User reviews

Though primitive by today's film-making standards (the animals are portrayed by humans crawling around on all fours in animal costumes, the storm-filled sky is little more than a revolving painted sheet), this early version of the L. Frank Baum classic is an interesting bit of film and Oz history. Though only ten minutes in length, it manages to capture the main points of the story in encapsulated form. Certain well-choreographed (albeit naive) dance numbers indicate that it may have been conceived as a musical long before the 1939 version, and 9-year-old Bebe Daniels (later the hard-boiled Broadway star in "42nd Street") is a competent actress.

This is a shock, at first, to view. It looks so primitive that you can hardly believe what you're seeing. It makes the 1939 version look like today's advanced technology, in comparison. The sky, for instance, looks like a cheaply painted paper mache that just moves right to left. That is supposed to indicate a windy day and looks so hokey you watch this in amazement. But, it's 1910, and the very early years of motion pictures, so I am not ridiculing it. In fact, it makes you marvel how much they advanced in just several decades of film-making after this was made.

It is interesting to note some of the differences in the story, too, such as Nebraska being mentioned instead of Kansas, but this was adapted from a stage play, not the novel (as the '39 film was). Differences aside, it was still fascinating to watch because it's almost like going to school and watching your kids in some Middle School production! Once again, I am not slamming it because I realize when it was made and appreciate the effort....and historical value of this film. Also, it's hard to get much of a story in when the film's running time is only 13 minutes.

Note: a young Bebe Daniels plays "Dorothy." You can see this movie on DVD as part of the "More Treasures From the American Film Archives, which was released in 2004.

Although it is a rather unrefined movie, it's still fun to watch this early film version of "The Wonderful Wizard of Oz", and it has plenty of energy and ingenuity that make up for its rough edges. It is certainly of interest historically, and for anyone who enjoys the films of the early 1900s, it also works well enough as entertainment.

The story differs considerably both from the book and from the well-known 1939 classic, in large part because it was adapted from a stage production of the story, rather than from the original novel. But most of the characters are easily recognizable, and it's also quite interesting to see a very young Bebe Daniels as Dorothy.

The scarecrow and the tin man probably get the best roles, and in a number of scenes they engage in some amusing antics, making it worth looking for them even when they are not the main focus. It's apparently uncertain who played the scarecrow, which is too bad, because he is pretty funny, and his performance is not unworthy of being compared with Ray Bolger's performance in the wonderful Judy Garland version.

The adaptation does have a very stage-like look, but given that approach, most of it works all right. Some of the camera effects are pretty good for 1910, and even the ones that seem more obvious are at least interesting to watch.

In watching this now, it probably benefits from the endearing qualities of the Oz characters, which are so familiar from other sources. But its original audiences probably enjoyed it as well for its own sake, since it has plenty to offer, and it tells the story with lots of liveliness.

Chased off by the antics of Hank the Mule, Dorothy ends up in her cornfield, where she realizes her family's Scarecrow is alive. She helps him down and he takes a tumble on the turnstyle. A cyclone soon arrives and leaves Dorothy, Scarecrow, Toto and Hank spinning around on a haystack, with Imogene the Cow flying soon after. Soon after their arrival, the Wizard of Oz issues a public decree that he is a humbug, to make sure no one ever finds out.

Glinda pops up out of the background and transforms Toto into a man in a bulldog suit to serve as a better protector for Dorothy. Then they encounter the Tin Woodman, the Cowardly Lion, and Eureka. Nevertheless, she is captured by Momba, the Wicked Witch of the West (suggesting Baum thought the other witches were Mombe, Mombo, and Mombu, in keeping with the council in _Queen Zixi of Ix_) and her flying lizards and soldiers. Dorothy defeats Momba, and they arrive at the Emerald City just in time for the Wizard's going away party.

