First Comes Courage (1943) User Reviews

Nice performance by Oberon

[blanche-2 · 6/10 · 27 August 2009]

Merle Oberon and Brian Aherne star in First Comes Courage," a 1943 film directed by Dorothy Arzner. Oberon plays Nicole Larsen, a Norwegian who is seen by the other townspeople as a traitor because she's dating a Nazi (Carl Esmond). In truth, she's using him to get information to the underground. When a British beau is smuggled into the country, he is later captured, and she has to get him away from the Nazis.

Merle Oberon was underrated as an actress. She does a terrific job here (as she often did elsewhere), especially in a big, dramatic scene toward the end.

"First Comes Courage" is one of many propaganda films released during the war, and one of several that dealt with the presence of the Nazis in Norway, where politician Quisling helped the Nazis conquer his own country.

Not great, but okay.

World War II Espionage Thriller with Merle Oberon

[Eventuallyequalsalways · 7/10 · 18 November 2008]

If for no other reason, this incredible movie should be seen to enjoy the acting skill of Merle Oberon, especially in the scene where she finally reveals to her husband, the Nazi Major, that she loathes and despises him and that she has only been with him in order to spy on Nazi activities. Directed by Dorothy Arzner, a pioneer among women directors, the movie has an endearing ending in which Merle Oberon turns her back on her lover in order to carry on her underground activities. Made in the middle of World War II, this movie is evidence of the producers and writer's knowledge of the horror of the Nazi occupation in Norway, and it presented a powerful message to the moviegoers of the day that any sacrifice was necessary to defeat the German menace. The script for this movie was based on "The Commandos", a novel by Elliot Arnold.

The most beautiful quisling that Norway ever produced.

[mark.waltz · 7/10 · 11 February 2017]

She's hated in her Norwegian town for being an alleged Nazi spy, but only a select few know the truth, that she's working for the underground to destroy them, not help them. Old friends curse at her in the streets, fellow dancers on the floor in a restaurant walk off the floor when she comes on with Nazi officer Carl Esmond. But for Merle Oberon, it's all in a days work, and she holds her head up high as she goes on with her mission. A British officer (Brian Aherne) falls in love with her while in a local hospital, and together, they fight the Nazi's with dignity and courage, willing to die for the cause of freedom.

It's another "Edge of Darkness", the excellent Warner Brothers film of the same year that echoed with the words " Let them look to Norway" as the peace fighters of the world gathered together to fight against fascism. That Errol Flynn/Ann Sheridan movie was excellent in every detail, and while this is a good film, it can't hold a candle to "Edge of Darkness". Resistance films since "The Mortal Storm" have covered the same territory, and each one has its purpose, its high points, and a few its flaws. Oberon was so much more than a ravishing beauty; she was extremely talented as well, and is excellent here.

Of the large supporting cast, I have to single out character actress Isobel Elsom as a nurse who risks her life to help Aherne. When she is confronted by the Nazi's, she momentarily gasps in horror, then regains her composure and smirks. As Aherne warns Oberon, a resistance worker has a length of six months before they are caught, but as Oberon reminds him, it's worth the risk. Oberon and Aherne have some very romantic moments, so while "Edge of Darkness" is stronger in detail, "First Comes Courage" is a reminder that freedoms of all kinds are at risk when mad men are allowed to control the world. The wedding scene between Oberon and Esmond is dramatically scored, giving the impression of the horror going through Oberon's mind.

A very solid WWII propaganda film about self-sacrifice.

[planktonrules · 7/10 · 18 March 2016]

Merle Oberon plays Nicole Larsen, a Norwegian who is playing a VERY high stakes spy game. She is working for the Resistance AND at the same time dating* the local Nazi commander. However, the plan has always been that the commander gets too close to discovering her true identity that the British would send in commandos to kill him. They don't want to use local talent because the murder would lead to serious retribution towards the local populace. So, the plan is to have an agent specifically target this Nazi during a raid to hide the true purpose of the attack. Now this is a pretty simple plan...perhaps too simple. So the writer throws in a monkey wrench. The commando who is sent in to kill the man is also Nicole's former lover, Captain Lowell (Brian Aherne). And then, to further muddle things, the Nazi wants to marry Nicole and Nicole wants to go through with it and NOT have the man killed. Why? Well, see the film.

