Waikiki Wedding (1937) Poster

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5/10
LIght and enjoyable but far from Crosby's best...
planktonrules25 October 2013
"Waikiki Wedding" is a very lightweight film starring Bing Crosby. While it is quite watchable, sometimes the humor is very, very broad and the story a bit predictable.

When the film begins, the big boss at a pineapple company is upset because Miss Pineapple is upset. It seems that the lady who won this beauty contest and who has been brought to Hawaii is NOT enjoying her stay and things that all the talk about romance in the islands is a sham. And, if she goes home and talks about her experiences, it can't help but hurt sales. So, the company's #1 brain, Marvin (Crosby) concocts a long and complicated scheme to give her some excitement and romance. The only trouble is after a while, Marvin has really fallen for her and he feels like a rat.

So why do I give this light romance only a 5? Well, to put it very succinctly--Martha Raye. The comedienne has never been one of my favorites but here she is just awful--very, very broad and annoying. I think without the humor, the film would have actually worked better as I liked the romance. Still, it's a decent little time-passer if you can get past Raye's annoying antics--and the presence of a wild chimp living in the jungles of Hawaii!
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7/10
Bing movie modeled after the Astaire and Roger hits
raskimono28 May 2005
Bing Crosby was one of the biggest stars in the world for much of his career and this movie released in 1937 was the third biggest hit of the year. Supporting him are the hilarious duo of Bob burns and Martha Raye, especially who seems to spark every scene she's in with a splash of wine and vinegar. The plot as it is as PR man Bing who works for the Pineapple company located in Hawaii who has a Pr mishap on his hands when the girl brought in as the Pineapple girl goes sour on the island and intends to let everyone know how lousy and unexciting the island is. This for sure will hurt tourism so Bing has to save the day. So what else does a nagging Yenta need but a man who will keep her from leaving the island. The plot is on. Songs are interspersed BTW the action including one which supposedly became a million seller. Anthony Quinn who was years removed from his movie star days plays an Indian with his typical zest and good craftsmanship. The female lead who never amounted to much stardom of her own is pretty and really can sing. I do like the way the movie ends. It is slightly unconventionally but slightly forced in performance. But it works. It could be a good movie for some enterprising producer to remake.
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5/10
The story serves nothing but a backdrop to the songs
jordondave-2808511 April 2023
(1957) Waikiki Wedding ROMANTIC COMEDY

Like many of Elvis movies, the story is built around Bing Crosby's songs in which a young lady, Georgia Smith (Shirley Ross) winning a miss pineapple contest with a prize of 3 weeks in Hawaii. Because she was also promised romance with this vacation, and is unable to get any, motivating her to want to leave her vacation early. And that is when executives send Bing Crosby over, he plays Tony Marvin, to woo and convince her to stay. Both Martha Raye as Myrtle Finch and Bob Burns as Shad Buggle also stars as comedy relief. I like Bing Crosby, but if it's just to listen to the songs, I can do that without watching the movie.
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Sweet Leilani
Kalaman24 July 2004
The more I see Bing Crosby's undervalued Paramount musicals, the more he is becoming one of my favorite musical stars of all time. Except for the tedious 1933 musical "Going Hollywood", I was impressed by all of Bing's works and his sweet, aching crooning.

"Waikiki Wedding", sumptuously set in Hawaii, is one of Bing's best efforts, featuring such remarkable and beguiling tunes as "Blue Hawaii", "Sweet Leilani", "Sweet Is the Word for You", and "Nani Ona Pua".

Although I enjoyed "Blue Hawaii" as the best sounding song in the movie, the Oscar-winning "Sweet Leilani" is really my favorite after repeated viewings.

Bing plays a publicity agent Tony Marvin working for a pineapple company taking part in a native wedding feast and becomes involved in a scheme to escort a beauty contest winner, played by Shirley Ross. Ms. Ross has a nice, appealing presence and does a very good job playing Bing's love interest and the "Miss Pineapple Queen" winner on her trip to Hawaii.

