The Gracie Allen Murder Case (1939) User Reviews

Are you a Fan of Gracie's or of S.S. Van Dine?

[eschetic · 5/10 · 11 September 2005]

Willard Huntington Wright, the goateed, urbane former editor of "The Smart Set" had carved himself a successful cottage industry with his nom-de-plume, S.S. VanDine and THEIR urbane creation, detective Philo Vance in the 1920's and 30's both on the page and the screen. Wright/VanDine shopped Vance through a variety of studios and actors, with two actors becoming particularly identified with the creation - William Powell, before deserting Vance for Dashiel Hammett's even better crafted light comic detective, Nick Charles (did Hammett take the hint from VanDine's wildly popular KENNEL MURDER CASE to give Nick and Nora Charles their clue sniffing wire haired terrier, Asta?), and the screen's original Perry Mason, William Warren who tried to hold his own opposite Gracie Allen in this effort.

Wright was nearer the end of a fairly illustrious career than he probably realized when, just after Christmas of 1937 according to John Loughery's 1992 biography ("Alias S.S. Van Dine - The man Who Created Philo Vance"), he agreed for $25,000 (in 1937 dollars) to supply Paramount Pictures a 3,000 word outline of a Philo Vance mystery to star Gracie Allen and, it was assumed, her husband and straight man, George Burns. Burns would bow out after seeing the first draft of the screenplay. Paramount (Nat Perrin would be credited with the disastrous screenplay) could do anything they liked with Van Dine's outline (and indeed they did) while he went his own way and published his novel based on the original outline.

To Van Dine's chagrin, Paramount felt HIS version had too much Philo and not enough Gracie, though there's little to prove that in this film with Gracie Allen (being hilariously "Gracie" for her many fans) blindly incriminating every innocent person she cares about, and nearly destroying Philo's determined investigation (she insists on calling him Fido, no matter how often corrected).

Perhaps the FUNNIEST thing in the film is William Warren's ever higher arched eyebrows as Gracie butts in over and over - very nearly getting both of them killed in the process.

In any case, the film was made and Van Dine made his "novelization" (retaining his George Burns character from the original outline). Both movie - opening in New York June 8, 1939 - and book flopped, but Van Dine went on that year to do one MORE Philo Vance mystery (this time prompted by an offer from Fox Films for him to build a Philo Vance novel around their latest star, Olympic champion skater Sonja Henie, to be filmed later). The mystery was called "The Winter Murder Case" and was in its final stages of pre-publication when Van Dine succumbed to a heart attack on April 11, 1940.

There would be one more posthumous Philo Vance movie from Warner Brothers (CALLING PHILO VANCE - a lesser remake of THE KENNEL MURDER CASE), and three from a poverty row studio in 1947, but THE GRACIE ALLEN MURDER CASE would be the last during Van Dine's lifetime and with his direct participation. Fox reworked Van Dine's last story - omitting Vance entirely(!) - to make the "Sonja Henie Murder Case" (the name they had originally wanted for "The Winter Murder Case") as SUN VALLEY SERENADE!

How much you enjoy THE GRACIE ALLEN MURDER CASE will entirely depend on how much you like the wacky charms of Gracie Allen. Set yourself up with a couple Burns and Allen shorts before hand and it is certainly wacky fun for fans - but for solid 30's mystery fans, it borders on the painful. Paramount's Perrin threw motivations and clues - anything that couldn't be mangled by Gracie's unique sensibility - out the window.

The peripheral pleasures are VERY peripheral but undeniable. Gracie gets to sing most pleasantly a Frank Loesser song ("Snug As A Bug In A Rug" - it was published with all "Gracie's" confused lyrics intact) which you WILL have trouble getting out of your mind, and there's a good deal of wonderful Loesser ("Two Sleepy People" especially) in the background. Some lines - like Gracie's flat insistence that "cigarettes never hurt anyone" - meant with specific plot related comic irony in the film - play with decidedly macabre overtones today!

The film which taught Gracie NEVER to appear on screen without George (and she never did after this semi-fiasco) is still fun for fans, but if you want to see comic stars in unexpected settings, better you should track down a copy of the similarly flawed, but on the whole more satisfying LOVE THY NEIGHBOR - also from Paramount, a year later - in which their promising starlet Mary Martin joins established stars Jack Benny and Fred Allen in a film extension of their famous radio "feud."

