Go West, Young Lady (1941) User Reviews

Pleasant programmer is diverting comedy/western/musical...

[Doylenf · 6/10 · 22 August 2007]

PENNY SINGLETON gets top billing in this diverting little programmer made at the height of her fame as "Blondie". This film, directed by the same man who did that series, has Singleton in her "Blondie" mode, as a prim and proper but ditsy blonde who acquits herself well when Indians are shooting at the carriage she's riding in during the opening scene.

She's so prim and proper that she refuses to even engage in conversation with the man sitting opposite her in the coach--GLENN FORD--on his way to the town of Headstone to become its new sheriff.

Ford has one of his rare comedy roles and plays it to the hilt. He's continually getting in the way of Singleton's pie-throwing finesse or taking a crack on the head with a pan, accidentally of course.

ALLEN JENKINS, as a cowardly interim sheriff, ANN MILLER, as a dance hall gal, and CHARLIE RUGGLES, as Singleton's uncle, all give fresh and funny performances. Miller is especially good in a couple of her dance routines, including a sing-and-dance number with Jenkins that comes as a delightful surprise.

Very enjoyable romp, it seems to borrow a lot of its material from other similar westerns. It features at least a half a dozen unpretentious musical numbers that make for easy listening.

Summing up: One of Columbia's better programmers.

The Gal of the Golden West

[lugonian · 7/10 · 21 February 2003]

GO WEST, YOUNG LADY (Columbia, 1941), directed by Frank R. Strayer, is a western spoof starring the one and only Penny Singleton, in a rare opportunity taking time off from her then popular "Blondie" movie series, also then directed by Frank R. Strayer, which played in theaters from 1938 and ending after 28 theatrical episodes in 1950. As with the "Blondie" series, GO WEST, YOUNG LADY is a 70 minute "B" movie that concentrates on comedy, whether it be physical or verbal. It also reunites Singleton with the up-and-coming Glenn Ford, who earlier appeared in one of her "Blondie" comedies, BLONDIE PLAYS CUPID (Columbia, 1940).

Set in a frontier town of Headstone, Jim Pendergast (Charles Ruggles), owner of the Crystal Palace saloon, learns that his nephew, Bill, is arriving on the next stagecoach. Since Headstone is in need of law and order, considering it is being terrorized by a masked bandit named "Pecos Pete," Pendergast believes Bill will become the town's new sheriff. After the stagecoach arrives, Pendergast mistakes Tex Miller (Glenn Ford) as his nephew, and is stunned to learn that Bill is actually an attractive young gal named Belinda Pendergast (Penny Singleton). In spite of her being a female, she is quick on the draw and can do anything a cowboy can do, even better. Later Belinda encounters Lola (Ann Miller), entertainer of the Crystal Palace, who becomes jealous over her encounter with Tex, whom she loves. Eventually with Belinda's help, she succeeds in taming the west.

GO WEST, YOUNG LADY may seem overly familiar in plot mainly because portions of it borrows from other westerns, such as DESTRY RIDES AGAIN (Universal, 1939), starring Marlene Dietrich and James Stewart, where the central character is mistaken for a stronger and more forceful hero, unaware that the least likely individual turns out to be otherwise, along with a knockout fight between the two women (Singleton and Miller), but not as memorable as when Dietrich battled wits with Una Merkel; and MY LITTLE CHICKADEE (Universal, 1940), starring Mae West and WC Fields, where the hero, being

Belinda, riding in a stagecoach with a rugged hero named Tex, becomes part of an Indian massacre where the Redskins riding on their horses are attacking the stagecoach with bows and arrows. As Tex tries to shoot them off, he becomes very much surprised to find Belinda with her pistols disposing the Indians shooting gallery style from their horses one by one (as did Mae West in the earlier film). Another borrowed element from MY LITTLE CHICKADEE is a masked man terrorizing the town, who becomes the least likely suspect from the citizens but known only to dance hall girl Lola and the movie audience.