I also enjoyed George Barbier, Martha Raye, Bob Burns, and an interesting early appearance by Anthony Quinn as one of the Hawaiian natives.

Frank Tuttle's direction gets a little slack in the second half, but the music and Bing's timeless singing are all you need to enjoy "Waikiki Wedding".
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7/10
Crosby And Ross Sing, Burns And Raye Joke, But Watch Out For The Pig!
oldblackandwhite27 June 2011
Waikiki Wedding delivers a bit more than you would expect from one of Bing Crosby's musical trifles of the 1930's. A couple of hit songs, some dynamic dance numbers, and a lot of genuinely funny, if somewhat broad, gags from rustic Arkansas comedian Bob Burns and big-mouth comedienne Martha Raye. Burns and Rae get riotous support in their department from a certain pal of theirs we'll get to later.

This very likable, laid-back musical comedy is set in romantic, tuneful Hawaii, never mind the cast never actually got any closer to said Pacific isles than the Los Angeles Arboretum and Botanic Garden. If the lavishly constructed sets looked like Hawaii, who cares. The huge cast of Hawaiian natives were all natives, all right. Well, at least two or three were genuine Hawaiians, but the others were all natives -- of Mexico, Latin America, and well...Chicago, maybe. Who cares, it was such great fun! Great music, great singing by Bing and minor leading lady but major singer Shirley Ross, and the "Hawaiian" chorus. Accademy Award nominated dance direction with a terrific foot-stomping number on tom-toms by a well-constructed, Latino-looking babe. The aforementioned broad humor by Burns, Raye, and a platoon of wacky character actors led by George Barbier and a bespectacled Leif Erickson, demonstrating that he had more than a serious side.

This little movie coughed up two hit songs: Accademy Award-winning Sweet Leilani, written by Harry Owens and sung by Bing and chorus, and Blue Hawaii, written by Ralf Raigner and Leo Robin and sung several times by Crosby, Ross, and chorus. While Sweet Leilani got the honors in 1937, Blue Hawaii has proved the more durable, going through several revivals the next three decades, and remaining popular even today. Miss Ross only got one solo song, A Little Hula Heaven, in which to really show what a good voice she had.

Bob Burns' folksy, humorous philosophizing and Martha Raye's mugging slapstick will not be appreciated by all, especially those too sophisticated to have a good belly laugh. I liked Burns, but then I'm a hick, too. I tried not to like Martha, but I found myself laughing at her anyway. But the funniest and most charismatic character in this enjoyable picture was, without doubt, Burns' pet pig Wolford! Yours truly usually hates cutesy animals in movies (see my review of We're Not Dressing), but with two exceptions: pigs and chickens, both of which are funny no matter what they are doing. This little Wolford guy was a riot all the way! Surely that porker must have been the great-great-great-great-grandfather of Arnold Ziffel. As you listen to Bob Burns and watch the antics of Wolford, you may start feeling like you have gone to Green Acres.

But never mind, there is a lot for everyone in this entertaining, well turned out Crosby musical comedy Waikiki Wedding.
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7/10
A lavish and altogether pleasant Bing Crosby musical from the 30s
davidgarnes13 March 2010
This is a good film to watch late at night, when you're too tired to concentrate on a heavy plot and are ready for some pretty music and comic diversion. The two songs you'll immediately recognize are "Blue Hawaii" and "Sweet Lelani" (which won the Oscar that year).

Bing Crosby is his usual agreeable self, in great voice, inhabiting the screen but not his character, really. His seemingly effortless singing is,as always,mellow and fine. Shirley Ross (she of "Thanks for the Memory" with Bob Hope) has a very appealing, intelligent and charming way with a line and a song. Bob Burns is there for comic relief, as is a young Martha Raye, who is, well, Martha Raye. You either like her or you don't...but she does manage a few laughs with her very physical antics and double-take expressions. A very lithe and boyish Anthony Quinn, playing one of his early "native" roles (here as a Polynesian), pops up in several scenes...years before his own ascendancy to super-stardom.

