Shanghaied (I) (1915) User Reviews

"We need a crew"

[Steffi_P · 7/10 · 25 November 2009]

While the Keystone pictures made Charlie Chaplin a star, the Essanays made him world famous. With such success comes great confidence. Shanghaied is a real confidence picture.

If you look at the first series of real gags, when Charlie is hitting his soon-to-be crewmates over the head one after the other, the whole thing is done in a single shot. And it is essentially just the same gag repeated several times. The comedy actually lies in the fact that we know exactly what is going to happen, we just don't know exactly when it will happen and how each man will react. For the final mallet blow, the moment leading up to it is stretched out as long as possible for maximum funniness. To be able to pull off a sequence like this, you need to have faith in your own ability to make people laugh, and this is something Chaplin now had.

Aiding and abetting Charlie are the usual rogues' gallery of supporting players. Among the notables here are Leo White, appearing without his usual "Frenchman" get-up, but still very funny, and John Rand as the ship's cook. This was Rand's second picture with Chaplin, and the way he brilliantly plays off the tramp without stealing the scene would earn him a long-term placement in the comic's stock company.

In fact throughout this picture, it is the other performers who actually do the most, while Charlie appears as a fairly insignificant figure amongst it all. And yet he always remains centre of attention. For example in the scene where he directs the crane which has inadvertently hooked the rest of the crew, he is orchestrating the chaos. To be able to pull this off again requires not only skill but overriding confidence in that skill.

And so, we come to the all important statistic – Number of kicks up the arse: 17(!) (3 for, 9 against and 5 other)

generally very good but really sinks during the seasickness sequence

[planktonrules · 6/10 · 17 May 2006]

This is a pretty enjoyable Chaplin short from 1915. While certainly not among his best, it is worth seeing and is far from a bad film. In fact, up until the rocking ship segment of the film, it was probably a good bit better than average. Charlie was offered a job helping some sleazy ship's captain from kidnapping a crew for his boat--which the owner already intended to blow up for the insurance money (this is DEFINITELY not a ship you'd want to work). In the end, he, too, is conked on the head and becomes an unwilling crewman.

However, despite a good beginning, soon Chaplin chooses to incorporate a rocking boat sequence into the film while he worked as a dishwasher. I've seen rocking boat scenes in two other Chaplin films already before this (including A PERFECT DAY and one other that doesn't immediately come to mind). I really hated this because although Chaplin was known for his attention to detail, these scenes by him were always handled very sloppily. Once again, the boat rocked way too fast and way too quickly--while the ocean appeared very calm. It just looked stupid and didn't make me laugh. A rolling boat COULD have been very funny--but not one that looks like that!

Well, after this lousy part of the film, the short got better and involved Charlie saving the boat and the lives of everyone. At least it ended well.

Charlie at sea

[TheLittleSongbird · 7/10 · 8 June 2018]

Am a big fan of Charlie Chaplin, have been for over a decade now. Many films and shorts of his are very good to masterpiece, and like many others consider him a comedy genius and one of film's most important and influential directors.

From his Essanay period after leaving Keystone, 'Shanghaied' is not one of his very best or even among the best of this particular period. It shows a noticeable step up in quality though from his Keystone period, where he was still evolving and in the infancy of his long career, from 1914, The Essanay period is something of Chaplin's adolescence period where his style had been found and starting to settle. Something that can be seen in the more than worthwhile 'Shanghaied'.

'Shanghaied' is not one of his all-time funniest or most memorable, other efforts also have more pathos and a balance of that and the comedy. The story is still a little flimsy, there are times where it struggles to sustain the short length, and could have had more variety and less more of the same repetition.

On the other hand, 'Shanghaied' looks pretty good, not incredible but it was obvious that Chaplin was taking more time with his work (even when deadlines were still tight) and not churning out as many countless shorts in the same year of very variable success like he did with Keystone. Appreciate the importance of his Keystone period and there is some good stuff he did there, but the more mature and careful quality seen here and later on is obvious.

While not one of his funniest or original, 'Shanghaied' is still very entertaining with some clever, entertaining and well-timed slapstick. It moves quickly and there is no dullness in sight, it's also very charming and sweet without being cloying.

Chaplin directs more than competently, if not quite cinematic genius standard yet. He also, as usual, gives an amusing and expressive performance and at clear ease with the physicality of the role. The supporting cast acquit themselves well, notably Billy Armstrong.

In conclusion, pretty good. 7/10 Bethany Cox

Slapstick at Sea is Good For A Few Laughs

[Snow Leopard · 29 May 2001]

"Shanghaied" has a plot that is rather complicated for such a short film, but as in most of Charlie Chaplin's earlier films, the emphasis is really on slapstick comedy.

