haade | ... |
Worker (uncredited)
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Creighton Hale | ... |
Court Clerk (uncredited)
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Jonathan Hale | ... |
Guy Francon (uncredited)
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Thurston Hall | ... |
Businessman at Party (uncredited)
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Sam Harris | ... |
Board Member / Courtroom Spectator (uncredited)
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Paul Harvey | ... |
Opera Businessman (uncredited)
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Henry Hebert | ... |
Juror (uncredited)
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Russell Hicks | ... |
Banner Board Member (uncredited)
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George Hoagland | ... |
Courtroom Spectator (uncredited)
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Harlan Hoagland | ... |
Courtroom Spectator (uncredited)
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Bert Howard | ... |
Board Member (uncredited)
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Selmer Jackson | ... |
Cortlandt Official (uncredited)
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Fred Kelsey | ... |
Old Watchman (uncredited)
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Kenner G. Kemp | ... |
Courtroom Spectator (uncredited)
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Douglas Kennedy | ... |
Reporter (uncredited)
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Raymond Largay | ... |
Director (uncredited)
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Carl M. Leviness | ... |
Rally Spectator (uncredited)
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Max Linder | ... |
Party Guest (uncredited)
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King Lockwood | ... |
Party Guest (uncredited)
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William Marion | ... |
Rally Spectator (uncredited)
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Philo McCullough | ... |
Bailiff (uncredited)
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Charles Meakin | ... |
Board Member (uncredited)
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Harold Miller | ... |
Party Guest (uncredited)
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Boyd 'Red' Morgan | ... |
Jury Member (uncredited)
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Jack Mower | ... |
Construction Foreman (uncredited)
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Paul Newlan | ... |
Policeman (uncredited)
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Paul Panzer | ... |
Courtroom Spectator (uncredited)
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Albert Petit | ... |
Board Member (uncredited)
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Lee Phelps | ... |
Juror (uncredited)
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Joe Phillips | ... |
Rally Spectator (uncredited)
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Paul Power | ... |
Party Guest (uncredited)
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Catherine Price | ... |
Party Guest (uncredited)
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Bob Reeves | ... |
Juror (uncredited)
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Robert Robinson | ... |
Courtroom Spectator (uncredited)
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Bernard Sell | ... |
Rally Spectator (uncredited)
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Almira Sessions | ... |
Dominique's Housekeeper at Quarry (uncredited)
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George Sherwood | ... |
Policeman (uncredited)
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Leslie Sketchley | ... |
Bailiff (uncredited)
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Paul Stanton | ... |
Dean Who Expels Roark (uncredited)
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Larry Steers | ... |
Party Guest (uncredited)
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Ruthelma Stevens | ... |
Roark's Secretary (uncredited)
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Charles Trowbridge | ... |
Director (uncredited)
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Tito Vuolo | ... |
Pasquale Orsini (uncredited)
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Geraldine Wall | ... |
Woman (uncredited)
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Harlan Warde | ... |
Young Man (uncredited)
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Pierre Watkin | ... |
Cortlandt Official (uncredited)
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Leo White | ... |
Pedestrian Onlooker (uncredited)
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Josephine Whittell | ... |
Hostess (uncredited)
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Frank Wilcox | ... |
Gordon Prescott (uncredited)
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Tom Wilson | ... |
Rally Spectator (uncredited)
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Isabel Withers | ... |
Secretary (uncredited)
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Harry Woods | ... |
Quarry Superintendent (uncredited)
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Directed by
King Vidor |
Written by
Ayn Rand | ... | (screenplay) |
Ayn Rand | ... | (novel) |
Produced by
Henry Blanke | ... | producer |
Music by
Max Steiner |
Cinematography by
Robert Burks | ... | director of photography |
Editing by
David Weisbart |
Art Direction by
Edward Carrere |
Set Decoration by
William L. Kuehl | ... | (as William Kuehl) |
Makeup Department
Perc Westmore | ... | makeup artist |
John Wallace | ... | makeup artist (uncredited) |
Gertrude Wheeler | ... | hair stylist (uncredited) |
Production Management
Eric Stacey | ... | unit manager (uncredited) |
Second Unit Director or Assistant Director
Richard Maybery | ... | assistant director (uncredited) |
John Prettyman | ... | assistant director (uncredited) |
Art Department
Donald P. Desmond | ... | set constructor (uncredited) |
Budd Friend | ... | props (uncredited) |
Harold Michelson | ... | illustrator (uncredited) |
Sound Department
Oliver S. Garretson | ... | sound |
Special Effects by
Edwin B. DuPar | ... | special effects (as Edwin DuPar) |
John Holden | ... | special effects art director |
Hans F. Koenekamp | ... | special effects (as H.F. Koenekamp) |
William C. McGann | ... | special effects director (as William McGann) |
Visual Effects by
Chesley Bonestell | ... | matte artist (uncredited) |
Louis Lichtenfield | ... | matte painter (uncredited) |
Camera and Electrical Department
James Bell | ... | second camera (uncredited) |
Earl Ellwood | ... | gaffer (uncredited) |
Cliff Heard | ... | best boy (uncredited) |
Harold Noyes | ... | grip (uncredited) |
Leonard J. South | ... | assistant camera (uncredited) |
Jack Woods | ... | still photographer (uncredited) |
Costume and Wardrobe Department
Milo Anderson | ... | wardrobe |
Clayton Brackett | ... | wardrobe (uncredited) |
Martha Bunch | ... | wardrobe (uncredited) |
Joan Joseff | ... | costume jeweller (uncredited) |
Music Department
Murray Cutter | ... | orchestrator |
Script and Continuity Department
Rita Michaels | ... | script supervisor (uncredited) |
Additional Crew
Jack Daniels | ... | dialogue director |
Production Companies
Distributors
- Warner Bros. (1949) (United States) (theatrical)
- Warner Bros. (1949) (Canada) (theatrical)
- Warner Brothers Pictures (1949) (United Kingdom) (theatrical)
- Sociedade Importadora de Filmes (SIF) (1950) (Portugal) (theatrical)
- Associated Artists Productions (AAP) (1956) (United States) (tv)
- CBS/Fox (1984) (United States) (VHS)
- Key Video (1984) (United States) (VHS)
- Key Video (1985) (United States) (VHS)
- Chapel Distribution (1997) (Australia) (theatrical) (new 35mm print)
- Warner Home Video (2006) (United States) (DVD)
- Elegy Group (2007) (Russia) (DVD)
Special Effects
Other Companies
Storyline
Plot Summary |
Individualistic and idealistic architect Howard Roark is expelled from college because his designs fail to fit with existing architectural thinking. He seems unemployable but finally lands a job with like-minded Henry Cameron, however within a few years Cameron drinks himself to death, warning Roark that the same fate awaits unless he compromises his ideals. Roark is determined to retain his artistic integrity at all costs.
