Two songwriters want to cast a British star in their new show.Two songwriters want to cast a British star in their new show.Two songwriters want to cast a British star in their new show.
- Nominated for 1 Oscar
- 1 nomination total
Al Shaw
- Moving Man
- (as Shaw)
Sam Lee
- Moving Man
- (as Lee)
Lillian Kemble-Cooper
- Mrs. Buffington (Credits)
- (as Lillian Kemble Cooper)
- …
Storyline
Did you know
- TriviaFinal film of Ross Alexander. NOTE: He committed suicide two months before this film was released. Because of this event, Warners eliminated his name from the above title credits, substituted that of Lee Dixon--who actually had little more to do than to serve as Ruby Keeler's dancing partner in an otherwise subordinate role--and relegated Alexander's credit to that of a member of the supporting cast, even though he played the leading male role, and Keeler's romantic lead. Reportedly, James Newill dubbed Alexander's singing voice.
- Quotes
Pinky Blair: Hiya, baby! Hey, did you hear my last song?
Dot: I hope so!
Pinky Blair: Dot, what do you think I am now?
Dot: Well, a man who had been valet to a seal could be anything!
Pinky Blair: You guessed it. He's an actors' agent.
Dot: An agent? You have hit a new low!
- ConnectionsReferenced in The Honeymooners: The $99,000 Answer (1956)
- SoundtracksToo Marvelous for Words
(1937) (uncredited)
Music by Richard A. Whiting
Lyrics by Johnny Mercer
Played during the opening and end credits and as background music
Played on piano by Lee Dixon and spoken by Ross Alexander
Reprised on piano by Lee Dixon at a party
Sung by Ross Alexander at a party
Was the show's big production number at its opening, sung by Ross Alexander (dubbed by James Newill) and Wini Shaw and chorus,
and danced to by Ruby Keeler, Lee Dixon and chorus
Featured review
As people have already noted, 'Ready, Willing and Able' is notable for being Ross Alexander's swansong before his tragic suicide and Ruby Keeler's last film for Warner Bros, but they certainly aren't the only notable factors of the film.
'Ready, Willing and Able' is not a great film, but it does have enough to make it watchable. Keeler is a very charming screen presence, and Alexander a likable leading man. Most of the supporting cast also fare well, with the hoots that are Allen Jenkins and Louisa Fazenda faring best. Wini Shaw is also very winning, as is Jane Wyman.
Of the song score, only one is really outstanding. That is the sublime "Too Marvellous for Words", though "Be Handy on Your Feet" is also catchy and "Just a Quiet Evening" very listenable. Don't remember much of the rest though. The classical music selections of Schumann, Chopin and Liszt are also a delight.
The film looks pretty good, apart from the odd tacky moment, it is very skilfully photographed and while not exactly expansive the set is generally a long way from cheap.
Conversely, to me Lee Dixon was wooden in acting and even more so in his dancing, which doesn't look natural or rhythmic at all. There is a lack of chemistry between Keeler and Dixon, though occasionally a sweet one with Alexander, just that one does miss Dick Powell (who one can't help thinking that he would have been a better choice). The story, even for a film musical, is overly simplistic, goes overboard with the silliness and dumbness and is as thin as thin ice.
Even flimsier is the hugely underwritten and dull script, that's far too lightweight. Of the choreography and dancing, the only one that stands out is the clever type-writing sequence. The others are pedestrian and under-cooked, am aware that one shouldn't expect Busby Bekeley to be involved in every film musical around this time but the songs generally did deserve better treatment than the indifference they were given here, this was a film that cried out for his involvement really.
All in all, watchable but not great. 5/10 Bethany Cox
'Ready, Willing and Able' is not a great film, but it does have enough to make it watchable. Keeler is a very charming screen presence, and Alexander a likable leading man. Most of the supporting cast also fare well, with the hoots that are Allen Jenkins and Louisa Fazenda faring best. Wini Shaw is also very winning, as is Jane Wyman.
Of the song score, only one is really outstanding. That is the sublime "Too Marvellous for Words", though "Be Handy on Your Feet" is also catchy and "Just a Quiet Evening" very listenable. Don't remember much of the rest though. The classical music selections of Schumann, Chopin and Liszt are also a delight.
The film looks pretty good, apart from the odd tacky moment, it is very skilfully photographed and while not exactly expansive the set is generally a long way from cheap.
Conversely, to me Lee Dixon was wooden in acting and even more so in his dancing, which doesn't look natural or rhythmic at all. There is a lack of chemistry between Keeler and Dixon, though occasionally a sweet one with Alexander, just that one does miss Dick Powell (who one can't help thinking that he would have been a better choice). The story, even for a film musical, is overly simplistic, goes overboard with the silliness and dumbness and is as thin as thin ice.
Even flimsier is the hugely underwritten and dull script, that's far too lightweight. Of the choreography and dancing, the only one that stands out is the clever type-writing sequence. The others are pedestrian and under-cooked, am aware that one shouldn't expect Busby Bekeley to be involved in every film musical around this time but the songs generally did deserve better treatment than the indifference they were given here, this was a film that cried out for his involvement really.
All in all, watchable but not great. 5/10 Bethany Cox
- TheLittleSongbird
- Nov 4, 2016
- Permalink
Details
- Runtime1 hour 33 minutes
- Color
- Sound mix
- Aspect ratio
- 1.37 : 1
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Top Gap
By what name was Ready, Willing and Able (1937) officially released in Canada in English?
Answer