Martin's entirely delightful Paramount films are now entirely overshadowed by her later Broadway triumphs . . . the stunning success Burns & Allen had on radio and (from 1950 to 1958) on television situation comedy has largely overshadowed their brief film career (George and Gracie with Fred Astaire and Gershwin music were delightful in the DAMSEL IN DISTRESS two years earlier) and especially THE GRACIE ALLEN MURDER CASE, but an occasional exhumation of the corpse may be worth it for true fans and the curious.

Not so bad after all!

[JohnHowardReid · 7/10 · 6 March 2007]

Everyone dislikes this picture. Especially George Burns, who had the good sense not to appear in it. (His part was re-written to accommodate Kent Taylor). Gracie, of course, was stuck. Her good friend, S.S. Van Dine, had written the novel just for her. So who else could play the title role? ZaSu Pitts? Billie Burke? Perhaps Alice Brady might have given it a twirl had she not gone all serious in In Old Chicago.

Well, actually, on approaching the movie a second time, I found it not so bad after all. Not riotously funny, mind, but tolerably entertaining at worst and quite enjoyable at best. The climax is even reasonably suspenseful.

Production values generally come well up to the mark. The support cast is great. Warren William (who played Vance in 1934's Dragon Murder Case) makes a delightful straight man, Ellen Drew impresses as the heroine, H.B. Warner has a grand time as the lawyer, and it's hard to ignore Jerome Cowan as the slimy Mirche.

Aside from its over-extended, hands-on fade-out, Green's direction has enough pace to overcome most of Gracie's flat-footed business and dialogue. And although we are blinded by an outpouring of light every time the camera focuses on the said Miss Allen, photographer Charles Lang does manage more than a few pleasingly atmospheric effects.

Murder Most Comical

[lugonian · 7/10 · 31 August 2008]

THE GRACIE ALLEN MURDER CASE (Paramount, 1939), directed by Alfred E. Green, the tenth installment to the then popular "Philo Vance" murder mysteries that initially began with William Powell's portrayal in THE CANARY MURDER CASE (1929), returns Warren William to the role for the second and final time, with this being something completely different, placing S.S. Van Dine's fictional character solving his latest caper opposite none-other than Gracie Allen. After many years as part of the Burns and Allen comedy team opposite husband, George Burns, from vaudeville, radio, motion pictures and later television, Gracie Allen finally gets her chance to work opposite another straight man. By 1939, the motion picture field saw the temporary or permanent splitting of popular screen partnerships, ranging from Oliver Hardy of Laurel and Hardy fame, partnered opposite Harry Langdon in ZENOBIA, to the popular song and dance team of Fred Astaire and Ginger Rogers ending their 10 film union-ship with THE STORY OF VERNON AND IRENE CASTLE. While George Burns didn't go solo until a decade after Gracie's death by the 1970s, this is Gracie minus George, acting as sidekick to Philo Vance, whom she addresses as "Fido." For a change of pace in the series where Philo Vance is actually a secondary character, appearing 28 minutes into the story and not around for the fadeout, leaving much of the 77 minutes over to Gracie Allen. The story begins in the city limits of Riverwood where employees of the Vogue Perfume Company are gathered together for their annual picnic. Bill Brown (Kent Taylor), the company's perfume mixer, loses the companionship of his girlfriend, Ann Wilson (Ellen Drew) to fellow employee, Fred (Richard Denning), leaving him to spend much of his time alone. Enter Gracie Allen, having just returned from her trip in Europe, arriving at the picnic, where her Uncle Ambrose (Jed Prouty) introduces her to his staff and to Bill. Bill accepts Gracie's company and later that night escorts her to the Diamond Slipper Cafe. As the plot develops, Benny the Buzzard (Lee Moore), who has escaped prison, arranges a meeting with Diamond Slipper manager Danny Mirche (Jerome Cowan). It is revealed through Dixie Del Mar (Judith Barrett), Benny's girlfriend and night club singer working for Mirche, that she knows that Benny took the rap for Danny, and believes there's trouble ahead. Later, Benny is found dead in Mirche's office, with the body discovered by Gracie, who also finds Bill's cigarette case on the floor in the office, believing that he done it. Sergeant Heath (William Demarest) and Attorney Markham (Donald MacBride) arrive at the scene after receiving a mysterious phone call, and through Gracie's testament, they place Bill under arrest with Gracie as material witness. With Dixie found dead through poisoning, Detective Philo Vance (Warren William) is called to investigate, accompanied by Gracie Allen. Philo Vance will never be the same again.