It's the music and the lavish Hollywood-Hawaiian sets and luau scenes that make this a very pleasant movie to watch.
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5/10
Clichés galore...
MikeMagi5 November 2014
How many clichés can you pack into one movie? Paramount answered the question with "Waikiki Wedding." You've got lithe dancing natives (a few of whom actually look like they're from the islands,) miles of leis, a mysterious black pearl, a volcano that's about to blow, a contest to name Miss Pineapple and even Anthony Quinn (yep, that Anthony Quinn) as a local roustabout. All that's missing are the nuptials of the title. Bing Crosby saunters through the stereotypes as an idea man for a fruit company who spends most of his time lolling on his sailboat, dreaming up promotion stunts and singing island refrains. Toss in a pair of walking clichés -- Martha Raye and Bob Burns -- and appreciate that this was what Crosby had to go through before the studio recognized his potential.
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7/10
Decent Crosby outing; a couple of great Crosby tunes
vincentlynch-moonoi22 May 2016
Warning: Spoilers
This film -- like most of Bing's films from the 1930s -- is eclipsed from the bigger budget Crosby films of the 1940s. Nevertheless, this is a rather pleasant diversion that includes several Hawaiian themed songs that were forever thereafter associated with Crosby.

Here, Crosby plays a publicity agent for a pineapple company whose latest publicity stunt -- a young lady (Shirley Ross) from the continental United States -- is chosen as the "Pineapple Girl" and is given "3 romantic weeks" in Hawaii; which she finds rather rather dissatisfying and she decides to head back stateside, thus ruining the publicity campaign. Crosby to the rescue, but he misidentifies the girl in question, thinking it is Martha Raye. Meanwhile, by pure coincidence, he falls in love with Ross, not knowing she is the actual "Pineapple Girl".

There's a lot of nonsense about a sacred pearl stolen from a local shrine. It's kind of a dead end part of the plot, although it does give us a chance to see a very young Anthony Quinn as a native Hawaiian. There's more nonsense about a pig. Don't ask.

In the end -- of course -- Crosby wins Ross, only then finding out she is the real "Pineapple Girl".

Among the great songs here are "Blue Hawaii" and "Sweet Leilani".

Crosby is...well...Crosby. No great acting here. Just the pleasant personality audiences enjoyed back then. Ross is fairly good here, too. Martha Raye contributes her comic relief. Bob Burns, as Crosby's buddy, also provides comic relief...although I found him more annoying than humorous.

It's a decent film. Better than "Double Or Nothing", which is often on the same DVD disc. Probably more for Crosby fans, although the on location outdoor photography makes the Hollywood scenes believable as Hawaii in the 1930s.
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2/10
Martha Raye was given too much screen time
HotToastyRag19 November 2018
With an Academy Award winning song, "Sweet Leilani" and tons of other soothing, ukulele music, Waikiki Wedding could have been very fun to watch. Bing Crosby in his adorable cap, surrounded by hula dancers in tropical paradise, can always croon his way into my heart, but this movie just isn't one of my favorites. The problem is Martha Raye. Even though she wasn't the leading lady, Martha Raye was given way too much screen time and an incredibly irritating song to showcase her loudness, large mouth, and lack of sex appeal. It worked, but did we really need the song to figure all that out? Every time she's on the screen, which is quite often, she does her best to prove all those three traits; even her love interest prefers his piglet to her.

The main plot involves a publicity campaign for a Hawaiian pineapple company. Shirley Ross is the winner of the sweepstakes provided by the pineapple company, and she's sent to Hawaii for three weeks of romantic bliss. However, she hasn't found any romance, and is getting a little cranky. In order to make her stay more enjoyable, the company sends one of their ad men, Bing, to woo her. Can you sense a "You lied to me!" scene in the works?