The story involves a scheming ship owner and his roughneck captain, who tricks and "shanghais" a group of sailors, including Charlie, to form his crew. The ship owner's daughter is in love with Charlie, and comes along for the ride. It's a bit hard to catch everything in the plot, but the slapstick at sea is easy to follow. Chaplin gets decent mileage out of a few ideas using the shipboard setting, as he and the crew try to handle the cargo and work in the kitchen as the ship rocks back and forth.

While not one of Chaplin's best, there are still a few good laughs to be had in "Shanghaied".

Classic Chaplin Slapstick!

[MissyH316 · 7/10 · 11 November 2011]

Plenty of action here as Charlie gets drawn into a nefarious insurance scam plot hatched by a boat's owner. The owner's also determined, however, to keep Charlie away from daughter Edna. Thank goodness all ends well but not after a LOT of high sea hi-jinks! Someone else commented on the dance routine Charlie does in the galley - yes, he could'a been a ballerina! But I too noticed the backwards shuffle that I'd seen before in Modern Times - I saw the later movie first, but here was its first appearance (first that I'm aware of).

Lotsa fun; was hard to follow for me a few times but I chalk that up to a so-so video quality or I'd have rated it higher. Plus a couple of Charlie & Edna's kissing scenes got interrupted so I took a few points off for that, too! lol Anyway, I hope to get this on a good DVD copy, the best I can find, because this one IS a "keeper"!

Charlie The Sailor

[verbusen · 7/10 · 27 December 2014]

I really enjoyed this Chaplin short. It's by no means his best work but I love it when Charlie is at sea (I'm a sailor), it just cracks me up because I can identify with things like sea sickness and things flying around on a boat. I mostly wanted to write a review to let you know there are several versions of this online, and most are really bad versions. So if you are trying to watch this online and hear ragtime music, that will tell you this is a bad version to watch. Look for the version that has a nautical music track to it and that is the restored version (it is available on an "official" youtube channel). By now we probably all know this but anytime you hear random ragtime music to all of these silent comedies I would look again to see if there is a restored version available with a proper score and restored video, FYI. I'm giving this one a 7 out of 10 because it made me laugh pretty good and some of those stunts looked pretty brutal too!

Chaplin Is Shanghaied

[CitizenCaine · 6/10 · 13 July 2008]

Chaplin edited, wrote, directed, and starred in Shanghaied, a comedy at sea. A shipowner, played by future director Wesley Ruggles, wants to destroy his own ship and its contents at sea in order to receive a huge settlement. Chaplin gets mixed up in recruiting sailors for the ship unaware of the plan. Chaplin gets caught aboard the ship as well, and soon he is forced to work on the ship to make do. Meanwhile, the shipowner's daughter, Edna Purviance, stows away aboard the ship. Chaplin falls for the daughter of course, but not before he endures several hardships at sea working as a dishwasher and cook's helper. The film is quickly paced, again with restrained slapstick in favor of a plot; however, the camera's see-saw effect is hopelessly phony. The camera movement changes speeds at times during these scenes, and the sea is obviously no where near as rough as the camera movement would have us believe. Chaplin has several neat bits of physical movement in this one, and get a load of the shipowner's sideburns! **1/2 of 4 stars.

A let down

[tgooderson · 4/10 · 10 July 2012]

A ship owner intends to scuttle his ship and asks his Captain to round up a crew. The Captain in turn hires a Tramp (Charlie Chaplin) to help him 'Shanghai' (forcibly conscript) some sailors. This backfires for the tramp though as he himself is Shanghaied. On board ship the Tramp attempts to help out with a variety of different tasks but unsurprisingly is useless at all of them. Meanwhile the ship owner's daughter (Edna Purviance) has stowed away aboard ship in an attempt to stop the crime of scuttling and save her lover, the Tramp.

After the wonderful highs of The Bank, this film was a huge come down. It is by far my least favourite Charlie Chaplin film to date although there are inevitably some good moments to be found.

The only joke that made me laugh out loud was Chaplin's ridiculous naval salute which was somewhere between blowing a raspberry and a high five. While that is hilarious, the rest of the film isn't. The only other joke that made me even smile was when Chaplin throws a rescue rope behind him by accident. The rest of the gags were mediocre. Chaplin was to find success with a nautical theme just a couple of years later in The Immigrant and you can see the workings of some of the jokes from that classic film during Shanghaied. The most notable of these was the dinner during choppy seas. In addition to one or two decent jokes there is also some nice close-up work, something which was rare for Chaplin at the time. In one scene the fuse of some dynamite is shown in very close zoom rather than the traditional wide shot of the whole set. This marks further development of Chaplin's ever expanding film craft. The one final aspect of the film that I enjoyed was Chaplin's incredible tray handling skills. This is something he revisited years later in Modern Times but while it is more spectacular there, it feels much more real here.

