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- Daniela Melchior is a Portuguese actress and model who started in Portuguese-language films such as Parque Mayer and The Black Book. She did the Portuguese dubbing voice for Gwen Stacy in Spider-Man: Into the Spider-Verse, originally voiced by Hailee Steinfeld. She made her English-language debut in James Gunn's DC Extended Universe film The Suicide Squad as Cleo Cazo/Ratcatcher 2.
- Actress
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- Soundtrack
Julie Christie, the British movie legend whom Al Pacino called "the most poetic of all actresses," was born in Chabua, Assam, India, on April 14, 1940, the daughter of a tea planter and his Welsh wife Rosemary, who was a painter. The young Christie grew up on her father's plantation before being sent to England for her education. Finishing her studies in Paris, where she had moved to improve her French with an eye to possibly becoming a linguist (she is fluent in French and Italian), the teenager became enamored of the freedom of the Continent. She also was smitten by the bohemian life of artists and planned on becoming an artist before she enrolled in London's Central School of Speech Training. She made her debut as a professional in 1957 as a member of the Frinton Repertory of Essex.
Christie was not fond of the stage, even though it allowed her to travel, including a professional gig in the United States. Her true métier as an actress was film, and she made her debut in the science-fiction television series A for Andromeda (1961) in 1961. Her first film was a girlfriend part in the Ealing-like comedy Crooks Anonymous (1962), which was followed up by a larger ingénue role in another comedy, The Fast Lady (1962). The producers of the James Bond series were sufficiently intrigued by the young actress to consider her for the role that subsequently went to Ursula Andress in Dr. No (1962), but dropped the idea because she was not busty enough.
Christie first worked with the man who would kick her career into high gear, director John Schlesinger, when he choose her as a replacement for the actress originally cast in Billy Liar (1963). Christie's turn in the film as the free-wheeling Liz was a stunner, and she had her first taste of becoming a symbol if not icon of the new British cinema. Her screen presence was such that the great John Ford cast her as the young prostitute in Young Cassidy (1965). Charlton Heston wanted her for his film The War Lord (1965), but the studio refused her salary demands.
Although Amercan magazines portrayed Christie as a "newcomer" when she made her breakthrough to super-stardom in Schlesinger's seminal Swinging Sixties film Darling (1965), she actually had considerable work under her professional belt and was in the process of a artistic quickening. Schlesinger called on Christie, whom he adored, to play the role of mode Diana Scott when the casting of Shirley MacLaine fell through. (MacLaine was the sister of the man who would become Christie's long-time paramour in the late 1960s and early '70s, Warren Beatty, whom some, like actor Rod Steiger, believe she gave up her career for. Her "Dr. Zhivago" co-star, Steiger -- a keen student of acting -- regretted that Christie did not give more of herself to her craft.)
As played by Christie, Diana is an amoral social butterfly who undergoes a metamorphosis from immature sex kitten to jaded socialite. For her complex performance, Christie won raves, including the Best Actress Awards from the Academy of Motion Picture Arts and Sciences and the British Film Academy. She had arrived, especially as she had followed up "Darling" with the role of Lara in two-time Academy Award-winning director David Lean's adaptation of Boris Pasternak's Doctor Zhivago (1965), one of the all-time box-office champs.
Christie was now a superstar who commanded a price of $400,000 per picture, a fact ruefully noted in Charlton Heston's diary (his studio had balked at paying her then-fee of $35,000). More interested in film as an art form than in consolidating her movie stardom, Christie followed up "Zhivago" with a dual role in Fahrenheit 451 (1966) for director François Truffaut, a director she admired. The film was hurt by the director's lack of English and by friction between Truffaut and Christie's male co-star Oskar Werner, who had replaced the the more-appropriate-for-the-role Terence Stamp. Stamp and Christie had been lovers before she had become famous, and he was unsure he could act with her, due to his own ego problems. On his part, Werner resented the attention the smitten Truffaut gave Christie. The film is an interesting failure.
Stamp overcame those ego problems to sign on as her co-star in John Schlesinger's adaptation of Thomas Hardy's Far from the Madding Crowd (1967), which also featured two great English actors, Peter Finch and Alan Bates. It is a film that is far better remembered now than when it was received in 1967. The film and her performance as the Hardy heroine Bathsheba Everdene was lambasted by film critics, many of whom faulted Christie for being too "mod" and thus untrue to one of Hardy's classic tales of fate. Some said that her contemporary Vanessa Redgrave would have been a better choice as Bathsheba, but while it is true that Redgrave is a very fine actress, she lacked the sex appeal and star quality of Christie, which makes the story of three men in love with one woman more plausible, as a film.
Although no one then knew it, the period 1967-68 represented the high-water mark of Christie's career. Fatefully, like the Hardy heroine she had portrayed, she had met the man who transformed her life, undermining her pretensions to a career as a movie star in their seven-year-long love affair, the American actor Warren Beatty. Living his life was always far more important than being a star for Beatty, who viewed the movie star profession as a "treadmill leading to more treadmills" and who was wealthy enough after Bonnie and Clyde (1967) to not have to ever work again. Christie and Beatty had visited a working farm during the production of "Madding Crowd" and had been appalled by the industrial exploitation of the animals. Thereafter, animal rights became a very important subject to Christie. They were kindred souls who remain friends four decades after their affair ended in 1974.
Christie's last box-office hit in which she was the top-liner was Petulia (1968) for Richard Lester, a film that featured one of co-star George C. Scott's greatest performances, perfectly counter-balanced by Christie's portrayal of an "arch-kook" who was emblematic of the '60s. It is one of the major films of the decade, an underrated masterpiece. Despite the presence of the great George C. Scott and the excellent Shirley Knight, the film would not work without Julie Christie. There is frankly no other actress who could have filled the role, bringing that unique presence and the threat of danger that crackled around Christie's electric aura. At this point of her career, she was poised for greatness as a star, greatness as an actress.
And she walked away.
After meeting Beatty, Julie Christie essentially surrendered any aspirations to screen stardom, or at maintaining herself as a top-drawer working actress (success at the box office being a guarantee of the best parts, even in art films.) She turned down the lead in They Shoot Horses, Don't They? (1969) and Anne of the Thousand Days (1969), two parts that garnered Oscar nominations for the second choices, Jane Fonda and Geneviève Bujold. After shooting In Search of Gregory (1969), a critical and box office flop, to fulfill her contractual obligations, she spent her time with Beatty in Calfiornia, renting a beach house at Malibu. She did return to form in Joseph Losey's The Go-Between (1971), a fine picture with a script by the great Harold Pinter, and she won another Oscar nomination as the whore-house proprietor in Robert Altman's minor classic McCabe & Mrs. Miller (1971) that she made with her lover Beatty. However, like Beatty himself, she did not seek steady work, which can be professional suicide for an actor who wants to maintain a standing in the first rank of movie stars.
At the same time, Julie Christie turned down the role of the Russian Empress in Nicholas and Alexandra (1971), another film that won the second-choice (Janet Suzman) a Best Actress Oscar nomination. Two years later, she appeared in the landmark mystery-horror film Don't Look Now (1973), but that likely was as a favor to the director, Nicolas Roeg, who had been her cinematographer on "Fahrenheit 451," "Far From the Madding Crowd" and "Petulia." In the mid '70s, her affair with Beatty came to an end, but the two remained close friends and worked together in Shampoo (1975) (which she regretted due to its depiction of women) and Heaven Can Wait (1978).
Christie was still enough of a star, due to sheer magnetism rather than her own pull at the box-office, to be offered $1 million to play the Jacqueline Kennedy Onassis character in The Greek Tycoon (1978) (a part eventually played by Jacqueline Bisset to no great acclaim). She signed for but was forced to drop out of the lead in Agatha (1979) (which was filled by Vanessa Redgrave) after she broke a wrist roller-skating (a particularly southern Californian fate!). She then signed for the female lead in American Gigolo (1980) when Richard Gere was originally attached to the picture, but dropped out when John Travolta muscled his way into the lead after making twin box-office killings as disco king Tony Manera in Saturday Night Fever (1977) and greaser Danny Zuko in Grease (1978). Christie could never have co-starred with such a camp figure of dubious talent. When Travolta himself dropped out and Gere was subbed back in, it was too late for Christe to reconsider, as the part already had been filled by model-actress Lauren Hutton. It would take 15 years for Christie and Gere to work together.
Finally, the end of the American phase of her movie career was realized when Christie turned down the part of Louise Bryant in Reds (1981), a part written by Warren Beatty with her in mind, as she felt an American should play the role. (Beatty's latest lover, Diane Keaton, played the part and won a Best Actress Oscar nomination.) Still, she remained a part of the film, Beatty's long-gestated labor of love, as it is dedicated to "Jules."
Julie Christie moved back to the UK and become the UK's answer to Jane Fonda, campaigning for various social and political causes, including animal rights and nuclear disarmament. The parts she did take were primarily driven by her social consciousness, such as appearing in Sally Potter's first feature-length film, The Gold Diggers (1983) which was not a remake of the old Avery Hopwood's old warhorse but a feminist parable made entirely by women who all shared the same pay scale. Roles in The Return of the Soldier (1982) with Alan Bates and Glenda Jackson and Merchant-Ivory's Heat and Dust (1983) seemed to herald a return to form, but Christie -- as befits such a symbol of the freedom and lack of conformity of the '60s -- decided to do it her way. She did not go "careering," even though her unique talent and beauty was still very much in demand by filmmakers.
At this point, Christie's movie career went into eclipse. Once again, she was particularly choosy about her work, so much so that many came to see her, essentially, as retired. A career renaissance came in the mid-1990s with her turn as Gertrude in Kenneth Branagh's ambitious if not wholly successful Hamlet (1996). As Christie said at the time, she didn't feel she could turn Branagh down as he was a national treasure. But the best was yet to come: her turn as the faded movie star married to handyman Nick Nolte and romanced by a younger man in Afterglow (1997), which brought her rave notices. She received her third Best Actress Oscar nomination for her performance, and showed up at the awards as radiant and uniquely beautiful as ever. Ever the iconoclast, she was visibly relieved, upon the announcement of the award, to learn that she had lost!
Christie lived with left-wing investigative journalist Duncan Campbell (a Manchester Guardian columnist) since 1979, first in Wales, then in Ojai, California, and now in London's East End, before marrying in January 2008. In addition to her film work, she has narrated many books-on-tape. In 1995, she made a triumphant return to the stage in a London revival of Harold Pinter's "Old Times", which garnered her superb reviews.
In the decade since "Afterglow," she has worked steadily on film in supporting roles. Christie -- an actress who eschewed vulgar stardom -- proved to be an inspiration to her co-star Sarah Polley, the remarkably talented Canadian actress with a leftist political bent who also abhors Hollywood. Of her co-star in No Such Thing (2001) and The Secret Life of Words (2005), Polley says that Christie is uniquely aware of her commodification by the movie industry and the mass media during the 1960s. Not wanting to be reduced to a product, she had rebelled and had assumed control of her life and career. Her attitude makes her one of Polley's heroes, who calls her one of her surrogate mothers. (Polley lost her own mother when she was 11 years old.)
Both Christie and Polley are rebels. Sarah Polley had walked off the set of the big-budget movie that was forecast as her ticket to Hollywood stardom, Almost Famous (2000), to have a different sort of life and career. She returned to her native Canada to appear in the low-budget indie The Law of Enclosures (2000), a prescient art film in that director John Greyson offset the drama with a background of a perpetual Gulf War three years before George W. Bush invaded Iraq, touching off the second-longest war in U.S. history. Taking a hiatus from acting, Polley went to Norman Jewison's Canadian Film Centre to learn to direct, and direct she has, making well-regarded shorts before launching her feature film debut, Away from Her (2006), which was shot and completed in 2006 but held for release until 2007 by its distributor.
Polley, who had longed to be a writer since she was a child actress on the set of the quaint family show Avonlea (1990) wrote the screenplay for her adaptation of Alice Munro's short story "The Bear Went Over the Mountain" with only one actress in mind: Julie Christie. Polley had first read the short story on a flight back from Iceland, where she had made "No Such Thing" with Christie, and as she read, it was Julie whom she pictured as Fiona, the wife of a one-time philandering husband, who has become afflicted with Alzheimer's disease and seeks to save her hubby the pain of looking after her by checking herself into a home.
After finishing the screenplay, it took months to get Christie to commit to making the film. Julie turned her down after reading the script and pondering it for a couple of months, saying "No" even though she liked the script. Polley then had to "twist her arm" for another couple of months. But alas, Julie has a weakness for national treasures: Just like with Branagh a decade ago, the legendary Julie Christie could not deny the Great White North's Sarah Polley, and commit she did. Polley then found out why Christie is so reticent about making movies:
"She gives all of herself to what she does. Once she said yes, she was more committed than anybody."
According to David Germain, a cinema journalist who interviewed Christie for the Associated Press, "Polley and Christie share a desire to do interesting, unusual work, which generally means staying away from Hollywood.
"'It's been a kind of greed and a kind of egotism, but it's not necessarily wanting to avoid the Hollywood thing, but in fact, it incorporates wanting to avoid the Hollywood thing, because the Hollywood thing is so inevitably not original,' Christie said. 'It's avoiding non-originality, so that means you're really down to a very small choice.'"
The collaboration between the two rebels yielded a small gem of a film. Lions Gate Films was so impressed, it purchased the American distribution rights to the film in 2006, then withheld it until the following year to build up momentum for the awards season.
Julie Christie's performance in "Away From Her" is superb, and already has garnered her the National Board of Review's Best Actress Award. She will likely receive her fourth Academy Award nomination, and quite possibly her second Oscar, for her unforgettable performance, a labor of love she did for a friend.
We, the Julie Christie fans who have waited decades for the handful of films made by the numinous star: Would we have wanted it any other way? We are the Red Sox fans of the movies, once again rewarded with a world-class masterpiece by our heroine. Perhaps, like all human beings, we want more, but we have learned over the last thirty-five years to be content with the diamonds that are Julie's leading performances that she gives just once a decade, content to feel that these are a surfeit of riches, our surfeit of riches, so great is their luminescence.- Actress
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Actress and model Teresa Palmer has gathered some impressive film credits. She was born in Adelaide, South Australia, to Kevin Palmer, an investor, and Paula Sanders, a former missionary and nurse. She completed high school at Mercedes College in 2003, where she was a popular student who was well-known for her practical jokes. She worked in a Cotton On outlet in Rundle Mall until she was discovered and cast on the spot--without an audition--in her feature film debut and breakthrough role in 2:37 (2006). Made by first-time writer/director/producer Murali K. Thalluri, the film competed in the 2006 Cannes Film Festival in "Un Certain Regard" and chronicles the lives of six students over the course of day and ends in a devastating suicide.
Teresa immediately went to work on back-to-back film projects including December Boys (2007) opposite "Harry Potter" star Daniel Radcliffe--a coming-of-age story about four adolescent orphans, based on the book by Michael Noonan and directed by Rod Hardy (Robinson Crusoe (1997), Buffalo Girls (1995), The X-Files (1993) and The Practice (1997)). She also starred as stripper-turned-criminal "Dale" in the British/Australian co-production Restraint (2008), a film noir/psychological thriller that follows the plight of a pair of fugitives on the run from a murder scene. Directed by David Denneen, the film also features former Calvin Klein model Travis Fimmel and British actor Stephen Moyer. In 2006 Teresa worked with Japanese director Takashi Shimizu on the Sony Pictures production The Grudge 2 (2006). Set in Tokyo, the horror sequel to the box-office hit The Grudge (2004) also starred Sarah Michelle Gellar and Jennifer Beals. Later that year Teresa signed on to play the female lead in Doug Liman's action fantasy film Jumper (2008), but was subsequently replaced by Rachel Bilson.
Early 2007 saw her star opposite former boyfriend Topher Grace as the love interest in the retro comedy film Take Me Home Tonight (2011). Shortly after filming ended, Teresa decided to move permanently from Adelaide to Los Angeles following a public split from her then-boyfriend of two years, Australian Rules football star Stuart Dew. Teresa was due to play a small part in George Miller's doomed superhero film "Justice League: Mortal", but the production fell through after months of problems. Teresa briefly dated her "Justice League: Mortal" co-star Adam Brody in early 2008; later that year she had a relationship with British comedian Russell Brand, whom she met on the set of her latest film, Bedtime Stories (2008), a Disney children's comedy starring Lucy Lawless, Guy Pearce and Keri Russell and was released on Christmas 2008.- Actor
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Robin McLaurin Williams was born on Saturday, July 21st, 1951, in Chicago, Illinois, a great-great-grandson of Mississippi Governor and Senator, Anselm J. McLaurin. His mother, Laurie McLaurin (née Janin), was a former model from Mississippi, and his father, Robert Fitzgerald Williams, was a Ford Motor Company executive from Indiana. Williams had English, German, French, Welsh, Irish, and Scottish ancestry.
Robin briefly studied political science at Claremont Men's College and theater at College of Marin before enrolling at The Juilliard School to focus on theater. After leaving Juilliard, he performed in nightclubs where he was discovered for the role of "Mork, from Ork", in an episode of Happy Days (1974). The episode, My Favorite Orkan (1978), led to his famous spin-off weekly TV series, Mork & Mindy (1978). He made his feature starring debut playing the title role in Popeye (1980), directed by Robert Altman.