Besides its broad comedy, and a couple of pies that are accidentally tossed at Glenn Ford's face, compliments of Penny Singleton (in a role that might have gone to other slapstick queens as Joan Davis, Judy Canova or even Lucille Ball), the movie takes time off for some musical numbers, songs by Sammy Cahn and Saul Chaplin, including: "Go West, Young Lady" (sung and tap danced by Ann Miller); "Somewhere Along the Trail," "Little Doggie, Take Your Time," "I Wish I Could Be a Singing Cowboy" (sung and performed by Allen Jenkins and Ann Miller); "Gentlemen Don't Prefer a Lady" (sung by Penny Singleton); and "Ida Red" performed by Bob Wills and his Texas Cowboys.

Featured in the supporting cast are: Jed Prouty as Judge Harmon; Edith Meiser as Mrs. Hinkle; Bill Hazlet as Chief Big Thunder; and Waffles, the dog (filling in for the Blondie pooch, Daisy), among others.

Watching GO WEST, YOUNG LADY, makes one wonder how this movie in a similar situation would have played as a "Blondie" episode, possibly titled BLONDIE OUT WEST, with Penny Singleton as Blondie, along with series regulars Arthur Lake as her husband, Dagwood Bumstead, and Larry Simms as their son, Baby Dumpling (Larry Simms), going west on vacation where Dagwood is elected sheriff to fight off cattle rustlers, shooting 'em up with cowboy villains, etc. Anyway, that never happened, but it was just a thought.

GO WEST, YOUNG LADY, which was once a frequently revived movie that could be found on any given afternoon on commercial television back in the 1960s and '70s, is a very hard movie to find these days. However, it is not lost and gone forever, for it has been revived on cable television's The Westerns Channel (2003) and Turner Classic Movies (August 22, 2007). Other than watching Penny Singleton in a non-Blondie performance, providing her comedic and vocalizing talents, GO WEST YOUNG LADY does have its quota of laughs to make this one an enjoyable outing and a worthy time filler for classic movie fans. (**1/2)

Surprisingly funny and sharply-directed comedic oater with songs...

[moonspinner55 · 6/10 · 12 April 2010]

Western town under the thumb of a masked bandit sends for a new sheriff, who arrives by coach along with the saloon owner's niece from back East--a young lady of proper breeding who is also quite handy with a pistol. Fresh, rather laid-back comedy-western with music interludes has perhaps too much story exposition at the beginning, yet director Frank R. Strayer keeps a spirited pace and covers nicely with help from a colorful cast. The original songs by Saul Chaplin and Sammy Cahn are terrific, as are the musical performances by The Foursome and Bob Wills and his Texas Playboys. Ann Miller (playing a shady chanteuse named Lola) sings too, and taps up a storm; her catfight scene with Penny Singleton is a definite highlight. The character actors here (including Allen Jenkins, who also gets to warble and dance to a ditty) are so strong that young Glenn Ford almost gets lost in the crowd. Very modest, but very pleasant tale that ambles along agreeably without lapsing into silliness. **1/2 from ****

Pleasant Surprise

[dougdoepke · 10 October 2015]

Delightful slice of western slapstick from Columbia Studios. The humor is pretty broad, the musical numbers frequent, and the cast especially appealing. It's a really young Glenn Ford showing why a big, versatile career lay ahead; a tomboyish Penny Singleton showing why she was more than just Blondie; and bad girl Ann Miller (!) still tap dancing her way into our hearts. And mustn't overlook an outstanding supporting cast, e.g. Ruggles, Jenkins, Waffles. I especially like that Miller-Jenkins tap dancing number with her in cowboy boots and him tripping the light fantastic.