Unlike film series featuring such notable detectives as Sherlock Holmes, Charlie Chan or Bulldog Drummond, Philo Vance has faded to obscurity regardless of its long range of films lasting through the 1940s. Although Gracie Allen, in her final film for Paramount, never assisted the likes of Holmes, Chan or any other fictional film sleuths for that matter, this edition, ranks one of the more notable and acceptable entries. While the actors play it straight, the comedy rests upon Gracie in her typical manner and funny, and not so funny verbal exchanges (Demarest: "The chief wants to see you. Gracie: "I just love Indians"). Aside from acting daffy, Gracie also takes time to sing the Frank Loesser song, "Snug as a Bug in a Rug" during the picnic ceremony.

With H.B. Warner as Richard Lawrence, and Horace MacMahon as Gus the Waiter, in support, the cast also includes the comedy team of Al Shaw and Sammy Lee as "Two Thugs" taking part in the confusion of shaking hands with Gracie, getting all tangled up in the process. Other highlights include a well staged race against time through the Broadway district of Manhattan as Gracie rides behind the motorcycle cop going through traffic bound for the night club to prevent Philo Vance from smoking a poisoned cigarette accidentally placed in the case by his servant (Willie Fung).

Unavailable on the television markets since the 1970s, THE GRACIE ALLEN MURDER CASE finally made it to home video in 2006 through Video Attic and DVD in 2008 through Nostalgia Family. THE GRACIE ALLEN MURDER CASE is definitely of nostalgic interest to those who enjoy the antics of Gracie Allen and a curio for anyone who has never seen the likes of her or Philo Vance. (**1/2)

Gracie Allen is all you need, fortunately

[cherold · 7/10 · 2 December 2014]

When I first heard there was a murder mystery starring Gracie Allen I was very excited, both because I love old comedy-mysteries and because I love Gracie. I assumed this was something created in Hollywood, and was surprised to learn the creator of Philo Vance actually wrote a book featuring Gracie Allen.

Without Gracie Allen this would be a pretty forgettable movie with a bland detective, so it's good that Gracie is never off screen for more than about a minute. She is a constant, very funny presence, referring to Philo as Fido and insisting she knows a song only to turn it into a medley of songs that it is not.

George Burns always said that the success of Burns and Allen had far more to do with Allen than Burns, and this movie suggests he was right. Certainly Burns was a much better straight man than anyone Allen meets in the film, but Gracie doesn't really need much to work with; she's just really funny, and the script is full of wonderfully daffy lines.

It's a shame though, that there was never a Burns and Allen mystery, because Burns would have made a much better detective than the guy playing Philo Vance. Oddly enough, I've read that Burns is in the book in the character of the perfume guy, but suggested that character be excised from the movie. Don't know why.

Anyway, if you're a fan of Gracie this is prime Gracie. She's the only thing that makes this movie worth watching, but she makes it very worth watching indeed.

Working with Gracie can be murder

[bkoganbing · 6/10 · 28 December 2013]

Warren William makes the second of his two appearances as S.S. Van Dine's detective Philo Vance in this picture. But actor William and detective Vance both have a lot of trouble making sure people remembered they were in The Gracie Allen Murder Case.

Even without George Burns to pace their routine Gracie Allen does well enough on her own in this film where she seemingly hinders more than she helps William solve the murder of an escaped convict. Seemingly stood up at a society bash Jed Prouty pairs off young Kent Taylor with his niece Gracie. Inadvertently Taylor gives Gracie a clue to the murder that he doesn't yet know about but of whom he is neatly being slipped into a nice frame.

Of course Gracie's non sequitur babbling almost lands Taylor in Sing Sing's prize chair and then she almost implicates Vance in her own special la-de-da way.