Williams' continuous comedies and wild comic talents involved a great deal of improvisation, following in the footsteps of his idol Jonathan Winters. Williams also proved to be an effective dramatic actor, receiving Academy Award nominations for Best Actor in a Leading Role in Good Morning, Vietnam (1987), Dead Poets Society (1989), and The Fisher King (1991), before winning the Academy Award for Best Actor in a Supporting Role in Good Will Hunting (1997).
During the 1990s, Williams became a beloved hero to children the world over for his roles in a string of hit family-oriented films, including Hook (1991), FernGully: The Last Rainforest (1992), Aladdin (1992), Mrs. Doubtfire (1993), Jumanji (1995), Flubber (1997), and Bicentennial Man (1999). He continued entertaining children and families into the 21st century with his work in Robots (2005), Happy Feet (2006), Night at the Museum (2006), Night at the Museum: Battle of the Smithsonian (2009), Happy Feet Two (2011), and Night at the Museum: Secret of the Tomb (2014). Other more adult-oriented films for which Williams received acclaim include The World According to Garp (1982), Moscow on the Hudson (1984), Awakenings (1990), The Birdcage (1996), Insomnia (2002), One Hour Photo (2002), World's Greatest Dad (2009), and Boulevard (2014).
On Monday, August 11th, 2014, Robin Williams was found dead at his home in Tiburon, California USA, the victim of an apparent suicide, according to the Marin County Sheriff's Office. A 911 call was received at 11:55 a.m. PDT, firefighters and paramedics arrived at his home at 12:00 p.m. PDT, and he was pronounced dead at 12:02 p.m. PDT.- Actress
- Producer
- Writer
Cara Jocelyn Delevingne was born in London, England, to Pandora Anne (Stevens) and Charles Hamar Delevingne, a property developer. Her parents are both from prominent upper-class families, with her ancestors including Viscounts (Greenwood), Baronets (Hulton, Faudel-Phillips), Majors and Lord Mayors of London.
Delevingne is a fashion model, and the face of Burberry's Beauty campaign. She was previously the face of Burberry's Spring/Summer 2012 campaign and Spring/Summer 2011 campaign. She has been featured in advertising campaigns for other brands including H&M, Zara and Chanel. She also appeared on the catwalk for brands such as Moschino, Jason Wu, Oscar de la Renta, Burberry, Dolce & Gabbana, Fendi and Stella McCartney. Delevingne was on the covers of Vogue UK, Vogue Korea, i-D, Love, Russh, Jalouse and Style.com's Spring 2013 issue. She also walked down the catwalk as a model at the 2012 Victoria's Secret fashion show.
Delevingne has also begun a career as an actress, starring in films such as Paper Towns (2015), Suicide Squad (2016), and Valerian and the City of a Thousand Planets (2017).
Delevigne is ranked #17 on models.com's 50 Top Models (2013). She also won Model Of The Year 2012 at the British Fashion Awards.- Actress
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Multi-talented, multi-award-winning actress Kathleen (Doyle) Bates was born on June 28, 1948, and raised in Memphis, Tennessee. She is the youngest of three girls born to Bertye Kathleen (Talbot), a homemaker, and Langdon Doyle Bates, a mechanical engineer. Her grandfather was author Finis L. Bates. Kathy has English, as well as Irish, Scottish, and German, ancestry, and one of her ancestors, an Irish emigrant to New Orleans, once served as President Andrew Jackson's doctor.
Kathy discovered acting appearing in high school plays and studied drama at Southern Methodist University, graduating in 1969. With her mind firmly set, she moved to New York City in 1970 and paid her dues by working everything from a cash register to taking lunch orders. Things started moving quickly up the ladder after giving a tour-de-force performance alongside Christopher Walken at Buffalo's Studio Arena Theatre in Lanford Wilson's world premiere of "Lemon Sky" in 1970, but she also had a foreshadowing of the heartbreak to come after the successful show relocated to New York's off-Broadway Playhouse Theatre without her and Walken wound up winning a Drama Desk award.
By the mid-to-late 1970s, Kathy was treading the boards frequently as a rising young actress of the New York and regional theater scene. She appeared in "Casserole" and "A Quality of Mercy" (both 1975) before earning exceptional reviews for her role of Joanne in "Vanities". She took her first Broadway curtain call in 1980's "Goodbye Fidel," which lasted only six performances. She then went directly into replacement mode when she joined the cast of the already-established and highly successful "Fifth of July" in 1981.
Kathy made a false start in films with Taking Off (1971), in which she was billed as "Bobo Bates". She didn't film again until Straight Time (1978), starring Dustin Hoffman, and that part was not substantial enough to cause a stir. Things turned hopeful, however, when Kathy and the rest of the female ensemble were given the chance to play their respective Broadway parts in the film version of Robert Altman's Come Back to the 5 & Dime Jimmy Dean, Jimmy Dean (1982). It was a juicy role for Kathy and film audiences finally started noticing the now 34-year-old.
Still and all, it was the New York stage that continued to earn Kathy awards and acclaim. She was pure textbook to any actor studying how to disappear into a role. Her characters ranged from free and life-affirming to downright pitiable. Despite winning a Tony Award nomination and Outer Critic's Circle Award for her stark, touchingly sad portrait of a suicidal daughter in 1983's "'night, Mother" and the Obie and Los Angeles Drama Critics Award for her powerhouse job as a romantic misfit in "Frankie and Johnny in the Claire de Lune," Kathy had no box-office pull, however, and was never a strong consideration when the roles transferred to the screen. Her award-winning stage went to established film stars. First Sissy Spacek took over her potent role as the suicidal Jessie Cates in 'night, Mother (1986), then Michelle Pfeiffer seized the moment to play her dumpy lover character in Frankie and Johnny (1991). It would take Oscar glory to finally rectify the injustice.
It was Kathy's fanatical turn as the drab, chunky, porcine-looking psychopath Annie Wilkes, who kidnaps her favorite author (James Caan) and subjects him to a series of horrific tortures, that finally turned the tide for her in Hollywood. With the 1990 shocker Misery (1990), based on the popular Stephen King novel, Bates and Caan were box office magic. Moreover, Kathy captured the "Best Actress" Oscar and Golden Globe award, a first in that genre (horror) for that category. To add to her happiness she married Tony Campisi, also an actor, in 1991.
Quality film scripts now started coming her way and the 1990s proved to be a rich and rewarding time for her. First, she and another older "overnight" film star, fellow Oscar winner Jessica Tandy, starred together in the modern portion of the beautifully nuanced, flashback period piece Fried Green Tomatoes (1991). She then outdid herself as the detached and depressed housekeeper accused of murdering her abusive husband (David Strathairn) in Dolores Claiborne (1995). Surprisingly, she was left out of the Oscar race for these two excellent performances. Not so, however, for her flashy political advisor Libby Holden in the movie Primary Colors (1998), receiving praise and a "Best Supporting Actress" nomination.
Kathy has continued to work prolifically on TV as a 14-time Emmy winner or nominee thus far. She has also taken to directing a couple of TV-movies on the sly. As most actors, she has been in hit and miss TV shows. On the hit side, she has earned a Golden Globe and Emmy nomination for her portrayal of Jay Leno's manager playing tough politics in The Late Shift (1996) and played to the hilt the cruel-minded orphanage operator, Miss Hannigan, in Annie (1999) for which she also earned an Emmy nom. She has done some eye-catching, offbeat turns on regular series such as Six Feet Under (2001) (for which she also earned a DGA award for helming an episode), The Office (2005), Harry's Law (2011) and especially American Horror Story (2011) for which she won an Emmy as Ethel Darling. She also won an Emmy for a guest episode on the hit sitcom Two and a Half Men (2003).
Interesting millennium filming have included a Catholic school's Mother Superior in the comic drama Bruno (2000); Jesse James' mother in American Outlaws (2001); a quirky, liberal mom in About Schmidt (2002) for which she earned another "Best Supporting Actress" Oscar nomination; a brief but potent turn as Gertrude Stein in Woody Allen's Midnight in Paris (2011); Queen Victoria in the adventurous remake of Around the World in 80 Days (2004); wacky parent types in the comedies Failure to Launch (2006) and Relative Strangers (2006); Mother Claus in the seasonal farce Fred Claus (2007); an over-gushy foster mother in the dramedy The Great Gilly Hopkins (2015); and a wrenching performance as the mother of a suspected terrorist in Richard Jewell (2019) for which she earned her third "Best Supporting Actress" Oscar nomination.
Divorced from husband Campisi since 1997, Kathy has been the Executive Committee Chair of the Actors Branch of the Academy of Motion Picture Arts and Sciences Board of Governors.- Actor
- Producer
Charles Joel Nordström Kinnaman, known professionally as Joel Kinnaman, is a Swedish actor. He is best known for playing the lead role in the Swedish film Easy Money a role that earned him a Guldbagge Award in the "Best Actor" category - and for his role as Frank Wagner in the Johan Falk film series. He starred on AMC's The Killing as detective Stephen Holder, played Alex Murphy in the 2014 reboot of RoboCop, Rick Flag in Suicide Squad and Edward Baldwin in Apple's For All Mankind to name a few.- Actress
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- Soundtrack
Elisabeth Shue was born in Wilmington, Delaware, to Anne Brewster (Wells), who worked for the Chemical Banking Corporation, and James William Shue, a lawyer and real estate developer. She is of German and English ancestry, including descent from Mayflower passengers. Shue's parents divorced while she was in the fourth grade. Owing to the occupational demands of her parents, Shue and her siblings found plenty of time to get into trouble in their suburban neighborhood, but Elisabeth soon enrolled in Wellesley College, an all-female institution which kept her out of trouble.
During her studies, she found a way to make a little extra money by acting in television commercials. Elisabeth became a common sight in ads for Burger King, DeBeers diamonds, and Hellman's mayonnaise. In 1984, she landed a role in the The Karate Kid (1984) as the on-screen girlfriend of Ralph Macchio and a role as the teenage daughter of a military family in the short-lived series Call to Glory (1984). At this time, Shue got herself an acting coach and transferred to Harvard, where she began studying political science.
She continued her acting work with Adventures in Babysitting (1987), Cocktail (1988), Soapdish (1991) and The Marrying Man (1991). Unfortunately, time was catching up with the impressive girl-next-door. Her brother Andrew Shue had almost eclipsed her own fame by landing a starring role in the hit TV series Melrose Place (1992). It was at this time that Elisabeth took a chance on a low-budget, high-risk project entitled Leaving Las Vegas (1995), directed by Mike Figgis. Her gutsy portrayal of a prostitute mixed up with a suicidal alcoholic paid off as she was recognized with a Best Actress nomination at the Academy Awards that year. This was the turning point of her career. What followed was a barrage of film roles, including The Saint (1997), Woody Allen's Deconstructing Harry (1997), Palmetto (1998) and Hollow Man (2000).- Actor
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Lead and supporting actor of the American stage and films, with sandy colored hair, and pale complexion. He won an Oscar as Best Supporting Actor for his performance in The Deer Hunter (1978), and has been seen in mostly character roles, often portraying psychologically unstable individuals, though that generalization would not do justice to Walken's depth and breadth of performances.
Walken was born in Astoria, Queens, New York. His mother, Rosalie (Russell), was a Scottish emigrant, from Glasgow. His father, Paul Wälken, was a German emigrant, from Horst, who ran Walken's bakery. Christopher learned his stage craft, including dancing, at Hofstra University & ANTA, and picked up a Theatre World award for his performance in the revival of the Tennessee Williams play "The Rose Tattoo". Walken then first broke through into cinema in 1969 appearing in Me and My Brother (1968), before appearing alongside Sean Connery in the sleeper heist movie The Anderson Tapes (1971). His eclectic work really came to the attention of critics in 1977 with his intense portrayal of Diane Keaton suicidal younger brother in Annie Hall (1977), and then he scooped the Best Supporting Actor Academy Award in 1977 for his role as Nick in the electrifying The Deer Hunter (1978). Walken was lured back by The Deer Hunter (1978) director Michael Cimino for a role in the financially disastrous western Heaven's Gate (1980), before moving onto surprise audiences with his wonderful dance skills in Pennies from Heaven (1981), taking the lead as a school teacher with telepathic abilities in the Stephen King inspired The Dead Zone (1983) and then as billionaire industrialist Max Zorin trying to blow up Silicon Valley in the 007 adventure A View to a Kill (1985). Looking at many of Walken's other captivating screen roles, it is easy to see the diversity of his range and even his droll comedic talents with humorous appearances in Biloxi Blues (1988), Wayne's World 2 (1993), Joe Dirt (2001), Mousehunt (1997) and America's Sweethearts (2001). Most recently, he continued to surprise audiences again with his work as a heart broken and apologetic father to Leonardo DiCaprio in Catch Me If You Can (2002).- Actress
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Pom Klementieff (born 3 May 1986) is a French actress. She was trained at the Cours Florent drama school in Paris and has appeared in such films as Loup (2009), Sleepless Night (2011) and Hacker's Game (2015). She plays the role of Mantis in the Marvel Cinematic Universe films Guardians of the Galaxy Vol. 2 (2017), Avengers: Infinity War (2018) and Avengers: Endgame (2019).
Pom Klementieff was born in Quebec City, Canada, to a Korean mother and French-Russian father, who was working there as a consul with the French government. Her grandfather was painter Eugène Klementieff. Her parents chose the name "Pom" because it is similar in pronunciation to the Korean words for both "spring" and "tiger". Klementieff lived in Canada for one year before her family traveled extensively due to her father's job. They lived in Japan and the Ivory Coast, before settling in France.
Klementieff's father died of cancer when she was 5, and her mother had schizophrenia and was unable to care for children, so Klementieff was raised by her paternal uncle and aunt. Her uncle, whom she described as "like [her] second father", died on her 18th birthday, and her older brother committed suicide just seven years later, this time on her 25th birthday. Klementieff briefly attended law school after her uncle's death to appease her aunt but did not find the career path appealing. She also worked as a waitress and saleswoman in France. She started acting at age 19 at the Cours Florent drama school in Paris. A few months into her education, she won a theater competition that awarded her free classes for two years with the school's top teachers.
Klementieff's first professional acting job was the French independent film Après lui (2007), portraying the stepdaughter of the protagonist played by Catherine Deneuve. Filming for her scenes took three days. During one scene, Klementieff was supposed to push someone down a set of stairs but accidentally fell down the stairs herself, and director Gaël Morel kept that shot in the final film. Her first leading role was in Loup (2009), a French film about a tribe of reindeer herders in the Siberian mountains. During filming, Klementieff stayed in a camp, hours from the nearest village, where temperatures dropped well below zero. During filming she befriended nomads who lived there, worked with real wolves, rode reindeer, and swam with a horse in a lake.
Klementieff made her Hollywood debut in Spike Lee's Oldboy (2013), a remake of the South Korean film of the same name. She portrayed Haeng-Bok, the bodyguard of the antagonist played by Sharlto Copley. A fan of the original film, Klementieff heard about the part through Roy Lee, a producer with the remake, and took boxing lessons after learning the role involved martial arts. After showcasing her boxing skills during her audition, Lee asked her to go home and come back wearing a more feminine outfit and make-up, like her character in the film. She contributed some of her own clothes to the character's wardrobe, and trained three hours a day for two months for an on-screen fight with star Josh Brolin. Klementieff came up with the name Haeng-Bok, Korean for "happiness", herself after Lee asked her to research possible names for the character.
Klementieff moved to Los Angeles after Oldboy was filmed and began pursuing more Hollywood auditions. She continued taekwondo after the film, and has a purple belt as of the summer of 2014. Her next acting role was the film Hacker's Game (2015), in which she plays a hacker she compared to Lisbeth Salander from the novel The Girl with the Dragon Tattoo. Klementieff used her boxing skills again in the film, and due to the movie's low budget, she had to do her own make-up and choose her own wardrobe. It was her idea to dye her hair purple for the role, to which the directors first objected but later acquiesced. She joined the Marvel Cinematic Universe in the role of Mantis in Guardians of the Galaxy Vol. 2 (2017) and appeared in the same role in the film Avengers: Infinity War (2018) and Avengers: Endgame (2019).- Actress
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Pam Grier was born in Winston-Salem, NC, one of four children of Gwendolyn Sylvia (Samuels), a nurse, and Clarence Ransom Grier Jr., an Air Force mechanic. Pam has been a major African-American star from the early 1970s. Her career started in 1971, when Roger Corman of New World Pictures launched her with The Big Doll House (1971), about a women's penitentiary, and The Big Bird Cage (1972). Her strong role put her into a five-year contract with Samuel Z. Arkoff of American-International Pictures, and she became a leading lady in action films such as Jack Hill's Coffy (1973) and Foxy Brown (1974), the comic strip character Friday Foster (1975) and William Girdler's 'Sheba, Baby' (1975). She continued working with American-International, where she portrayed William Marshall's vampire victim in the Blacula (1972) sequel, Scream Blacula Scream (1973).
During the 1980s she became a regular on Miami Vice (1984) and played a supporting role as an evil witch in Ray Bradbury's and Walt Disney Pictures' Something Wicked This Way Comes (1983), then returned to action as Steven Seagal's partner in Above the Law (1988). Her most famous role of the 1990s was probably Jackie Brown (1997), directed by Quentin Tarantino, which was an homage to her earlier 1970s action roles, She occasionally did supporting roles, as in Tim Burton's Mars Attacks! (1996), In Too Deep (1999) and a funny performance in Jawbreaker (1999). She also appeared in John Carpenter's Ghosts of Mars (2001) and co-starred with Snoop Dogg in Bones (2001). Her entire career of over 30 years has brought only success for this beautiful and talented actress.