Seriously, even if you love listening to "Mele Kalikimaka" on Bing's Christmas CD, you probably won't like this one. Even if you're drawn in by the lure of hula skirts and coconuts, or even if you want to see Anthony Quinn in a five-minute, shirtless part, you still probably won't like this one. Martha Raye's mouth ruins it.
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7/10
Has Some Good Moments
JohnHowardReid20 November 2011
Warning: Spoilers
A mixed blessing. Bing, as usual is in fine form, and the songs are not only worth listening to because of Bing's mastery, but the Rainger-Robin numbers are reasonably attractive in their own right. Of course the stand-out is "Sweer Leilani" by Harry Owens. The story, however, is another matter. True, it starts most promisingly and for a while there it looks as if George Barbier and Grady Sutton are going to enjoy some stellar moments. But this promising sub-plot is soon all but junked in favor of a ridiculous lot of drivel about a stolen black pearl which the script writers themselves undermine when they turn it into a Clayton's affair. (For those unacquainted with liquor, the non-alcoholic Clayton's is extensively advertised as "the drink you have when you're not having a drink." Therefore a Clayton's plot is the plot you have when you're not having a plot). Poor old Anthony Quinn is cast in this segment and looks as puzzled by the script's casual turnabout as we do. Of course, if you decide midway through your movie to junk your plot, you've got to produce a substitute. This the writers promptly do. In fact, they produce two substitutes. The first is a series of strained slapstick scenes involving Martha Raye and Bob Burns, and the second a slightly more bearable but nonetheless ridiculous lot of twaddle involving Bob Burns and Leif Erickson. But the writers do have a nice trick up their sleeve for the Crosby-Ross fade-out. Unfortunately, they forgot to tell director Frank Tuttle to make sure the actress involved, Emma Dunn, played her scene tongue-in-cheek. Maybe they did tell him and Tuttle refused. Or maybe they simply assumed that Tuttle would cotton on. Anyway, as the movie now ends, thanks to Tuttle's incompetence, it leaves a sour taste in the mouth. No audience likes to feel that it's being taken for a ride and critics don't like it either. If a scene is tongue-in-cheek is supposed to be played that way. In fact, the whole movie is a tongue-in-cheek affair. Quinn is obviously aware of this. Understandably, he looks rather puzzled and plays at half steam – which is certainly a good decision, especially if you're not receiving any advice from a seemingly unaware director. Crosby, of course, just breezes trough the movie in his usual fine, casual style. And photographically, my hat's off to Robert C. Bruce who has enlivened his location material with some really captivating yachts-at-dusk footage.
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8/10
A Film to Commemorate a Trip
bkoganbing28 April 2004
In 1937 Bing Crosby made a celebrated trip to the Hawaiian Islands and stayed about a month. Of course being the mega star he was at the time, the trip was accompanied with the usual fanfare and publicity and when he got back Paramount took full advantage of the publicity with Waikiki Wedding.

It would have been nice if in fact they'd sent him back to Hawaii and did some beautiful color location photography, but I assume that Adolph Zukor felt that for the studios own homegrown South Sea island gal, Dorothy Lamour never got off Paramount's backlot, they wouldn't do more for Bing.

However they did give Crosby a good, amusing plot and some nice songs to sing. Crosby plays a publicist for a Pineapple company who has had the idea to sponsor a Miss Pineapple contest with the winner getting an all expenses paid trip to Hawaii and to send back articles about the great time she's having and hawk the virtues of Hawaiian Pineapples. But the winner, Shirley Ross, ain't havin' such a good time, she's bored. So Bing concocts this elaborately staged adventure involving a stolen idol, a volcano, some natives and Shirley loves it and him.

