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A group of terrorists plans to detonate three plutonium cores for a simultaneous nuclear attack on different cities. Ethan Hunt, along with his IMF team, sets out to stop the carnage.

After an attempted assassination on Ambassador Han, Lee and Carter head to Paris to protect a French woman with knowledge of the Triads' secret leaders.

Frederick sees a photograph of a ruined seaside castle, which triggers a strange childhood memory. He then goes on a strange quest to find the castle and the beautiful woman who lives there.

A cop from the provinces moves to Paris to join the Anti-Crime Brigade of Montfermeil, discovering an underworld where the tensions between the different groups mark the rhythm.

Victim of a plot which has resulted in his imprisonment in a Central African jail for two years, a French secret agent arrives in Paris to settle accounts.

Monsieur Cinema, a hundred years old, lives alone in a large villa. His memories fade away, so he engages a young woman to tell him stories about all the movies ever made.

Victim of manipulation, Cop Choucas is wanted for two murders and searched for by every cop in town.

"I'll look at you, but not at the camera. It could be a trap," whispers Jane Birkin shyly into Agnès Varda's ear at the start of JANE B. PAR AGNES V. The director of CLEO FROM 5 TO 7 and VAGABOND once again paints a portrait of a woman, this time in a marvelously Expressionistic way. "It's like an imaginary bio-pic," says Varda. Jane, of course, is the famed singer ("Je t'aime ... Moi non plus"), actress (BLOW UP), fashion icon (the Hermes Birkin bag) and longtime muse to Serge Gainsbourg. As Varda implies, JANE B. PAR AGNÈS V. abandons the traditional bio-pic format, favoring instead a freewheeling mix of gorgeous and unexpected fantasy sequences. In each, Jane inhabits a new character, playing a cat & mouse game with Varda as they explore the role of the Muse and the Artist, all the while showcasing the multifaceted nature of Birkin's talent. "I'd like to be filmed as if I were transparent, anonymous, like everyone else," says Birkin. But her wish to be a "famous nobody" is impossible to achieve; Birkin is simply too magnificent, too mesmerizing. Here, Varda's signature mix of aesthetic innovation and generosity of emotion results in a surreal and captivating essay on Art, Fame, Love, Children and Staircases. For its first-ever U.S. theatrical release the film has been newly-restored from the original 35mm camera negative, overseen by director Varda herself.

A crazy love story full of lies, deceits and a complicated quadrangle where each one has to think quickly and dance around each other's emotions.

The sentimental and comedic adventures of Eddie, a non-Jew trying to pass as Jewish though totally ignorant of Jewish traditions, as he works in a Jewish community.

Portraits of the people that occupy the small shops of the Rue Daguerre, Paris, where the filmmaker lived.

"Le Dabe" retired many years ago and now he lives in the Tropics where he owns stables and horses. He is a very rich man. He was the king of all money counterfeiters. He is contacted from Paris to organize a new job. He says no. But when he finds out the the currency that should be counterfeited is the Dutch florin, he accepts immediately. He retired after having counterfeited 100 florin notes just before the Queen Wilhelmina retired them from circulation. He flies to Paris. But the gang is not to be trusted, at least not all of them.

Fates of multiple otherwise disconnected characters intertwine miraculously under the sky of Paris. And it all happens in one day.

During his absence, secret (and normally undecipherable) documents have been stolen from Andrei Smoloff, a cultural attaché at the Soviet Embassy in Paris. Through an indiscretion, the French Secret Services are made aware of the affair and a team consisting of Captain Jean de Lursac and Vigo Currici is set up by the "Commander" to pursue the matter. Meanwhile Smoloff is summoned at the Soviet Embassy by Borghine, the chief of the Russian Secret Services in Paris. The victim of the theft has to struggle hard to prove his innocence. But is Smoloff really innocent as he claims or does he play a double game? And is France connected in any way with the events? It will be up to Jean and Vigo to find out.

Based on a true story of Boris Savinkov and his arrest in Russia in 1920.