Oh yeah, the plot's something about a masked bad guy terrorizing the town. Turns out it's a town bigwig, just like in a kid's western. But who cares since that's just a way of stringing together the other, better elements. I'm not sure who the intended audience was since the result is neither a kid's matinée nor an A-production (the guys ride around greater LA). I doubt that the audience was ever found since the release date was right before Pearl Harbor! Anyway, for me the 70-minutes came as a pleasant surprise, though that opening stagecoach chase seems an unnecessary body-count. Nonetheless, the music's delightful and the acting appealing, so there's a lot to like in this unheralded Columbia production.

another example of a good 'B' show

[dallen775 · 7/10 · 15 January 2002]

This is yet another movie that is not on video and few have heard of that's well worth the viewing if you can catch it on cable. It's enough of western and musical to hold the interest of fans of both, plus good comedy thrown in. It's not too much of either western or musical to make the other seem out of place. Good numbers, good acting, funny lines all in 70 minutes and a chance for those not familiar with Western Swing to catch what that is. Ironically, the two best fight scenes include women. I gave it a 7, it's well worth the watch, much better than some 7's, well deserving and fun.

Not quite an A-picture...not quite a B-movie! And, it features a FEMALE hero!

[planktonrules · 7/10 · 20 March 2018]

During the 1940s, Columbia Pictures made a ton of westerns...most of them B-movies lasting about an hour and featuring a variety of mostly small-time actors. However, occasionally they made a western that was just a bit better...and "Go West, Young Lady" is one of these. While it's about the length of many Bs, it has a better cast than usual. While Glenn Ford was not yet a top-tier actor, having him and many familiar faces in the film (Penny Singleton, Ann Miller, Charlie Ruggles and Allen Jenkins) give it a more sophisticated look than a B....making this sort of like a B+ picture!

The star of the picture is Penny Singleton. She was a veteran of Bs...and in the middle of her Blondie and Dagwood series when she made this western. But she's certainly no typical western woman (at least the movie versions), as when bad guys strike, she's quick to shoot back and isn't the least bit a cowering lady! Glenn Ford is the male lead...but with such a dynamic lady starring in this one he's easily overshadowed!

As for the plot, apart from Singleton's wild (and sometimes ditsy) character, it's pretty standard stuff. Some masked gunman named Killer Pete is terrorizing a town...killing sheriff after sheriff. His ultimate goal isn't robbery but to force folks to want to leave town...so he can then buy them out and become the big boss man...a very familiar western cliche.

Watchable and a bit better than usual for the genre.

Blondie Goes West

[bkoganbing · 7/10 · 12 April 2010]

Columbia's western comedy Go West Young Lady owes the fact that it was made to Harry Cohn seeing how successful Destry Rides Again was over at Universal for Carl Laemmle. The resemblance of Glenn Ford's character to lean and lanky Jimmy Stewart is unmistakable.

Ford and Penny Singleton arrive on the same stage to this frontier town where Penny is visiting her uncle Charlie Ruggles who owns the saloon and Ford has been appointed the new sheriff. Like the town of Bottleneck in Destry Rides Again the job of sheriff gives the owner a limited life expectancy.

Specifically Ford is sent there to get a Mexican bandit, Killer Pete, who's been terrorizing the territory and he's got an alliance with the local Indians, a deadly combination if ever I saw one in a western. This bandit is one clever dude, he seems to just disappear with no trail after every job.

Singleton is a western girl who can shoot like Annie Oakley, but she has a horrible sense of timing and hurts more than she helps poor Ford. Still it looks like love.

Providing the saloon entertainment is Ann Miller, The Foursome, and Bob Wills Texas Playboys Band. There are quite a few musical numbers in this more than in Destry and Go West Young Lady is a shorter running time. There's a really cute one with Ann Miller and Allen Jenkins where Jenkins laments he doesn't have the voice to be a singing cowboy.

And there's the obligatory chick fight between Singleton and Miller, not as good as the one involving Marlene Dietrich and Una Merkel, but it certainly can hold its own.

Taking time off from the Blondie series for Penny Singleton definitely proved worthwhile. The film is a pleasant diversion and gave Glenn Ford the first opportunity on screen to show his comic talents. He takes a pie in the face as good as any Keystone Cop.

