Every week, IndieWire asks a select handful of TV critics two questions and publishes the results on Tuesday. (The answer to the second, “What is the best show currently on TV?” can be found at the end of this post.)
This week’s question: What’s the best opening title sequence for a show premiering in 2017? (And yes, this is an update of the earlier midseason survey.)
Tim Surette (@timsurette), TV.com
I’ll go with “Mindhunter.” There’s a cool juxtaposition of recording equipment used by weirdo FBI profiler Holden Ford (Jonathan Groff) and the corpse of a murdered woman, which just goes to show that Ford kind of looks at both as objects for his own research, instead of, you know, an ex-person who still has actual importance to people. It’s an effective way to get right into his somewhat sociopathic head and is a real treat for people who love pareidolia.
This week’s question: What’s the best opening title sequence for a show premiering in 2017? (And yes, this is an update of the earlier midseason survey.)
Tim Surette (@timsurette), TV.com
I’ll go with “Mindhunter.” There’s a cool juxtaposition of recording equipment used by weirdo FBI profiler Holden Ford (Jonathan Groff) and the corpse of a murdered woman, which just goes to show that Ford kind of looks at both as objects for his own research, instead of, you know, an ex-person who still has actual importance to people. It’s an effective way to get right into his somewhat sociopathic head and is a real treat for people who love pareidolia.
- 12/5/2017
- by Hanh Nguyen
- Indiewire
"Two strangers are about to meet. In one hour, one of them will be dead." Ripe with paranoia, the new thriller If There's a Hell Below comes out on Digital HD and DVD today from Dark Sky Films, and we had the chance to catch up with writer/director Nathan Williams to discuss the making of his first feature film, including shooting in seclusion, cinematic influences, and a bean bag chair named Joe.
Thanks for taking the time to answer some questions for us, Nathan. When and how did you originally come up with the story for If There’s a Hell Below?
Nathan Williams: I conceived the film with my brother in the summer of 2013. We had talked for years about a chamber piece thriller set entirely in a single car. We didn't end up precisely there, but we used that impulse and gave ourselves hard restrictions (two vehicles,...
Thanks for taking the time to answer some questions for us, Nathan. When and how did you originally come up with the story for If There’s a Hell Below?
Nathan Williams: I conceived the film with my brother in the summer of 2013. We had talked for years about a chamber piece thriller set entirely in a single car. We didn't end up precisely there, but we used that impulse and gave ourselves hard restrictions (two vehicles,...
- 12/6/2016
- by Derek Anderson
- DailyDead
Abe will do almost anything to break a big story that could propel his journalism career to the next level, but even he's wary of his enigmatic contact's demands in our exclusive clip from If There's a Hell Below, coming out on Digital HD and DVD on December 6th from Dark Sky Films.
Below, we have our exclusive clip and a press release with full details on the film. Check back tomorrow for our Q&A with If There's a Hell Below writer/director Nathan Williams.
Press Release: Deception, lies and secret encounters fuel the gripping paranoid thriller If There's A Hell Below, about a fateful meeting between a journalist and a whistleblower. The powerful debut by director Nathan Williams comes to Digital HD and DVD on December 6, 2016.
Abe is an ambitious young journalist at an independent Chicago weekly. He has a lead on a story that could make his career.
Below, we have our exclusive clip and a press release with full details on the film. Check back tomorrow for our Q&A with If There's a Hell Below writer/director Nathan Williams.
Press Release: Deception, lies and secret encounters fuel the gripping paranoid thriller If There's A Hell Below, about a fateful meeting between a journalist and a whistleblower. The powerful debut by director Nathan Williams comes to Digital HD and DVD on December 6, 2016.
Abe is an ambitious young journalist at an independent Chicago weekly. He has a lead on a story that could make his career.
- 12/5/2016
- by Derek Anderson
- DailyDead
Fright Rags travels to a place that is deceptively "so wholesome, so squeaky clean you could only find it on TV" with their new collection of shirts based on the cult ’90s series Eerie, Indiana. In today's Horror Highlights, we also have a look at trailers and release details for Dave Parker's It Watches and Nathan Williams' If There's a Hell Below.
Eerie, Indiana Shirts from Fright Rags: Press Release: "Despite only airing for a single season, Eerie, Indiana made an impact on a generation who grew up in the '90s. Alongside shows like Are You Afraid of the Dark? and Goosebumps, it served as a gateway into the horror genre for many kids. Journey back to the center of weirdness with Fright-Rags' Eerie, Indiana collection.
Artist Matt Ryan Tobin created three designs: "Eerie, Indiana" features the familiar town sign that greeted viewers at the top of...
Eerie, Indiana Shirts from Fright Rags: Press Release: "Despite only airing for a single season, Eerie, Indiana made an impact on a generation who grew up in the '90s. Alongside shows like Are You Afraid of the Dark? and Goosebumps, it served as a gateway into the horror genre for many kids. Journey back to the center of weirdness with Fright-Rags' Eerie, Indiana collection.
Artist Matt Ryan Tobin created three designs: "Eerie, Indiana" features the familiar town sign that greeted viewers at the top of...
- 11/9/2016
- by Derek Anderson
- DailyDead
Plus several titles we already know are worth your time.
This year’s Fantasia International Film Festival starts today in the beautiful city of Montreal, and we couldn’t be more excited. (Well, I could be if I was there, but I don’t arrive until Saturday night so my peak joy will have to wait until then.) We’ve already revealed the three-part lineup announcement here, here, and here, but as the fest begins we wanted to go ahead and share the films we’re most anticipating as well as recommend some movies that we’ve already seen and loved.
As of this moment I’ve seen twenty-five of the fest’s titles, but that’s still less than one-fifth of films playing this year. Here are some of my favorites.
