Naughty But Nice (1939) Poster

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6/10
The ABC's of Love
utgard1425 July 2014
Stuffy music professor (Dick Powell) hates popular swing music but the only person interested in the rhapsody he's written is a pop music lyricist (Gale Page). She puts words to his music and turns it into a big hit with the swing crowd. The duo are very successful until a sexy singer (Ann Sheridan) tries to lure the professor astray.

Nice comedy with a good cast. Powell does fine but, despite the plot involving music, he never sings. He does learn what the A, B, and C types of love are from Gale Page and Ann Sheridan. Page is wonderful. She has a genial charm about her that is a joy to watch. Sheridan is sexy and, well, full of oomph! A very fun supporting cast with the likes of ZaSu Pitts, Maxie Rosenbloom, Allen Jenkins, and Vera Lewis. Granville Bates has a funny role as a judge. Songs are nothing special but the humor and likable cast helps.
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7/10
Swing music...the ULTIMATE evil!!
planktonrules27 September 2015
"Naughty But Nice" is a pleasant Dick Powell musical comedy--more enjoyable than many of his other 30s films. He plays Professor Hardwick, a very straight-laced guy who likes writing classical- style music. However, when he accidentally gets drunk, he becomes a bit of a wild man and ends up giving in to his hidden inner urge to write dreaded swing music! Later, after the Hudson Music company publishes one of his songs, they learn it might be plagiarized and sue him.

This is a very slight movie that never takes itself seriously and has a nice sense of humor. My only complaint is that Ann Sheridan is featured first in the credits but it's more a Dick Powell film. In fact, Gale Page is more prominent in the film but comes third-- and this must be some sort of testament to the sudden star power of Sheridan. If you do watch, you'll also see Ronald Reagan in one of his earliest roles in support.
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7/10
Silly Little Film
Maleejandra25 November 2006
Naughty But Nice is the story of a professor of music (Dick Powell) who wants his rhapsody to be published. His innocence and lack of taste buds rope him into a contract writing popular music with a female singer (Gale Page), a style that he hates. He becomes hugely popular, and another singer (Ann Sheridan) attempts to steal his talents for herself through shady means.

It is very strange to see Powell in such a film as the character he is. He is an extreme intellectual at the expense of his charm and handsomeness. He does get to show off his beautiful voice, but it is quickly and not very memorable. Zasu Pitts, a former silent movie star, makes a favorable impression as an eccentric and funny aunt of Powell.

There are some very enjoyable parts to the film, especially the bits about the lemonade, but it is rather predictable in places and somewhat dull in others.
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Don't miss Ann Sheridan in this
tarpoff6 October 2006
I don't place comments on most of the movies I watch (and I am a major film buff, particularly the classics of the late 30's, 40's and 50's, but I felt it necessary here as most of the comments are based on viewers with a Dick Powell focus. Powell's heyday was a little prior the timeframe of my expertise so I am not commenting upon those comments, however, Ann Sheridan is one of the most underrated actresses in film and she is outstanding in this, not to mention gorgeous. The movie is more entertaining than Powell's fans have let on with the final third of the movie quite entertaining for anyone. The increasing frustration of Powell's collegiate colleagues culminating in breaking a tree limb is well done. The scene prior to the court trial with Sheridan slapping everyone repeatedly in the producer's office is outstanding and a "must see" for film fans.
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6/10
Good for several laughs. Remember, it was 1939.
bradkrt20 February 2016
By 1939, movie audiences were well acquainted with Dick Powell's singing talents. The absence of Powell's crooning in "Naughty But Nice" (NBN) probably wasn't a disappointment to movie-goers, and they were likely amused by his performance, which was against type. Theater audiences in 1939 wouldn't have expected Powell's character, uptight college professor and composer Donald Hardwick, to put in a singing performance in this film.

Don't miss the scene early in NBN that takes place in the dining room of the Hardwick home, as Donald's aunts reveal why they haven't spoken with their sister in years. Listen closely to the dialogue as they reveal the story of the brash musician she married, his instrument of choice, his nickname, and the title of the last song he performed before his untimely death. That dialogue had to have spawned at least a few laughs in theaters in 1939.
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6/10
unimpressive
blanche-221 August 2015
Dick Powell stars with Ann Sheridan and Gale Page in "Naughty but Nice," a film from 1939 that also features Helen Broderick and Zasu Pitts, Ronald Reagan, Allen Jenkins and Max Rosenbloom.