Although William seems to be taking this all in stride he's barely keeping up with Gracie in the title role. Both Donald MacBride as DA Markham and William Demarest as Sergeant Heath both known for their slow burns are given ample provocation by Gracie.

It's Gracie's picture and if you've never seen her before this film will make you a fan even if it's without George Burns.

Poisoned Vapors

[tedg · 1 June 2007]

If you are interested in the arc of development of the mystery gene, follow the Philo Vance series.

When they started, they were complex puzzles, incredibly complex and imaginative. They had a hard time conveying elements of the mystery cinematically (instead of by exposition), but they tried and sometimes succeeded. They were important and sometimes entertaining as well.

But when a narrative form is mature, it starts to die, the tension to evolve being exhausted. Then what usually happens is that some comic layer is applied, humor being our storehouse of packaged tension.

Here we have Philo Vance essentially at the end, with the bare skeleton of a mystery, serving as a rack for Gracie's dumb comedy act. If you don't know Gracie, it really is the comedy of stupidity. She gets everything wrong. We are supposed to laugh both at the character, who unconvincingly pretends to be pretty and therefore dumb. Thankfully, sex isn't part of the formula.

Its a character that actually worked when with husband George because he was so amazingly patient and loving, the humor was in the apparent normalcy of her. Here, she's abnormal. The actual jokes are all verbal humor and have some power outside of the character. Its a comic tradition we seem to have lost because it depends on people actually listening to words and having some sense what is correct. The Marx brothers used this as well. No one does today, but there is something similar in spoof movies which misquote movie "language."

The mystery involves poisoned vapors.

Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.

Forget the mystery, just watch Gracie be silly

[dbborroughs · 6/10 · 4 October 2008]

A Philo Vance tale was created for Gracie Allen by her friend author and creator of Philo Vance SS Van Dine. the plot has Gracie going to her uncle's picnic where she's set up with a nice young man from her uncle's factory. the young man loves another girl but her figures to show Gracie a good time to make his girl jealous. While at a night club Gracie stumbles on a dead body and all evidence points to her chaperon. Philo Vance is brought in to help solve the case and the pairing of Allen and Vance (whom Gracie calls Fido) is on.

An odd ball comedy mystery that doesn't really work as a mystery however the interplay between Gracie (sans George Burns) and Warren William as Vance is priceless. Actually Gracie and anyone is cause for sustained giggling. She is simply not one to be anything less than silly and it helps get us through a mystery that doesn't really work (we aren't given any real clues). One hopes that the novel that resulted from this screen pairing reads better as a mystery. Then again why would anyone in their right mind watch a Gracie Allen movie for anything other that the silliness A enjoyable but unremarkable comedy this film is worth the 75 minutes. As a mystery you're better off looking else where.

Where's Philo????

[Norm-30 · 5/10 · 27 December 1999]

I've always loved the scatter-brained comedy of Gracie Allen, but she is terribly out of place in this (so-called) "mystery". Don't get me wrong -- she's EXCELLENT but, unfortunately, "overwhelms" the film, and the mystery is lost in the shuffle. Warren William (as Philo) is pitifully wasted in this film.

A better title for this film should be, "What Happened to Philo Vance"?

Amazing Gracie

[Dan-13 · 10/10 · 27 July 2007]

This film's been getting trashed pretty hard, which is a shame because it's actually a lot of fun and Gracie Allen shines in it. OK, so it's not the most complicated mystery, but it does have some suspenseful moments, especially the climax which gives new meaning to cigarettes being hazardous to your health. The film's real charms come from Gracie Allen, whose scatterbrained antics generate a lot of laughs. Warren William is also perfect reprising his role of Philo Vance (Fido, to Gracie) and hilariously playing straight man to Mrs. George Burns.

I'd advise anyone who panned this film to give it another chance. You may be surprised.

"Ah! You ARE dead! Don't try to deny it!"