Very strange short. Donkeys humping straw and then there's the tornado which for some reason they call a cyclone. The entire movie is done on stage. There's a witch called Momba. The story is not like the musical but it's an interesting film and the special effects are pretty cool for 1910

The costumes and plot are from a stage performance of this classic. It is disjointed and sparse in its portrayal of the story of Dorothy Gale. All the regulars are there, even though we don't get to know them very well. I've not read the book, so are the brain, courage, and heart a part of the story. Also, what about the duplicity of the Wizard. All that aside, it is a memorable thirteen minutes. There are even song and dance numbers (though there is no sound). It was interesting to see Toto transformed into a huge dog so he could protect Dorothy. The scarecrow is the star of this adaptation. He has all the loose and frantic movies of his successors. The plot is a bit dense. It could have used a bit more of an acceptable story line.

I suppose the best thing that could be said about this primitive kiddy one-reeler from 1910 is that it's cute or somewhat interesting. As noted elsewhere, this adaptation is based more so on Baum and Julian Mitchell's 1902 play rather than on the original book by Baum. Everyone's familiar with the 1939 Judy Garland musical (if you're not, why are you here?), so this 1910 film can be interesting as comparison. Baum himself supervised three adaptations of his stories in 1914, beginning with "The Patchwork Girl of Oz"; all three have been available on video, as has a 1925 "The Wizard of Oz".

This 1910 Oz is very theatrical, and most of its tricks are theatrical, too: moving backdrops and strings for flying. A couple stop-substitutions are about the only thing cinematic here. A static camera, tableau style and staginess are to be expected in a film this early that was adapted from the stage. This film, however, features annoying spastic performances--even more so than in the 1914 trilogy. The filmmakers didn't have to do any cramming for a 13-minute adaptation, nor use lengthy title cards to explain the basic plot; in fact, much of the picture is spent by characters jumping around as though they're hopped up on sugar, including some dance interludes probably held over from the stage version. Furthermore, this edition was followed by two subsequent Dorothy Oz installments, which are now lost. I wouldn't recommend this kiddy flick, but, apparently, some like it.

Among the cast is a young Bebe Daniels as Dorothy. Daniels later worked in a few silent films by Cecil B. DeMille and is now mostly famous for her role in "42nd Street" (1933). Reportedly, Alvin Wycoff, who would be DeMille's longtime cinematographer during his early career, which included the innovatively photographed "The Cheat" (1915), also has an on screen role in this production somewhere, as does prolific actor Hobart Bosworth.

What a treat it was to see this early film of the Wizard of Oz story. I did not know that there was a 1903 musical play and that this film was based in part on that and not entirely on the book. It does explain the cow – something that had me scratching my head, figuratively. I am most appreciative to those reviewers that provided this background information. While I wish the print I saw had been a little sharper (I could not read some of the documents), I nonetheless enjoyed it, particularly the cyclone scene and the dancing. While of course technically primitive, I still found it enchanting and how it must have even more enchanted the audiences of 1910. As some reviewers have pointed out, comparisons with the 1939 film are pointless but it is interesting what an endlessly fascinating subject the story of Oz is. Fortunately this bit of film history has not been lost.

TCM showed this silent short one night while showcasing their Treasures of the American Film Archive, and at 13 minutes, this version of THE WIZARD OF OZ is quite engaging. I can only wonder, though, at the reactions of an audience, circa 1910, going to theatres and watching this version of a story that 20 years later would become one of the most enduring classics not only for children but adults alike, because seeing the events portrayed here just only shows how little we had back then, how much we have now... and why these little shorts are worth preserving. On that basis alone I'd recommend viewing this version devoid of preconceived notions of modern cinema, but as an intellectual ride.

"The Wonderful Wizard of Oz" is the earliest existing film of the over 60 movies adapted from the 1900 L. Frank Baum book. And that tally doesn't include subsequent television and live stage presentations. The released Oz movie on March 1910 was produced by the Selig Polyscope Company out of Chicago and adopted many of the elements from the 1902 Wizard of Oz play.

Selig was able to make the movie using the Baum book because the company was involved in the author's "The Fairylogue and Radio-Plays," a combined play/vaudeville act/movie production in 1908. (The short Selig movie played during this production has been lost). After a disastrous two months, the act bankrupted Baum, giving Selig the rights to use his Oz characters and story. Besides the "Wonderful Wizard of Oz" movie, Selig immediately made three Oz sequels within 1910--all three now lost.