A sister of Grier's died from cancer in 1990 and the son of that sister committed suicide because of his mother's illness. Pam herself was diagnosed with cancer in 1988 and given 18 months to live, which has had an effect on how she has chosen to live. She has never been wed, although she has been romantically linked to Richard Pryor and Kareem Abdul-Jabbar in the past.- Director
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Anderson was born in 1970. He was one of the first of the "video store" generation of film-makers. His father was the first man on his block to own a V.C.R., and from a very early age Anderson had an infinite number of titles available to him. While film-makers like Spielberg cut their teeth making 8 mm films, Anderson cut his teeth shooting films on video and editing them from V.C.R. to V.C.R.
Part of Anderson's artistic D.N.A. comes from his father, who hosted a late night horror show in Cleveland. His father knew a number of oddball celebrities such as Robert Ridgely, an actor who often appeared in Mel Brooks' films and would later play "The Colonel" in Anderson's Boogie Nights (1997). Anderson was also very much shaped by growing up in "The Valley", specifically the suburban San Fernando Valley of greater Los Angeles. The Valley may have been immortalized in the 1980s for its mall-hopping "Valley Girls", but for Anderson it was a slightly seedy part of suburban America. You were close to Hollywood, yet you weren't there. Would-bes and burn-outs populated the area. Anderson's experiences growing up in "The Valley" have no doubt shaped his artistic self, especially since three of his four theatrical features are set in the Valley.
Anderson got into film-making at a young age. His most significant amateur film was The Dirk Diggler Story (1988), a sort of mock-documentary a la This Is Spinal Tap (1984), about a once-great pornography star named Dirk Diggler. After enrolling in N.Y.U.'s film program for two days, Anderson got his tuition back and made his own short film, Cigarettes & Coffee (1993). He also worked as a production assistant on numerous commercials and music videos before he got the chance to make his first feature, something he liked to call Sydney, but would later become known to the public as Hard Eight (1996). The film was developed and financed through The Sundance Lab, not unlike Quentin Tarantino's Reservoir Dogs (1992). Anderson cast three actors whom he would continue working with in the future: Altman veteran Philip Baker Hall, the husky and lovable John C. Reilly and, in a small part, Philip Seymour Hoffman, who so far has been featured in all four of Anderson's films. The film deals with a guardian angel type (played by Hall) who takes down-on-his-luck Reilly under his wing. The deliberately paced film featured a number of Anderson trademarks: wonderful use of source light, long takes and top-notch acting. Yet the film was reedited (and retitled) by Rysher Entertainment against Anderson's wishes. It was admired by critics, but didn't catch on at the box office. Still, it was enough for Anderson to eventually get his next movie financed. "Boogie Nights" was, in a sense, a remake of "The Dirk Diggler Story", but Anderson threw away the satirical approach and instead painted a broad canvas about a makeshift family of pornographers. The film was often joyous in its look at the 1970s and the days when pornography was still shot on film, still shown in theatres, and its actors could at least delude themselves into believing that they were movie stars. Yet "Boogie Nights" did not flinch at the dark side, showing a murder and suicide, literally in one (almost) uninterrupted shot, and also showing the lives of these people deteriorate, while also showing how their lives recovered.
Anderson not only worked with Hall, Reilly and Hoffman again, he also worked with Julianne Moore, Melora Walters, William H. Macy and Luis Guzmán. Collectively, Anderson had something that was rare in U.S. cinema: a stock company of top-notch actors. Aside from the above mentioned, Anderson also drew terrific performances from Burt Reynolds and Mark Wahlberg, two actors whose careers were not exactly going full-blast at the time of "Boogie Nights", but who found themselves to be that much more employable afterwards.
The success of "Boogie Nights" gave Anderson the chance to really go for broke in Magnolia (1999), a massive mosaic that could dwarf Altman's Nashville (1975) in its number of characters.
Anderson was awarded a "Best Director" award at Cannes for Punch-Drunk Love (2002).- Actress
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Demi Moore was born 1962 in Roswell, New Mexico. Her father Charles Harmon left her mother Virginia Guynes (née King) before Demi was born. Her stepfather Danny Guynes didn't add much stability to her life either. He frequently changed jobs and made the family move a total of 40 times. The parents kept on drinking, arguing and beating, until Guynes finally committed suicide. Demi quit school at the age of 16 to work as a pin-up girl. At 18 she married rock musician Freddy Moore; the marriage lasted four years. At 19 she became a regular on the soap opera General Hospital (1963). From the first salaries she started partying and sniffing cocaine. That lasted more than 3 years, until director Joel Schumacher threatened to fire her from the set of St. Elmo's Fire (1985) when she turned up high. She got a withdrawal treatment and returned clean after a week, and stayed clean. With determination and a skill for publicity stunts, like the nude appearance on cover of Vanity Fair while pregnant, she made her way to fame. Since the huge commercial success of Ghost (1990) and the controversial pictures Indecent Proposal (1993) and Disclosure (1994) she's one of Hollywood's most sought-after and most expensive actresses.- Actress
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It was after the 1968 Democratic convention and there was a casting call for a film with several roles for the kind of young people who had disrupted the convention. Two recent graduates of Catholic University in Washington DC, went to the audition in New York for Joe (1970). Chris Sarandon, who had studied to be an actor, was passed over. His wife Susan got a major role.
That role was as Susan Compton, the daughter of ad executive Bill Compton (Dennis Patrick). In the movie Dad Bill kills Susan's drug dealer boyfriend and next befriends Joe (Peter Boyle)-- a bigot who works on an assembly line and who collects guns.
Five years later, Sarandon made the film where fans of cult classics have come to know her as Janet, who gets entangled with transvestite Dr. Frank n Furter in The The Rocky Horror Picture Show (1975). More than 15 years after beginning her career Sarandon at last actively campaigned for a great role, Annie in Bull Durham (1988), flying at her own expense from Rome to Los Angeles. "It was such a wonderful script ... and did away with a lot of myths and challenged the American definition of success", she said. "When I got there, I spent some time with Kevin Costner, kissed some ass at the studio and got back on a plane". Her romance with the Bull Durham (1988)) supporting actor, Tim Robbins, had produced two sons by 1992 and put Sarandon in the position of leaving her domestic paradise only to accept roles that really challenged her. The result was four Academy Award nominations in the 1990s and best actress for Dead Man Walking (1995). Her first Academy Award nomination was for Louis Malle's Atlantic City (1980).- Director
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Sofia Coppola was born on May 14, 1971 in New York City, New York, USA as Sofia Carmina Coppola. She is a director, known for Somewhere (2010), Lost in Translation (2003), and Marie Antoinette (2006). She has been married to Thomas Mars since August 27, 2011. They have two daughters, Romy and Cosima. She was previously married to Spike Jonze.- Actress
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Canadian born actress/director, AJ is best known for her role as "Special Agent Jennifer 'JJ' Jareau" in the CBS long running series CRIMINAL MINDS. She can currently be seen reprising her role on CRIMINAL MINDS: EVOLUTION for Paramount+, which will be going into a second season later this year. AJ has also directed an episode of CRIMINAL MINDS: EVOLUTION this season and did so in season 14 of CRIMINAL MINDS, as well. AJ's film credits include THE VIRGIN SUICIDES, OUT COLD, BACK FORK and FINAL DESTINATION 2.
After 15 years playing Special Agent Jennifer "JJ" Jareau on CBS' Criminal Minds, AJ Cook turned her eye toward directing and successfully directed an episode of the series in Season 14. Most recently, she directed episode 1608 for CRIMINAL MINDS: EVOLUTION, now on Paramount+.- Actor
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Henry Jackson Thomas Jr. is an American actor. He began his career as a child actor and had a lead role in the film E.T. the Extra-Terrestrial (1982), for which he won a Young Artist Award and received Golden Globe Award, BAFTA Award, and Saturn Award nominations. Thomas also had roles in films like Cloak & Dagger (1984), Fire in the Sky (1993), Legends of the Fall (1994), Suicide Kings (1997), All the Pretty Horses (2000), Gangs of New York (2002), 11:14 (2003), and Dear John (2010). Thomas was nominated for the Golden Globe Award for Best Supporting Actor - Series, Miniseries or Television Film for his role in the television film Indictment: The McMartin Trial (1997).- Actress
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Tall (5'10"), lovely, statuesque Seattle native Jean Elizabeth Smart was born on September 13, 1951. The second of four children born to a teacher and his wife, she developed an early interest in acting and attended the University of Washington following her graduation from Seattle's Ballard High School. She attained a BA degree in fine arts there.
Jean's first professional season was with the Oregon Shakespeare Festival where she went on to perform in Shakespeare's Much Ado About Nothing" and "A Moon for the Misbegotten," among others. During the late 1970's she built up a strong resume in regional theater with such companies as the Seattle Repertory Theatre ("Equus," "Fallen Angels"), ACT ("A Christmas Carol"), Pittsburgh Public Theatre (as Lady Macbeth), Alaska Repertory Theatre ("Terra Nova"), and Alliance Theatre ("A History of the American Film"). Her first significant break came with a starring role in the potent, critically-acclaimed lesbian drama "Last Summer at Bluefish Cove," which earned her an Off-Broadway Drama Desk nomination in 1980. She capped this honor with a Los Angeles Drama Critics award in 1983 when she repeated her triumph on the West Coast.
Jean made a highly auspicious Broadway debut in 1981 playing Marlene Dietrich in "Piaf" starring Jane Lapotaire, and it was the subsequent TV taping of that show, Piaf (1984), that brought about major Hollywood interest. A regular on the short-lived sitcoms Teachers Only (1982), Reggie (1983) and Maximum Security (1984), Jean hit pure gold in her fourth attempt as the delightfully ditzy Charlene Frazier on Designing Women (1986). The show was an instant hit and it was here that she would meet future husband Richard Gilliland, who played the recurring role of co-player Annie Potts' boyfriend J.D. for several seasons.
Feeling confined and fearing typecasting, Jean left the show in 1991 to find more challenging work. She drew major acclaim, giving a chilling portrayal of a true-to-life serial killer in the TV movie Overkill: The Aileen Wuornos Story (1992), long before Charlize Theron copped an Oscar for her equally chilling cinematic version. In other TV movies, Jean earned strong applause for her roles as a mentally challenged woman in The Yarn Princess (1994); as a concerned rural mother in Marjorie Kinnan Rawlings' classic The Yearling (1994); as an attorney involved in a high-profile murder case in Undue Influence (1996); as a wife who discovers her longtime husband is gay in A Change of Heart (1998); co-starring with real-life husband Richard Gilliland in Audrey's Rain (2003) as new parents after her sister commits suicide; and as an FBI profiler in Killer Instinct: From the Files of Agent Candice DeLong (2003).
On stage, Jean she earned a Tony nomination for her delightfully madcap part in the Moss Hart/George S. Kaufman classic comedy farce "The Man Who Came to Dinner" opposite Nathan Lane. The Broadway show was later made as a TV movie, The Man Who Came to Dinner (2000), with both Lane and Smart.
Having made her debut with a small role in the crimer Hoodlums (1980), films would never be as strong a venue for Jean as the stage or TV. She did, however, show off her versatility in both comedy and drama with secondary roles with such films as Flashpoint (1984), the Goldie Hawn vehicle Protocol (1984), Fire with Fire (1986), Project X (1987), Mistress (1992), Edie & Pen (1996) and The Odd Couple II (1998). Jean topped the decade off well with two independent films -- earning an Independent Spirit Award nomination for her role as Sarah Polley's ill-natured mother in Guinevere (1999), and first-billed in the mother/daughter road trip dramedy Forever Fabulous (1999) co-starring Jennifer Elise Cox.
Remaining extremely busy into the millennium, Jean went on to win bookend Emmy awards for her guest appearances on the sitcom Frasier (1993) and earned two more Emmy nominations for her potent perms in the crime drama 24 (2001) starring Kiefer Sutherland. She also graced a host of other series with regular/recurring roles on the romantic comedy In-Laws (2002); the crimer The District (2000); the family comedy Center of the Universe (2004) (co-starring John Goodman); the animated program Kim Possible (2002) (as the voice of Dr. Ann Possible); the mystery comedy Samantha Who? (2007) starring Christina Applegate; the revamped crimer Hawaii Five-0 (2010) (as the governor); the crime dramedy Harry's Law (2011); the dark thriller Fargo (2014); the action sci-fi drama Legion (2017); and the detective series Mare of Easttown (2021).
More recent films include Youth in Revolt (2009), Barry Munday (2010), Hope Springs (2012), Waking (2013), Warren (2014), Miss Meadows (2014), The Accountant (2016), Life Itself (2018) and Brampton's Own (2018).
Diagnosed with juvenile diabetes at age 13, Jean has played an active part over the years in public awareness. She has two children with her late husband Richard, son Connor and adopted son (from China) Forrest.- Actress
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Judy Greer was born and raised outside of Detroit, Michigan, as Judith Therese Evans. She is the daughter of Mollie Ann (née Greer), a hospital administrator and former nun, and Richard Evans, a mechanical engineer. She has German, Irish, English, Welsh, and Scottish ancestry. After training for nearly ten years in classical Russian ballet, Greer shifted her interest to acting and was accepted into Chicago's prestigious Theatre School at DePaul University.
After a variety of odd jobs during college, from telemarketer to oyster shucker, Greer landed her first on-screen role just three days after graduation -- a small part in the Jason Lee-David Schwimmer comedy Kissing a Fool (1998). She flew to Los Angeles for the film's premiere and never left. Greer quickly landed a role in the dark comedy Jawbreaker (1999), with Rose McGowan and Rebecca Gayheart. Greer starred as a school wallflower-turned-babe in a story about high school girls who accidentally kill their best friend and try to cover up the murder.
She went on to play a news correspondent in David O. Russell's Three Kings (1999), landing a memorable opening love scene with George Clooney. Her performance caught the eye of Hollywood, and she appeared next in Mike Nichols's What Planet Are You From? (2000) as a flight attendant opposite Garry Shandling. Her television credits include a recurring role as Jason Bateman's assistant Kitty on Fox's Arrested Development (2003), as well as guest-starring roles on Love & Money (1999), Maggie Winters (1998), and Early Edition (1996).
Greer starred opposite Jennifer Garner in Columbia Pictures' romantic comedy 13 Going on 30 (2004), directed by Gary Winick. Greer played an office colleague alongside Garner's character, with whom she shares a checkered past.
She co-starred in writer-director M. Night Shyamalan's The Village (2004), opposite Joaquin Phoenix, Adrien Brody, Bryce Dallas Howard, Sigourney Weaver, and William Hurt. Set in 1897, the film revolves around a close-knit community that lives with the knowledge that a mythical race of creatures resides in the woods surrounding them. The Village (2004) was released July 30, 2004, by Touchtone Pictures. Greer also co-starred in director Wes Craven's Cursed (2005), a modern twist on the classic werewolf tale written by Kevin Williamson. The busy actress also landed a co-starring role opposite Orlando Bloom and Susan Sarandon in writer-director Cameron Crowe's Elizabethtown (2005), playing the sister of Bloom's character and daughter of Sarandon's character.
She also joined Jeff Bridges and Jeanne Tripplehorn in the independent film The Amateurs (2005) by writer-director Michael Traeger. The film revolves around a motley group of friends who band together to make an amateur porn film. Greer plays a young temptress at the local mattress store who secures a role in the movie by allowing the store to be used as a film location.
Greer wrapped production in New York on a co-starring role opposite Tom McCarthy ("The Station Agent") in Danny Leiner's The Great New Wonderful (2005) for Serenade Films/Sly Dog Films. The dark comedy tells five different stories against the backdrop of an uncertain post-September 11 New York. The cast also includes Maggie Gyllenhaal, Edie Falco and Tony Shalhoub.
She also appeared in writer-director Adam Goldberg's psychological drama I Love Your Work (2003), opposite Giovanni Ribisi. The film is about a fictional movie star (Ribisi) and his gradual meltdown and increasing obsession with a young film student and his girlfriend. The stellar cast also included Franka Potente, Christina Ricci, and Jason Lee and debuted at the 2003 Toronto International Film Festival. In the film, Greer plays Samantha, the personal assistant of Ribisi's character.
Greer had a starring role as the female lead role in the comedy The Hebrew Hammer (2003) as the feisty, fearless Esther, who joins forces with an Orthodox Jewish Blaxploitation hero (Adam Goldberg) to save Hanukkah from an evil son of Santa Claus (Andy Dick). The Hebrew Hammer (2003) debuted at the 2003 Sundance Film Festival and premiered on Comedy Central followed by a theatrical release.
She also appeared in Adaptation. (2002), from director Spike Jonze. In the film, Nicolas Cage stars as self-loathing writer Charlie Kaufman (and twin brother Donald) as he attempts to adapt the novel "The Orchid Thief" for the big screen. Greer played Alice, the waitress with whom he becomes obsessed -- the object of his fantasies.
Greer turned in a scene-stealing comedic performance in The Wedding Planner (2001), with Jennifer Lopez and Matthew McConaughey, in which she played Penny, Lopez's sweet but ditsy assistant who tries hard, but often falls a little short. Equally adept at more dramatic roles, Greer gave a standout performance opposite Mel Gibson in What Women Want (2000), playing a suicidal file clerk rescued by the one man who can hear women's thoughts. Greer's pivotal scene with Gibson is the heart of the film.