It all resolves itself in the end. George Barbier who's a favorite character actor of mine from the 30s plays Bing's boss at his choleric best. Crosby gets good support from Martha Raye and Bob Burns. Martha Raye was doing the second of three films she did with Bing. Bob Burns, who is forgotten today was a regular on Bing's Kraft Music Hall radio show. He played a hillbilly type character with a touch of Will Rogers without the topical humor. He did two films with Bing and retired from show business in 1941.

Ralph Rainger and Leo Robin did the score which includes the classic Blue Hawaii, reprised later by Elvis Presley. However the number one song in the movie at the time was Sweet Leilani, word and music by Hawaiian composer Harry Owens. Bing heard the song while in Hawaii and insisted it be included in the picture. It won an Oscar that year for best song and Crosby had a big hit record of it.

Nice Entertaining movie in the Crosby manner.
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7/10
Bing sings and travels around Hawaii
ksf-24 September 2018
In true Bing form, there are numerous songs sung by Crosby, but a meandering, outline of a plot. The awesome Grady Sutton is in here, as well as Martha Raye and a young Anthony Quinn, in one of his earlier appearances. This thing goes all around the mulberry bush, but is a fun adventure, none-the-less. Shirley Ross (born Bernice Gaunt) had connections with Bob Hope and Bing, completing the circle of hollywood performers. At one point, the girls try to smuggle sacred pearls off the island. when they learn what a crime that is, they give them back to the natives. We hear several versions of "Blue Hawaii", all just beautiful, many years before Elvis... twenty years before Hawaii became one of the states. and of course, southern Bob Burns, for comic relief. it's all okay. kind of like a Bob Hope, Bing Crosby road film before there were road films. the exotic location was certainly exciting for the time (and still is! ) Directed by Frank Tuttle, who had given up tons of information during the hearings for the Un-American Committee. It's pretty good... available on video, and shows on Turner Classics now and then !
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8/10
Tricks of the Trade
lugonian21 December 2002
WAIKIKI WEDDING (Paramount, 1937), directed by Frank Tuttle, is an enjoyable but sadly neglected musical set in Hawaii starring Paramount's box office attraction, Bing Crosby, crooning to the up-and-grooming Shirley Ross, a fine vocalist in her own right whose popularity faded as quickly as it started, with her peak years at Paramount being from 1936 to 1938. By 1939, she left the studio after appearing in some secondary roles, including another Crosby musical, Paris HONEYMOON (1938), in which the object to his affection there was a newcomer named Franciska Gaal, but to re-discover Shirley Ross, WAIKIKI WEDDING is a good introduction. And now for a brief synopsis and inside look of the movie.

Set in Hawaii, the story begins with Tony Marvin (Bing Crosby) and his pal, Shad Buggle (Bob Burns), accompanied by his pet pig, attending a native wedding feast, in which Tony participated with a Hawaiian song. Tony, a smooth talking publicity man for J.B. Todhunter (George Barbier), president of a pineapple company, is hired to escort Georgia Smith (Shirley Ross), from Birch Falls, a "Miss Pineapple Queen" contest winner, on her Hawaiian tour, accompanied by her companion, Myrtle Finch (Martha Raye), who in turn becomes escorted by Shad. Because Georgia is not satisfied with her trip, threatening to return home to the states and refusing to participate in any publicity campaigns, Tony goes through extremes in keeping her in Hawaii, ranging from having her accused of smuggling a black pearl, abducted by a native group headed by Kimo (Anthony Quinn); vocalizing to her, and having her attend ceremonial dances. After discovering this whole affair to be nothing but tricks to keep her in Hawaii, the angry Georgia decides to book passage on the next boat to return home and marry her dull fiancé, Victor P. Quimby (Leif Erickson), causing Tony, who now loves her, to continue using provide more tricks instead of sincerity to keep her.