In this first 1910 Selig movie, Imogene the Cow, not portrayed in the Braun book, takes the place of Toto. Imogene is a person in a cow costume while Toto the dog could not be asked to be on the 1902 stage for a couple of hours and behave. Toto does make a brief appearance in this movie, but the cow dominates as a companion to Dorothy. Also, the scarecrow is discovered by Dorothy before the tornado and accompanies her to the Land of Oz. Another added element to the movie over the play was the extended role of the Wicked Witch of the West. Just like the Judy Garland 1939 classic, Dorothy has to confront the witch to get her wish from the Wizard. But instead of water shrinking the witch, water thrown at her simply makes the witch disappear.

And it appears the cast is dancing to some music. The 1902 play did havemusic to which accompanied the actors' dance numbers--but since film hadn't advanced enough to play sound, there is no songs heard on the movie that choreograph the cast.

Dorothy, Scarecrow, and Toto bring a donkey and cow (played by Men In Suits) along with them in the cyclone (which is simulated by having them hug a big hay bale that turns around and around).

ALL THE INTERTITLES ARE IN GIANT BLOCK CAPITALS.

Toto is a real dog who turns into Man In A Suit #3 to fight the lion (Man In A Suit #4), who is not cowardly at all.

There is a line of chorus girls and another of palace guards. At the end, the guards ride in on REAL HORSES, which makes the Men In Suits (by now including #5, bug, and #6, frog, from the Wicked Witch's lair, and #7, kitty cat, who otherwise has no apparent role in the action) look really, really lame.

The cast of thousands and elaborate sets make you wonder why no one had yet thought of MULTIPLE CAMERAS, and EDITING. But that was a concept they obviously couldn't wrap their minds around, back in 1910. Who knows - maybe a second camera would have cost more than all the actors, dancers, horses, and animal costumes put together.

As are most people, I was only aware of the famous, 1939, MGM classic, Judy Garland film, "The Wizard of Oz", as being the first. I was amazed to find out, that there were nine completed "Oz" movies (8 films, 1 animated), made before the 1939 classic ever debuted. Of those 9 films, three are lost films, so we still can see six of these films today. This film is the first of the "Oz" films still known to exist. For the first 20 years of filmmaking, from about 1895 to about 1915, just before heading into the World War 1 era, our pioneering filmmakers were still stuck on the stage play or theater-type of entertainment, that came before the movies.

Filmmakers were shooting a lot of their films, as if they were recordings of stage plays or theater acts. Most of this probably had to do with the stationary camera issue, of not having handheld cameras or an option of shooting different camera angles. That concept wouldn't start to change until the 1920s, although D. W. Griffith, Charlie Chaplin and some of those guys, started going beyond the stationary camera-look, as early as 1914. So, being a 1910 film, the Wonderful Wizard of Oz (1910), isn't much different as those films, that came before it. It still looks like it was shot as a stage play, even though they used a lot of interesting backdrops, sets and some special effects, outside of the theater-play approach. Still, it looks like one camera with no movement. That's not a bad thing. It's just how things were at this point in the evolution of motion pictures.

The original, Baum book was released in 1900. This version, The Wonderful Wizard of Oz (1910), is more loyal to the book, than what the famous 1939 MGM classic was. It also took a lot of influence from the Broadway play that was popular at this time. The Scarecrow and the Tin Woodsman look slightly different, but you can clearly tell it's them. The rest of the characters look a lot different, even Dorothy. Her look is different from the Judy Garland version you are used to envisioning. This film looks more like a George Melies' experimental film, until you realize it's an Oz film.

This film is not that great. It's not terrible either, but it was panned when it first came out. The early 20th century fans of L. Frank Baum's novel, did not respond to the film well. They felt it did not capture the true feeling of Oz. Looking at it from today's perspective, it's not a technical thing or a recording-of-a-stage-plays, thing. It's just a weird, uninteresting plot, that needed more reward in its design, then what it was trying to sell in 1910. It needed 1939 to come around. In the 21st century it is an artifact of film, that needs to be seen.

5.9 (D MyGrade) = 6 IMDB.

Whilst in a cornfield a girl realises that a scarecrow is alive. When a tornado arrives, they are carried away along with a number of animals to the mythical land of Oz and an encounter with a wicked witch.

