Little Miss Nobody (1936) Poster

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8/10
Jane Combines Pathos With Hijinks!!
kidboots10 October 2017
Warning: Spoilers
When Fox was looking around for a little girl to play the bratty nemesis to Shirley Temple's little "Miss Sweetness" in "Bright Eyes", they hit the jackpot with Jane Withers, a multi talented little girl who at eight had already had her own radio program in Atlanta. Critics loved her awful Joy and the feeling was that she stole the movie from Shirley. Fox signed her to a long term contract but far from being another Shirley Temple she was really a successor to Mitzi Green who by now had outgrown her "the kid you want to spank" type of roles. She became very popular, especially with cinema managers who welcomed her films which they knew would play to standing room only audiences who couldn't get enough of her "real little girl" performances.

In this movie Jane combines pathos with hi-jinks, as Judy Devlin, the naughtiest but funnest kid at the Sunshine Orphanage. She and Mary are fast friends and sensitive Mary dreams of the day when both of them will be adopted. When Judy is hiding in the basement from another prank gone wrong, she overhears a conversation when a gentleman (Ralph Morgan) visits the home looking for the daughter he has never seen. All he has to identify her is an unusual crest and Judy recognises it when she searched among the articles found in her own box. She is caught tampering with the boxes, with the result that Mary is thought to be the rightful daughter - which Judy had planned all along!!

Judy finds another home as well - the State Reform School!! but in a scene straight out of "The Poor Little Rich Girl" of the same year Judy gives the matron (coincidentally with the same Sara Haden from the Temple movie) the slip and heads off on another adventure!! This one involves moody Harry Carey as a pet shop owner who wants to take a stand against the head of a criminal protection racket but is afraid because of his shady past. Thomas Jackson who had a patent on all those slow talking menacing detectives, appears here as a slow talking criminal, Dutch, who sees a chance for a big haul when he realises Judy's friend Mary lives in the biggest house in town!!

A very entertaining movie which has Jane performing a pretty forgettable number, "Then Came the Indians" - obviously inserted because what would a Jane Wither's movie be without a snappy song!!

Very Recommended
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5/10
Jane was the original Bad Seed!
mark.waltz26 September 2018
Warning: Spoilers
No, Jane Withers isn't so evil that she'd kill a little boy over his spelling bee medal, but there is no denying that her character is far from an angel. She's not as mean as she was here to Shirley Temple in "Bright Eyes"; In fact, she's quite outgoing and popular with the other orphans who live with her in the local orphanage run by Jane Darwell. In the very first scene, Withers takes on one of "Our Gang's" villlains (Clarence Wilson) by dousing his spoiled son with water then stealing back the turkey that Wilson had refused delivery on without the money upfront, causing Wilson to take the orphanage to court with hysterical, ironic results. Withers goes out of her way to try to be picked as the chosen orphan for potential parents, sets off the fire alarm, and once again douses the bratty son with a fire hose. When local D.A. Ralph Morgan shows up with evidence that his ex-wife abandoned their daughter years before and he believes that the little girl is there, Withers appears to switch the I.D. which will prove who is who. Little Betty Jean Hainey, Jane's best friend, is adopted by Morgan, and Jane's schemes have matron Sara Haden escorting the trouble-making Withers to reform school. Jane manages to escape, is taken in by the ornery but sweet pet store owner Harry Carey, and after a reunion with Hainey, is used by the crooked Thomas E. Jackson in an attempt to rob Morgan's home.

A lot happens in the 72 minute running time of this enjoyable comedy/drama where Withers shows that she has the moxy if not the overpadded cuteness, of fellow 20th Century Fox child star Shirley Temple, making her basically the polar opposite of the younger star. Withers gets to perform a quick musical number (utilizing a Native American theme, it is a bit eye raising), and hysterically ends up with a negative amount owed to her for allowance because of the antics she's pulled. Some of her actions are really eye raising, and today, they would be branded with a scientific name of some sort, but in 1936, she's just thought of by the orphanage staff as highstrung and attention seeking. Unlike the orphanages of the Shirley Temple movies, the staff here are actually quite patient with her, even though Temple got into less trouble and didn't deserve the cruel treatment she often received, and Withers obviously deserved more discipline than she ever got. The film doesn't try to explain away her behavior other than the fact that she has just way too much energy for everybody's good, and when the film has a twist at the end that seems to come out of nowhere, it is a bit disappointing that there isn't a follow-up scene that shows how the mistakes in identifying who she is are really resolved.
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