Allen Jenkins... hoofer?

[jbacks3 · 6/10 · 22 August 2007]

This Columbia B puts a ballsier (at least gun totin') Blondie Dagwood out west being woo'ed by a really young Glenn Ford, already into his 11th picture here. This is part-melodrama, part musical (complete with an anachronistic swing number in the dance hall), part comedy. It's got Ann Miller as the bad guy's dancin' moll, Lola (this isn't a spoiler!)--- all wrapped up into a weird western with Charlie Ruggles doing a Foghorn Leghorn-meets-Colonel Sanders schtick. Very, very weird, but well produced. And you should see Allen Jenkins dance. He's no Fred Astaire, but he can cut a rug better than anyone might expect. Glenn Ford had to be disappointed in the direction of his career at this point, but to be fair there's worse ways to waste time than watching Go West, Young Lady (try watching a Bob Custer talkie and see what I mean).

Law and Order in Headstone

[movingpicturegal · 7/10 · 24 August 2007]

Rip-roaring Western-Musical that is fast-paced fun all taking place in the small Wild West town of Headstone where a bad man known as "Killer Pete" has killed four previous sheriffs and regularly ransacks the town of it's loot. Enter the new sheriff, a handsome bloke named Tex Miller (Glenn Ford), and the new gal about town, Belinda "Bill" Pendergast (Penny Singleton), just arrived from the east where she attended a "young ladies seminary" and, oddly enough, can out-handle most men with a gun. Tex and Bill met on the wagon into town, shot some Indians on the way in, and soon are thinking about getting married - except she can't stop accidentally throwing pies in his face. Meanwhile Bill moves in with her Uncle who lives above the saloon/dance hall and gets into some tussles with saloon dancing girl, Lola (Ann Miller).

With entertaining musical numbers featuring singing cowboys, a Barbershop quartet, Ann Miller performing a tap-dancing number on top of the bar, Allen Jenkins as a somewhat cowardly deputy who also sings and a dances (a little) - - not to mention a knock-down, drag-out, full-fledged "cat fight" between the two women, a big finale where the women of the town get the best of some bad men via the use of mops, brooms, and a big cast-iron frying pan, and Glenn Ford at the peak of his most young and gorgeous here, this proves to be a pleasantly fun and humorous watch.

Annie taps, "Blondie" exposes her bloomers, and Glenn gets pie in his eye!

[mark.waltz · 5/10 · 23 December 2014]

One of many variations of "Destry Rides Again", this musical western is an enjoyable piece of fiction that is about as true to the west as the pastische 1954 spoof "Red Garters". Here, Penny Singleton's Blondie becomes "Bill" (short for Belinda) whom Uncle Charlie Ruggles believes is a boy, having never met her. Penny's pretty good with a gun, too, proving her meddle with Glenn Ford, the newly appointed sheriff of the town where Ruggles runs the "Crystal Palace" while he is on his way in on the stagecoach. Handsome Glenn and Penny don't hit it off at first, as she is a bit too prim and proper to talk to a stranger she hasn't been introduced to. But when you share guns while shooting attacking Indians, you've been introduced, and by the time they arrive in town, Belinda's supportive of the new sheriff even though Uncle Charlie wanted to offer the job to "Bill".

The Crystal Palace is one modern saloon where Annie Miller tap-dances decades before it became a popular form of entertainment and a masked bandit's intrusion into the customer's night of frolic is continuously followed by Ruggles' hollar of "drinks on the house" even though the till is pretty much empty after being robbed. Then, there's acting sheriff Allen Jenkins who is one of the oddest partners thunder thighs Annie ever danced with and assorted customers who may or may not be involved with the local bandit who continuously gets away with robbing the local businesses over and over again. Penny is constantly thwarting the capture of the masked bandit, confronting him for the shoot-up which caused her pie to fall then tossing it towards his face, only to pelt poor Glenn. He even gets it when she throws another pie accidentally in his face just as he is about to propose.