Along with the lightweight plot and Hawaiian surroundings, the bright score by Ralph Rainger and Leo Robin include: "Blue Hawaii" and "In a Little Hula Heaven" (sung by chorus during opening credits); "Nani Ona Pua" (sung by Bing Crosby); "Blue Hawaii" (sung by Crosby); "Blue Hawaii" (sung by Crosby and Shirley Ross); "Sweet Leilani" by Harry Owens, (sung by Crosby); "In a Little Hula Heaven" (sung by Crosby and Ross); "Okolehao" (sung by Martha Raye. Take notice how Raye's hair style changes midway through this number); "Sweet Is the Word for You" (sung by Crosby) and "Sweet Is the Word for You" (reprise, sung by Ross). While "Blue Hawaii" and "In a Little Hula Heaven" are the best sounding tunes for this production, it's the slower tempo lullaby of "Sweet Leilani" that became the Academy Award winning song of 1937.

The supporting cast features Grady Sutton as Everett Todhunter; Granville Bates as Uncle Herman; George Regas, Emma Dunn, and Mitchell Lewis, among others.

While "Waikiki Wedding," which runs at about 89 minutes, hasn't aired on any television station for quite some time now, it was distributed on video cassette in 1995 as part of the Bing Crosby collection, along with other titles as RHYTHM ON THE RANGE (1936) with Frances Farmer, and its WAIKIKI WEDDING co-stars, Bob Burns and Martha Raye, and a decade later onto DVD double featured with DOUBLE OR NOTHING (1937) also featuring Martha Raye. Oh, boy!!!! All films mentioned make recommended viewing for Crosby fans. (***)
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8/10
Great escapist entertainment
TheLittleSongbird15 March 2014
The story and direction do slacken a tad towards the end and Anthony Quinn does look rather lost in an early role. But Waikiki Wedding is still a fun film that will cheer anybody up after a hard day. It is lovingly photographed and the costumes and sets do look beautiful even by today's standards. The incidental score is whimsical and catchy, and the songs are wonderful with Sweet Leilani, A Little Hula Heaven and especially Blue Hawaii being classics. The choreography is sharp and not too flashy but never simplistic, suiting the film just fine. Waikiki Wedding is smartly and wittily scripted and the story is not too complicated, moves swiftly and has a lot of charm and heart. Bing Crosby looks very relaxed here and gives a likewise charming performance. As ever, his distinctive voice sounds fabulous. The very attractive Shirley Ross has a voice like heaven and lights up the screen, sharing good chemistry with Crosby, she's virtually forgotten now and that's a shame. The performances of Bob Burns and Martha Raye won't be everyone's cup of tea but I found them a lot of fun with Raye particularly enjoying herself. Nice to see George Barbier too. All in all, very entertaining and charming particularly notable for the songs. 8/10 Bethany Cox
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9/10
Pig out with Bing, Shirley, Martha, Bob, Wolford, and the natives in this very entertaining B&W musical comedy
weezeralfalfa22 March 2013
Warning: Spoilers
The film credits omitted one of the main players: Wolford: Arkansas bumpkin Bob Burn's pet mini pig, who accompanies him everywhere and is frequently seen throughout. Zany Martha Raye even claimed he won first prize in a dog show, to pay for Bob's jail bail. This was the second and last film pairing of Martha and Bob, again cast as an impromptu pair of slow-witted clowns. Unlike their first pairing, Bob doesn't get to play his unique 'bazooka' musical instrument, thus Wolford serves as his unusual 'prop'. When the stolen sacred necklace the gang is trying to return to the natives is dropped by butterfingers Georgia Smith(Shirley Ross), it lands around Wolford's neck, below. Startled, he runs off into the forest. Bob gives a sampling of his 'championship' hog calling talent, resulting in the appearance of a mob of pigs, along with Wolford. When Martha tries to imitate Bob, it sounds like Johnny Weismuller's Tarzan call, and the pigs all scatter.

