42nd Street (1933)

Director:

Lloyd Bacon

Writers:

Bradford Ropes (novel)
Rian James (writer) ...

Release Date:

9 March 1933 (USA)

Genre:

Musical | Romance | Drama

Plot:

A producer puts on what may be his last Broadway show, and at the last moment a chorus girl has to replace the star...

Plot Keywords:

Tap Dancing | Broadway New York City | Chorus Girl | Dance | Showbiz

Awards:

Nominated for 2 Oscars. Another 1 win

Cast

Warner Baxter	...	Julian Marsh
Bebe Daniels	...	Dorothy Brock
George Brent	...	Pat Denning
Ruby Keeler	...	Peggy Sawyer
Guy Kibbee	...	Abner Dillon
Una Merkel	...	Lorraine Fleming
Ginger Rogers	...	Ann
Ned Sparks	...	Barry
Dick Powell	...	Billy Lawler
Allen Jenkins	...	Mac Elroy
Edward J. Nugent	...	Terry
Robert McWade	...	Jones
George E. Stone	...	Andy Lee

Also Known As:

Forty-Second Street (USA) (alternative spelling)

Runtime:

89 min

Country:

USA

Language:

English

Color:

Black and White

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono

Certification:

Argentina:Atp | Iceland:L | Sweden:15 | UK:U | Australia:G

Filming Locations:

Warner Brothers Burbank Studios - 4000 Warner Boulevard, Burbank, California, USA

Company:

Warner Bros. Pictures

Trivia:

Henry B. Walthall originally had a large role including a key scene in which he died on stage during rehearsals. Almost all of his scenes ended up on the cutting room floor.

Goofs:

Continuity: The opening credits say "COPYRIGHT MCMXXXIII [1933]," but the closing credits say "COPYRIGHT MCMXXXII [1932]".

Quotes:

Ann Lowell: [to chorus girl] It must have been hard on your mother, not having any children.

Movie Connections:

Featured in "Broadway: The American Musical" (2004)

Soundtrack:

Love Theme

Adorable musical gem retains its charms in the 21st century

While a few lines here and there no longer hold their spark, overall, this is a really charming little musical. THE backstage musical.

In her screen debut, it's impossible not to like Ruby Keeler, the stereotypical girl hoofer next door. Keeler had amazing energy -- after retirement and many years raising her family, she returned to Broadway in "No No Nanette". How many 80 year olds do you know who could still tap against the footlights? (As for comparisons between Keeler and wisecracker Ginger Rogers, that's about as silly as comparing Fred Astaire to Gene Kelly. Keeler, like Kelly, had a raw, athletic talent; Astaire, on the other hand, was more of a suave dancer, while Rogers exuded a sexy, spirited appeal.)

The cast is terrific. Warner Baxter seems ready to crack up any second; former silent star Bebe Daniels is classy, likable and vulnerable even in her bitchiest moments. One of her best scenes is during a drunken cast party the night before the musical opens in Philly, when she kicks and screams with abandon, and yet, you can't blame the dame. "When you're in a lady's room, act like one!"

Una Merkel, with Rogers, is hilarious, batting her eyes all over the place.

There's some masculine eye candy, too, when Keeler walks in on Dick"Young & Healthy" Powell in his underwear.

He can hold a great tune, seranading Berkeley's favorite gal, Toby Wing. Wing is so luminous in her spotlight number, it's hard to believe she never broke it wide open, like other former chorus gals Paulette Godard, Betty Grable and Lucille Ball.

George Brent, the blandest of Warners' leading men, is hopelessly miscast as Daniels' old vaudeville companion, but he plays well against Ruby Keeler and Daniels. A sharp little scene with Keeler's Irish landlady underscores the desperate times. Keeler's living on a prayer, living in a small room with a suitcase and not much more.

A great flick for a late evening, or Sunday afternoon.