Directed by
| Roy Boulting | ||
Writing Credits
| Howard Spring | ... | (novel) |
| Nigel Balchin | ... | (screenplay) |
Cast (in credits order)
Produced by
| John Boulting | ... | producer |
| George H. Brown | ... | associate producer |
| Peter De Sarigny | ... | associate producer (as Peter de Sarigny) |
Music by
| John Wooldridge | ||
Cinematography by
| Günther Krampf | ... | director of photography (as Gunther Krampf) |
Editing by
| Richard Best | ||
Art Direction by
| John Howell | ||
Costume Design by
| Honoria Plesch | ... | (costumes designed by) |
Makeup Department
| Tony Sforzini | ... | makeup supervisor |
| Vivienne Walker | ... | hairdressing supervisor |
Production Management
| Filippo Del Giudice | ... | in charge of production (as F. Del Giudice) |
| Peter De Sarigny | ... | production manager (uncredited) |
| Herbert Smith | ... | executive in charge of production (uncredited) |
Second Unit Director or Assistant Director
| Michael Anderson | ... | assistant director |
| Francis James | ... | assistant director (uncredited) |
| John Redway | ... | second assistant director (uncredited) |
| Guy Wilsdon | ... | third assistant director (uncredited) |
Art Department
| Donald M. Ashton | ... | draughtsman (uncredited) |
| William Bowden | ... | draughtsman (uncredited) |
| Brian Herbert | ... | assistant (uncredited) |
| Ian Imray | ... | draughtsman (uncredited) |
| Roger Ramsdell | ... | assistant art director (uncredited) |
| Stanley Yeomanson | ... | construction manager (uncredited) |
Sound Department
| Harry Miller | ... | sound editor |
| John W. Mitchell | ... | sound recordist |
| L.E. Overton | ... | dubbing mixer |
| Peter Davies | ... | first assistant dubbing mixer (uncredited) |
| Dudley Messenger | ... | boom operator (uncredited) |
Special Effects by
| Henry Harris | ... | special effects |
| Douglas Woolsey | ... | special effects |
Visual Effects by
| George Blackwell | ... | miniatures (uncredited) |
| Jack Higgins | ... | miniatures (uncredited) |
| Bert Marshall | ... | matte photography (uncredited) |
| Joan Suttie | ... | matte painter (uncredited) |
| Bill Warrington | ... | matte supervisor (uncredited) |
Camera and Electrical Department
| Stanley Pavey | ... | associate director of photography |
| Gilbert Taylor | ... | camera operator |
| Harry Waxman | ... | associate director of photography |
| Davis Boulton | ... | still photographer (uncredited) |
| John Coquillon | ... | clapper loader (uncredited) |
| Maurice Gillett | ... | electrician (uncredited) |
| Arthur Ibbetson | ... | second camera operator (uncredited) |
| Gerry Massy-Collier | ... | focus puller (uncredited) |
| William McLeod | ... | second camera operator (uncredited) |
| Wilfrid Newton | ... | still photographer (uncredited) |
| Dennis Reed | ... | still photographer (uncredited) |
Costume and Wardrobe Department
| Jane Castles | ... | assistant costume designer (uncredited) |
| Arthur Newman | ... | wardrobe master (uncredited) |
Editorial Department
| Edith Burbeck | ... | assistant editor (uncredited) |
| Nicholas Gurney | ... | second assistant editor (uncredited) |
Music Department
| John Addison | ... | The Chopin Prelude played by (as Jock Addison) |
| Hans May | ... | conductor |
Script and Continuity Department
| Angela Martelli | ... | continuity |
Additional Crew
| Max Benedict | ... | research (as Maxwell Benedict) |
| J. Arthur Rank | ... | presenter (as J.Arthur Rank) |
| Freda Howard | ... | publicist (uncredited) |
| Anita Melburg | ... | production secretary (uncredited) |
| John Jack Lewis Worrow | ... | publicist (uncredited) |