The highlight of the film is a violent catfight between Penny and Annie which is even more riotous than the one between Dietrich and Una Merkel in "Destry Rides Again". At under 70 minutes, this speeds by with several entertaining musical numbers, including the title song as sung by Miller, another where she dances with Jenkins, and then one with Penny taking over the saloon and taking off her skirt to dance in her bloomers much to Uncle Charlie's shock. "Ida Red" as performed by Bob Wills and The Texas Playboys is a fun novelty number. So while the whole plot line is something audiences of 1941 obviously had in their recent movie going memory, there is enough entertainment here to make it a fun distraction if not a western classic.

A goof and a recommendation

[jnselko · 9/10 · 26 May 2005]

This is not a comment- rather, I would like to point out a goof: When Penny Singleton and Ann Miller are having their cat fight towards the end of the movie (incidentally, one of the all-time great cat fights) it really looks like those girls are belting each other), Ann Miller's blouse buttons and unbuttons during the scrimmaging.

But, as long as I am here... This was a truly enjoyable western. Glen Ford is actually funny in this movie, and the relationship between him and Penny Singleton is very well developed and quite touching, in an amusingly innocent sort of way (inotherwords, exactly the opposite of most movies today). The rise of the townswomen to thwart the evildoers plans is also very well done.

This is a rare western comedy that actually delivers some jocular moments. I've seen it three times, and enjoyed it all three times. And, if it comes on the Westerns Channel again when my boy is home from school or doesn't have practice or a game, We'll watch it together.

It's just a fun movie. period.

Ann Miller's Wardrobe Malfunction

[wes-connors · 3/10 · 22 August 2007]

Penny Singleton (she's Bill) and Glenn Ford (he's Tex) arrive in the western town of Headstone. The town is terrorized by a "Killer Pete" (he wears a black scarf). Resident Ann Miller (she's local bad girl Lola) makes trouble. Will Lola get whatever Lola wants? Will lady Bill find love? And, who is "Killer Pete?"

The film's highlight is a fight, near the end, between Ms. Singleton and Ms. Miller. Note the differing pronunciations of the word "posse" - AND, in a first-class wardrobe malfunction, Singleton accidentally rips open Miller's blouse. Other than that, the film may entertain friends and relatives of those who worked in the production. There are also some country & western musical acts, which could be a treat, if you're a fan.

*** Go West, Young Lady (1941) Frank Strayer ~ Penny Singleton, Glenn Ford, Ann Miller

Blondie again smart and better than all the men

[petersjoelen · 5/10 · 11 July 2021]

Penny here is just repeating her franchise character from the blondie movies , and places them in a western comedy inviroment .

That means she has to be better and smarter then the men that surrounds her , it also means that making fun of her and also the other female lead as well is a no no .

This trope kills most of the fun moments in the movie , there are e few left ( the cake joke ) but not enough to make this comedy a success .

A good example and proof that feminism and the tendency to put females on a pedestal was already sneaking in movies back then .

Fast-paced, funny, snappy Musical Western with great songs!

[sdiner82 · 8/10 · 8 June 2001]

A pleasant, diverting, fast-paced, unpretentious musical Western. Shown frequently on commercial TV in the late '50s and '60s, it seems to have disappeared.

Will someone at Columbia Pictures please stop promoting their 2001 mega-budget stinkers and instead preserve and re-release their past glorious unsung treasures (such as "Go West, Young Lady") and make them available on cable-TV and videotape.

This "B"-unit film is an unalloyed delight. A precursor of such later films as "Calamity Jane" & "7 Brides for 7 Brothers". Penny Singleton is adorably ditzy as the heroine, Glenn Ford honed his comic skills as "the tenderfoot" and sparkling Ann Miller as the tart-tongued saloon-singer steals the show. The Sammy Cahn score is a treat, and Annie's tip-tapping with Allen Jenkins singing "I Wish That I could Be a Singing Cowboy" is one of the many highlights of this unique lark of a film.

Good, rousing, old-fashioned fun--packed into a tight 70 minutes!