With a genuine gift for comedy and an engaging on-screen presence, Judy Greer has quickly become one of Hollywood's most captivating talents. Having appeared in such diverse films as Jawbreaker (1999), What Women Want (2000), The Wedding Planner (2001), Adaptation. (2002), and Wilson (2017) as well as a number of upcoming feature film projects, Greer turns in scene-stealing performances opposite some of the industry's biggest stars.- Actress
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Susan Ker Weld was born on August 27, 1943 (Friday), in New York City. When her father, Lathrop Motley Weld, died three years later at the age of 49, the cute little girl, whose name by then had somehow been transmogrified into "Tuesday", took over the role of the family breadwinner. She became a successful child model, posing for advertisements and mail-order catalogs. Her work and the burden of responsibility estranged her from her mother Aileen, her two elder siblings, and catapulted the preteen girl into adulthood. At nine years of age, she suffered a nervous breakdown; at ten, she started heavy drinking; one year later, she began to have love affairs, all of which led to a suicide attempt at age twelve. In 1956 she debuted in the low-budget exploitation movie Rock Rock Rock! (1956) and decided to become an actress. After numerous TV appearances in New York she went to Hollywood in 1958 and was cast for Rally 'Round the Flag, Boys! (1958), something of a breakthrough for her. Over the next few years Tuesday became Hollywood's queen of teen, playing mainly precocious sex kittens. Her wild private life added to the entertainment of her fans. Critics acknowledged her talent, directors approved of her professionalism, and in the mid-1970s she even managed to grow out of her child/woman image and find more demanding roles - she had been "sweet little 16" for about 16 years. However, Tuesday Weld didn't achieve first-magnitude stardom. Maybe she was just unlucky with her selection of jobs (she turned down Lolita (1962), Bonnie and Clyde (1967), True Grit (1969), Cactus Flower (1969), among others); maybe her independence-loving mind made her instinctively shrink back from the restraints of super stardom. In any case, she kept on performing well in films that had either not much flair or not much success. From the early '80s on she focused more and more on made-for-TV movies, which was ironic in that the best (Once Upon a Time in America (1984)) and the most successful (Falling Down (1993)) films that came her way happened as her big-screen career was already petering out.- Actress
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Pollyanna McIntosh grew up in Portugal and Colombia before returning to her birthplace of Scotland, where she first began performing, on stage, at The Edinburgh Festival. At 16, she left for London and soon became involved in indie filmmaking (her first paid gig was as a stoner in Irvine Welsh's The Acid House (1998)) and theatre, both as an actress and director. A move to Los Angeles in 2004 brought on more theatre, including a production of "The Woolgatherer", in which she directed Anne Dudek (a regular on Mad Men (2007)/Big Love (2006)) and David Dayan Fisher (a regular on 24 (2001)/NCIS (2003)) to great reviews. She then landed her first US movie role as the manipulative, born-again Christian, "Stacy", in Headspace (2005). It was as the wild "Thumper Wint" in the comedy, Sex and Death 101 (2007) (Simon Baker/Winona Ryder), by Heathers (1988) writer Daniel Waters, that the critics began to take note of her talent, citing a unique blend of powerful sexuality and irreverent humor. Working in both LA and London, Exam (2009) was next, BAFTA-nominated as Outstanding British Debut and winner of Best Independent at the Santa Barbara Film Fest, the film's critics noted Pollyanna's performance was "smart, sassy and sexy in equal parts....the emotional center of the film" praised her capacity to find the "emotional vulnerability" of her seemingly tough and ambitious character. GQ simply stated "stunning Pollyanna McIntosh is an enormously talented actress". Como Quien No Quiere La Cosa (2013) (As if you Don't Like it!), is a hilarious South American farce in which she plays Brit comedian Trevor Lock's disgruntled wife. Shot in Peru, she speaks Spanish throughout. In Burke and Hare (2010), directed by John Landis, she plays Isla Fisher's bestie with Simon Pegg, Andy Serkis, Jessica Hynes, Tom Wilkinson and Tim Curry. Her demanding turn as the lead in Lucky McKee's The Woman (2011) made shock waves at Sundance 2011, brought rave reviews and topped the New York Times readers' favorite movies poll. For her performance, she was awarded three Best Actress awards, including Total Film's Frightfest Award and Fright Meter's. As the female lead in the BBC political comedy, Bob Servant Independent (2013), starring Brian Cox, she played the professionally critical "Phillippa Edwards", a very different sort of scary. In festival darling, Love Eternal (2013), she plays the female lead as a suicidal grieving mother. In the raucous Filth (2013), she played opposite James McAvoy and Jamie Bell, in the adaptation of Irvine Welsh's balls-out novel as the lusty Size Queen. Two successful British thrillers that see Pollyanna go from vulnerable to kick ass are The Blood Lands (2014), (known in the USA as The Bloodlands) and Let Us Prey also starring Game of Thrones' Liam Cunningham. In Sundance TV's Hap and Leonard also starring James Purefoy, Michael Kenneth Williams and Christina Hendricks, Pollyanna is nothing but kick ass as the neon-clad psycho killer, Angel. In US indy comedies Prevertere and The Famous Joe Project Pollyanna played it characteristically unsafe once again. Possibly her strangest role yet has been as Bobby in Ding Dong, teaming up once again with Lucky McKee for the 2014 anthology film Tales of Halloween. Pollyanna will next be seen in Blood on Wheels as the vicious biker gang leader Trigga. The film is produced by James Franco.- Actress
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One of the brightest, most tragic movie stars of Hollywood's Golden Era, Judy Garland was a much-loved character whose warmth and spirit, along with her rich and exuberant voice, kept theatre-goers entertained with an array of delightful musicals.
She was born Frances Ethel Gumm on 10 June 1922 in Minnesota, the youngest daughter of vaudevillians Ethel Marian (Milne) and Francis Avent "Frank" Gumm. She was of English, along with some Scottish and Irish, descent. Her mother, an ambitious woman gifted in playing various musical instruments, saw the potential in her daughter at the tender age of just 2 years old when Baby Frances repeatedly sang "Jingle Bells" until she was dragged from the stage kicking and screaming during one of their Christmas shows and immediately drafted her into a dance act, entitled "The Gumm Sisters," along with her older sisters Mary Jane Gumm and Virginia Gumm. However, knowing that her youngest daughter would eventually become the biggest star, Ethel soon took Frances out of the act and together they traveled across America where she would perform in nightclubs, cabarets, hotels and theaters solo.
Her family life was not a happy one, largely because of her mother's drive for her to succeed as a performer and also her father's closeted homosexuality. The Gumm family would regularly be forced to leave town owing to her father's illicit affairs with other men, and from time to time they would be reduced to living out of their automobile. However, in September 1935 the Gumms', in particular Ethel's, prayers were answered when Frances was signed by Louis B. Mayer, mogul of leading film studio MGM, after hearing her sing. It was then that her name was changed from Frances Gumm to Judy Garland, after a popular '30s song "Judy" and film critic Robert Garland.
Tragedy soon followed, however, in the form of her father's death of meningitis in November 1935. Having been given no assignments with the exception of singing on radio, Judy faced the threat of losing her job following the arrival of Deanna Durbin. Knowing that they couldn't keep both of the teenage singers, MGM devised a short entitled Every Sunday (1936) which would be the girls' screen test. However, despite being the outright winner and being kept on by MGM, Judy's career did not officially kick off until she sang one of her most famous songs, "You Made Me Love You," at Clark Gable's birthday party in February 1937, during which Louis B. Mayer finally paid attention to the talented songstress.
Prior to this her film debut in Pigskin Parade (1936), in which she played a teenage hillbilly, had left her career hanging in the balance. However, following her rendition of "You Made Me Love You," MGM set to work preparing various musicals with which to keep Judy busy. All this had its toll on the young teenager, and she was given numerous pills by the studio doctors in order to combat her tiredness on set. Another problem was her weight fluctuation, but she was soon given amphetamines in order to give her the desired streamlined figure. This soon produced the downward spiral that resulted in her lifelong drug addiction.
In 1939, Judy shot immediately to stardom with The Wizard of Oz (1939), in which she portrayed Dorothy, an orphaned girl living on a farm in the dry plains of Kansas who gets whisked off into the magical world of Oz on the other end of the rainbow. Her poignant performance and sweet delivery of her signature song, 'Over The Rainbow,' earned Judy a special juvenile Oscar statuette on 29 February 1940 for Best Performance by a Juvenile Actor. Now growing up, Judy began to yearn for meatier adult roles instead of the virginal characters she had been playing since she was 14. She was now taking an interest in men, and after starring in her final juvenile performance in Ziegfeld Girl (1941) alongside glamorous beauties Lana Turner and Hedy Lamarr, Judy got engaged to bandleader David Rose in May 1941, just two months after his divorce from Martha Raye. Despite planning a big wedding, the couple eloped to Las Vegas and married during the early hours of the morning on July 28, 1941 with just her mother Ethel and her stepfather Will Gilmore present. However, their marriage went downhill as, after discovering that she was pregnant in November 1942, David and MGM persuaded her to abort the baby in order to keep her good-girl image up. She did so and, as a result, was haunted for the rest of her life by her 'inhumane actions.' The couple separated in January 1943.
By this time, Judy had starred in her first adult role as a vaudevillian during WWI in For Me and My Gal (1942). Within weeks of separation, Judy was soon having an affair with actor Tyrone Power, who was married to French actress Annabella. Their affair ended in May 1943, which was when her affair with producer Joseph L. Mankiewicz kicked off. He introduced her to psychoanalysis and she soon began to make decisions about her career on her own instead of being influenced by her domineering mother and MGM. Their affair ended in November 1943, and soon afterward Judy reluctantly began filming Meet Me in St. Louis (1944), which proved to be a big success. The director Vincente Minnelli highlighted Judy's beauty for the first time on screen, having made the period musical in color, her first color film since The Wizard of Oz (1939). He showed off her large brandy-brown eyes and her full, thick lips and after filming ended in April 1944, a love affair resulted between director and actress and they were soon living together.
Vincente began to mold Judy and her career, making her more beautiful and more popular with audiences worldwide. He directed her in The Clock (1945), and it was during the filming of this movie that the couple announced their engagement on set on January 9, 1945. Judy's divorce from David Rose had been finalized on June 8, 1944 after almost three years of marriage, and despite her brief fling with Orson Welles, who at the time was married to screen sex goddess Rita Hayworth, on June 15, 1945 Judy made Vincente her second husband, tying the knot with him that afternoon at her mother's home with her boss Louis B. Mayer giving her away and her best friend Betty Asher serving as bridesmaid. They spent three months on honeymoon in New York and afterwards Judy discovered that she was pregnant.
On March 12, 1946 in Los Angeles, California, Judy gave birth to their daughter, Liza Minnelli, via cesarean section. It was a joyous time for the couple, but Judy was out of commission for weeks due to the cesarean and her postnatal depression, so she spent much of her time recuperating in bed. She soon returned to work, but married life was never the same for Vincente and Judy after they filmed The Pirate (1948) together in 1947. Judy's mental health was fast deteriorating and she began hallucinating things and making false accusations toward people, especially her husband, making the filming a nightmare. She also began an affair with aspiring Russian actor Yul Brynner, but after the affair ended, Judy soon regained health and tried to salvage her failing marriage. She then teamed up with dancing legend Fred Astaire for the delightful musical Easter Parade (1948), which resulted in a successful comeback despite having Vincente fired from directing the musical. Afterwards, Judy's health deteriorated and she began the first of several suicide attempts. In May 1949, she was checked into a rehabilitation center, which caused her much distress.
She soon regained strength and was visited frequently by her lover Frank Sinatra, but never saw much of Vincente or Liza. On returning, Judy made In the Good Old Summertime (1949), which was also Liza's film debut, albeit via an uncredited cameo. She had already been suspended by MGM for her lack of cooperation on the set of The Barkleys of Broadway (1949), which also resulted in her getting replaced by Ginger Rogers. After being replaced by Betty Hutton on Annie Get Your Gun (1950), Judy was suspended yet again before making her final film for MGM, entitled Summer Stock (1950). At 28, Judy received her third suspension and was fired by MGM, and her second marriage was soon dissolved.
Having taken up with Sidney Luft, Judy traveled to London to star at the legendary Palladium. She was an instant success and after her divorce from Vincente Minnelli was finalized on March 29, 1951 after almost six years of marriage, Judy traveled with Sid to New York to make an appearance on Broadway. With her newfound fame on stage, Judy was stopped in her tracks in February 1952 when she became pregnant by her new lover, Sid. At the age of 30, she made him her third husband on June 8, 1952; the wedding was held at a friend's ranch in Pasadena. Her relationship with her mother had long since been dissolved by this point, and after the birth of her second daughter, Lorna Luft, on November 21, 1952, she refused to allow her mother to see her granddaughter. Ethel then died in January 1953 of a heart attack, leaving Judy devastated and feeling guilty about not reconciling with her mother before her untimely demise.
After the funeral, Judy signed a film contract with Warner Bros. to star in the musical remake of A Star Is Born (1937), which had starred Janet Gaynor, who had won the first-ever Academy Award for Best Actress in 1929. Filming soon began, resulting in an affair between Judy and her leading man, British star James Mason. She also picked up on her affair with Frank Sinatra, and after filming was complete Judy was yet again lauded as a great film star. She won a Golden Globe for her brilliant and truly outstanding performance as Esther Blodgett, nightclub singer turned movie star, but when it came to the Academy Awards, a distraught Judy lost out on the Best Actress Oscar to Grace Kelly for her portrayal of the wife of an alcoholic star in The Country Girl (1954). Many still argue that Judy should have won the Oscar over Grace Kelly. Continuing her work on stage, Judy gave birth to her beloved son, Joey Luft, on March 29, 1955. She soon began to lose her millions of dollars as a result of her husband's strong gambling addiction, and with hundreds of debts to pay, Judy and Sid began a volatile, on-off relationship resulting in numerous divorce filings.
In 1961, at the age of 39, Judy returned to her ailing film career, this time to star in Judgment at Nuremberg (1961), for which she received an Oscar nomination for Best Supporting Actress, but this time she lost out to Rita Moreno for her performance in West Side Story (1961). Her battles with alcoholism and drugs led to Judy's making numerous headlines in newspapers, but she soldiered on, forming a close friendship with President John F. Kennedy. In 1963, Judy and Sid finally separated permanently, and on May 19, 1965 their divorce was finalized after almost 13 years of marriage. By this time, Judy, now 41, had made her final performance on film alongside Dirk Bogarde in I Could Go on Singing (1963). She married her fourth husband, Mark Herron, on November 14, 1965 in Las Vegas, but they separated in April 1966 after five months of marriage owing to his homosexuality. It was also that year that she began an affair with young journalist Tom Green. She then settled down in London after their affair ended, and she began dating disk jockey Mickey Deans in December 1968. They became engaged once her divorce from Mark Herron was finalized on January 9, 1969 after three years of marriage. She married Mickey, her fifth and final husband, in a register office in Chelsea, London, England on March 15, 1969.
She continued working on stage, appearing several times with her daughter Liza. It was during a concert in Chelsea, London, England that Judy stumbled into her bathroom late one night and died of an overdose of barbiturates, the drug that had dominated her much of her life, on June 22, 1969 at the age of 47. Her daughter Liza Minnelli paid for her funeral, and her former lover James Mason delivered her touching eulogy. She is still an icon to this day with her famous performances in The Wizard of Oz (1939), Meet Me in St. Louis (1944), Easter Parade (1948), and A Star Is Born (1954).- Actor
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Ian Somerhalder was born and raised in the small southern town of Covington, Louisiana. His mother, Edna (née Israel), is a massage therapist, and his father, Robert Somerhalder, is a building contractor. He has Cajun (French), English, and Scots-Irish ancestry. Boating, swimming, fishing and training horses filled much of his recreational time growing up, as did the school drama club and performing with the local theater group. With his mother's encouragement, at age 10, he began a modeling career that took him to New York each summer. By junior high, he opted to put modeling on the back burner and focus more on sports and school. A few years later, when the opportunity to model in Europe arose, Somerhalder grabbed it, embarking on an enriching path of work, travel and study that took him to cities, including Paris, Milan and London. At 17, he began studying acting in New York and, by 19, had committed himself to the craft, working with preeminent acting coach William Esper. His fate was sealed while working as an extra in a club scene in the feature film, Black & White (1999). A talent manager visiting a client on the set spotted Somerhalder in a crowd scene of 400 and immediately signed him for representation. He was cast later for the drama Changing Hearts (2002) directed by Martin Guigui. Happy to be anchored in New York, Somerhalder spends much of his time studying acting, writing and practicing yoga. His recreational interests include water and snow skiing and horseback riding.- Actress
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Samantha Morton has established herself as one of the finest actors of her generation, winning Oscar nominations for her turns in Woody Allen's Sweet and Lowdown (1999) and Jim Sheridan's In America (2002). She has the talent to become one of the major performers in the cinema of this young century.
Samantha Morton was born on May 13, 1977 in Nottingham, England to parents who divorced when she was three years old. Peter and Pamela Morton took other spouses and made Samantha part of a mixed family of 13; she has eight brothers and sisters. She turned to play-acting early in her life, while she was a school-girl.
At 13, she left regular school to train as an actress at the Central Junior Television Workshop, where she learned her craft for three years. It was at the end of her training then that she decided that a life as a professional actress was for her.