Powell is Professor Hardwick who teaches at Winfield College and hates swing music, which is the new craze. He has written a piece, classical of course, and he goes to New York to have it published.

He stays with his Aunt Martha (Broderick) who loves swing as do all her friends. A nondrinker, he develops a love for lemonade which is actually a Hurricane and drinks them like juice, becoming bombed.

He finally sells his piece to Eddie (Reagan), and he has Linda McKay (Page) put lyrics to it -- and turn it into a big swing number, performed by Zelda (Sheridan).

Eddie and McKay are the Rogers & Hammerstein of swing, but Zelda wants in, not only wanting to sing, but having the music published by Hudson, the Home of the Hits.

Lots and lots of music, and this is such a nice cast. However, somewhere the movie went awry. For one thing, it's too long. It was hard to stay interested in it.

I should have liked it a lot more. Warren and Mercer were responsible for most of the songs, and some of them were based on classical pieces. Somehow it just fell flat. A shame.
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6/10
fun stars in their early days.
ksf-225 August 2020
Oh MY.... so many fun names in this. Ann Sheridan could play big parts, small parts, and do it well. check her out in Man Who Came to Dinner. Dick Powell, started out as a singer, did some singing/actor roles, then more serious film roles without the singing. the awesome sidekick Grady Sutton. Ronald Reagan, actor, governor, president! Helen Broderick, the amazing wisecracker in so many Fred Astaire films. Allen Jenkins and Jerry Colonna, always the co-stars. Vera Lewis. Don't forget the incredible Zasu Pitts... probably best known as the sweet, innocent girl who is about to get taken to the cleaners. WOW. the producers sure rounded up the cream of the crop! Zelda and Don (Sheridan and Powell) hit the charts with their new numbers, and the rest of the actors circle around with supporting roles. Colonna was a professional musician, so it was hard work for him to pretend to be awful. the story itself is rawtha silly, but it's great to see all these big names, who would go on to be even bigger. Sadly, Powell and Sheridan would both die quite young. Directed by Ray Enright. started with Mack Sennett in silents, on to the talkies! Catch this one, just for the various hollywood big wigs.
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4/10
Rhapsody in Swing
lugonian2 February 2002
NAUGHTY BUT NICE (Warner Brothers, 1939), directed by Ray Enright, began production in the summer of 1938, and was withheld theatrical release for almost a year, and it's easy to see why. The finished product, unfortunately, is a disappointment. Dick Powell, whose long and successful career in musical films at Warners since 1933, has come to a rather tepid end. Taking second billing to Ann Sheridan, who was being groomed to stardom by the studio, Powell sings no major hit tunes, and is transformed from a baby-faced crooner to a mature but dull college professor of classical music who wears glasses and quite naive of the outside world, a role more suitable to the likes and comedy antics of possibly Eddie Cantor. Of the supporting players, Gale Page, whose movie career was short-lived, comes off best as the nice girl who guides the professor along.

As for the plot, Professor Donald Hardwick (Dick Powell) of Winfield College, comes to New York City on a mission of getting his symphonic composition published. While there, he stays with his maiden Aunt Martha (Helen Broderick) who manages a speakeasy. Donald then meets Linda McKay (Gale Page) and Ed Clarke (Ronald Reagan), who mistake Donald for a waiter. After becoming acquainted, Linda, a songwriter, takes Donald's classical compositions and changes it into swing music without his knowledge. Upon his return to Winfield, Donald learns of the radio air-date as to when his composition is to be played so he and his college dean (Halliwell Hobbes), along with Professor Trill (Edward McWade) can join in and listen. Donald gets the shock of his life when he finds his composition changed to a jive number retitled "Hooray for Spinach" as sung by vocalist Zelda Manion (Ann Sheridan). The disgrace finds Donald returning to New York to straighten out matters, only to be further tricked into having his compositions changed into top pop tunes that make it to Number One on the Hit Parade, which eventually leads to a courtroom case.

With music and lyrics by Harry Warren and Jerry Mercer, with acknowledgments to classical composers Richard Wagner, Johannes Sebastian Bach, Wolfgang Amadeus Mozart and Franz Lizst, the songs featured include: "Remember Dad" (sung by Jerry Colonna and Allen Jenkins); "Hooray for Spinach" (sung by Ann Sheridan); "I'm Happy About the Whole Thing" (sung by Dick Powell and Gale Page); "In a Moment of Weakness" (sung by Gale Page); "Corn Pickin'" (sung by Ann Sheridan/ jitterbug dancing by patrons); and "I Don't Believe in Signs" (sung by Ann Sheridan). Only "Hooray for Spinach" would be a tune more to the liking of the famous cartoon character of Popeye.

