Betty Boop's cute dog Pudgy wants to date a girl dog but her owner is snooty and shoos him away. A heartbroken Pudgy soon proves that he's not a nobody.Betty Boop's cute dog Pudgy wants to date a girl dog but her owner is snooty and shoos him away. A heartbroken Pudgy soon proves that he's not a nobody.Betty Boop's cute dog Pudgy wants to date a girl dog but her owner is snooty and shoos him away. A heartbroken Pudgy soon proves that he's not a nobody.
- Directors
- Star
Photos
Mae Questel
- Betty Boop
- (voice)
- (uncredited)
- …
- Directors
- Dave Fleischer
- Myron Waldman(uncredited)
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe haughty society matron and her overly pampered pooch would not be out of place in the present day (2022).
- ConnectionsFeatured in Seth A. Hamm YouTube Channel: Betty Boop Little Nobody (2013)
- SoundtracksEvery Little Nobody Is Somebody to Someone
(uncredited)
Music by Sammy Timberg
Lyrics by Bob Rothberg
Played during the opening credits
Sung by Betty to Pudgy
Featured review
Cute enough, but also somewhat bland
This is going to be fairly similarly worded to some of my other reviews for the Betty Boop cartoons made after the Production Code, as they all have the same strengths and flaws pretty much.
A good deal of the pre-Production Code Betty Boop cartoons are daring and creative, with content that makes one amazed at what's gotten away with. While the later Betty Boop cartoons made after the Code was enforced are still watchable and exceptionally well-made, they are so toned down, with the risqué and surreal edge and creativity of the pre-Code cartoons gone, that they feel bland.
Fleischer were responsible for some brilliant cartoons, some of them still among my favourites. Their visual style was often stunning and some of the most imaginative and ahead of its time in animation. The character of Betty Boop, one of their most famous and prolific characters, may not be for all tastes and sadly not as popular now, but her sex appeal was quite daring for the time and to me there is an adorable sensual charm about her. The good news is that she has not lost her charm, she is still cute and her comic timing is good.
Less good is that, thanks to the production code her sensuality is heavily muted, and it was like she had lost a large part of what made her such a unique character back then and what made her popular.
'Little Nobody' is undoubtedly very cute, and the sight gag with the merry go-round for dogs is funny. As always the animation is extremely good, very beautifully drawn and meticulous in detail, while the music is infectious and dynamic with the action. Pudgy is adorable, and the voice acting is good.
However, as said many times with the later Betty Boop cartoons, if anybody enjoyed the pre-code Betty Boop cartoons for being wonderfully surreal and for its daring risqué content that was ahead of the time back in the 30s and wouldn't be seen a lot now in cartoons, they will be disappointed here. Both are missing due to the Code which gives a rather tame and bland feeling throughout.
Creativity and more consistent (in quality and timing) jokes are also missing, while the story is very thin and could have done with more momentum.
Overall, cute but bland. Watchable but not a must. 6/10 Bethany Cox
A good deal of the pre-Production Code Betty Boop cartoons are daring and creative, with content that makes one amazed at what's gotten away with. While the later Betty Boop cartoons made after the Code was enforced are still watchable and exceptionally well-made, they are so toned down, with the risqué and surreal edge and creativity of the pre-Code cartoons gone, that they feel bland.
Fleischer were responsible for some brilliant cartoons, some of them still among my favourites. Their visual style was often stunning and some of the most imaginative and ahead of its time in animation. The character of Betty Boop, one of their most famous and prolific characters, may not be for all tastes and sadly not as popular now, but her sex appeal was quite daring for the time and to me there is an adorable sensual charm about her. The good news is that she has not lost her charm, she is still cute and her comic timing is good.
Less good is that, thanks to the production code her sensuality is heavily muted, and it was like she had lost a large part of what made her such a unique character back then and what made her popular.
'Little Nobody' is undoubtedly very cute, and the sight gag with the merry go-round for dogs is funny. As always the animation is extremely good, very beautifully drawn and meticulous in detail, while the music is infectious and dynamic with the action. Pudgy is adorable, and the voice acting is good.
However, as said many times with the later Betty Boop cartoons, if anybody enjoyed the pre-code Betty Boop cartoons for being wonderfully surreal and for its daring risqué content that was ahead of the time back in the 30s and wouldn't be seen a lot now in cartoons, they will be disappointed here. Both are missing due to the Code which gives a rather tame and bland feeling throughout.
Creativity and more consistent (in quality and timing) jokes are also missing, while the story is very thin and could have done with more momentum.
Overall, cute but bland. Watchable but not a must. 6/10 Bethany Cox
helpful•22
- TheLittleSongbird
- Feb 8, 2017
Details
- Release date
- Country of origin
- Language
- Also known as
- Pudgy to the Rescue
- Production company
- See more company credits at IMDbPro
- Runtime7 minutes
- Color
- Aspect ratio
- 1.37 : 1
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