This is a very nice espionage film that strongly emphasizes self- sacrifice and patriotism. I am sure the message was being pounded hard in order to bolster the war effort at home, but it was done deftly enough that it did not come off as preachy of obvious like many propaganda films. Overall, well acted and worth seeing...so good I almost gave this one an 8.

Something from the 'N' File

[richardchatten · 6/10 · 29 February 2024]

Dismissed by the late David Shipman as 'idiotic' and given short shrift by the eminent female critic C. A. Lejeune, 'First Comes Courage' is familiar today largely as the final title in Dorothy Arzner's filmography. Seemingly marking a striking departure with the romantic dramas she was associated with during the twenties & thirties since it comprises one of the fast-growing genre of dramas depicting the resistance in Europe, it's not quite the radical break with her earlier work it might initially seem since Arzner subsequently made training films for the Womens Army Corps before leaving Hollywood for good.

Those studying this film for evidence of female empowerment will be gratified to notice that it was edited like many of her previous films by a woman, while Merle Oberon's dismissal of Nazis as "All of you are weak, cowardly, little people!" evokes the scene where Maureen O'Hara turns on the men in her audience in 'Dance, Girl, Dance'. An interesting subtext is further provided by the presence of Isobel Elsom as a doctor also shown as connected to the resistance; while the disapproving looks Oberon receives from other Norwegian women eloquently demonstrates what the locals thought of horizontal collaboration.

The Boys Play With Their Toys

[boblipton · 6/10 · 18 November 2008]

Dorothy Arzner's last directorial effort is replete with her usual feminist slant on things as Merle Oberon -- playing a Norwegian -- is caught between romantic Nazi officer Carl Esmond, who wants to marry her and British spy Brian Aherne who loves her, which is all a great inconvenience to her winning the war for Norway. The men are busy playing with their big tanks and their large meetings -- the state marriage of Esmond and Oberon with its TRIUMPH OF THE WILL sized set decorations is very funny. The occasional battlefield shots looks to me like they are modeled on those sets of plastic soldiers that used to be advertised on the back of comic books.

Oberon, appropriately enough, seems to spend much of her time trying to keep a straight face as Esmond tries to romance her into marriage. It fits neatly into the sort of movie that Arzner used to direct Ruth Chatterton in in the early 1930s, but here, deprived of her favorite screenwriter, Zoe Akins, and forced into the confines of wartime propaganda, she still manages to get in the occasional sly dig.

Good Merle Oberon performance

[HotToastyRag · 6/10 · 24 August 2020]

There were several "Norwegian fishing village" movies made in the thick of WWII, to show American audiences why we needed to help the world and inspire us to be as courageous as the peasants in the movies. First Comes Courage is one such movie, and while I appreciated Merle Oberon's performance, it's not my favorite of the subgenre.

Merle fans will love her in this, playing a strong secret spy who has to withstand the entire town turning against her. She's pretending to be the faithful mistress of Carl Esmond, one of the top Nazi officers occupying the town, but secretly she's working with the underground resistance and passing along pillow talk secrets. There are some very tense situations where her cover threatens to be exposed, but she's got one strong backbone!

Where does Brian Aherne come in? He also works for the resistance, and he comes to town on a special mission. Will he mind that Merle's been cozying up to Carl, or will he realize it's all in the line of duty? If you've never seen one of these movies before, you'll probably really like it. I've seen Edge of Darkness, however, and have been spoiled by the best!

Oberon and Aherne deliver.

[CC_qqqwerty · 8/10 · 29 September 2020]

One of the users said s/he almost gave this film an 8. That was my exact opinion, until I watched "The Mortal Storm". In my opinion, this is a better film with an equally impressive and handsome hero and a more impressive (albeit more glamorous looking) heroine - less romance, more sacrifices, which seemingly best suited during wartime.