The director of The Chaser delivers a terrific horror/thriller hybrid from South Korea, The Wailing (full review), which pits a hapless cop against the...
This year’s Fantasia International Film Festival starts today in the beautiful city of Montreal, and we couldn’t be more excited. (Well, I could be if I was there, but I don’t arrive until Saturday night so my peak joy will have to wait until then.) We’ve already revealed the three-part lineup announcement here, here, and here, but as the fest begins we wanted to go ahead and share the films we’re most anticipating as well as recommend some movies that we’ve already seen and loved.
As of this moment I’ve seen twenty-five of the fest’s titles, but that’s still less than one-fifth of films playing this year. Here are some of my favorites.
The director of The Chaser delivers a terrific horror/thriller hybrid from South Korea, The Wailing (full review), which pits a hapless cop against the...
- 7/14/2016
- by Rob Hunter
- FilmSchoolRejects.com
Plus: Mpi acquires If There’s A Hell Below; Saban buys Come And Find Me; Shout! Factory, Legacy Classics in production-distribution pact; and more
Abramorama will release Luke Meyer’s music documentary Breaking A Monster theatrically across the Us, kicking off with a June 24 launch in New York.
The film charts the birth of the heavy metal band Unlocking The Truth as 7th grade schoolchildren who sign with an industry veteran manager and land a major record deal.
Saban Films has acquired North American rights to Aaron Paul starrer Come And Find Me, which marks the feature debut of Zack Whedon. Annabelle Wallis also stars in the thriller about a mysterious girlfriend. Automatik’s Brian Kavanaugh-Jones, Motion Picture Capital’s Leon Clarance and Oddfellows Entertainment’s Chris Ferguson produced the film and the executive producers are Laure Vaysse and Jo Monk.Broad Green Pictures has cast Megalyn Echikunwoke, Eden SherLyndon Smith, Gage Golightly, [link...
Abramorama will release Luke Meyer’s music documentary Breaking A Monster theatrically across the Us, kicking off with a June 24 launch in New York.
The film charts the birth of the heavy metal band Unlocking The Truth as 7th grade schoolchildren who sign with an industry veteran manager and land a major record deal.
Saban Films has acquired North American rights to Aaron Paul starrer Come And Find Me, which marks the feature debut of Zack Whedon. Annabelle Wallis also stars in the thriller about a mysterious girlfriend. Automatik’s Brian Kavanaugh-Jones, Motion Picture Capital’s Leon Clarance and Oddfellows Entertainment’s Chris Ferguson produced the film and the executive producers are Laure Vaysse and Jo Monk.Broad Green Pictures has cast Megalyn Echikunwoke, Eden SherLyndon Smith, Gage Golightly, [link...
- 5/26/2016
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Festival top brass announced on Monday the 12 Narrative and eight Documentary Feature Film Competition films in 22nd edition, set to run in Park City from January 22-28, 2016.
The 20-strong line-up includes 12 world premieres, three North American premieres and one Us premiere.
All competition films are feature directorial debuts with budgets of less than $1m and without Us distribution.
Jury awards are presented to feature films in both categories and all films are eligible for audience awards as well as the Spirit Of Slamdance Award, judged by the filmmakers themselves.
“The standard of Diy filmmaking around the world is the highest we’ve seen, and the diversity of storytelling is the most we’ve experienced,” sad Slamdance co-founder and president Peter Baxter.
“With a record breaking number of submissions to select from, the narrative and documentary feature line-up has never been so competitive or as exciting to programme.”
All synopses provided by the festival.
Narrative Features...
The 20-strong line-up includes 12 world premieres, three North American premieres and one Us premiere.
All competition films are feature directorial debuts with budgets of less than $1m and without Us distribution.
Jury awards are presented to feature films in both categories and all films are eligible for audience awards as well as the Spirit Of Slamdance Award, judged by the filmmakers themselves.
“The standard of Diy filmmaking around the world is the highest we’ve seen, and the diversity of storytelling is the most we’ve experienced,” sad Slamdance co-founder and president Peter Baxter.
“With a record breaking number of submissions to select from, the narrative and documentary feature line-up has never been so competitive or as exciting to programme.”
All synopses provided by the festival.
Narrative Features...
- 11/30/2015
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Festival top brass announced on Monday the 12 Narrative and eight Documentary Feature Film Competition films in 22nd edition, set to run in Park City from January 22-28, 2016.
The 20-strong line-up includes 12 world premieres, three North American premieres and one Us premiere.
All competition films are feature directorial debuts with budgets of less than $1m and without Us distribution.
Jury awards are presented to feature films in both categories and all films are eligible for audience awards as well as the Spirit Of Slamdance Award, judged by the filmmakers themselves.
“The standard of Diy filmmaking around the world is the highest we’ve seen, and the diversity of storytelling is the most we’ve experienced,” sad Slamdance co-founder and president Peter Baxter.
“With a record breaking number of submissions to select from, the narrative and documentary feature line-up has never been so competitive or as exciting to programme.”
Al synopses provided by the festival.
Narrative Features...
The 20-strong line-up includes 12 world premieres, three North American premieres and one Us premiere.
All competition films are feature directorial debuts with budgets of less than $1m and without Us distribution.
Jury awards are presented to feature films in both categories and all films are eligible for audience awards as well as the Spirit Of Slamdance Award, judged by the filmmakers themselves.
“The standard of Diy filmmaking around the world is the highest we’ve seen, and the diversity of storytelling is the most we’ve experienced,” sad Slamdance co-founder and president Peter Baxter.
“With a record breaking number of submissions to select from, the narrative and documentary feature line-up has never been so competitive or as exciting to programme.”
Al synopses provided by the festival.
Narrative Features...
- 11/30/2015
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
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