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One Hour with You (1932)
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Overview
Release Date:
23 March 1932 (USA) moreTagline:
So big! So entertaining! So much fun! morePlot:
Andre and Colette Bertier are happily married. When Colette introduces her husband to her flirtatious best friend... more | add synopsisAwards:
Nominated for Oscar. moreUser Comments:
Art Deco classic moreCast
(Complete credited cast) | Maurice Chevalier | ... | Dr. Andre Bertier |
 | Jeanette MacDonald | ... | Colette Bertier |
 | Genevieve Tobin | ... | Mitzi Olivier |
| Charles Ruggles | ... | Adolph |
| Roland Young | ... | Professor Olivier |
| Josephine Dunn | ... | Mademoiselle Martel |
| Richard Carle | ... | Henri Dornier - Private Detective |
| Barbara Leonard | ... | Mitzi's Maid |
| George Barbier | ... | Police Commissioner |
Additional Details
Parents Guide:
Add content advisory for parentsRuntime:
80 min | Hong Kong:84 minCountry:
USALanguage:
EnglishColor:
Black and White (tinted)Aspect Ratio:
1.37 : 1 moreSound Mix:
MonoCertification:
USA:PassedMOVIEmeter: 
7% since last week
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Fun Stuff
Trivia:
A French-language version _Une heure près de toi_, ("One More Hour With You") was filmed simultaneously. Maurice Chevalier and Jeanette MacDonald (who spoke French fluently) played the same parts as in the English version, and Lili Damita replaced Genevieve Tobin. moreQuotes:
Adolph: You have a right to be wrong. You're a woman. Women are born to be wrong. I like my women wrong! moreSoundtrack:
Oh That Mitzi moreFAQ
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I first saw this film in 1955 at a tiny art cinema in Oxford. The print was in perfect condition and the shimmering dresses and art deco were fascinating. I sat through three showings and left on a wave of good feeling which has lasted ever since. (I can still sing "Three Times a Day" in which Chevalier as a doctor prescribes pills to his patient (with its the sexual innuendo). The comparison with Mamoulian's"Love me Tonight" with the same principals is very interesting. Mamoulian sends up the aristocratic Ruritanian musical comedy while Lubitsch adores the middle class. Both in their different ways are brilliant. Both use surrealist effects to heighten a sense of unreality. This is pure entertainment in a European tradition. Genevieve Tobin is a wonderful support but her career never really took off.