It's Tough to Be Famous (1932) Poster

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6/10
You Consent To Your Exploitation
bkoganbing21 January 2010
One of a flock of films that Douglas Fairbanks, Jr. made for Warner Brothers in the early Thirties, It's Tough To Be Famous takes a look at the cult of celebrity and those who profit off it. In his memoirs, Salad Days, Fairbanks was not especially crazy about this film, but he did some others that he felt were far worse.

Fairbanks himself acknowledged that the story came from the life of Charles Lindbergh and the cult of celebrity that came around him after his flight in 1927. Doug plays Scotty McLennan who is a naval commander and skipper of a submarine that went down in the Atlantic. As rescue vessels race to her, the only question is will the oxygen hold out long enough to reach the submerged vessel on the bottom.

As captain, Fairbanks orders his men to go up with oxygen masks out the torpedo tube and elects to stay behind and man the tubes. But fortunately before he suffocates, outside rescue arrives and he's saved and proclaimed a hero who, but for that timely intervention would have sacrificed his life for his crew.

The rest of the film is what happens afterward, the marriage he was going to have with Mary Brian becomes a public one, his life becomes run by people he's hired to exploit his name.

Oddly enough nine years later Warner Brothers would make a film about a real hero who turned his back on such lures of easy money to trade in on his good name. Gary Cooper as Sergeant York got an Oscar for playing the self effacing York as only the self effacing Cooper could have.

In real life you consent to your exploitation. This is true of celebrity heroes from Buffalo Bill to Michael Phelps. Some like Sergeant York and Neil Armstrong completely resisted the lure of fame and easy money.

Walter Catlett has a nice part in a very typical Walter Catlett role as a publicity agent, something he took a patent out on in the way he played those kind of roles.

It's Tough To Be Famous is not a bad film, but it's hardly the Sweet Smell Of Success which really takes a look at the cult of celebrity and how so many crave to be one.
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7/10
An interesting commentary on the media and stardom.
planktonrules22 January 2010
Warning: Spoilers
The film begins with a submarine accident. The sub is stuck on the bottom and they are running out of air. The scene is very gripping--especially when the Lieutenant sacrifices his life to save the rest of the crew. However, after doing this, a rescue party and the officer (Douglas Fairbanks, Jr.) is saved. When the ship he is on returns to port, the media have made him a hero--and the Admiral welcomes him in a fancy ceremony. Like it or not, the Lieutenant's life will never be the same.

Walter Catlett is on hand to play the agent who exploits every opportunity to publicize Fairbanks. This is the sort of smooth-talking and morally dubious role that Catlett did so well during the 1930s. And with Catlett's help, the media goes crazy--making Fairbanks America's hero. Songs were written about him, his engagement made national headlines and he enjoyed this notoriety about as much as most would enjoy a migraine! Eventually, the pressures of stardom begin to wear at Fairbanks and soon lead to marital problems. It's tough living, so to speak, inside a fishbowl and Fairbanks begins lashing out at everyone.

This film is an excellent comedy and parody of the sort of sensationalism and media blitzes that were so popular at the time. In the 1920s and 30s, people became famous for the darnedest reasons--such as flagpole sitting, aviation antics and the like. In this era, they had instant heroes like Lindberg, Admiral Byrd and the crew of the Graf Zeppelin and there must have been 1001 ticker tape parades in New York City. There was even a parade for Captain George Fried and the crew of the SS President Roosevelt for heroic sea rescue--and this must have been some of the inspiration for this film. Today, we have Jon and Pat, balloon boy, William Hung and E!. I guess things HAVEN'T changed that much!
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6/10
Satire or real-life?
samhill521525 January 2010
Warning: Spoilers
The film is a commentary on the dangers of fame in our culture and I guess it does that fairly well, at least when it doesn't exaggerate. Perhaps if taken as a satire it's more enjoyable but to me it appeared to play it straight. The opening sequences following the heroic act depicting the public's adulation were frankly too long. Much too much time was devoted to this phase although stock footage of actual ticker-tape parades in New York City were interesting from a historical point of view. It's only when our hero, played by Douglas Fairbanks Jr., courts and get married that the film picks up steam. Unfortunately that doesn't come until a full 30 minutes into it. Fortunately that's when Mary Brian becomes a central character. The dialog, especially hers, becomes much more timely and expressive of the concerns and matters that plague all couples. The story itself becomes human. Whereas Fairbanks' character comes across as selfish, insensitive and one-dimensional, Brian's is reasonable, intelligent and realistic. He does an awful lot of yelling and storming out of the house. I half expected him to become violent although thankfully he did not. Conversely, her portrayal of a woman in love with a man, not a symbol, is actually quite modern, including the reasons for her decision to leave him. It's also very effective, and for me personally the discovery of a wonderful actor. She is the glue that holds the whole thing together and the main reason to watch it.
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10/10
Excellent Doug Fairbanks Jr. Movie From Early 1930's......All His 1930's Movies Were Unusually Good
DavidAllenUSA9 January 2014
Excellent Doug Fairbanks Jr. Movie From Early 1930's......All His 1930's Movies Were Unusually Good

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This is an excellent movie.

It's about the culture of celebrity creation by the mass media, politicians, and others, and shows the hard life and hard times the newly created and celebrated "hero" is put through (he actually was a hero USA Naval submarine officer).

This is an important subject, and few good examinations and treatments of it have ever been made.

The Anita Ekberg fragment of LA DOLCHE VITA (1960) also does a good job of showing "behind the scenes" truth about media professionals and treatment of celebrities, and the effects of the "celebrity life" on celebrities themselves. The Anita Ekberg fragment of LA DOLCHE VITA (1960) lasted only about 20 minutes during a movie lasting more than 2 hours, but the image of Anita became the signature image of the film, and justifiably.

IT'S TOUGH TO BE FAMOUS (1932) starring Doug Fairbanks Jr. and Mary Brian is a blunt, no-nonsense look and implied criticism of the entire phenomenon of "hero celebrities" which most celebrities become in time, at one level or another. Readers, viewers, concert and show ticket buyers are all urged to worship the celebrated performer, and the list of celebrity victims is long....Elvis, Princess Diana, Marilyn Monroe, John Barrymore, and on and on and on.

Douglas Fairbanks Jr. had a famous movie star father, came of age for young leading man roles just as the talkie movie technology became widespread (early 1930's), and had a lot of talent performing the role of the intelligent and often unwilling hero types he was so often cast in.

All his movies are worth collecting and seeing. I've never seen one he starred in during the 1930's which was bad....quite a compliment considering how many bad movies were made then, and were made at all times.

Really good movies are rare and precious.

IT'S TOUGH TO BE FAMOUS (1932) and THE NARROW CORNER (1933) both starred Douglas Fairbanks Jr., and are both worth getting and seeing often.

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Written by Tex Allen

01/09/2014,

Columbia PA USA
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