She honed her skills in television roles, working her way up from series television to TV-movies and prestigious mini-series, such as Emma (1996) and Jane Eyre (1997). Her first major film role, Under the Skin (1997), won her the Best Actress Award from the Boston Film Critics Society. Woody Allen cast her as Hattie, the "dumb" (unspeaking) lover of Sean Penn's caddish jazz guitarist in Sweet and Lowdown (1999), a beautiful performance in a role that could have flummoxed a less-talented performer. Penn was Oscar-nominated for his performance, but it was Morton's Hattie that was central to the success of the film, Allen's last unqualified success. She provided the moral and narrative center of the film. It was quite a remarkable performance for a 21-year old as she had to do all her acting with her face, having been shorn of her voice. The role of Hattie won Morton a Best Supporting Actress Academy Award nomination.
Ironically, Morton had never seen a Woody Allen movie before. (She grew up watching the TV and listening to the radio.) She agreed to do the film after reading the script (as she says, well-written roles for women are hard to find), and the movie made her a hot commodity in Hollywood after she won the Oscar nomination. (She lost out to Angelina Jolie). Morton was offered many roles, but was very choosy as she was not in acting as a game with a payoff of stardom and money.
She had consolidated her reputation by following up the Allen film with work in indie features that showed that she was not only talented, but quite courageous as a performer. She played a heroin addict in the underrated Jesus' Son (1999) and gave a brilliant performance in Morvern Callar (2002), the story of a Scottish supermarket clerk coping with her boyfriend's suicide.
Steven Spielberg cast her, opposite superstar Tom Cruise, as the clairvoyant in Minority Report (2002), in which she more than held her own opposite Cruise and the special effects. (She took the role as Cruise and Steven Spielberg are favorites of hers). As good as she was, Morton was better served by Irish director Jim Sheridan, Sheridan cast her as a character modeled after his wife in an autobiographical picture more in line with persona and that made better use of her talents. Her performance as the young Irish mother coping with life in New York City in In America (2002) won her numerous critics' awards and another Oscar nod, this time as Best Actress.
At this point, one feels that the odds of her winning the Oscar are even or better. Samantha Morton continues to deliver fine work in provocative films such as Michael Winterbottom's Code 46 (2003), though she is branching out towards the mainstream, taking a role in the remake of that perennial family favorite, Lassie (2005).- Actress
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Sarah Polley is an actress and director renowned in her native Canada for her political activism. Blessed with an extremely expressive face that enables directors to minimize dialog due to her uncanny ability to suggest a character's thoughts, Polley has become a favorite of critics for her sensitive portraits of wounded and conflicted young women in independent films.
She was born into a show business family: her stepfather, Michael Polley, appeared with her in the movie The Adventures of Baron Munchausen (1988) and on the television series Avonlea (1990); and her mother, Diane Polley, was an actress and casting director. It was her mother's connections that launched Sarah, at her own insistence, on an acting career at the age of four, following in the footsteps of her older half-brother Mark Polley. A second half-brother, John Buchan, is a casting director and producer.
Her career as a child actress shifted into high gear when she was cast as the Cockney waif Jody Turner in Lantern Hill (1989), for which she won a Gemini Award, the Canadian equivalent of the Emmy, in 1992. Produced by Kevin Sullivan, the film was based on the book by Lucy Maud Montgomery, author of Anne of Green Gables (1985). When Sullivan created a television series based on Montgomery's work, he cast Polley in the lead role of Sara Stanley in Avonlea (1990). The series propelled Polley into the first rank of Canadian TV stars and made her independently wealthy by the age of fourteen.
Her personal life was deeply affected by the death of her mother Diane from cancer shortly after her 11th birthday, a development that ironically paralleled the fictional life of her character Sara. Highly intelligent and politically progressive at a young age, Polley eventually rebelled against what she felt was the Americanization of the series after it was picked up by the Disney Channel for distribution in the US, eventually dropping out of the show. Though she does not blame her parents, she remains publicly disenchanted over the loss of her childhood and, in October 2003, said she is working on a script about a twelve-year-old girl on a TV show.
Polley, who picked up a second Gemini Award for her performance in the TV series Straight Up (1996), subsequently quit acting and high school to turn her attention to politics, positioning herself on the extreme left of Canada's left-of-center New Democratic Party. The publicity ensuing from her losing some teeth after being slugged by an Ontario policeman during a protest against the Conservative provincial government, plus the stinging cynicism from some other activists unimpressed by her celebrity, led her to lower her political profile temporarily and return to acting in Atom Egoyan's film The Sweet Hereafter (1997). It was her appearance as Nicole, the teenage girl injured in a school bus accident who serves as the conscience of the small town rent by the tragedy, that first brought her to the attention of critics in the US. In Canada, the role was heralded by critics as her successful breakthrough to adult roles. It was her second film with Egoyan, who wrote the part with her in mind when he adapted the novel by Russell Banks, who, ironically, is American. Predictions of an Academy Award nomination and future stardom were part of the critical consensus, and she received her first Best Actress Genie nomination from Canada's Academy of Canadian Cinema & Television and the Best Supporting Actress award from the Boston Society of Film Critics. It was the buzz created at the Sundance Festival, where her starring role in the film Guinevere (1999) was showcased, when the entertainment media crowned her the it-girl of 1999.
Intensely private and extremely ambivalent about the personal cost of celebrity and the Hollywood ethos Fame is the Name of the Game, Polley could be seen as rebelling against the expectations of mainstream cinema when she embarked on a career path that took her out of the spotlight thrown by the harsh lights of the Hollywood hype/publicity machine after shooting the film Go (1999). She dropped out of Cameron Crowe's Almost Famous (2000), the US$60 million mega-hyped vehicle that was supposed to make her a mainstream star in the US, choosing to return to Canada to make the CDN$1.5 million The Law of Enclosures (2000) for Genie Award-winner John Greyson, a director she admires greatly. The film grossed poorly in Canada and was not released in the US, but it did garner Polley her second Genie nomination for Best Actress. While her replacement in Almost Famous (2000) went on to win an Oscar nomination and a career above the title in glossy Hollywood films, she took a wide variety of parts, large and small, in independent films, including significant roles in the ensemble pieces The Claim (2000) and The Weight of Water (2000); bit parts in eXistenZ (1999) and Love Come Down (2000); and the lead in No Such Thing (2001). Her choice of projects showed her to be a questing spirit more focused on learning the art of her craft than on stardom.
She has said that her choice of film roles, eschewing mainstream Hollywood movies for chancier, non-commercial independent fare, was the result of an ethical decision on her part to make films with social importance. A less-observant viewer might think that the rebel Polley played in her political life that had previously manifested itself in her profession was now driving her to the verge of career suicide in terms of popularity, marketability, and choice of future roles. However, that interpretation does not recognize the extraordinary talent that will always keep her in demand by directors, if not casting agents, with an eye on the opening weekend box office. One must understand Polley's career progression in light of her attendance at the Canadian Film Centre's directors program and her production of short films, including Don't Think Twice (1999) and the highly praised I Shout Love (2001). Polley is a cinema artist. This woman wants to make, and will make films. Thus, we can understand her career choices as a desire to work with and understand the technique of some of the best directors in film, including David Cronenberg, Michael Winterbottom, and Hal Hartley.
Polley is as renowned for her intelligence as for her remarkable talent. The problem of the intelligent person in the acting field is that the actor, as artist, in not ultimately in control of their medium, and it is artistic control that is the hallmark of the great artist. The controlling intelligence on a movie set is the director, and her attendance at the Canadian Film Centre has given her a new perspective on acting. The actor, she says, should not try to give a complete performance for the camera (that is, control the representation on film) but must remember that the function of the actor is to give the director as much coverage as possible as a film, as well as a performance, is made in the editing room. According to Polley, this realization, that the film actor exists to serve the director, has given her new enthusiasm for acting. Thus, her career, and her career choices, can be seen as a quest for knowledge about the art of cinema, a journey whose fruition we will see in her future feature work as both actor and director.- Actress
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Marilyn Monroe was an American actress, comedienne, singer, and model. Monroe is of English, Irish, Scottish and Welsh descent. She became one of the world's most enduring iconic figures and is remembered both for her winsome embodiment of the Hollywood sex symbol and her tragic personal and professional struggles within the film industry. Her life and death are still the subjects of much controversy and speculation.
She was born Norma Jeane Mortenson at the Los Angeles County Hospital on June 1, 1926. Her mother, Gladys Pearl (Monroe), was born in Piedras Negras, Coahuila, Mexico, to American parents from Indiana and Missouri, and was a film-cutter at Consolidated Film Industries. Marilyn's biological father has been established through DNA testing as Charles Stanley Gifford, who had been born in Newport, Rhode Island, to a family with deep roots in the state. Because Gladys was mentally and financially unable to care for young Marilyn, Gladys placed her in the care of a foster family, The Bolenders. Although the Bolender family wanted to adopt Marilyn, Gladys was eventually able to stabilize her lifestyle and took Marilyn back in her care when Marilyn was 7 years old. However, shortly after regaining custody of Marilyn, Gladys had a complete mental breakdown and was diagnosed as a paranoid schizophrenic and was committed to a state mental hospital. Gladys spent the rest of her life going in and out of hospitals and rarely had contact with young Marilyn. Once Marilyn became an adult and celebrated as a film star, she paid a woman by the name of Inez Melson to look in on the institutionalized Gladys and give detailed reports of her progress. Gladys outlived her daughter, dying in 1984.
Marilyn was then taken in by Gladys' best friend Grace Goddard, who, after a series of foster homes, placed Marilyn into the Los Angeles Orphan's Home in 1935. Marilyn was traumatized by her experience there despite the Orphan's Home being an adequate living facility. Grace Goddard eventually took Marilyn back to live with her in 1937 although this stay did not last long as Grace's husband began molesting Marilyn. Marilyn went to live with Grace's Aunt Ana after this incident, although due to Aunt Ana's advanced age she could not care properly for Marilyn. Marilyn once again for the third time had to return to live with the Goddards. The Goddards planned to relocated and according to law, could not take Marilyn with them. She only had two choices: return to the orphanage or get married. Marilyn was only 16 years old.
She decided to marry a neighborhood friend named James Dougherty; he went into the military, she modeled, they divorced in 1946. She owned 400 books (including Tolstoy, Whitman, Milton), listened to Beethoven records, studied acting at the Actors' lab in Hollywood, and took literature courses at UCLA downtown. 20th Century Fox gave her a contract but let it lapse a year later. In 1948, Columbia gave her a six-month contract, turned her over to coach Natasha Lytess and featured her in the B movie Ladies of the Chorus (1948) in which she sang three numbers : "Every Baby Needs a Da Da Daddy", "Anyone Can Tell I Love You" and "The Ladies of the Chorus" with Adele Jergens (dubbed by Virginia Rees) and others. Joseph L. Mankiewicz saw her in a small part in The Asphalt Jungle (1950) and put her in All About Eve (1950) , resulting in 20th Century re-signing her to a seven-year contract. Niagara (1953) and Gentlemen Prefer Blondes (1953) launched her as a sex symbol superstar.
When she went to a supper honoring her in the The Seven Year Itch (1955) , she arrived in a red chiffon gown borrowed from the studio (she had never owned a gown). That same year, she married and divorced baseball great Joe DiMaggio (their wedding night was spent in Paso Robles, California). After The Seven Year Itch (1955) , she wanted serious acting to replace the sexpot image and went to New York's Actors Studio. She worked with director Lee Strasberg and also underwent psychoanalysis to learn more about herself. Critics praised her transformation in Bus Stop (1956) and the press was stunned by her marriage to playwright Arthur Miller . True to form, she had no veil to match her beige wedding dress so she dyed one in coffee; he wore one of the two suits he owned. They went to England that fall where she made The Prince and the Showgirl (1957) with Laurence Olivier , fighting with him and falling further prey to alcohol and pills. Two miscarriages and gynecological surgery followed. So had an affair with Yves Montand . Work on her last picture The Misfits (1961) , written for her by departing husband Miller, was interrupted by exhaustion. She was dropped from the unfinished Something's Got to Give (1962) due to chronic lateness and drug dependency.
On August 4, 1962, Marilyn Monroe's day began with threatening phone calls. Dr. Ralph Greenson, Marilyn's physician, came over the following day and quoted later in a document "Felt it was possible that Marilyn had felt rejected by some of the people she had been close to." Apart from being upset that her publicist slept too long, she seemed fine. Pat Newcombe, who had stayed the previous night at Marilyn's house, left in the early evening as did Greenson who had a dinner date. Marilyn was upset he couldn't stay, and around 7:30pm she telephoned him to say that her second husband's son had called her. Peter Lawford also called Marilyn, inviting her to dinner, but she declined. Lawford later said her speech was slurred. As the evening went on there were other phone calls, including one from Jose Belanos, who said he thought she sounded fine. According to the funeral directors, Marilyn died sometime between 9:30pm and 11:30pm. Her maid unable to raise her but seeing a light under her locked door, called the police shortly after midnight. She also phoned Ralph Greenson who, on arrival, could not break down the bedroom door. He eventually broke in through French windows and found Marilyn dead in bed. The coroner stated she had died from acute barbiturate poisoning, and it was a 'probable suicide' though many conspiracies would follow in the years after her death.- With classic patrician features and an independent, non-conformist personality, Capucine began her film debut in 1949 at the age of 21 with an appearance in the film Rendezvous in July (1949). She attended school in France and received a BA degree in foreign languages. Married for six months in her early twenties, she never remarried. In 1957, she was discovered by director Charles K. Feldman while working as a high-fashion model for Givenchy in Paris and was brought to Hollywood to study acting under Gregory Ratoff. She was put under contract by Columbia studios in 1958 and had her first leading part in the movie Song Without End (1960). She made six more major movies in the early to mid 1960s, two of which (The Lion (1962) and The 7th Dawn (1964)) starred William Holden, with whom she had a two-year affair. Moving from Hollywood to a penthouse apartment in Lausanne, Switzerland, in 1962, she continued making movies, mostly in Europe, until her suicide in 1990.
- Jai Courtney is an Australian actor. He started his career with small roles in films and television series before being cast as Charlie in the action film Jack Reacher (2012). He has gone on to star in A Good Day to Die Hard (2013), I, Frankenstein (2014) and The Exception (2016).
Courtney had a recurring role as Varro in the television series Spartacus: Blood and Sand (2010). He played Eric in the science fiction action film Divergent (2014), and in 2015, he reprises the role in the sequel, Insurgent. He portrayed Kyle Reese in Terminator Genisys (2015) and DC Comics villain Captain Boomerang in Suicide Squad (2016) and The Suicide Squad (2021). - Actress
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Katherine Langford (born 29 April 1996) is an Australian actress. She is known for starring as Hannah Baker in the 2017 Netflix series 13 Reasons Why (2017), based on the novel of the same name, for which she received a Golden Globe Award nomination. In 2018, she appeared as Leah Burke in the romantic comedy-drama film Love, Simon (2018).
Langford was born in Perth and raised in Perth, Western Australia. She is the eldest daughter of Elizabeth Langford, a pediatrician, and Stephen Langford, a flying doctor and director of medical services at the Royal Flying Doctor Service Western Operations. She began voice lessons in 2005, and received classical, jazz, and contemporary vocal training. She was offered a place at Perth Modern School for her senior high years, where she studied music and drama, and was sports captain and a nationally ranked swimmer.
Initially during her time at high school, Langford was interested in medicine and politics, in addition to musical theatre. However, in 2012, when Langford was 16, she attended Lady Gaga's concert, the Born This Way Ball, which inspired her to learn how to play the piano. She shared video of herself singing three original songs she wrote: "I've Got a Crush on Zoe Bosch," "Young and Stupid," and "3 Words." "Young and Stupid" is an anti-suicide song she wrote in 2013 after three Perth teens took their lives. For her final year at Perth Modern, Langford stopped swimming and switched her focus to music and performance. She was successful in a number of musical eisteddfods and drama competitions. Langford appeared in the school's production of Hotel Sorrento in 2013 and graduated that same year.
After graduating high school, Langford was determined to become an actor. However, she was rejected from every acting school she applied to, on the grounds she was too young and did not have enough life experience. This led her to begin enrolling in acting classes and workshops in Perth, juggling three part-time jobs, and later finding herself an agent. From 2014 to 2015, Langford studied at the Principal Academy of Dance & Theatre Arts, majoring in Music Theatre, and appeared in a production of Godspell. She was then one of five selected to participate in the National Institute of Dramatic Arts Advanced Actors Residency in 2015. In the same year, she trained at Nicholson's Academy of Screen Acting and portrayed the role of Juan Perón's mistress in the 2015 production of Evita. Langford was offered a position in the Bachelor of Arts program in Acting at the Western Australian Academy of Performing Arts and intended to begin studies in 2016. However, she never enrolled and instead pursued professional roles.
Langford appeared as the lead character in a small independent short film, Daughter (2016) which debuted at the 2016 Cannes Film Festival. At the end of 2016, after declining the offer from Western Australian Academy of Performing Arts, Langford auditioned and was asked to test for Riverdale, and Will, a television series centered on the young life of William Shakespeare. She did not get either role, which were instead given to Lili Reinhart, and Olivia DeJonge.
Langford auditioned for the role in the mystery teen drama TV series 13 Reasons Why over Skype and had only 10 days to get an O-1 visa as she had not worked in the United States before. She has received critical acclaim for her portrayal of the American high school student Hannah Baker in 13 Reasons Why. Langford researched the role, speaking with a representative of the sexual assault awareness campaign "It's On Us" and a psychiatrist who specializes in adolescence. In December 2016, she signed with the William Morris Endeavor agency.
