Suspicion (1941)

Director:

Alfred Hitchcock

Writers:

Anthony Berkeley (novel)
Samson Raphaelson (screenplay) ...

Release Date:

14 November 1941 (USA)

Genre:

Film-Noir | Mystery | Thriller

Tagline:

Love in his Heart . . . Tragedy in his Mind ! The stars of "Penny Serenade" and "Rebecca" in this most thrilling mystery . . .

Plot:

A shy young English woman marries a charming gentleman, then begins to suspect him of trying to kill her.

Plot Keywords:

Psychological Thriller | Business | Husband Wife | Paranoid | Deception

Awards:

Won Oscar. Another 2 wins & 2 nominations

Cast

Cary Grant	...	Johnnie
Joan Fontaine	...	Lina
Cedric Hardwicke	...	General McLaidlaw (as Sir Cedric Hardwicke)
Nigel Bruce	...	Beaky
Dame May Whitty	...	Mrs. McLaidlaw
Isabel Jeans	...	Mrs. Newsham
Heather Angel	...	Ethel - Maid
Auriol Lee	...	Isobel Sedbusk
Reginald Sheffield	...	Reggie Wetherby
Leo G. Carroll	...	Captain Melbeck

Also Known As:

Before the Fact (USA) (working title)

Runtime:

99 min | Spain:101 min

Country:

USA

Language:

English

Color:

Black and White

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (RCA Sound System)

Certification:

UK:U (tv rating) | Spain:13 | Argentina:13 | Australia:PG | Finland:K-16 | Germany:16 | Sweden:15 | UK:A (original rating) | UK:PG (video rating) (1986) | USA:Unrated

Company:

RKO Radio Pictures

Trivia:

Joan Fontaine, in character as Lina, narrates the trailer on screen and speaks directly to the audience.

Goofs:

Continuity: Hitchcock makes his cameo appearance about forty minutes in, posting a letter in the village. However, when the shot changes, he has suddenly disappeared from beside the pillar-box.

Quotes:

[first lines]
Johnnie Aysgarth: Oh, I beg your pardon. Was that your leg? I had no idea we were going into a tunnel. I thought the compartment was empty.

Movie Connections:

Referenced in Rosemary's Baby (1968)

Soundtrack:

Voices of Spring

"Good night, Lina."

That could have been Cary Grant's most chilling line in his long career.

*SPOILERS*

Except RKO didn't have the courage of its convictions. Having bought the rights to Francis Iles' novel, and despite Hitchcock's insistence on sticking with the original ending, neither preview audiences nor the studio were ready to accept Cary Grant as a murderer. So its present ending was hastily written and shot. It completely subverts all the fine work that's gone before.

Joan Fontaine was a brilliant actress and valiantly, passionately, breathlessly tries to make the shockingly amateurish dialogue in the final scene work -- "Oh, Johnny! You were going to kill yourself instead of me, like the audience and I have thought for the last 90 minutes! Oh, Johnny! It's as much my fault as it is yours! Oh, Johnny! I was only thinking of myself . . . ," etc.

Cary Grant does his best with this final abomination of a climax. "Lina! Lina! How much can one man bear! When you and the audience thought I was in Paris murdering Beaky I was really in Liverpool!" Etc.

Huh?

In other words, this beautifully produced, directed, acted and written psychological suspense thriller turns out to be about a charming lazy n'er-do-well who's sponged and embezzled his way through life, who marries a beautiful but neurotic aristocrat who, from day one, increasingly assumes the worst about her husband -- convincing herself (and us) that he's killed before and now is about to kill her?

"Just kidding," the tacked-on final scene says. "It was all innocent. You eating popcorn out there in the dark, and Lina, should be ashamed for even THINKING such things! Go home now."

It helps, out of self defense, to watch "Suspicion" with the original ending in mind. Yes, the milk is poisoned. Yes Johnny killed Beaky in Paris. Yes, he's a psychopath who lies, cheats, steals and kills. Yes, Lina believed him and loved him deeply -- the only man she's ever loved. Yes, her life is no longer worth living, now that she knows the truth about Johnny. Yes, she rightly suspects that milk is poisoned. So she writes a letter to her mother, telling the truth about Johnny's exploits, and that he is poisoning her as she writes -- and that she intends to die. She seals the letter and gives it to Johnny to mail. She drinks the milk. Johnny leaves and unknowingly drops Lina's letter into a mailbox, thus sealing his fate.

THAT'S a rewarding ending.

It also makes everything that's gone before (including writing, directing, performances and cinematography) plausible. It gives "Suspicion" a reason to exist.

But that's the novel's ending.

The film's "Lina and the audience are just paranoid" ending makes fools out of all the talent on display here. And of us.

Hold mentally to the original ending and you'll love it.