Splendid low-budget delight

[F Gwynplaine MacIntyre · 9/10 · 9 August 2003]

'Go West, Young Lady' is a surprisingly delightful little film that easily straddles at least three different genres: it's a comedy western with a couple of full-fledged musical numbers, but which never quite becomes a full-scale musical. This film features the only good comedy performance I've ever seen by Glenn Ford, who is usually a dead loss in comedies. (He ruined 'Pocketful of Miracles'.) I actively dislike Penny Singleton, partly because she's so annoying onscreen and largely because (in real life), as the inept president of Agva, she nearly drove that union into bankruptcy. But Singleton gives an enjoyable performance in this film. Even Ann Miller (whom I usually dislike) gives a fine performance as Lola, the dance-hall girl in the local saloon.

Allen Jenkins, one of my favourite character actors, is hilarious (as usual) as sheriff Ford's deputy. A high point of this film is the 'Yip-Ay-Yay' number performed by Ann Miller and Jenkins. For possibly the only time in his prolific career, Jenkins sings onscreen! His gravelly voice (with his prole New York accent) is completely unsuited to carrying a tune, but Jenkins sings gamely (in both senses of the term) while Miller does a couple of simple tap steps (less elaborate than usual for her) alongside him.

SLIGHT SPOILER. There's a very funny running gag, well executed. Ford keeps getting into brawls with various tough guys who are bigger and stronger than him. Each time this happens, Penny Singleton tries to help him by coshing the other man ... but she always misses him and beans Ford instead. The payoff comes when she tries this one more time. As Ford looks up in horror to see Singleton bearing down on him with a bottle, he shouts: 'Don't hit him! It'll be me!' Very funny indeed, and several other scenes in this movie are funny too. I'll rate this charming low-budget gem 9 points out of 10.

Well Acted, Good Plot, Great Comedy, Lots of Action

[alanco · 10/10 · 22 January 2002]

A Fun movie that will leave you wishing it had been another 45 minutes. The fight between Ann Miller and Penny Singleton is astounding! Ann Miller's Dance scenes are very good, and there is even an appearance by Bob Wills and his Texas Playboys. Penny was a great talent and her vaudeville experience shows. This movie even includes Glenn Ford.

Fun,unpretentious B&W 'B' musical comedy western

[weezeralfalfa · 8/10 · 28 April 2018]

