5 out of 8 people found the following comment useful :- KARLOFF AND BARRYMORE MEET FOR THE THIRD FILM!, 15 May 2003
Author:
whpratt1 from United States
This was the third film in which Lionel Barrymore and Karloff
met. This was a big step for Karloff to be appearing with Barrymore, who
was a super star in those days along with Laurence Olivier. This film takes
place in Russia, in the year 1913, Mary Kalish(Elissa Landi) is a Jewish
girl, and finds out that her father is dying in a St. Petersburg prison.
During this period, Jews were not able to travel without passports and she
has to get a "yellow ticket", which is given to prostitutes. Having arrived
at the prison, she learns her father has already passed away. She meets and
falls in love with Julian Rolfe (Laurence Olivier), a British newspaperman.
Karloff played the role of an alcholic orderly for Lionel Barrymore who
attempts to molest Landi in a park. This film story line resembles the
Opera "Tosca". This was a good start for Karloff's great career in
films.
3 out of 6 people found the following comment useful :- Curious melodrama with a heavy bias against imperialist Russia., 5 August 2000
Author:
Ale fish from Norwich
This must have seemed old fashioned even when it was made. The story had
to
be a holdover from the silent days.
Poor, virtuous peasant Elissa Landi is persecuted by leering aristocrat
Lionel Barrymore in pre-revolutionary Russia. Laurence Olivier, in his
only
his second U.S. movie, is the Western journalist who offers Landi his love
and a chance at escape. Boris Karloff plays a drunken orderly.
Whereas Olivier attempts to bring a light touch to his thankless role,
neither Landi nor Barrymore seem to know the meaning of the word
'restraint.'. This has an interesting consequence. Whereas Landi is
insufferably hysterical, Barrymore provides the best reason to watch; a
portrait of sheer, camp villainy that just keeps getting better and better
as the film goes on.
Hard to take seriously. Watch it for Barrymore alone.
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The Yellow Ticket (1931)
5 out of 8 people found the following comment useful :-

KARLOFF AND BARRYMORE MEET FOR THE THIRD FILM!, 15 May 2003
Author: whpratt1 from United States
This was the third film in which Lionel Barrymore and Karloff met. This was a big step for Karloff to be appearing with Barrymore, who was a super star in those days along with Laurence Olivier. This film takes place in Russia, in the year 1913, Mary Kalish(Elissa Landi) is a Jewish girl, and finds out that her father is dying in a St. Petersburg prison. During this period, Jews were not able to travel without passports and she has to get a "yellow ticket", which is given to prostitutes. Having arrived at the prison, she learns her father has already passed away. She meets and falls in love with Julian Rolfe (Laurence Olivier), a British newspaperman. Karloff played the role of an alcholic orderly for Lionel Barrymore who attempts to molest Landi in a park. This film story line resembles the Opera "Tosca". This was a good start for Karloff's great career in films.
3 out of 6 people found the following comment useful :-

Curious melodrama with a heavy bias against imperialist Russia., 5 August 2000
Author: Ale fish from Norwich
This must have seemed old fashioned even when it was made. The story had to be a holdover from the silent days.
Poor, virtuous peasant Elissa Landi is persecuted by leering aristocrat Lionel Barrymore in pre-revolutionary Russia. Laurence Olivier, in his only his second U.S. movie, is the Western journalist who offers Landi his love and a chance at escape. Boris Karloff plays a drunken orderly.
Whereas Olivier attempts to bring a light touch to his thankless role, neither Landi nor Barrymore seem to know the meaning of the word 'restraint.'. This has an interesting consequence. Whereas Landi is insufferably hysterical, Barrymore provides the best reason to watch; a portrait of sheer, camp villainy that just keeps getting better and better as the film goes on.
Hard to take seriously. Watch it for Barrymore alone.
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