Other than the use of six forgettable songs based on classical compositions, NAUGHTY BUT NICE finds Powell in numerous comedic situations, such as being served an alcoholic beverage instead of his usual lemonade which gets him so drunk that he shouts out, "YA-HOO," only to get photographed by news-hounds and picture being placed on the front page of every newspaper showing Donald swinging from a chandelier; Powell getting a "hot foot" (lighted matches stuck on his shoes) by Joe Dirke (Allen Jenkins), which causes the naive professor to take hold of his foot and jump up and down as he moans, causing the night club patrons to do the same, thus, the creation of a new type of dancing, a jitterbug number called "Corn Pickin'"; Donald getting vamped by Zelda; among others. But what is supposed to be hilarious comes off somewhat forced. This type of comedy is not Powell's style, but sure is the way of studio contract termination, this making NAUGHTY BUT NICE Powell's "swan song."

Then there is the droll Helen Broderick as Powell's more down-to-earth Aunt Martha, along with his other maiden aunts, Penelope Louisa Hardwick (Zasu Pitts), an accurate-on-information know-it-all; Annabella (Vera Lewis) and Henrietta (Elizabeth Dunne), as lovers of classical music. Maxie Rosenbloom, a former boxer, is also featured as Broderick's man-servant who answers doors, cooks cakes and cleans house; Grady Sutton as a college student; and William B. Davidson, billed as Bill Davidson in the closing credits, a familiar face in numerous Warner Brothers features, playing as a crooked song publisher.

NAUGHTY BUT NICE is a good idea gone sour, and at 90 minutes, looks more like an overlong "B" movie. The age of the thirties musicals is over, changing to the swing of things of the more prosperous forties. Warners would produce other musicals, but didn't hit its stride again until YANKEE DOODLE DANDY (1942) starring none-other than James Cagney. By then Powell had moved on to other studios such as Paramount, Universal and MGM before he successfully transformed into a serious actor in "film-noir" dramas beginning with MURDER, MY SWEET (RKO, 1944), and later director.

NAUGHTY BUT NICE can be seen during the late night hours on Turner Classic Movies. (**)
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5/10
Hooray for Spinach
boblipton22 December 2018
Stuffed-shirt music professor Dick Powell goes to New York to have his rhapsody published. Gail Paige promptly converts it into a hit swing number.

Director Ray Enright takes this already-tired musical comedy plot and keeps it moving along with a large cast and well-paced gag structure, but can't disguise the fact that this Code-Compliant great-grandchild of GOLD DIGGERS OF 1933 has been scrubbed of all life. Warner Brothers was losing interest in this sort of musical; their interest would not revive until the late 1940s and Doris Day. In the meantime, Powell, in his last role for Warners, isn't even top-billed. That honor is given to Ann Sheridan as the man-hungry singer who stalks him.

Powell was dissatisfied with the roles he was getting. He wanted better writing and a chance to show he wasn't an aging juvenile. He would go to Paramount, where his first movie would be Preston Sturges' CHRISTMAS IN JULY.... then back to the routine. It would be half a dozen years before he would get his chance.
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9/10
More Nice Than Naughty
Randy_D8 November 2000
Dick Powell , in this film, is the unlikely, subject of a would-be love triangle with Gale Page and Ann Sheridan. Unlikely because he resembles David Byrne from the Talking Heads and isn't exactly the type of guy you'd think Page and Sheridan would fight over.

That being said, the real reason to watch this movie is Ann Sheridan, who is beautiful, but gorgeous.

All in all Naughty But Nice is good, but ok.
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4/10
Ending An Association
bkoganbing5 October 2006
With the filming of Naughty But Nice, Dick Powell ended his contract with Warner Brothers and never set foot on that lot again. He wanted desperately to do dramatic material and Warners gave him nothing but lightweight stuff. It would be another four years before he was able to convince someone to cast him in drama and RKO got a genuine hit in Murder My Sweet when they did.

Powell plays a sheltered music professor at a very snobby college who's been raised by three maiden aunts. The character is obviously ripped off from Cary Grant's paleontology professor in Bringing Up Baby. He's written a concerto, but music publisher Ronald Reagan sees some popular tune in it and publishes it as such.

Powell than becomes the object of singer Ann Sheridan's and lyric writer Gale Page's romantic and business desires. The fun is seeing who he winds up with.