In 2018 Langford appeared in her first feature film, Love, Simon, an adaptation of the coming-of-age novel Simon vs. the Homo Sapiens Agenda, by Becky Albertalli.- Writer
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After training as a painter (he storyboards his films as full-scale paintings), Kurosawa entered the film industry in 1936 as an assistant director, eventually making his directorial debut with Sanshiro Sugata (1943). Within a few years, Kurosawa had achieved sufficient stature to allow him greater creative freedom. Drunken Angel (1948) was the first film he made without extensive studio interference, and marked his first collaboration with Toshirô Mifune. In the coming decades, the two would make 16 movies together, and Mifune became as closely associated with Kurosawa's films as was John Wayne with the films of Kurosawa's idol, John Ford. After working in a wide range of genres, Kurosawa made his international breakthrough film Rashomon (1950) in 1950. It won the top prize at the Venice Film Festival, and first revealed the richness of Japanese cinema to the West. The next few years saw the low-key, touching Ikiru (1952) (Living), the epic Seven Samurai (1954), the barbaric, riveting Shakespeare adaptation Throne of Blood (1957), and a fun pair of samurai comedies Yojimbo (1961) and Sanjuro (1962). After a lean period in the late 1960s and early 1970s, though, Kurosawa attempted suicide. He survived, and made a small, personal, low-budget picture with Dodes'ka-den (1970), a larger-scale Russian co-production Dersu Uzala (1975) and, with the help of admirers Francis Ford Coppola and George Lucas, the samurai tale Kagemusha: The Shadow Warrior (1980), which Kurosawa described as a dry run for Ran (1985), an epic adaptation of Shakespeare's "King Lear." He continued to work into his eighties with the more personal Dreams (1990), Rhapsody in August (1991) and Madadayo (1993). Kurosawa's films have always been more popular in the West than in his native Japan, where critics have viewed his adaptations of Western genres and authors (William Shakespeare, Fyodor Dostoevsky, Maxim Gorky and Evan Hunter) with suspicion - but he's revered by American and European film-makers, who remade Rashomon (1950) as The Outrage (1964), Seven Samurai (1954), as The Magnificent Seven (1960), Yojimbo (1961), as A Fistful of Dollars (1964) and The Hidden Fortress (1958), as Star Wars: Episode IV - A New Hope (1977).- Actress
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Mariette Hartley was born Mary Loretta, a name she dislikes, in Weston, Connecticut. She was raised in accordance with the principles espoused by her behavioral psychologist grandfather, John B. Watson, who believed that children should never be held or cuddled. She says that the lack of warmth at home is what drove her to the theatre. She studied with John Houseman at the Repertory Stratford and with Eva Le Gallienne at Lucille Lortel's White Barn Theatre. It took her six years to get her first movie, Ride the High Country (1962) with Joel McCrea. She then made a series of TV appearances and sitcoms. She is most known, however, for her series of Polaroid commercials with James Garner. Mariette's father committed suicide with a self-inflicted gunshot in 1962. Her family kept it a secret for 25 years, but she eventually revealed the incident. This brought her considerable acclaim for speaking out about her devastation. She co-founded a suicide prevention foundation based on her own past situation. She continues to work in the theatre and, in 2000, was hosting the syndicated Wild About Animals (1995). Her children, Justine E. Boyriven (b. 1978) is an actress and singer, and Sean Boyriven (b. 1975) is a film-school graduate.- Actor
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Born in London, England, John Gielgud trained at Lady Benson's Acting School and RADA, London. Best known for his Shakespearean roles in the theater, he first played Hamlet at the age of 26. He worked under the tutelage of Lilian Bayliss with friend and fellow performer Laurence Olivier and other contemporaries of the National Theatre at the "Old Vic", London. He made his screen debut in 1924. Academy Award Best Supporting Actor, 1981, for Arthur (1981), Academy Award Nomination, 1964, for Becket (1964).- Actor
- Producer
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Milo Manheim is an up-and-coming American actor born and raised in Los Angeles. He began his acting career in a local after-school program in Culver City at the age of seven, and he soon went on to perform in 15 musicals with Liza Monjauze Productions. These musicals include: Rent, Footloose, Tommy, A Chorus Line, Gypsy, and Spring Awakening.
Milo was discovered when casting director Amber Horn saw his performance as "Roger" in the musical Rent. This was a pivotal point in his budding career as she brought him in to audition for a new Disney Channel musical, Zombies. Milo booked the male lead, and Zombies premiered on Disney Channel in February 2018.
As the only son of Emmy and Golden Globe award winner Camryn Manheim, Milo grew up on the set of The Practice and Ghost Whisperer, and he developed an appreciation for the craft at an early age. In addition to his love of television and film, Milo is still drawn to the stage. Right after filming Zombies, Milo performed in the original musical Generation Me, which was performed at the Hudson Theatre and Playwright Horizons in New York City. He won the "Best Leading Actor" award for his role at the 2017 New York Musical Festival.
Following in his family's footsteps, he is an avid participant in community service and charities. After his role in Generation Me, Milo became an advocate for teen suicide prevention. He has also worked with a variety of different organizations to give back, including Bread & Roses Restaurant, Pediatric Aides, Poker for Puppies, Buy Life, and Foster Cares. Milo has volunteered with the Venice Family Clinic which provides health care to low-income residents, and he worked with disabled students at McBride Elementary to get them involved with the arts. In 2008, Milo contributed to the Obama campaign with funds raised from a lemonade stand and was invited to Washington D.C. to attend the inauguration. In Addition, for the past six years, Milo has been involved in Robert Kennedy Jr.'s Waterkeeper Alliance, and he had the opportunity to interview Robert Kennedy Jr. on a CBS news segment about the environment.
Milo plays guitar, drums, piano, and ukulele, and he dabbles in various wind instruments.- Actor
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Luke Perry was an American actor, primarily remembered as a teen idol throughout the 1990s and the early 2000s. Perry was born in Mansfield, Ohio in 1966. Mansfield was known at the time as a center for the home appliances and stove manufacturing industries. The city's largest employer used to be the Westinghouse Electric Corporation.
Perry's parents were the steelworker Coy Luther Perry Jr. (1944-1980) and his wife Ann. Perry's parents divorced in 1972, when he was 6-years-old. Ann gained custody over her children, and later married construction worker Steve Bennett. Luke was mostly raised by his mother and stepfather, and did not have a close relationship with his biological father. Coy Perry suffered a heart attack in 1980 and died, when Luke was 14-years-old. Luke attended his funeral.
Perry was mostly raised in the village of Fredericktown, Ohio, and attended the Fredericktown High School. In his high school years, Perry served in the role of the school mascot, the "Freddie Bird".
In 1984, the 18-year-old Perry moved to Los Angeles, with the intention of becoming a professional actor. For several years, Perry kept auditioning for various roles without ever being hired. He supported himself financially by working at odd jobs, and serving as an extra for music videos. His most notable role in this period was in the 1986 music video for the song "Be Chrool to Your Scuel" (1985) by the heavy metal band "Twisted Sister".
Perry's first successful audition landed him the role of a recurring character in the soap opera Loving (1983) (1983-1995). From 1987 to 1988, he played the character of Ned Bates. In Perry's own words: "Ned was a dirt-poor mechanic from Tennessee who always got taken advantage of".
Perry next received a recurring role in another soap opera, Another World (1964) (1964-1999). From 1988 to 1989, he played the character of Kenny, the manager of aspiring model and actress Josie Watt (played by Alexandra Wilson).
In 1990, Perry landed the most significant role of his career, depicting the character of Dylan McKay in the teen drama Beverly Hills, 90210 (1990) (1990-2000). He played the character for a total of 199 episodes. Dylan was the teenage rebel son of business tycoon Jack McKay and hippie ex-wife Iris McKay. He started the series as a loner, but he offered help to nerdy schoolmate Scott Scanlon (played by Douglas Emerson) against the local bullies. This act of bravery gained him new friends and the romantic attention of Brenda Walsh (played by Shannen Doherty).
Perry's success in his new role gained him a huge following among teenage girls, and guaranteed that he would receive more job offers. His first starring role in a film was the drama Terminal Bliss (1990) (1992), where he played the self-destructive rich kid John Hunter. The film was a box-office flop.
Perry had a more memorable role in the horror comedy film Buffy the Vampire Slayer (1992), as the character Oliver Pike. Pike was a hard-drinking slacker youth in Los Angeles, and had a hostile relationship with high school girl Buffy Summers (played by Kristy Swanson). After Pike's best friend gets turned into a vampire, Pike assists Buffy in her battles with the vampire lord Lothos (played by Rutger Hauer) and his subordinate vampires. Pike is Buffy's sidekick and main love interest in the film, and has appeared in various adaptations, though not in the spin-off television series.
Perry had his first voice acting role in the episode, Krusty Gets Kancelled (1993) of the animated sitcom The Simpsons (1989). He played a parody version of himself as a sidekick of the character Krusty the Clown in a show-within-the-show. Perry had more voice acting roles in other animated television series of this era. He played the Detroit-based crime lord Napoleon Brie in Biker Mice from Mars (1993) (1993-1996), the master ninja Sub-Zero in Mortal Kombat: Defenders of the Realm (1995) (1996), Bruce Banner's best friend and sidekick Rick Jones in The Incredible Hulk (1996) (1996-1997), and Nicky Little's boyfriend Stewart Waldinger in Pepper Ann (1997) (1997-2000).
In live-action films, Perry played the starring role of professional bull-rider Lane Frost (1963-1989) in the biographical drama 8 Seconds (1994). He played a version of himself in the Italian comedy film Vacanze di Natale '95 (1995) ("Christmas Vacation '95", 1995), where he is the love interest of infatuated teenager Marta Colombo (played by Cristiana Capotondi). Perry played the police officer and bank robber Chris Anderson in the crime drama Normal Life (1996), while his wife and partner-in-crime Pam Anderson was played by Ashley Judd. He played the suicidal character Johnny in the comedy-drama American Strays (1996), which features the character hiring a professional hit-man to provide him with an assisted suicide.
In 1997, Perry played a small role in the science fiction film The Fifth Element (1997). In a scene set in 1914, Perry plays the assistant archaeologist Billy Masterson. Masterson sees his mentor being knocked out by Mondoshawan aliens, and reacts by shooting one of the aliens. Masterson's fate is left uncertain in the film, though the novelization features him as the victim of a poisoning plot.
In the late 1990s, Perry appeared frequently in television films and various direct-to-video films. He had guest roles in several television series, but mostly playing one-shot characters. Following the end of Beverly Hills, 90210 (1990) in 2000, his first major role was the recurring character Jeremiah Cloutier in the crime-drama Oz (1997) (1997-2003). Introduced in 2001 episodes of the series, Jeremiah was an Evangelical preacher who was imprisoned for embezzling funds from his church. He used his charisma and preaching skills to convert fellow prisoners to Evangelical Christianity, He was eventually assassinated by his own convert Timmy Kirk (Sean Dugan) and several of Kirk's friends, after Jeremiah denounced Kirk using Christianity as an excuse to murder people.
Perry next gained a starring role in the post-apocalyptic series Jeremiah (2002) (2002-2004). The series is set c. 2021, 15 years after a plague killed nearly everyone over the age of thirteen. Most of the adult characters of the show were children at that time, and survived the event. Now they are troubled adults, trying to survive in a harsh world. Perry's character Jeremiah is a wanderer who finds himself recruited into a Colorado-based secretive organization. He fights a war against a West Virginia-based organization which seeks to either conquer or wipe out all remaining outposts of humanity. The series lasted two seasons. A third season was planned, but plans for it were aborted due to disagreements between the production companies co-financing the series.
Perry returned to playing mostly guest star roles in television. In 2006, he was cast as one of the main characters in the short-lived drama series Windfall (2006). Only 13 episodes were produced, as the series failed to find an audience and one of the show's co-creators had left before the season's completion.
In 2007, Perry played businessman Linc Stark in the surf-themed series John from Cincinnati (2007). Despite relatively high ratings, the series only lasted for one season.
In the late 2000s, Perry played guest roles in police procedural a series: the rapist Noah Sibert in Trials (2008) and the cult leader Benjamin Cyrus in Minimal Loss (2008).
For much of the 2010s, Perry continued mostly appearing in guest roles and relatively obscure films. In 2015, a colonoscopy test revealed pre-cancerous growths in Perry's body, that could have developed into colorectal cancer. Perry received medical treatment, and became a spokesperson for campaigns requiring early testing for cancer.
In 2017, Perry returned to prominence in a live-action adaptation of a comic book series, Riverdale (2017) (2017-2019). It was an adaptation of Archie Comics' characters, but in a mystery series instead of their traditional comedy setting. Perry played Frederick "Fred" Andrews, Archie Andrews's father, depicted here as the owner of a successful construction company. Fred is depicted as a single father, as his wife Mary Andrews abandoned him and moved to Chicago. The series also depicts Fred as the ex-boyfriend of Hermione Gomez-Lodge (Veronica Lodge's mother).
On February 27, 2019, Perry suffered a massive ischemic stroke within his home in Sherman Oaks, Los Angeles. He was hospitalized, but suffered a second stroke days later. He died on March 4, 2019, having never recovered from the two strokes. He was only 52 years old. His body was buried near his home in Vanleer, Tennessee, where he had bought a farm and the associated house in 1995, and spent time living there when not working on film or television projects.
Perry's will reportedly left his son Jack Perry (b. 1997) and daughter Sophie Perry (b. 2000) as the only heirs to his estate. The press noted that the will excludes Perry's mother, his stepfather, his siblings, his ex-wife, and his last fiancée from having inheritance claims, and there was some speculation on Perry's motivation for this decision. His net worth was estimated at over $10 million.- In 2022 Jennifer Holland can be seen starring as Emilia Harcourt in HBO Max's highly anticipated action series "Peacemaker." Based on the DC Comics and executive produced and written by James Gunn, "Peacemaker" is the first DC Extended Universe television series, and follows Peacemaker (John Cena) who believes in achieving peace, at any cost. Holland shines as Harcourt, a loyal, lifelong black ops member who believes in her line of work, you do not hesitate to do your job. For Harcourt, emotions and friends are liabilities, and she is irked when inexperienced new recruit Leota Adebayo (Danielle Brooks) joins her team, just another liability to navigate. Holland debuted as Harcourt in Warner Bros' "The Suicide Squad," Gunn's hyper-violent, triumphant reimagining of the 2016 feature. "Peacemaker" picks up where "The Suicide Squad" left off, and will premiere on January 13, 2022 on HBO Max.
Additional television credits for Holland include starring in CMT's "Sun Records," "Rush Hour," "Perception," "The Glades," "American Horror Story," "Bones," "Rizzoli & Isles," "Cougar Town," and "CSI: Miami." In film, Holland recently appeared in Screen Gem's anti-superhero horror flick "Brightburn" opposite Elizabeth Banks.
Born and raised outside of Chicago, Holland grew up as a competitive gymnast, where she discovered her love of performing. She participated in theater throughout middle and high school, joining the drama and film clubs to further explore her love of bringing characters to life. At just 16 years old she decided to pursue a professional career in Los Angeles, and made the move to the west coast to immerse herself in the industry. She has been working ever since.
Over the years Holland has supported a myriad of charities as giving back is essential for her. She is an ongoing supporter of The Rainforest Trust, and is passionate about criminal justice reform, the reduction of human impact on the environment and climate change. When Holland isn't on set you can find her in the outdoors; she loves hiking, biking, kayaking, and being active. She is also a self-proclaimed astronomy geek; astronomers, theoretical physicists, engineers, and scientists are her heroes. Holland currently lives in the Los Angeles area, with her puggle Lola and cat Emily. - Actor
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Alan Alda (born under the name Alphonso Joseph D'Abruzzo) is an American actor, comedian, film director, and screenwriter from New York City. His father was the Italian-American actor Robert Alda. Alda's best known role was playing chief surgeon Benjamin Franklin "Hawkeye" Pierce in the medical-themed sitcom M*A*S*H (1972-1983) for 11 seasons. He twice won the "Primetime Emmy Award for Outstanding Lead Actor in a Comedy Series" for this role. Alda was later nominated for the "Academy Award for Best Supporting Actor", for his portrayal of career politician Ralph Owen Brewster (1888-1961) in the biographical film "The Aviator" (2004). The film depicted Brewster's opposition to the commercial interests of Howard Hughes, and the alleged political corruption which caused the end of Brewster's career.
In 1936, Alda was born in the Bronx, New York City. By that time, his father Robert Alda (1914-1986) had already started performing in vaudeville and burlesque theaters. Alda's mother was former beauty queen Joan Browne. Alda had Italian ancestry on his father's side of the family, and Irish ancestry on his mother's side of the family. Alda spend much of his childhood touring the United States with his father, as his father's acting job required frequent travel.
In 1943, Alda contracted polio. His parents chose to administer a painful treatment regimen, "consisting of applying hot woolen blankets to his limbs and stretching his muscles". This treatment had been developed by the Australian nurse Elizabeth Kenny (1880-1952), and was based on the principle of muscle rehabilitation. Though the treatment was considered controversial, it seemingly helped Alda to recover his mobility.
Alda received his secondary education at Archbishop Stepinac High School, an all-boys Roman Catholic high school located in White Plains, New York, United States. The school was named in honor of Aloysius Stepinac (1898 - 1960), the Archbishop of Zagreb who was hero-worshiped for his conviction for treason by communist Yugoslavia. Alda received his college education at Fordham University, a Jesuit research university located in New York City. He graduated In 1956 with a Bachelor of Arts degree.