As well as The Immigrant the film also has shades of Buster Keaton's Steamboat Bill Jr in that both central characters are bumbling buffoons in love with a ship owner's daughter. Keaton's later film undoubtedly takes some elements from Shanghaied but adds much more and is a far superior film.

My main problems with this film were that the story felt under developed and there weren't enough jokes. It feels like Chaplin got an idea of 'the Tramp on a ship' and just made it up as he went along (something that was often the case in early Chaplin films). While this was sometimes very successful, here it is far less so.

www.attheback.blogspot.com

Shanghaied

[JoeytheBrit · 5/10 · 4 November 2009]

This is another early Chaplin film made for the Essanay Studio, and while it has its moments it certainly isn't one of Chaplin's best. It's difficult to sympathise with his plight when he finds himself shanghaied into service on a boat because he was responsible for most of his equally reluctant shipmates being there as well. More important than this though, is the fact that it just isn't that funny, with too many gags running for far too long and therefore outliving the laughs they originally generate. There's also a curious lapse in spatial awareness when Chaplin is seen to exit left from one room then enter left into the next room. Given Chaplin's reputation for perfection, this might be down to the print I saw being made up of two prints spliced together with one unintentionally reversed. Or maybe I just imagined the whole thing – it was a couple of weeks ago…

Charlie's trouble on the sea

[Petey-10 · 9/10 · 28 May 2009]

Charlie Chaplin and his Tramp character gets shanghaied by crooks.This means some harsh work on a ship.This all happens after a shipowner intends to scuttle his ship on its last voyage to get the insurance money.Charlie also happens to be in love with the shipowner's daughter.And she stows away to get to Charlie and gets on board of the ship, that is about to be exploded.Shanghaied (1915), which was shot largely on board of SS Vaquero, was Chaplin's 11th film for Essanay.Alongside Charlie we see who else but the lovely Edna Purviance, who plays Daughter of the Shipowner.Wesley Ruggles plays Shipowner.Bud Jamison is Second Mate, The Other Man.Billy Armstrong is First Shanghaied Seaman, while Paddy McGuire plays the second and Leo White plays the third.John Rand is Ship's Cook.Fred Goodwins is Cabin Boy in Coveralls and Lee Hill is Sailor in Rain Hat.Chaplin does his usual antics and makes people laugh.We see Charlie with a mallet, hitting a bunch of men in the head and therefore they get shanghaied, just like Charlie does a minute later.Charlie tries to serve food during the gale and he becomes seasick.And then Chaplin with the bomb...It's a riot!

Chaplin refining his craft.

[Anonymous_Maxine · 9/10 · 25 July 2001]

Shanghaied is one of Chaplin's early short films that begins in a more ambiguous way than most, meaning that early on, it is pretty hard to tell what's going on, seeing how the film is obviously silent (this is 1915, after all), but as always, by the end of the film the story becomes clearer, and this one is particularly memorable.

Evidently, Charlie is hired to knock out a bunch of drunks with a wooden mallet, which is not brilliant in terms of narrative, but it makes room for some of the endlessly amusing fighting scenes that are commonplace in Chaplin's films. Another thing that is traditional is for the majority of the comedy in each individual film to be derived from one main source, and here, it is a crane that causes all sorts of trouble for Charlie and the other men as they try to clean up a ship.

But as funny as this part of the film is, it REALLY gets good when the dishwashing scene starts. Not only is there some hilarious mishaps involving Charlie confusing the soup pot with the dishwater, but he also slips in some very characteristic moves, dancing around the room in the comical, carefree way that only Charlie can really do. Also, while watching this scene, look for a quick shot of him doing the very same backwards sliding move that he did very extensively in the spectacular song and dance number that he performed at the end of his film Modern Times, which he made more than two decades later.

I think this is the most advanced of Chaplin's earliest films that I've seen so far. It is longer than most of the ones before it and probably has more sight gags and stunts that later became famous in Chaplin's much better known full length films. We see the little tramp as a dishwasher, waiter, lots of fights, the tilting set with sliding dishes and angry sailors, the tramp thumbing his nose at authority, showing a comical eagerness to obtain a job for which he is clearly totally unqualified, sharpening his knife and fork before while the men next to him shovel food in their mouths like cavemen, meanwhile Charlie gives up his impeccable table manners because the heaving ocean is making him seasick.

The story is more complex than previous films but still very simple, although it clearly foresees a lot of the style and imagery of The Immigrant, even down to the eating scenes and the on deck love interest. Stay tuned for the action packed ending, which I think is also one of the best endings that Chaplin had made in his films up to that point. Outstanding!