Based on an earlier stage show rather than the novel by Frank Baum, this short film is more stagey, in fact panto, than viewers would expect but interesting enough to watch. Bebe Daniels stars as Dorothy, the role later made famous by Judy Garland.

This film is included in the "More Treasures of the American Film Archive" DVD. The running time is listed at 13 minutes. It kind of looks like a junior high school production of "the Wizard of Oz" with people dressed up in costumes to portray Toto, the Cowardly Lion, Imogene the Cow and what appears to be a donkey. The latter two accompany Dorthy to the Emerald City with the all the rest. The Scarecrow and the Tin Woodsman are not too bad, and not that far removed from the 1939 Classic. The Wizard himself looks like the 19th century Medicine Show man that the Wizard was supposed to be. It is interesting that they basically told the whole story in such a short time frame. This film is actually interesting to watch in a historical sense. For that reason I gave it a 9.

In some ways, I found this 1910 silent version of 'The Wonderful Wizard of Oz' more entertaining than the big-budget MGM remake. And in some ways, this silent version (made while L Frank Baum was still alive and writing more Oz novels) is more faithful to Baum's source novel (and its sequels) than the MGM movie was. More significantly for historical purposes, this silent film preserves some aspects of the hugely popular 1903 stage musical based on 'The Wonderful Wizard of Oz', which deviated significantly from both the novel and the later MGM movie.

In the novel, Toto's single most important function is to be a sounding-board for Dorothy, so that she can express her thoughts aloud without talking to herself. In the stage musical (unlike MGM's version), it was impractical to have a trained dog performing various cues, so Toto was written out. Instead, for the stage musical, Dorothy's companion in the cyclone ride from her Kansas farm to Oz was Imogene the cow, played by two panto-style actors in a cow costume. In this movie, we see several 'animals' (including Imogene, and the Cowardly Lion) which are very obviously played by actors in costumes. Toto appears very briefly as a real dog, to be transformed almost immediately by Glinda into an actor in a dog cozzie, courtesy of a Melies-style jump cut. Refreshingly, Dorothy is actually played here by an age-appropriate little girl (more about her later), rather than a too-old teenage Judy Garland in a bust-suppressor.

In the stage musical based on 'The Wonderful Wizard of Oz', the star performers were the comedy team of Fred Stone and David C Montgomery as the Scarecrow and Tin Woodman; they sang comic songs such as "Hurrah for Baffin's Bay" and performed specialities, notably a 'black art' routine in which Stone assembled the various pieces of Montgomery's disconnected Tin Woodman. (After starring in this stage musical, Montgomery died young; Fred Stone went on to play Katharine Hepburn's father in 'Alice Adams'.) Here in this silent film of the stage musical, there's not much singing, but we do see the Scarecrow and Tin Woodman performing a comical dance. The Scarecrow does a very impressive back handspring, made even more impressive because he immediately segues from this into a weird crawling dance with the animal actors. I was astounded to learn that this acrobatic Scarecrow was Robert Z Leonard, a vaudeville performer who'd worked with Lon Chaney, and who later had a long successful career as a film director, well into the talkies era. (He directed Judy Garland and Liza Minnelli in 'In the Good Old Summertime', among other credits.) One tableau sequence in this silent movie puts Dorothy and the Scarecrow in a forest where the trees have sinister faces; I wonder if this sequence inspired the talking-tree sequence in the MGM film. Elsewhere in this 1910 film, we see that Oz has some black residents ... in loincloths, escorting camels.

The charming and delightful Dorothy in this silent film, as I was pleased to discover, is Bebe Daniels, who later did much to inspire British radio audiences during the Blitz. Here, she performs a delightful dance. The nimble Tin Woodman is played by Alvin Wyckoff, who later became a movie cameraman. There are a couple of very impressive stage sets with ensembles of chorus girls in pageboy outfits, and the Melies-like entrance to the Emerald City looks like an enormous human face. I was hugely impressed with the flying effect used here for the villainous Momba the Witch (no, not Mombi from the Oz books: this is Momba with an 'a') and also used here for Glinda; the Glinda in this movie looks vastly more impressive than Billie Burke did as Glinda with that wastebasket on her head. In this silent version, when Dorothy uses a bucket of water to dissolve the wicked witch, I found the results more impressive than what happened in the MGM version. I'll rate this 1910 movie 'The Wonderful Wizard of Oz' a full 10 out of 10. I wish they had filmed the complete stage musical, even without sound.