During his college years, Alda worked for the radio station WFUV. The station was owned by Fordham University, and was operated by its students. Alda joined the Reserve Officers' Training Corps (ROTC) , a training program intended for prospective commissioned officers of the United States Armed Forces. He subsequently entered the United States Army Reserve. He served for a year at Fort Benning, a United States Army post straddling the Alabama-Georgia border . He then spend 6 months stationed in Korea. His official rank at that time was that of a gunnery officer, though Alda claims that he was placed in charge of a mess tent.
In 1956, Alda was introduced to Jewish-American musician Arlene Weiss (a clarinetist). They soon bonded due to their similar tastes in humor, and started dating each other. They were married on March 15, 1957. They had three daughters, born between 1958 and 1961.
Alda started his acting career in the mid-1950s, as a theatrical actor. He joined the Compass Players (1955-1958), a short-lived improvisational theatre revue which was based in Chicago. He subsequently joined the improvisational group Second City, and the regional theater company Cleveland Play House for its 1958-1959 season. In 1958, he had his first guest star role in television. He appeared in an episode of "The Phil Silvers Show", a military-themed sitcom about a swindler operating within the United States Army.
Alda made his film debut in the comedy-drama film "Gone Are the Days!" (1963). The film was a satire of segregation and bigotry, based on a play written by Ossie Davis (1917-2005). Alda was part of the recurring cast of "That Was the Week That Was" (1963-1965), a political satire series which targeted various political figures of the era. It was based on a British satire series of the same name. Most episodes of the American version are considered lost, though there are surviving audio recordings.
In 1968, Alda had his first starring role in a film. He portrayed sports journalist George Plimpton (1927-2003) in the sports comedy "Paper Lion". The film depicted Plimpton's brief term as a player of the Detroit Lions, and focused on his inexperience and ineptitude as a football player.
Alda played the accountant Morton Krim in the World War II-themed war comedy "The Extraordinary Seaman" (1969). The film depicts four sailors of the United States Navy who have been stranded on an island of the Philippines. They encounter the ghost of a British naval officer who was killed in World War I, and he encourages them to launch an attack on Japanese positions. Due to the ghost's perpetual bad luck, their attack is ill-fated.
Alda next played the male lead in the drama film "Jenny" (1970). In the film, main character Jenny Marsh (played by Marlo Thomas) was impregnated in a one-night-stand and has few options in life. Her acquaintance Delano (played by Alda) agrees to marry her and to claim the child's paternity, in an effort to avoid being drafted for war service. The film depicts the problems of a typical "marriage of convenience" (a marriage contracted for reasons other than that of love and commitment), and Delano's attempts to maintain both his marriage and his long-term relationship with another woman. The film earned 2,825,000 million dollars at the worldwide box office.
Alda also played the main character in the crime film "The Moonshine War" (1970), which was set in Prohibition-era Kentucky. He played John "Son" Martin, a man whose main source of income is the production of moonshine whiskey. An acquaintance in the Internal Revenue Service starts pressuring him for a cut on the profits. When Son refuses, the acquaintance reports his activities to a violent gang leader and his henchmen. Son has to outwit the gang in order to survive. The film was one of several films greenlit by Louis Polk and Herb Solow, the then-new co-leaders of Metro-Goldwyn-Mayer.
Alda had his first role in a horror film, when he played the main character in the occult-themed horror film "The Mephisto Waltz" (1971). He played music journalist Myles Clarkson, who unexpectedly befriends piano virtuoso Duncan Ely (played by Curd Jürgens). He does not realize that Ely is dying due to cancer, and that he intends to perform a body-swapping spell to take over Clarkson's body. Once the spell succeeds, Ely starts a new career in Clarkson's body and kills Clarkson's daughter. Ely fails to realize that his new "wife" Paula Clarkson (played by Jacqueline Bisset) intends to use the same spell to swap bodies with Ely's adult daughter. Bisset was praised for her "chillingly effective" performance, but film critics argued that Alda had been miscast in this role.
Alda had a scarier role in the psychological thriller "To Kill a Clown" (1972), playing disturbed Vietnam War veteran Evelyn Ritchie. Ritchie was once a military officer, but retired after having one of his legs amputated. He agrees to become the landlord of a young married couple, despite his intense dislike for the artistic lifestyle of his tenant Timothy Frischer (played by Heath Lamberts). He starts treating Frischer as a military subordinate, and insists on keeping both of his tenants as prisoners in their residence. The young couple soon learn that Ritchie has sadistic tendencies, and that he had a history of tormenting his subordinates throughout his military career.
Alda had the big break in his career when cast to play chief surgeon Benjamin Franklin "Hawkeye" Pierce in the medical-themed sitcom M*A*S*H (1972-1983). The series depicted life within a "Mobile Army Surgical Hospital" (MASH) during the Korean War (1950-1953). It was based on the novel "MASH: A Novel About Three Army Doctors" (1968) by military surgeon H. Richard Hornberger. The series often questioned the United States' role in the Cold War, and satirized authority figures. Its ratings placed it among the top 10 most viewed shows throughout most of its run, and it was critically acclaimed. Alda appeared in all 256 episodes of the series, which helped him become a household name in the United States. Alda eventually served as the series' producer, creative consultant, and co-writer.
Alda played the male lead in the romantic comedy "Same Time, Next Year" (1978), which was his first film role since the early 1970s. The film depicts an extramarital affair which lasts for 26 years (1951-1977), despite the two lovers only meeting once per year. The film also covers the effects time has on the couple's political ideologies, and how they react to the deaths of various family members. The film was partially shot at the Heritage House Inn in Little River, California. The inn became a popular romantic getaway due to the film's enduring popularity. Alda was nominated for the Golden Globe Award for "Best Actor in a Motion Picture - Musical or Comedy", but the award was instead won by rival actor Warren Beatty.
Alda was part of the ensemble cast in the comedy film "California Suite" (1978). He played successful screenwriter Bill Warren, who is involved in a custody dispute with his ex-wife, the workaholic Hannah Warren (played by Jane Fonda). Both parents claim custody over their adolescent daughter Jenny Warren (played by Dana Plato), and have little regard for Jenny's plans about her own life. The film's cast was nominated for several awards, but Alda was overshadowed by his co-stars.
Alda received his first screenwriting credit for the political drama film "The Seduction of Joe Tynan" (1979). He also played the film's eponymous character. He portrayed an ambitious American senator, whose marriage seems to be deteriorating. He briefly has an extramarital affair with labor lawyer Karen Traynor (played by Meryl Streep), but decides against seeking a divorce. The film earned about 19.6 million dollars at the worldwide box office. Alda was praised more for his ability as a screenwriter than his acting in this film. Streep was nominated for several acting awards for her supporting role, having a breakthrough in her career.
Alda made his directorial debut with the romantic comedy film "The Four Seasons" (1981), depicting the relationships between three upper middle-class married couples. Alda kept for himself the role of Jack Burroughs, a lawyer who has a tendency towards expressing narrow moral attitudes. The film was an unexpected box office hit, earning about 50,4 million dollars at the box office. It was the ninth highest-grossing film of 1981, and won the "Bodil Award for Best Non-European Film". Alda was again nominated for the "Golden Globe Award for Best Actor - Motion Picture Musical or Comedy", but the award was instead won by rival actor Dudley Moore.
Alda had a hiatus in his acting and directing career during the early 1980s, as he had to take care of his terminally-ill parents. He attempted a comeback by directing the comedy film "Sweet Liberty" (1986), which parodies Hollywood filmmaking. Alda kept for himself the role of Michael Burgess, a college professor and historical novelist. Burgess wants to oversee the adaptation of his historically-accurate and realistic novel into a Hollywood film, but soon realizes that the film's screenwriter has turned the film into a historically inaccurate soap opera. He then sets out to sabotage the film. The film only earned 14.2 million dollars at the box office, despite the critical praise for its leading actors. The poor box office performance was attributed to its release time at movie theaters. It was directly competing with two more lucrative films, "Top Gun" and "Short Circuit".
Alda's next directing effort was the romantic comedy "A New Life" (1988), which depicted the problems faced by middle-aged divorced people. Alda played Steve Giardino, a workaholic businessman who received a divorce after more than 25 years of marriage. His attempts to pursue a new romance are complicated by his inexperience at dating and his unwillingness to father children again. Giardino soon suffers a heart attack due to his poor eating habits. He falls in love with the female physician attending to his problem, Dr. Kay Hutton (played by Veronica Hamel). The film was a box-office flop, only earning 7,7 million dollars at the box office. Critics found the film pleasant, but predictable.
Alda played pompous television producer Lester in the comedy-drama film "Crimes and Misdemeanors" (1989). In the film, Lester wants to finance a documentary celebrating his own life and work. He hires his brother-in-law to direct it, documentary filmmaker Clifford "Cliff" Stern (played by Woody Allen). He is unaware that Stern despises him. Stern uses the film to expose Lester's mistreatment of his employees, and Lester's sexual harassment towards actresses. The film earned 18,2 million dollars at the box office. For his role, Alda won the "National Board of Review Award for Best Supporting Actor".
Alda had his final directing credit with the romantic comedy "Betsy's Wedding" (1990). Alda played the main role of Eddie Hopper, a construction contractor who insists on organizing a lavish wedding for his beloved daughter Betsy Hopper (played by Molly Ringwald). Since Eddie can not actually afford the wedding expenses, he requests financial assistance from loan sharks. The film earned 19.7 million dollars at the box office, but its leading actresses (Molly Ringwald and Ally Sheedy) were both nominated for Golden Raspberry Awards. Unlike Alda's previous directing efforts, critics were mostly hostile towards the film.
Alda played the evil mentor Leo Green in the erotic thriller "Whispers in the Dark" (1992). In the film, main character Ann Hecker (a psychiatrist, played by Annabella Sciorra) seeks help from her mentor Leo Green due to suffering from disturbing dreams. Hecker is soon implicated in the murder of her female patient Eve Abergray (played by Deborah Unger), and then in the murder of the police detective investigating the case. She eventually realizes that her mentor has been obsessed with her for years. He committed both murders in a misguided attempt to protect her. This was Alda's first villainous role in a film since the early 1970s. The film only earned 11.1 million dollars at the box office.
In 1993, Alda became the new host of the science-themed television program "Scientific American Frontiers" (1990-2005). The series was a spin-off of the popular science magazine "Scientific American" (1845-). The show typically focused on new technology, and on scientific and medical discoveries. Alda remained the host for 12 years, and was credited with inspiring youngsters to follow scientific careers.
Alda was reduced to the supporting role of the protagonist's confidant in the black comedy film "Manhattan Murder Mystery" (1993). The main plot involved amateur detectives who were investigating the mysterious death of a neighbor, who seemed to have died twice and on two entirely different locations. They eventually realize that they have stumbled on the deaths of two sisters with a close family resemblance, and that the motive for the murders was their family fortune. The film only earned 11.2 million dollars at the box office. Its perceived failure led to the termination of a long-term deal between director Woody Allen and the film studio TriStar Pictures.
Alda had a more comedic role in the political satire film "Canadian Bacon" (1995). The film satirized international relations between Canada and the United States. Alda played an unnamed President of the United States who wants to start a new war to boost his sagging poll numbers, but lacks a credible enemy to serve as an opponent. He finds that Russia is not interested in renewed hostilities, and a proposal to declare war on international terrorism is rejected as absurd. So he uses a flimsy excuse to declare war on Canada, and uses television channels to transmit anti-Canada propaganda to the gullible American population. The film was a box office flop, despite featuring a large cast of Canadian actors. It is mostly remembered as the final film appearance for actor John Candy.
Alda next had a supporting role in the black comedy "Flirting with Disaster" (1996). In the film, an adult, married man searches throughout the United States for the biological parents who gave him up for adoption. He eventually learns that his biological father is Richard Schlichting (played by Alda), a man who has devoted the last 30 years in producing and distributing "lysergic acid diethylamide" (LSD). The family reunion is less than happy, and the protagonist is introduced to a biological brother who despises him. The film earned 14,7 million dollars at the box office.
Alda had another villainous role in the action thriller film "Murder at 1600" (1997), playing national security adviser Alvin Jordan. In the film, Jordan has organized a conspiracy in order to blackmail the President of the United States into resigning, and to start a second Korean War. The conspiracy involved murdering a White House secretary (who had a brief affair with the president) and framing the President for murdering her. The film earned 41,1 million dollars at the worldwide box office, Alda's most profitable film in a decade.
Alda played news anchorman Kevin Hollander in the media-themed thriller "Mad City" (1997). In the film, a fired museum guard takes several people hostage at his former workplace. The news media decides to exploit the situation for profit, and several reporters compete in trying to get the lion's share of the publicity. The situation escalates until the museum guard becomes a suicide bomber. The film only earned 10.5 million dollars at the box office.
Alda's career had declined in the early 2000s, but this situation was only temporary. In 2004, Alda joined the recurring cast of the political television series "The West Wing" (1999-2006). The series depicted the administration of a fictional United States president and his staff. Alda played Republican senator Arnold Vinick for 28 episodes. His character was depicted as a fiscal conservative, who was opposed to corporate welfare and resented to Christian' right's influence on his political party. Vinick became the new Secretary of State in the finale of the series. For his role, Alda won a Primetime Emmy Award for Outstanding Supporting Actor in a Drama Series in 2006.
Alda's film career experienced a revival with his portrayal of career politician Ralph Owen Brewster (1888-1961) in the biographical film "The Aviator" (2004). He was nominated for the "Academy Award for Best Supporting Actor", the first Academy Award nomination in Alda's career. The award was instead won by rival actor Morgan Freeman. The critical acclaim for his role went against years of criticism for his acting abilities. Alda received several new offers for film roles.
Alda remained active as an actor throughout the 2000s and 2010s. He published three different memoirs between 2005 and 2017, covering different aspects of his life and career. In July 2018, he announced in an interview that he had been diagnosed with Parkinson's disease in 2015. While this has not ended his acting career, he feared that the effects could be distracting to viewers of his work.
From 2018 to 2020, Alda had a recurring role in the crime drama television series "Ray Donovan" (2013-2020). The series depicted the life and career of a professional "fixer" of the entertainment industry, in charge of bribes, payoffs, threats, crime-scene clean-up, and other illegal activities. Alda also appeared in the spin-off film "Ray Donovan: The Movie" (2022), which concluded remaining plot-lines from the series. By 2022, Alda was 86-years-old. He may no longer be in his prime, but the aging actor seems to have no plans to retire yet.- Actress
- Producer
- Soundtrack
Candice Rene King (née Accola) (born May 13, 1987) is an American actress, singer and songwriter, known for portraying the role of Caroline Forbes on The CW's The Vampire Diaries.
Candice King was born in Houston, Texas, the daughter of Carolyn (Clark), who was an environmental engineer before becoming a homemaker, and Kevin Accola, a cardio-thoracic surgeon. She has English, Romansh-Swiss, French, and Norwegian ancestry. She grew up in Edgewood, Florida and attended Lake Highland Preparatory School. Both her parents are active members of the local Republican political party. She has one younger brother, Kree Thomas Accola.
In December 2006, King released her debut album, It's Always the Innocent Ones, independently in the United States. She co-wrote thirteen of the fourteen tracks on the record. The remaining track was a cover of 'Til Tuesday's hit "Voices Carry (song)." In 2008 the album was re-released in Japan and achieved greater success. King toured as a backing singer for Miley Cyrus's Best of Both Worlds Tour. She appeared as herself in the 2008 3D concert film Hannah Montana & Miley Cyrus: Best of Both Worlds Concert. In February 2011, King performed a cover of "Eternal Flame" by The Bangles on The Vampire Diaries.
King had guest appearances in a number of television series such as How I Met Your Mother, Supernatural and Drop Dead Diva. In July 2009 she starred in the independent horror film Deadgirl which centers on two high school boys who discover an immortal woman in an abandoned asylum. That same year again King had a bit-role in The Hannah Montana Movie. In 2009 she was cast in The CW television series The Vampire Diaries as Caroline Forbes, a teenage vampire. The series was an immediate success with the series premiere reaching 4.91 million viewers. Critical reception for the show was mixed, but as the show commenced, critics were positive. For King's performance, reception from critics and fans alike was very positive and has remained that way, receiving many awards for her performance. In June 2012 she joined the YouTube series Dating Rules From My Future Self as Chloe Cunningham a 26-year-old girl who believes love does not exist. The series centers on a girl receiving romance advice from herself ten years in the future via text message. The first season of the series went on to receive over 14 million views.
Candice began dating musician Joe King of The Fray after they met at a Super Bowl event in February 2011. They became engaged in May 2013, and married on October 18, 2014 in New Orleans, Louisiana. Upon her marriage, she became a stepmother to Joe King's two daughters from his first marriage. In August 2015, it was announced that Candice and Joe were expecting their first child together. On January 15, 2016, King gave birth to a daughter which they named Florence May.
Along with her The Vampire Diaries co-stars Michael Trevino and Ian Somerhalder, King is a supporter of the It Gets Better Project, which aims to prevent suicide among LGBT youth. Though her parents are Republicans, Candice herself has shown support for President Barack Obama, and supports gay rights.- Actress
- Costume and Wardrobe Department
- Soundtrack
Kim Novak was born in Chicago, Illinois on February 13, 1933 with the birth name of Marilyn Pauline Novak. She was the daughter of a former teacher turned transit clerk and his wife, also a former teacher. Throughout elementary and high school, Kim did not get along well with teachers. She even admitted that she didn't like being told what to do and when to do it.
