| Photos (see all 17 | slideshow) |
| John Wayne | ... | Thomas Dunson | |
| Montgomery Clift | ... | Matthew 'Matt' Garth | |
| Joanne Dru | ... | Tess Millay | |
| Walter Brennan | ... | 'Groot' Nadine | |
| Coleen Gray | ... | Fen (also as Colleen Gray) | |
| Harry Carey | ... | Mr. Melville (as Harry Carey Sr.) | |
| John Ireland | ... | Cherry Valance | |
| Noah Beery Jr. | ... | Buster McGee | |
| Harry Carey Jr. | ... | Dan Latimer | |
| Chief Yowlachie | ... | Quo (as Chief Yowlatchie) | |
| Paul Fix | ... | Teeler Yacey | |
| Hank Worden | ... | Simms Reeves | |
| Mickey Kuhn | ... | Matt, as a boy | |
| Ray Hyke | ... | Walt Jergens | |
| Hal Taliaferro | ... | Old Leather (as Hal Talliaferro) | |
| rest of cast listed alphabetically: | |||
| Paul Fierro | ... | Fernandez (as Paul Fiero) | |
| Ivan Parry | ... | Bunk Kenneally | |
| William Self | ... | Wounded Wrangler (as Billie Self) | |
| Lane Chandler | ... | Colonel (uncredited) | |
| Davison Clark | ... | Mr. Meeker (uncredited) | |
| Harry Cording | ... | Gambler (uncredited) | |
| Richard Farnsworth | ... | Dunston Rider (uncredited) | |
| George Lloyd | ... | Rider with Mr. Melville (uncredited) | |
| Pierce Lyden | ... | Colonel's Trail Boss (uncredited) | |
| John Merton | ... | Settler (uncredited) | |
| Lee Phelps | ... | Gambler (uncredited) | |
| Glenn Strange | ... | Naylor (uncredited) | |
| Tom Tyler | ... | The Quitter (uncredited) | |
| Dan White | ... | Laredo (uncredited) | |
| Shelley Winters | ... | Dance Hall Girl in Wagon Train (uncredited) | |
Directed by | |||
| Howard Hawks | |||
| Arthur Rosson | (co-director) | ||
Writing credits | ||
| Borden Chase | (Saturday Evening Post story) | |
| Borden Chase | (screenplay) & | |
| Charles Schnee | (screenplay) | |
Produced by | |||
| Howard Hawks | .... | producer | |
| Charles K. Feldman | .... | executive producer (uncredited) | |
Original Music by | |||
| Dimitri Tiomkin | |||
Cinematography by | |||
| Russell Harlan | (photographed by) | ||
Film Editing by | |||
| Christian Nyby | |||
Art Direction by | |||
| John Datu | (as John Datu Arensma) | ||
Makeup Department | |||
| Lee Greenway | .... | makeup artist | |
| Dotha Hippe | .... | hair stylist (uncredited) | |
Production Management | |||
| Norman A. Cook | .... | production manager (as Norman Cook) | |
Second Unit Director or Assistant Director | |||
| William McGarry | .... | assistant director | |
| Arthur Siteman | .... | assistant director: second unit (uncredited) | |
Sound Department | |||
| Richard DeWeese | .... | sound | |
| Larry Gannon | .... | sound (uncredited) | |
Special Effects by | |||
| Donald Steward | .... | special effects | |
| Allen Q. Thompson | .... | special photographic effects (as Allan Thompson) | |
Stunts | |||
| Richard Farnsworth | .... | stunts (uncredited) | |
| Ben Johnson | .... | stunts (uncredited) | |
| Fred Kennedy | .... | stunts (uncredited) | |
| Danny Sands | .... | stunts (uncredited) | |
| Jack Williams | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Thomas Thompson | .... | grip (uncredited) | |
Music Department | |||
| Dimitri Tiomkin | .... | musical director | |
| Vinton Vernon | .... | music recordist | |
| Jester Hairston | .... | choral director (uncredited) | |
Other crew | |||
| Howard Hawks | .... | presenter | |
| Sid Davis | .... | stand-in: John Wayne (uncredited) | |
| Bobbie Sierks | .... | script clerk (uncredited) | |
| Recent Posts (updated daily) | User |
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| ending | doreen412 |
| gun anachronism | 14166637 |
| Were you surprised? | BcSc |
| Bad moment in a great movie. | Noirkiss_3 |
| Matt had eyes in the back of his head | VernC |
| Overrated as Hell | star-blazer |
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| The Phantom Rider | How the West Was Won | Dodge City Trail | Fighting Man of the Plains | Law of the Pampas |
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| Full cast and crew | Company credits | External reviews |
| IMDb Western section | IMDb USA section | Add this title to MyMovies |
In the pantheon of great performances by John Wayne, Red River ranks as one of the great ones, probably in the top five of his films. It's what the publicity folks mean when they talk about epic westerns.
John Wayne is a driven man, he's got to get that gigantic herd of cattle to market in Missouri or face ruin. He's not going to be selling them in Texas at carpetbagger prices so he's putting together the biggest, longest cattle drive on record to get to the railroad terminus in Missouri. He does it with the able assistance of his stepson Montgomery Clift newly returned from the Civil War.
A prologue to the main film shows what happened to Wayne years before. He left a wagon train going to California with good friend Walter Brennan and later that train is massacred with Wayne's fiancé Coleen Gray along with it. On the way to Texas, Wayne and Brennan pick up Mickey Kuhn who is playing a younger version of Monty Clift. They settle in Texas and Wayne puts together the biggest cattle ranch in the state which is where the main film starts.
Wayne and Clift play beautifully off against each other. Father and surrogate son, first working together and then having a big difference of opinion on the cattle drive. Clift started a film career in Red River playing sensitive people who you can only trod on just so long before they take action. You can see the inner workings of such later Clift roles as Robert E. Lee Prewitt and Noah Ackerman. Monty made a grand screen debut. And it was his debut, Red River was filmed first, but held up in release and Clift's The Search was released first to the public.
John Wayne had one of the best faces for movie closeups ever. In his best performances, top directors like John Ford, Howard Hawks, and Bill Wellman realized this. He has a few in this film and they tell the audience more about what's going on inside this man than ten pages of dialog.
With Joanne Dru, Howard Hawks tries to repeat the magic he had with Lauren Bacall in To Have and Have Not. Joanne is no Bacall, but she's good and had a pretty good career on her own. Her scenes with both Wayne and Clift have some of the same bite that Bacall's do with Bogey.
Dimitri Tiomkin's score deserves star billing right up there with the human cast. It is one of the great movie scores of all time period. let alone in the western genre. For me I've always noticed the similarity with the cattle drive beginning with the great use of Tiomkin's music and what Cecil B. DeMille did in the sound version of Ten Commandments as Charlton Heston tells the Hebrew children, he's takin' 'em to Canaan with Elmer Bernstein's score in the background as DeMille's cast of thousands moves out. I've often wondered whether DeMille copied Hawks, or Hawks was influenced by DeMille's silent Ten Commandments.
Red River is a must, for John Wayne fans, for Monty Clift fans, for fans of both and of great movie music like I am.