The Picture of Dorian Gray (1945)

Director:

Albert Lewin

Writers:

Oscar Wilde (novel)
Albert Lewin (screenplay)

Release Date:

3 March 1945 (USA)

Genre:

Drama | Fantasy | Horror | Romance

Tagline:

His life was a muddy morass into which he dragged all who knew him! Such was Dorian Gray, the man who wanted eternal youth, and bartered his soul to get it!

Plot:

A corrupt young man somehow keeps his youthful beauty, but a special painting gradually reveals his inner ugliness to all.

Plot Keywords:

Male Female Relationship | Songwriter | Black & White To Color | Destiny | Shotgun

Awards:

Won Oscar. Another 2 wins & 2 nominations

Cast

George Sanders	...	Lord Henry Wotton
Hurd Hatfield	...	Dorian Gray
Donna Reed	...	Gladys Hallward
Angela Lansbury	...	Sibyl Vane
Peter Lawford	...	David Stone
Lowell Gilmore	...	Basil Hallward
Richard Fraser	...	James Vane
Douglas Walton	...	Allen Campbell
Morton Lowry	...	Adrian Singleton
Miles Mander	...	Sir Robert Bentley
Lydia Bilbrook	...	Mrs. Vane
Mary Forbes	...	Lady Agatha
Robert Greig	...	Sir Thomas
Moyna MacGill	...	Duchess
Billy Bevan	...	Malvolio Jones (chairman)

Runtime:

110 min

Country:

USA

Language:

English

Color:

Black and White | Color (Technicolor)

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (Western Electric Sound System)

Certification:

Australia:PG | Germany:6 (2006, DVD rating) | Finland:K-16 | Sweden:15 | USA:Unrated

Filming Locations:

Metro-Goldwyn-Mayer Studios - 10202 W. Washington Blvd., Culver City, California, USA

Company:

Loew's

Trivia:

The blocks under the table in Dorian's school room have the initials of the people who die.

Goofs:

When Dorian is riding the train early on, the scenery of the rear projection outside the train window changes from passing trees to open fields.

Quotes:

Dorian Gray: You think it's only God who sees the soul.

Movie Connections:

Referenced in Daymaker (2007)

Soundtrack:

Prelude for Piano, Op. 28, No. 24 in D Minor (The Storm)

Elegance and Atmosphere

Elegant, atmospheric and measured. I suppose anyone brought up on fin de siecle Hollywood would interpret that as `slow and boring'. But this was Hollywood tackling an intellectual piece with, well, intellect. I must confess that the thought of a 1945 Hollywood attempt at Oscar Wilde did not appeal. Memories of one or two previous efforts at English literary classics set alarm bells ringing. But this was in a class of its own. Beautifully photographed in black and white, apart from a couple shots of the painting itself, the aesthetics shimmer.

I wasn't that convinced about some of the London scenes, especially the low-life portrayal of the East End. The opium den and the `Two Turtles', where Gray first meets Sibyl Vane, look rather too genteel. Compare this view of such places with those created by David Lean, just a couple of years later, in `Oliver Twist'. And this, in a sense, detracts from the depths to which Gray descends in order to be forever youthful and live life with scant regard for others. And in many years of watching BBC Victorian costume dramas I don't recall seeing such outfits on the backs of London's society ladies! However some of the other detail is first class. In particular Sir Thomas's decision to remain at table (`never could resist Aunt Agatha's quails') in spite of Lord Henry's outrageous comments rings true through to today. As the script had it `think like a Liberal, eat like a Tory'.

The acting is excellent with Hurd Hatfield's portrayal quite remarkable in that he wears the same expression virtually throughout, in order, no doubt, to conceal his true emotions. George Sanders, as Lord Henry, steals every scene he's in thanks to a rapid delivery of Wilde's witticisms that would have Groucho Marx and Woody Allen in awe. Angela Lansbury is, perhaps, a little too demure for a theatrical singer from the East End but, no doubt, this was a result of director's orders.

Essential viewing for anyone interested in the history of film.