As in her first Paramount film, Martha gets to do one of her zany vaudeville-styled songs, entitled "Okolehau", which is the name of the native alcoholic drink, usually made from tubers of the Ti shrub, which was also very important in providing leaves for their roofs and skirts. Martha had a good swing of this liquor before her performance, as part of the celebration surrounding the return of the stolen black pearl necklace. It was hoped this would placate the angry spirit causing Pelee volcano to rumble. but Pelee blew her top anyway, causing the native priest to declare the necklace a fake. Incidentally, the infamous Pelee , which 'blew its top' in 1902, killing many thousands, is in the eastern Caribbean, not Hawaii, where the volcanoes spew non-explosive magma, having little dissolved gases, which are the cause of explosive eruptions.

Judging by their names,probably few of the 'natives' were genuine, or at least were not full-blooded. This includes a young Anthony Quinn. Nonetheless, most do come across as genuine, and we are treated to a number of festivals, with much singing and dancing. The actors never got to Hawaii, the film being shot mostly in the LA Arboretum or studio. However, periodically, clearly we do have shots of the real Hawaii in the background.

The screen play often makes little sense. Why did Bing, as publicity manager of a Pineapple firm, have to reach to Birch Falls,Iowa, to find a 'Pineapple Princess', flown in for a 3 week publicity campaign, promised a romantic time, as well??. It's never explained why Martha apparently accompanied her, as her roommate? Soon after arriving, Georgia inexplicably complains she is bored and is thinking of soon leaving, bad publicity for Hawaii's tourism image! So, Bing is hauled off his fishing yacht, and told to do something to prevent Georgia from leaving. He organizes an evening serenade with some native men, and himself as the chief singer of "Blue Hawaii". Yes, long before Elvis claimed it as his own, this classic was composed for this film and was sung twice, as well as during the opening credits. Eventually ,Martha, not Georgia, emerges from the bungalow, enthralled that she has been serenaded, and jumps into Bob's arms. Bing is not impressed, and leaves to work on his yacht, near the ticket booth for the ocean liner China Clipper. I'm not aware of any actual ocean liner by that name, but Glenn Martin famously inaugurated trans-Pacific air service just the year before this film was made, with its three China Clippers! In fact, when Georgia's suspicious boyfriend, back in Iowa, rushes to find out what Georgia is up to, he presumably arrives via a China Clipper, seen overhead in one shot! Anyway, Bing meets Georgia while working on his boat, and they have a humorous, if inauspicious, introduction, in which he discovers that she is the real Pineapple Princess. By inadvertently getting mixed up in the stolen black pearl necklace affair, Georgia misses the ship home. Bing proceeds to make her stay memorable, beginning with a repeat of his "Blue Hawaii". Of course, when it's time to go home, she has to choose between Bing and her old stuffy boyfriend : a close call, with Bing requiring an accomplice.

Ralph Rainger and Leo Robin did a commendable job with the scores, which included all but the academy award-winning "Sweet Leilani", composed a few years earlier by Hawaii-based Harry Owens, in honor of his new daughter. Bing insisted that it be included, over the vehement objections of producer Hornblow. Although memorable, I'm surprised "Blue Hawaii" didn't win the award instead! Shirely Ross(as Georgia) was also a good singer, if lacking much charisma. Besides accompanying Bing with "Blue Hawaii", she does ""In a Little Hula Heaven" on her own, and reprises "Sweet is the Word for You", after Bing initiates it, as their romance heats up. Bing also sings one song, presumably Nani Ona Pua, in the native language.

I can see why some people might be put off by Martha Raye's or Bob Burn's brands of humor, as dated. It's difficult to imagine Shirley as a woman Bing would get too excited about. Plenty of the native women were better looking and more pleasant, and Martha was way more charismatic. I would have preferred Betty Grable, who was with Paramount then, grossly under-appreciated, and would be paired with Martha as sisters the following year. Despite the often nonsensical screenplay, it's mostly a fast-moving fun time.
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