[gridoon2024 · 6/10 · 19 March 2011]

There are two ways to approach this movie. If you take it as a mystery, and a chapter of the "Philo Vance" series, it's only OK and rather sketchy. But if you take it as a comedy, it works much better. Gracie Allen is a great comedienne. I wouldn't exactly classify her character as "dumb"; she simply has her own stream-of-consciousness "logic" about everything, which baffles everyone around her. She has a lot of very funny lines here ("Were you ever a Girl Scout, Bill?" - "What would I do with a bunch of girls?" - "Well, if you don't know, I'm not gonna tell you!"), and a few bits of equally funny physical comedy: the highlight may be the scene where she imitates Philo's mannerisms as he's looking around a room for clues (the final gag of the film goes on too long, though). And there is an underlying sweetness about her that just puts a smile on your face. It's a pity her only other experiment with the mystery-comedy genre, "Mr. And Mrs. North", is so hard to find today. **1/2 out of 4.

painful

[writtenbymkm-583-902097 · 3/10 · 1 March 2011]

Other reviewers on this site have contributed excellent histories and background, so I'll simply add this: Burns and Allen are funny, Gracie Allen without Burns may be funny if you like her brand of "dumb humor," but Gracie ruined this movie for me. There was a mostly acceptable plot, some very good supporting actors (especially Donald MacBride and William Demarest), but forcing Gracie Allen's constant scatterbrained chatter onto the characters and events of an actual mystery was just, well, painful. I kept wanting to shout at her (as some of the other characters in the movie did) to just shut up and go away. Bottom line, if you want to watch Gracie destroy a decent whodunit, go for it -- otherwise, forget it. And by the way, there's a really amazingly unfunny "physical comedy" bit at the end, totally unrelated to the movie or anything else, that's embarrassingly awful.

Murder, He Says

[writers_reign · 6/10 · 16 April 2020]

As a student of irony I have just been hoist by my own petard. Apart from movies my other passion is Popular Song as the term was understood in the mid twentieth century and I had been searching for this particular film because of a song, performed by Gracie, with lyrics by Frank Loesser, at a time when he ws a lyricist-for-hire rather than a composer-lyricist. I finally tracked it down only to find that neither Loesser nor Matty Malneck, who wrote the Music, is credited, in fact there is no Music credit of any kind. As a fan of Burns and Allen I didn't have a problem with Gracie's persona and as a movie buff I revelled in a cast containing close to a dozen names of old favourites - Donald McBride, Jerome Cowan, H.B. Warner, Horace McMahon etc. Glad to have it for the Loesser song (Snug As A Bug In A Rug).

This is neither a mystery nor a comedy

[binapiraeus · 3/10 · 31 January 2014]

I don't even think you've got to be a Philo Vance fan or a classic mystery buff to be utterly disappointed by this movie; but if you've seen other Philo Vance movies beforehand, this one will surely make you wonder WHO on earth had the idea to try and combine one of his cases with a Gracie Allen comedy.

I usually try and put myself in the place of the audience of the time to find out why a movie that doesn't appeal to me at all today was popular then - but in this case, that's not even necessary, because even then it was a flop; and that's no wonder.

Gracie Allen was a very popular radio comedy star together with her husband George Burns; and their domestic little jokes obviously appealed to quite a lot of fans who weren't too hard to please. I've got some of their broadcasts on cassette, and it's - well, just VERY light comedy, much lighter than, for example, W.C. Fields, Bergen & McCarthy, or even Abbott and Costello. But it was comedy, and it was popular.

The 'Philo Vance' movie series, on the other hand, which had started 10 years before this movie was made, was composed of classic murder mysteries, with suspense, clever plots - and humor; Philo Vance's OWN kind of dry, slightly sarcastic gentleman's humor. That was just about enough humor those films needed to lighten up the atmosphere of crime and murder a little bit, and it was intelligent and well-dosed and in a way quite charming. And then, since the success of the long-running film series seemed to fade a little, the producers seemed to try a NEW feature that would radically alter the style, and (hence the title) lure more people into the theaters with the big name of Gracie Allen.

But what was the result? Unsuspecting Gracie Allen fans were probably scared by the murder plot, the strangers lurking in dark apartments, the poisoned flowers and cigarettes (which they only described as smelling like 'bitter almond', not even bothering to mention that this, as everybody who has read or watched more than two or three murder mysteries, means of course cyanide, or prussic acid...) - while Philo Vance fans must have simply gone MAD with rage at this nut case who doesn't stop talking nonsense for a single moment, until they probably wished somebody would at last murder HER...

