A World War I veteran and aspiring engineer tries to re-enter civilian life. After being unwillingly caught up in a robbery, he suffers the intolerable conditions of a Southern chain gang, s... Read allA World War I veteran and aspiring engineer tries to re-enter civilian life. After being unwillingly caught up in a robbery, he suffers the intolerable conditions of a Southern chain gang, struggling to clear his name and prove his worth.A World War I veteran and aspiring engineer tries to re-enter civilian life. After being unwillingly caught up in a robbery, he suffers the intolerable conditions of a Southern chain gang, struggling to clear his name and prove his worth.
- Nominated for 3 Oscars
- 4 wins & 3 nominations total
William Le Maire
- A Texan
- (as William LeMaire)
Erville Alderson
- Police Chief
- (uncredited)
Irving Bacon
- Bill - Barber
- (uncredited)
Storyline
Did you know
- TriviaThe film was based on the true story of Robert E. Burns. It sticks basically to the facts except for two instances: Burns actually did steal the $5.29 in order to eat, and he finally succeeded in evading the Georgia legal system with the help of three New Jersey governors. Burns actually slipped into Hollywood and worked for a few weeks on the film, but ultimately the stress and risk were too much, and he fled back to the safety of New Jersey. The book and film helped bring about the collapse of the brutal chain gang system in Georgia. Warner Bros. took a big chance on the film, as social commentary was not normally done in Hollywood pictures. However, this film was a critical and financial success and helped establish Warners as the studio with a social conscience - it also helped save the financially ailing company. Even though Georgia was never specifically named in the film, numerous lawsuits were filed against the studio, the film was banned in Georgia, and the studio's head and the film's director were told that should they ever find themselves in Georgia they would be treated to a dose of the "social evil" they so roundly denounced.
- GoofsWhen the fugitive is getting a shave, a policeman comes in and is reading a magazine. Even though the time in the movie is 1926, the policeman is reading Liberty Magazine with a cover date of November 14, 1931.
- ConnectionsFeatured in Hollywood and the Stars: The Angry Screen (1964)
- SoundtracksSmiles
(1917) (uncredited)
Music by Lee S. Roberts
Lyrics by J. Will Callahan
Sung by soldiers during crap game
Featured review
Without a doubt, this is one of the finest films I have seen. Paul Muni's performance is so good, it's practically indescribable. I thought he was extremely believable as the unduly accused and convicted James Allen. This story will rip your heart out, and rightly so. The film is very well done in every way, down to the smallest detail (best example of this: the disgusting looking prison food if you can call it that). The use of newspaper headlines is extremely effective, as well as the very realistic scenes in the prison and work yard, and the whole environment in which Allen must live. The viewer can almost feel Allen's pain as the other inmate hammers away at his leg chains to give him a glimpse of hope toward freedom. However, even the scenes of Allen's life on the outside still evoke a sense of foreboding. This is a very powerful film.
I saw it as part of the Essentials series on Turner Classic Movies, and Robert Osborne said that the real-life protagonist on whom this film is based acted as a consultant. Since he was still on the run, however, he was not credited. The whole situation is so sad, and this sadness and feeling of oppression hang over the film with such realism, that sometimes it is as though you are watching Allen's life caught on videotape, instead of a motion picture. It is extremely gripping and downbeat, with a killer ending. The fact that it's a true story just adds to the pervasive feeling of doom. Way ahead of its time, and a brave picture to make in its indictment of the justice system. WOW.
TWO FAVORITE MOMENTS: 1) Allen looking directly at the policeman in the barbershop with a determined, steely glare, as if suddenly realizing that he will not be recognized, and simply defying the cop to recognize him. The barber doesn't recognize him either, even though the cop and barber have just been describing Allen. This scene, I am sure, meant to emphasize the incompetence of the police and justice system, without using any words to do so. Fantastically done. I am in awe.
2) Chain gang inmate Barney Sykes (played by supreme character actor Allen Jenkins), finally released from jail, is offered a ride from the prison staff, who are carting the coffin of a dead inmate off the grounds. Very matter-of-factly, as though he has done this before (and thus demonstrating the de-humanizing effects of prison life) Sykes hops up onto the back of the truck and sits right on the coffin. Upon seeing this out the window, the other inmates ruminate on the fact that there are only two ways to leave the chain gang `get let out, or die out.'
I will not give the ending away, but if it doesn't move you to tears, I don't know what will. Haunting.
My ONLY (minor) problem with the film is that all of the ladies in Allen's life look so similar, I could barely tell them apart!
HIGHLY RECOMMENDED!!!!! See it.
I saw it as part of the Essentials series on Turner Classic Movies, and Robert Osborne said that the real-life protagonist on whom this film is based acted as a consultant. Since he was still on the run, however, he was not credited. The whole situation is so sad, and this sadness and feeling of oppression hang over the film with such realism, that sometimes it is as though you are watching Allen's life caught on videotape, instead of a motion picture. It is extremely gripping and downbeat, with a killer ending. The fact that it's a true story just adds to the pervasive feeling of doom. Way ahead of its time, and a brave picture to make in its indictment of the justice system. WOW.
TWO FAVORITE MOMENTS: 1) Allen looking directly at the policeman in the barbershop with a determined, steely glare, as if suddenly realizing that he will not be recognized, and simply defying the cop to recognize him. The barber doesn't recognize him either, even though the cop and barber have just been describing Allen. This scene, I am sure, meant to emphasize the incompetence of the police and justice system, without using any words to do so. Fantastically done. I am in awe.
2) Chain gang inmate Barney Sykes (played by supreme character actor Allen Jenkins), finally released from jail, is offered a ride from the prison staff, who are carting the coffin of a dead inmate off the grounds. Very matter-of-factly, as though he has done this before (and thus demonstrating the de-humanizing effects of prison life) Sykes hops up onto the back of the truck and sits right on the coffin. Upon seeing this out the window, the other inmates ruminate on the fact that there are only two ways to leave the chain gang `get let out, or die out.'
I will not give the ending away, but if it doesn't move you to tears, I don't know what will. Haunting.
My ONLY (minor) problem with the film is that all of the ladies in Allen's life look so similar, I could barely tell them apart!
HIGHLY RECOMMENDED!!!!! See it.
- Night Must Fall
- Jul 31, 2002
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Details
- Release date
- Country of origin
- Language
- Also known as
- Večiti begunac
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $195,845 (estimated)
- Runtime1 hour 32 minutes
- Color
- Sound mix
- Mono(original release)
- Aspect ratio
- 1.37 : 1
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By what name was I Am a Fugitive from a Chain Gang (1932) officially released in India in English?
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