Lupe Velez (Carmelita), Leon Errol (Lord Epping/Uncle Matt), Walter Reed (Dennis Lindsay), Elizabeth Risdon (Aunt Della), Lydia Bilbrook (Lady Epping), Hugh Beaumont (George Sharpe), Aileen Carlyle (Mrs Pettibone), Alan Carney (bartender), Marietta Canty (Carmelita's maid), Wally Brown (desk clerk), Charles Coleman (Epping butler), Eddie Dew (Sheriff Walters), Don Kramer, Dorothy Rogers, George Rogers (dancers), Patti Brill (bellgirl), Bud Geary, Duke Green (deputies), June Booth (nurse), Eddie Borden (messenger boy), Barbara Hale (girl at airport), George Plues (stage driver), Ann Summers, Margie Stewart, Mary Halsey, Margaret Landry, Rita Corday, Joan Barclay (bits), Robert Anderson (Captain Rogers), Ruth Lee (Mrs Walters), Anne O'Neal (orphanage director), Billy Edward Reed (attendant).
Director: LESLIE GOODWINS. Screenplay: Charles E. Roberts, Dane Lussier. Strory; Charles E. Roberts. Film editor: Harry Marker. Photography: Jack Mackenzie. Art directors: Albert S. D'Agostino, Walter E. Keller. Set decorators: Darrell Silvera, Harley Miller. Music directed by Constantin Bakaleinikoff. Assistant director: James Casey. Sound recording: Terry Kellum. Sound re-recording: James G. Stewart. RCA Sound System. Producer: Bert Gilroy.
Copyright 11 July 1943 by RKO-Radio Pictures, Inc. No recorded New York opening. U.S. release: 17 July 1943. Australian release: 13 January 1944. 5,789 feet. 63 minutes. COMMENT: Despite guest appearances by Alan Carney and Wally Brown, plus the re-appearance of Charles Coleman (albeit as a different butler), this last entry rates as neither the best nor the worst of the series. Negative elements include some misplaced wartime patriotism (if the writers really wanted to introduce all the "Anchors Aweigh" rah-rah-rah, why not make it part of the "contract-must-be-signed" plot? It's hard to believe the principals are still haggling about this stupid radio advertising contract seven pictures later), and a rather threadbare "misunderstanding" which doesn't stand up to close scrutiny unless we accept the fact that Dennis is an idiot. He is, of course, but this reduces our sympathy and interest in him to zero. Certainly he makes a typical naval officer, as feather-brained as they come, but I don't think this was the script's intention. Epping is supposed to be the dope, but his actions and reactions are far less asinine.
Throwing the plot further off balance is the strong performance by Hugh Beaumont who makes his villain so likable and personable, we are genuinely sorry to see him lose out at the end.
It's good to recorcd that Miss Velez rises to the occasion nobly. She dances up a storm too.
Copyright 11 July 1943 by RKO-Radio Pictures, Inc. No recorded New York opening. U.S. release: 17 July 1943. Australian release: 13 January 1944. 5,789 feet. 63 minutes. COMMENT: Despite guest appearances by Alan Carney and Wally Brown, plus the re-appearance of Charles Coleman (albeit as a different butler), this last entry rates as neither the best nor the worst of the series. Negative elements include some misplaced wartime patriotism (if the writers really wanted to introduce all the "Anchors Aweigh" rah-rah-rah, why not make it part of the "contract-must-be-signed" plot? It's hard to believe the principals are still haggling about this stupid radio advertising contract seven pictures later), and a rather threadbare "misunderstanding" which doesn't stand up to close scrutiny unless we accept the fact that Dennis is an idiot. He is, of course, but this reduces our sympathy and interest in him to zero. Certainly he makes a typical naval officer, as feather-brained as they come, but I don't think this was the script's intention. Epping is supposed to be the dope, but his actions and reactions are far less asinine.
Throwing the plot further off balance is the strong performance by Hugh Beaumont who makes his villain so likable and personable, we are genuinely sorry to see him lose out at the end.
It's good to recorcd that Miss Velez rises to the occasion nobly. She dances up a storm too.