First Comes Courage

[CinemaSerf · 7/10 · 26 December 2023]

Merle Oberon ("Nicole") is quite effective in this tale of the Norwegian resistance to the occupying Nazis. She earns the disdain of her fellow countrymen by fraternising with "Maj. Dichter" (Carl Esmond) but is really milking him for information which she has passed on to the British. When a few commandos are parachuted in - including "Lowell" (Brian Aherne), the true love of "Nicole" - things really start to heat up and just about everybody's life is on the line. "Dichter" is also now really starting to smell rat very close to home. It's a good, solid adventure story this with plenty of stirring music from Ernest Tock that builds to quite a fitting, exciting and touching denouement. The sentiment of courage and bravery is well delivered. The strength of character from this young woman determined to do her bit for her nation, regardless of the risk to herself, is well captured by Dorothy Arzner here. There is plenty going on for 90 minutes and it is well worth watching.

"We all have our jobs to do"

[bkoganbing · 5/10 · 18 March 2016]

Two of Hollywood's British colony are the leads in this Columbia Pictures war film about the Norwegian Resistance. Brian Aherne and Merle Oberon, a British barrister and a Norwegian woman who have some before the war history come together when British commandos raid Norway.

Oberon has a dangerous assignment, she plays the mistress of a German Major Carl Esmond and as such is despised by her fellow Norwegians. But in fact she's a spy for the Allies. Still it's not easy to hang around knowing that you're vilified behind your back.

Wouldn't you know it Aherne is landed by submarine and is to make contact with Oberon. He also knows the local Norwegian terrain. Can they get their mission done and keep their minds on the mission is the theme of First Comes Courage.

Carl Esmond does a good job as the major who is a typical cruel Nazi, but whom you also feel a bit sorry for as Oberon is making a fool of him. As such he has a bit more dimension to him than Conrad Veidt as Major Stroesser in Casablanca.

After a lot of hot and heavy action when the commandos do raid, the ending is a Casablanca like one and I'll not say more.

First Comes Courage is distinguished by the good performances of its leads, Oberon, Aherne, and Esmond and the first rate action sequences. Kudos also to Isobel Elsom as a Norwegian nurse who sacrifices much herself. The film hardly has the staying power of Casablanca, the difference between the major leagues and Double A baseball.

First Comes Courage

[k_tackitt · 10/10 · 26 May 2020]

The film is so much better than the book. You can better understand the motivations and limitations of the characters. This movie has been quite a favorite of mine.

amateurish

[deschreiber · 3/10 · 19 March 2016]

I was able to watch for only an hour before I gave up and walked away. It's really quite awful.

Other commentators here are impressed by Merle Oberon's acting. Maybe it gets better in the last half hour, because in what I saw she wasn't called upon to do much. She was, however, stunning to look at, a real beauty, about the only thing that kept me watching for an hour.

The rest of the film was worse than mediocre. Some of the sets looked like they belonged in a Little Theatre production. The music kept intruding with exaggerated emotion. The fight scene in the barn had that odd, speeded-up, Saturday morning serial look to it, with two guys tossing each other around in the most unconvincing way. But mostly the storyline could not be believed at all sorts of crucial moments. For example, the moment Oberon falls under suspicion. Why would she put herself under the spotlight? And why didn't he suspect her long before that moment? There was nothing special about that moment that he should suddenly suspect her for the first time. Her plan to get into the restricted area of the hospital is ridiculously complex, relying on so many things going precisely the way she hoped they would. The method the optometrist uses to convey secret information back to Britain is depicted at some length, unfortunately not in a way that is very clear--something about glasses, but how it all works was a mystery to me.

It just wasn't worth watching. But Merle Oberon is an actress I will watch out for in the future. Maybe she can act, maybe she can't, but she can sure light up the screen.

Really good

[acanacox · 9/10 · 2 June 2023]

I enjoyed watching this. Very feminist of the main character to chose her duty to save more people than to call it quits and go with the man at the end. Unlike a lot of other great old films where the women gives up her line of heavy duty for a man and become a house wife ("woman of the year", "Female" etc)! This one I enjoyed! Went straight to the point in the story. Love the main female character. It wasn't slow. I love the way she sends her message for help with the eye doctor! I love that form of communication when it's not boring. I'm sad this movie doesn't have more views or love to it. A hidden movie gem! I say thumbs up! And I'm not a world war 1-2/nazi film fan but yes, I say~watch it.