This 70 min. rather low budget offering from Columbia has a bit of everything. There are typical elements of westerns: Indians chasing a stagecoach, a local gang of desperados led by one of the leading citizens in disguise as 'Killer Pete', whose main goal seems to be to expand his holdings from a large ranch to businesses in town. He already has a big lean on the town saloon the Crystal Palace, which he periodically robs. As expected, Pete has a secret moll in Lola(Ann Miller), who is the chief entertainer for the Crystal Palace. Lola is contrasted with the prim classy blond Belinda or Bill for short(Penny Singleton), newly arrived from the East. She may look harmless, but she packs a mean pistol, as demonstrated in the Indian attack on the stage she and the new sheriff Tex Miller(a young Glen Ford) were riding in. Strangely, the town elders didn't seem to know about Tex, and were planning to offer 'Bill' the hazardous vacant position of sheriff. The last 4 sheriffs had been killed by Killer Pete. Bill might be a better shot than Tex, but she had no desire to take Tex's job away from him. Instead, she was satisfied keeping house for her uncle Jim, who owned the Crystal Palace, until such time that she might get married. Tex and Bill soon became romantically involved, although their initial meeting in the stage was hardly cordial, until they were forced to cooperate in fighting off the Indians. Their courtship was set back a few times when Bill accidentally hit Tex in the face with a freshly baked pie. This running gag was modified the 3rd time by Bill accidentally hitting Bill in the face with the frying pan she was using to subdue the members of Pete's gang.......The simmering relationship between Lola and Bill finally erupted into a notable cat fight, which some reviewers say was the highlight for them. ......Charles Ruggles was charismatic as Jim: Bill's uncle, reminding me of Walter Brennan, in speech and style. Onslow Stevens was tall and handsome, when his kerchief was pulled down, as Killer Bill. Allen Jenkins was appropriately humorous as the flaky deputy, who usually ran from trouble.....In the music department, Ann Miller and Penny Singleton are both decent stage singers and dancers, although their dancing styles were quite different, with Ann being a specialist in tap dancing: a skill that would be filmed many times in the future. Ann, at 18, was so young, I barely recognized her. She usually was included in films as a musical specialist or as 'the other woman', as in this film. She sings and dances to the title song, including a segment where she tap danced up and down the bar counter. Worth a second look. Later, she joins Allen Jenkins in a humorous song and dance to "I Wish I Could be a Singing Cowboy". Allen much reminded me of the dancing style of Ray Bolger(the scarecrow in "The Wizard of Oz"). Penny stepped out of her usual role, in the "Blondie" series, to participate in this film. She would lead a sing along, while on horseback, to "Dogie, Take Your Time". Later, Penny led a classy stage song and dance to "Most Gentlemen Don't Prefer a Lady", with The Foursome as backups. Unlady-like, she dropped her skirt to dance in her bloomers half way through, giving her freedom to do some more athletic maneuvers. Unfortunately, her uncle Jim was not pleased, and wanted to ship her back East, until Tex expressed a marriage interest. The Foursome did a barber shop quartet-styled sing to "Somewhere along the Trial". All of the above songs were composed by the team of Sid Chaplin and Sammy Cahn. In addition, a revised "Ida Red" was sung and played by Bob Wills and his Texas Playboys.....See it at YouTube.

What a fight scene

[mylancer03 · 9/10 · 12 December 2020]

That fight between Ann and Penny was the best cat fight I've seen in a long time. Knowing Ann had back issues later in life had me holding my breath. Glenn was adorably young.

Very funny western

[Two_Journeys · 8/10 · 15 January 2021]

Great actors, and although the plot is spiked with humor and song and dance, the story makes sense.

Knock Out Hit

[beezwax-42493 · 9/10 · 17 March 2020]

As a connoisseur of Western films, this one knocked me out. It was totally charming! I rather detest musicals, but this one featured such dreamy tin-pan alley songs and first rate Western Swing music from Bob Wills & the Texas Playboys, it's in a class by itself. And the town of "Headstone"--what a marvelous spoof on Tombstone!

The bonus for me was Glenn Ford, one of my very favorite all-time actors. In this early show of his talent, I saw a strong vocal resemblance and mannerisms to that of Henry Fonda, which Ford soon went on to develop his own magnificent style.

Never has a Western featured better saloon talent than that of Ann Miller's. She was incredibly entertaining--especially that dynamic dancing upon the bar. How many takes did that number require? I thoroughly enjoyed her talents! And the cat fight with Penny Singleton was one of the best. That scene beats out my memories of Dale Evans fighting off the bad girls while Roy is off fighting off the bad guys.

This is such a unique western and in a class all its own. I feel so thankful we discovered it streaming on You-Tube.

Underrated Comedy

[JLRMovieReviews · 9/10 · 26 March 2019]

Penny Singleton is a young lady on her way to her uncle, but what she doesn't know is that he's expecting a young man, because even though her name is Belinda her father called her Bill. Her uncle wants Bill to help with some outlaws. because her father called Bill the best shot this side of the Mississippi. The little western town has hired a new sheriff, because they can't keep one alive. Both Glenn Ford (the new sheriff) and Penny are on the same stagecoach coming into town. Such begins this fun-filled comedy with great musical numbers. Ann Miller is on hand with her usual flair, and she has a meatier role here than usual With her small voice, Penny has a very sweet disposition but she has spirit and gumption too. Of course Glenn and Penny start to likin' each other. but he keeps gettin' in her line of fire! I loved it so much, I could watched it again! Discover this gem today!