Don't get me wrong, I LOVE crime comedies, from "Arsenic and Old Lace" to "Murder by Death" to "Who Framed Roger Rabbit" - but all those WERE real crime comedies, parodies on the genre without losing the grip on the suspense and the atmosphere of the genre itself. They don't try to mix PURE comedy with PURE mystery, like "The Gracie Allen Murder Case" did - but the outcome is neither a comedy nor a mystery; and it's CERTAINLY not recommended for serious fans of serious classic murder mysteries.

Very funny

[ctyankee1 · 8 May 2014]

This black and white film with Gracie Allen is very funny.

She is on a picnic and meets a man named Bill who later is accused of killing a convict just let out of jail.

She sings and has a really beautiful voice when she is not adding confusion to her singing. The film is just full of comedy mostly by her. She has the ability to talk funny and confuse people with her babble like on the George Burns and Gracie Allen Show.

She tries to help Bill by going into an apartment that might have clues to the man that was murdered. This apartment scene is so funny. She stumbles, falls, crashes into furniture in the dark mostly out of fear. She gets attached to a piece of furniture she thinks is a person following her and wrestles it to the ground. She gets tangled in drapes, sees a woman in the mirror and gets scared and does not realize she saw herself but thinks it is another another woman in the dark room. You will gets lots of laughs, some very stupid moments but also very funny.

See the film or download on YouTube --> The Gracie Allen Murder Case 1939 --> http://www.youtube.com/watch?v=658fHZLgyoQ

A little bit of Gracie goes an awful long way, or an awful bit of Gracie can make you wish she'd go away.

[mark.waltz · 3/10 · 11 March 2015]

Apart from George Burns, the delightfully dizzy Gracie Allen seemed like half a team, like Desi without Lucy. George and Gracie had made a mixed bag of comedies and musicals throughout the 1930's, but what worked was how they played off of each other, evident in their very long running T.V. series. George would throw Gracie one simple of dialog, and Gracie would simply pull a Jackie Gleason by silently putting into motion, "And away we go...." That aspect made her delightful malapropisms and metaphors hysterical, especially while describing her equally befuddled family. Even with the weakest of plots, Gracie was hard to resist.

Unfortunately, that's not the case in this last ditched effort to continue a decade long series of Philo Vance mysteries, with Philo (or Fido as she mispronounces his name as) a secondary character, not appearing until almost half way through the movie. It's mostly a Gracie vaudeville routine, although she has one very funny moment while sneaking around a room filled with covered furniture, she becomes literally afraid of every movement, including seeing herself in a mirror, and like "The Man Who Knew Too Much", an altercation with a stuffed cat. She even gets to sing briefly, but unlike "A Damsel in Distress", that moment takes away from the plot which there really isn't much of, only the investigation to the death of a gangster found in a nightclub office. There's tons of popular performer characters of the day including William Demarest and "Pa Jones" (Jed Prouty) who visits Gracie in jail, something she promises to do for him some day. Judith Barrett makes an appealing femme fatal, but romantic heroine Ellen Drew has nothing to do. After one last try on her own ("Mr. and Mrs. North"), Gracie would never separate from her husband again, except this time on some little medium called television.

Blurry

[Gaslog · 3/10 · 15 January 2022]

I remember Burns and Allen radio show when I was a young kid and listened to them on the radio. I got a dvd of this film and sort of enjoyed it, but the picture was so bad I got eye strain trying to watch. I haven't been able to locate a decent copy of this film, but what I was able to discern, I enjoyed.

Gracie is almost intolerable after the first 45 minutes!

[yessdanc · 10 August 2011]

The Gracie Allen Murder Case starts out as a delightfully silly parody with plenty of Allen's trademark nonsensical quips. By about 45 minutes in you want so badly to slap her into silence it almost ruins the movie. Justifiably (thank god), so do her costars who basically tell her to shut up. In a 30 minute radio show she gets away with it, but in a feature film she eventually becomes as unwelcome as any obnoxious character does. Sorry to say... The supporting players are all well suited to the script, which is well written except for the overabundance of Gracie's big mouth. I don't know what sort of reviews it got upon release, but mine is 3 out of 10, and that's being generous.