Okay, it's important to point out that you can't compare this movie at all to the 1939 classic--and for so many reasons. Film was just in its infancy in 1910 and full-length movies meant about 10-20 minutes. Sets and costumes were simple and often looked like they were taken right off the stage of a high school play. And, writing and acting as we know of them today, just wasn't invented yet. So I cut the early films a lot of slack and praise movies that actually had decent production values and provided some entertainment into the 21st century--most early films fail on both these counts.

The movie isn't really based on the books but on a stage musical and this at times is pretty obvious--especially when the characters start dancing for no apparent reason at all! But, aside from this odd way of telling the story, it's an adorable and interesting film--particularly as it has people in animal costumes throughout (not just the lion). It just seems very cute and makes watching this historical picture a lot easier! By the way, despite the good production values, this film is not as good as some of the full-length films by the Frenchman, Georges Méliès. His 1902 LE VOYAGE DAN LE LUNE has even better sets and tells a more coherent and watchable story--hence that is why it is rated as a 10 by me and this one only an 8.

Adapted from the stage play, not the book. Unfortunately, I never got a chance to see the stage play. So, clear your mind of the Judy Garland version, and be prepared to have fun with this different animal.

It has inter-titles but not nearly enough. Spiffy moving sky effects and hay stack twirling. I want some of the animal suits.

"Blown into the land of Oz." Oz looks a lot like ancient Egypt.

I like the Witchy names Momba (Winifred Greenwood,) the Wicked Witch of the West.

And you cannot see the strings as Glinda the Good (Olive Cox) floats in.

One piece of music, of the version I watched, was "In the Hall of the Mountain King" by Edvard Grieg in 1875.

The tin woodsman (Alvin Wyckoff) gets oiled. Long before there was WD-40. So, everyone is happy and does a primitive dance with a back flip form the scarecrow.

After watering the witch, they make it to the Emerald city of Oz. The front gate has a face on it that reminds me of the march into the machine in Metropolis (1927).

I know it was ancient Egypt as the camels and the Nubians show up at the last moment.

Too bad it was such a short presentation.

This is a great movie. 1939 is a remake. It not a bad movie. It a good movie. But this is the original Wizard of Oz. And it is better. This movie has a great story line. It also has great acting. The first remake from 1914 is a little better. But still this is a great movie. A very good fantasy film. See it if you can. 5.7 is underrating this great film. It is no 5.7 it mush better. This is a true classic. Bebe Daniels who played Dorothy Gale was a great actress. Winifred Greenwood who played the Wicked Witch is also a great actress. This movie is a must see. Robert Z Leonard who played The Scarecrow is was a great actor. See this movie. It is a great.

...because as each film from the early age of cinema, it is a trip in past. the mixture of admiration and fun remains the same. in same measure, the delicate line between theater and the new art of film, the solutions for adaptation, the interesting performances, the lovely "special effects", the rhytm of story. short, a splendid short film, an admirable work.

A classic story told with costumes and wacky characters. Riggs used to make character fly. First time I see this used. Effect of her disappearing is very well done.

Wizard of Oz, The (1910)

*** (out of 4)

Nice if strange version of the classic tale. The production values here are actually pretty nice and it's a rather strange trip seeing humans in outfits playing the various animals including the lion.

Magic Cloak of Oz, The (1914)

*** (out of 4)

The fairies of Oz create a magic cloak, which will give one wish to the person who wears it. Once again the production design is very good here with wonderful and magical sets. The story is quite touching and I'm sure kids would love this version just as much as adults. The highlight of the film is the scene where a horse (played by a human in an outfit) is scratching his butt up against a tree and tries to teach a monkey how to do it.

Wizard of Oz, The (1933)

*** (out of 4)

Pretty good Technicolor cartoon based on the book. The animation is rather nice and the scarecrow and tin man are pretty funny here as well. This was the first version to show Kansas in B&W and then Oz in color.