Harry Warren and Al Dubin who wrote some really great songs for Dick Powell in those Busby Berkeley films write absolutely nothing of consequence here. In any event Powell wanted desperately out of musicals.

Especially stuff like this.
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A cute, funny film.
mkilmer17 May 2007
NAUGHTY BUT NICE works. Dick Powell plays a daffy professor, but the real sparkle is from Helen Broderick as the big city aunt who does the jazz thing, gets her visiting nephew, an aspiring classical composer, involved in the wonderful world of pop jazz songwriting. He's a success, despite the criticisms of his University dean (Halliwell Hobbes) and his three quasi-abolitionist sisters (Vera Lewis, Elizabeth Dunne, and the always fascinating Zasu Pitts).

Good film. The Ed "Eddie" Clark character handled a team of songwriters, and while Powell was tricked into working for another, his love interest worked for the Clark team. I found myself standing whenever Clark appeared on screen.
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A swinging piece of entertainment
jarrodmcdonald-122 August 2016
Warning: Spoilers
The title is more provocative than the movie itself. The story, about a college professor who gets drawn into swing music and nightclub escapades, seems like a precode leftover. Except, because the Hays Office is hovering over the production, it doesn't get too shocking; in fact, everything stays relatively tame. Dick Powell has the main role, but since it was his last film at Warners, he was "demoted" and given second billing under Ann Sheridan who doesn't turn up until the 23-minute mark, then disappears for stretches at a time. Sheridan is cast as a sultry singer, and she is truly a knockout; it's a shame she and Powell didn't get a chance to do more pictures together.

NAUGHTY BUT NICE has some amusing moments, and these are generally furnished by the character players. Helen Broderick is on hand as Powell's bohemian aunt; ZaSu Pitts plays another aunt, of the more straight-laced variety; and Jerry Colonna appears in a fun musical segment. The plot, if we can call it one, hinges on Powell coming out of his shell. But it doesn't seem to take much to turn his world upside down. This is evidenced in a scene where for the first time in his life he's had too much to drink and ends up hanging from a chandelier. The wild display is caught on film by a newspaper photographer, which quickly leads to a meeting with the aunts who disagree about how he should conduct himself.

A short time later, he's back on the prowl hanging out with Sheridan, who takes advantage of his sweetness. She invites him up to her apartment and proceeds to help him get drunk again. We know this will lead to other things that could disgrace the family and probably jeopardize his job at the college.

It's not as pedestrian as it sounds. And despite a script that doesn't really challenge the cast, they all manage to make a decent effort and provide a solid, swinging piece of entertainment.
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A Disappointment All Round...
wireshock4 May 2001
As a Dick Powell fan, the premise of this picture sounded great: a college music professor, despite his disapproval of "swing" music, ends up becoming the best-selling composer on the pop hit parade. The comic opportunities in this scenario, not to mention Powell's mellifluous singing voice, are needlessly squandered however--no doubt this movie disappointed Powell's fans back in '39 as much as it did this viewer in 2001.

The story promises great things and delivers on none of them:

Powell writes hit songs with a beautiful lyricist, but we never see them working together. Powell never even sings in this picture, despite 5 new songs by the same team (Johnny Mercer & Harry Warren) who gave us "You Must Have Been a Beautiful Baby" which Powell crooned to Olivia de Havilland in the previous year's "Hard to Get".

They don't even let Dick Powell BE Dick Powell: he plays a nerdy guy lacking in social grace and appeal--and two women vie for his attention. Granted, Powell plays a convincing, somewhat lovable "four-eyed" geek, but the plot keeps hinting that, with a few potent "lemonades", he's a dancing dynamo and the life of the party! But everytime he heads out to the dance floor to strut his stuff there's a fade out and we only find out what a blast he had the night before from an item in the newspaper.

What great fun it might have been if the college prof learned to sing, swing and love. But he stays a nerd, writes hit tunes reluctantly and ends up with the girl formulaically without a spark between them. [Sigh...]
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Anybody recognize any Mozart?
mochsed1 May 2007
Supposedly this movie contains a "thanks" to Mozart, and supposedly the song "Have a Dream on Me" is based on something from Mozart's opera "The Magic Flute." But as far as I can tell, the song is not based on Mozart and anyway, I've read that it was written for the film but then not used.

The soundtrack lists various composers but not Mozart. Can anyone straighten me out about all this?

I've never seen the movie, but if anyone can suggest where I can get a copy, I'd be most grateful.

Thanks!
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