Written by Col Needham |
Plot Keywords | |
Taglines | No Man Takes What's Mine ! See more » |
Genres | |
Parents Guide | View content advisory » |
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Box Office
Budget | $2,375,000 (estimated) |
Did You Know?
Trivia | King Vidor originally hoped to cast Humphrey Bogart and Lauren Bacall in the lead roles, but Ayn Rand insisted on Gary Cooper in the lead. Bacall was cast opposite Cooper, but dropped out before filming began. Hoping the film would make her a star, Warner Bros cast a relative unknown, 22-year-old Patricia Neal, after considering and then rejecting Bette Davis, Ida Lupino, Alexis Smith, and Barbara Stanwyck as replacements for Bacall. Cooper objected to Neal being cast, but during filming, Cooper and Neal began an affair. See more » |
Goofs | When the Banner prints its front page story "The Truth about Howard Roark", a six-paragraph story is shown, but the first three paragraphs of the story are exactly the same as the last three paragraphs. See more » |
Movie Connections | Featured in Hollywood Mavericks (1990). See more » |
Quotes |
Howard Roark:
[delivering the closing statements of his own defense]
Thousands of years ago the first man discovered how to make fire. He was probably burned at the stake he had taught his brothers to light, but he left them a gift they had not conceived of, and he lifted darkness off the earth. Through out the centuries there were men who took first steps down new roads, armed with nothing but their own vision. The great creators, the thinkers, the artists, the scientists, the inventors, stood alone against the men of their time. Every new thought was opposed. Every new invention was denounced. But the men of unborrowed vision went ahead. They fought, they suffered, and they paid - but they won. Howard Roark: No creator was prompted by a desire to please his brothers. His brothers hated the gift he offered. His truth was his only motive. His work was his only goal. His work, not those who used it, his creation, not the benefits others derived from it. The creation which gave form to his truth. He held his truth above all things, and against all men. He went ahead whether others agreed with him or not. With his integrity as his only banner. He served nothing, and no one. He lived for himself. And only by living for himself was he able to achieve the things which are the glory of mankind. Such is the nature of achievement. Howard Roark: Man cannot survive except through his mind. He comes on earth unarmed. His brain is his only weapon. But the mind is an attribute of the individual, there is no such thing as a collective brain. The man who thinks must think and act on his own. The reasoning mind cannot work under any form of compulsion. It cannot not be subordinated to the needs, opinions, or wishes of others. It is not an object of sacrifice. Howard Roark: The creator stands on his own judgment. The parasite follows the opinions of others. The creator thinks, the parasite copies. The creator produces, the parasite loots. The creator's concern is the conquest of nature - the parasite's concern is the conquest of men. The creator requires independence, he neither serves nor rules. He deals with men by free exchange and voluntary choice. The parasite seeks power, he wants to bind all men together in common action and common slavery. He claims that man is only a tool for the use of others. That he must think as they think, act as they act, and live is selfless, joyless servitude to any need but his own. Look at history. Everything thing we have, every great achievement has come from the independent work of some independent mind. Every horror and destruction came from attempts to force men into a herd of brainless, soulless robots. Without personal rights, without personal ambition, without will, hope, or dignity. It is an ancient conflict. It has another name: the individual against the collective. Howard Roark: Our country, the noblest country in the history of men, was based on the principle of individualism. The principle of man's inalienable rights. It was a country where a man was free to seek his own happiness, to gain and produce, not to give up and renounce. To prosper, not to starve. To achieve, not to plunder. To hold as his highest possession a sense of his personal value. And as his highest virtue, his self respect. Look at the results. That is what the collectivists are now asking you to destroy, as much of the earth has been destroyed. Howard Roark: I am an architect. I know what is to come by the principle on which it is built. We are approaching a world in which I cannot permit myself to live. My ideas are my property. They were taken from me by force, by breach of contract. No appeal was left to me. It was believed that my work belonged to others, to do with as they pleased. They had a claim upon me without my consent. That is was my duty to serve them without choice or reward. Now you know why I dynamited Cortlandt. I designed Cortlandt, I made it possible, I destroyed it. I agreed to design it for the purpose of seeing it built as I wished. That was the price I set for my work. I was not paid. My building was disfigured at the whim of others who took all the benefits of my work and gave me nothing in return. I came here to say that I do not recognize anyone's right to one minute of my life. Nor to any part of my energy, nor to any achievement of mine. No matter who makes the claim. It had to be said. The world is perishing from an orgy of self-sacrificing. I came here to be heard. In the name of every man of independence still left in the world. I wanted to state my terms. I do not care to work or live on any others. My terms are a man's right to exist for his own sake. See more » |