Her first job, after high school, was modeling teen fashions for a local department store. Kim, later, won a scholarship in a modeling school and continued to model part-time. Kim later worked odd jobs as an elevator operator, sales clerk, and a dental assistant. The jobs never seemed to work out so she fell back on modeling, the one job she did well.
After a stint on the road as a spokesperson for an appliance company, Kim decided to go to Los Angeles and try her luck at modeling there. Ultimately, her modeling landed her an uncredited role in the RKO production of The French Line (1953). The role encompassed nothing more than being seen on a set of stairs.
Later a talent agent arranged for a screen test with Columbia Pictures and won a small six month contract. In truth, some of the studio hierarchy thought that Kim was Columbia's answer to Marilyn Monroe. Kim, who was still going by her own name of Marilyn, was originally going to be called "Kit Marlowe". She wanted to at least keep her family name of Novak, so the young actress and studio personnel settled on Kim Novak.
After taking some acting lessons, which the studio declined to pay for, Kim appeared in her first film opposite Fred MacMurray in Pushover (1954). Though her role as "Lona McLane" wasn't exactly a great one, it was her classic beauty that seemed to capture the eyes of the critics. Later that year, Kim appeared in the film, Phffft (1954) with Jack Lemmon and Judy Holliday. Now more and more fans were eager to see this bright new star. These two films set the tone for her career with a lot of fan mail coming her way.
Her next film was as "Kay Greylek" in 5 Against the House (1955). The film was well-received, but it was her next one for that year that was her best to date. The film was Picnic (1955). Although Kim did a superb job of acting in the film as did her co-stars, the film did win two Oscars for editing and set decoration. Kim's next film was with United Artists on a loan out in the controversial Otto Preminger film The Man with the Golden Arm (1955). Her performance was flawless, but it was was Kim's beauty that carried the day. The film was a big hit.
In 1957, Kim played "Linda English" in the hit movie Pal Joey (1957) with Frank Sinatra and Rita Hayworth. The film did very well at the box office, but was condemned by the critics. Kim really didn't seem that interested in the role. She even said she couldn't stand people such as her character.
That same year, Novak risked her career when she started dating singer/actor Sammy Davis Jr.. The interracial affair alarmed studio executives, most notably Harry Cohn, and they ended their relationship in January of the following year. In 1958, Kim appeared in Alfred Hitchcock's, now classic, Vertigo (1958) with James Stewart. This film's plot was one that thoroughly entertained the theater patrons wherever it played. The film was one in which Stewart's character, a detective, is hired to tail a friend's wife (Kim) and witnesses her suicide. In the end, Stewart finds that he has been duped in an elaborate scheme.
Her next film was Bell Book and Candle (1958) which was only a modest success. By the early 1960s, Kim's star was beginning to fade, especially with the rise of new stars or stars that were remodeling their status within the film community. With a few more nondescript films between 1960 and 1964, she landed the role of "Mildred Rogers" in the remake of Of Human Bondage (1964). The film debuted to good reviews.
In the meantime, Kim broke off her engagement to director Richard Quine and embarked on a brief dalliance with basketball player Wilt Chamberlain. While filming The Amorous Adventures of Moll Flanders (1965), she had a romance with co-star Richard Johnson, whom she married, but the marriage failed the following year.
Kim stepped away from the cameras for a while, returning in 1968 to star in The Legend of Lylah Clare (1968). It was a resounding flop, perhaps the worst of her career. However, after that, Kim, basically, was able to pick what projects she wanted. After The Great Bank Robbery (1969) in 1969, Kim was away for another four years until she was seen with then-boyfriend Michael Brandon in a television movie called The Third Girl from the Left (1973), playing a veteran Las Vegas showgirl experiencing a midlife crisis.
In a personal development, Novak met equine veterinarian Robert Malloy in October 1974 and the couple married in 1976. Subsequent films were not the type to get the critics to sit up and take notice, but afforded her the opportunity to work with strong talent. She appeared to good effect in Satan's Triangle (1975), Just a Gigolo (1978), The Mirror Crack'd (1980) and Malibu (1983).
In 1986 and 1987, Kim played, of all people, "Kit Marlowe" in the TV series Falcon Crest (1981). In 1990, she starred alongside Ben Kingsley in The Children (1990), a fine independent film shot in Europe. It was not widely distributed, thus few got to see Novak giving one of her most powerful performances.
Her last film, on the silver screen, was Liebestraum (1991), in which she played a terminally ill woman with a past. The film was a major disappointment in every aspect. Kim clashed with director Mike Figgis over how to play her character. Consequently, the role was cut to shreds. Kim has ruled out any plans for a comeback and says she just isn't cut out for Hollywood.
Fortunately, she has found long-lasting happiness outside her career. Today she lives in Eagle Point, Oregon with her husband Bob, on a ranch where they raise horses and llamas. Kim is also an accomplished artist and has exhibited her painting in galleries around the country. She enjoys riding, canoeing and expressing herself through paint, poetry and photography.- Actress
- Executive
Storm Reid is an Emmy-nominated actress, producer, and current student at USC. With numerous credits to her name, Reid has emerged as one of Hollywood's most sought-after young actors. She recently earned her first Emmy nomination for "Outstanding Guest Actress In A Drama Series" for her work as Riley in the Max hit series THE LAST OF US.
Previous film projects include: TWELVE YEARS A SLAVE (2013), SLEIGHT (2016), A HAPPENING OF MONUMENTAL PROPORTIONS (2017), A WRINKLE IN TIME (2018), DON'T LET GO (2019), THE INVISIBLE MAN (2020), THE SUICIDE SQUAD (2021), ONE WAY (2022), MISSING (2023). Previous television projects include: WHEN THEY SEE US (2019), EUPHORIA (2019-), THE BRAVEST KNIGHT (2019), THE LAST OF US (2023).
In 2013, Reid and her mother, Robyn Simpson launched A SEED & WINGS Productions, an independent multimedia production house rooted in narratives that forge multi-cultural conversations, entertain, educate, and uplift. Their desire is to create authentic storytelling that is impactful, honest, and reflects the perspectives of all people. In 2021, Reid starred in Facebook Watch's "Chop it Up," a conversation series by way of cooking. The series was created and produced by Reid and her mother, Robyn Simpson, through their production company. It was announced that Reid will star and produce, alongside Simpson under their banner, the Paramount feature BECOMING NOBLE.
Additionally, Reid created the brand ArashiBlu, which she continues to expand and now includes her philanthropic endeavor, ArashiBlu 1720. Reid launched ArashiBlu 1720 with the intent to advocate and support the next generation of creators by being of service to her community. Reid recently launched 1720 ONE PARK AT A TIME, a new initiative under ArashiBlu 1720, with the mission to restore parks and playgrounds in underprivileged neighborhoods across the country. The first park being restored is Brownwood Park in Reid's hometown of Atlanta, Georgia. Reid held a groundbreaking event at the park with partners Coco Gauff and New Balance in July 2023.
Reid's next film project, Warner Bros' THE NUN 2, is set to be released in theaters on September 8, 2023.- Additional Crew
- Stunts
- Actor
TERRY NOTARY began taking gymnastics class at the age of eight and by the time he graduated high school was the top collegiate pick with athletic scholarships to Berkeley, West Point, Stanford and UCLA. While at UCLA, Notary was a four-time NCAA All American and captain of the gymnastics team. Upon graduating with a major in theater, he was immediately recruited by the Cirque du Soleil, where he and 10 other performers from around the world assembled to form Cirque's prestigious 'troupe maison'. For 9 months they work-shopped in Montreal and created the show "Mystere'. Notary performed in the acclaimed production for four years, as a lead character and acrobat on the teeter board, Chinese poles and trampoline as well as a musician on the Taiko drums. Terry and his wife moved to New York where he was cast in eight different productions at the Metropolitan Opera and worked alongside talents such as Placido Domingo and Luciano Pavarotti. Simultaneously, Notary formed a circus production where he served as the creative director. Terry and his wife moved to Los Angeles when he was requested by Ron Howard to help create the world of Whoville for his upcoming film 'How the Grinch Stole Christmas'. Howard then requested Terry to teach the actors movement and thus Terry's career in the film industry began. Through Terry's seventeen year career, he has become an actor, director, creature performer, animal movement specialist, movement choreographer and stunt coordinator who has worked with the industry's leading directors, including, Ron Howard, James Cameron, Peter Jackson and Steven Spielberg. As a movement choreographer, Notary works extensively with cast to design and develop the signature character that is within a specific actor. Notary has served as movement choreographer and performed in a slate of films on the cutting edge of performance capture. He will next be seen in The Lion King, Avengers: Infinity War and Jungle Book: Origins. In addition to choreographing and appearing in Jungle Book, Notary also served as its 2nd unit director. Other films in which he appears and served as movement choreographer include Avatar, The Hobbit trilogy, The Incredible Hulk, Rise of the Silver Surfer, The Adventures of Tintin, The BFG, Warcraft and Suicide Squad. Notary recently played the iconic character, Kong in Kong: Skull Island and also previously portrayed the alpha chimp Rocket in Rise of the Planet of the Apes, Dawn of the Planet of the Apes, and the upcoming War for the Planet of the Apes where he also served as the stunt coordinator and movement choreographer for the ape-playing cast. Terry also enjoys teaching master class movement workshops around the world.- Actress
- Composer
- Producer
The daughter of Grateful Dead devotee and first manager Hank Harrison and psychotherapist Linda Caroll, Courtney Love was born Courtney Michelle Harrison in San Francisco, California in 1964. Love spent her early years living in hippie communes in Oregon and at schools in Europe and New Zealand, under the care of her mother and other family members.
By age 16, Love became legally emancipated and traveled throughout Europe, living off of a small trust fund left behind by her grandmother. Love eventually returned to Portland, Oregon, still pursuing music, and then moved around to various locations in the United States before making her break into the industry.
As a musician, she played in early incarnations of Babes In Toyland and Faith No More, as well as acting in bit parts for some Alex Cox films. In 1989, she started her own band, Hole, and in 1992 married Nirvana singer Kurt Cobain, giving birth to their daughter, Frances Bean Cobain, that same year. After Cobain's suicide in 1994, and the release of Hole's second album "Live Through This", Love continued to thrill her fans and enrage her detractors with her on- and off-stage antics.
By 1998, Hole had released their third studio album, "Celebrity Skin", and Love had attracted cinematic notoriety for her performance in The People vs. Larry Flynt (1996), which not only garnered her a Golden Globe nomination, but recognition as a serious performer.
Early into the millennium, Hole broke up, and Love took some supporting roles in films such as Trapped (2002), but her rocky past and propensity toward drug addiction eventually caught up with her, sending her through a whirlwind of numerous health and legal issues.
After unsuccessful stints in and out of drug rehabilitation centers, Love was ordered by the L.A. county court to three months in lock down rehab, which came to an end in 2006. Love soon after released a scrapbook-like diary recounting her life, titled "Dirty Blonde: The Diaries of Courtney Love", and continued writing music, testifying her sobriety to the press and public.
In 2009, after losing custody of daughter Frances Bean Cobain for unrelated reasons, Love re-formed Hole with an entirely new lineup, and soon after released the band's first album in ten years, titled "Nobody's Daughter".- Actress
- Writer
- Director
Actress-dancer-director Jasmine Guy has enjoyed a diverse career in television, theatre and film. She began her professional career at the Alvin Ailey American Dance Theater in New York City. Jasmine starred on Broadway in the original productions of Beehive and Leader of the Pack, and reprised hit productions of 'Grease', 'The Wiz' and 'Chicago' (as Velma Kelly). After years on Broadway and touring the globe, Jasmine landed the role of Whitley Gilbert on the Cosby Show spin-off 'A Different World'. She won six consecutive N.A.A.C.P. Image Awards for her portrayal of the pretentious but funny southern belle. Her other television performances include: 'Melrose Place' (with Heather Locklear); 'NYPD Blue' (with Jimmy Smits); 'Fresh Prince of Bel Air' (with Will Smith) and 'Living Single' (with Queen Latifah). One of her favorite roles was that of Roxy, the grim reaper meter maid on Showtime's hit series 'Dead Like Me' (with Mandy Patinkin.) Her most recent role as Grams on the popular series 'Vampire Diaries' can be seen on the C.W. Network. Jasmine has also worked with these great performers and directors in these films and miniseries: Spike Lee's 'School Daze'; Eddie Murphy's 'Harlem Nights'; Alex Hailey's 'Queen', and Debbie Allen's 'Stompin' at the Savoy'. She can be seen currently in the film 'October Baby'. Jasmine has worked extensively in theatre with Kenny Leon, Susan Booth, Andrea Frye and Pearl Cleage. She has starred in or directed many productions, including: 'For Colored Girls Who have Considered Suicide When the Rainbow is Enuf; 'Miss Evers' Boys'; 'Blues for an Alabama Sky'; 'The Colored Museum'; 'The Fourposter'; 'The Nacirema Society'; 'Broke-ology'; 'Fool For Love', and most recently, 'God of Carnage' at Atlanta's Alliance Theatre, where she also directed the world premiere of the opera 'I Dream', celebrating the life and journey of Martin Luther King, Jr. In 1991, she released her self-titled album on Warner Bros. Records, featuring the hit single 'Try Me'. 'Try Me' was produced by Full Force and features Xcape with Candy Burgess. The song shot up the R & B charts quickly to Gold status, and fueled the success of the album's second and third chart singles 'Another Like My Lover' and 'I Just Wanna Hold You'. In 2004, Jasmine penned the biography 'Evolution of a Revolutionary' (Atria Books), which chronicles the life and journey of Afeni Shakur - Black Panther, activist and mother of slain rapper Tupac Shakur. As a frequent motivational public speaker, Jasmine is called upon to share her story openly with those who may benefit from her trials and triumphs. Her continuing desire to blend balance and discipline with ambition and service continues to fuel her passion for the arts. She has traveled throughout the U.S. and appeared at more than a hundred speaking engagements, addressing diverse audiences at colleges, universities, conventions, corporations, affinity groups, churches, high schools and countless charitable and fund-raising events.- Actress
- Producer
- Director
Rita Wilson (born Margarita Ibrahimoff) is an American actress, singer, and film producer from Los Angeles. Her ancestry is primarily Greek and Bulgarian. She was granted Greek citizenship in 2019, in honor of her efforts to assist Greece by appealing for international aid after a devastating wildfire in Mati, Attica. Also in 2019, Wilson received a star on the Hollywood Walk of Fame. For several decades, Wilson has been an activist for additional funding to combat women's cancers. She has served as an honorary co-chair of the Women's Cancer Research Fund (WCRF).
In 1956, Wilson was born in Los Angeles. Her father, Hassan Halilov Ibrahimoff (1920-2009), was a bartender. He was born to a Pomak family in Oraio, Greece. The Pomaks being a Bulgarian Muslim minority population in northeastern Greece. Ibrahimoff migrated to the United States in 1949, and legally changed his name to Allan Wilson in 1960. Ibrahimoff was born to a Muslim family, but converted to Orthodox Christianity upon his marriage. Wilson's mother was Dorothea Tzigkou. She was an ethnic Greek woman from Sotirë in southern Albania. Dorothea was part of a Greek minority population in Gjirokastër County. Wilson was brought up as an Orthodox Christian by her parents, and has continued practicing her religion into adulthood.
In 1972, Wilson made her television debut in an episode of the sitcom "The Brady Bunch" (1969-1974). She portrayed Pat Conway, one of the candidates for the position of head cheerleader. Her character was depicted as a one-shot rival for the regular character Marcia Brady (played by Maureen McCormick). Afterwards, she started regularly appearing in guest-star roles in television.
In 1977, Wilson had her film debut in the science fiction horror film "The Day It Came to Earth" (1977). It depicted an alien who arrived to planet Earth on a falling meteor, and re-animated the corpse of a recent murder victim. The film was shot in Arkansas, and used a primarily local cast of actors. It was one of several B-Movies distributed by the company Howco, primarily to drive-in theaters. The film found moderate success, and later became available in syndicated television through an early episode of the horror television series "Elvira's Movie Macabre" (1981-1986).
In 1981, Wilson had a guest role in the sitcom "Bosom Buddies" (1980-1982), which depicted two men who regularly cross-dressed as women. She was introduced to fellow actor Tom Hanks (1956-), who was one of the series' protagonists. The two met again when they co-starred in the comedy film "Volunteers" (1985). They portrayed Lawrence Bourne III and Beth Wexler, two volunteers of the Peace Corps who fall for each other during a dangerous mission in Thailand. Wilson and Hanks eventually started a real-life romantic relationship, and Hanks converted to Orthodox Christianity to be able to marry her. The couple were married in 1988, and eventually had two sons: Chester Marlon "Chet" Hanks (born in 1990) and Truman Theodore Hanks (born in 1995). Chet eventually followed in his parents' footsteps as an actor.
During the 1980s, Wilson had continued to regularly appear in guest-star roles in television. She portrayed Nurse Lacey in two episodes of the war drama "M*A*S*H" and portrayed two different characters in episodes of the sitcom "Happy Days". Her other appearances included then-popular series, such as "Three's Company", "Who's the Boss?", and "Moonlighting". She had relatively few film roles in this period. In the 1990s, she started appearing frequently in films. She portrayed the supporting character of Suzy Baldwin in the romantic comedy "Sleepless in Seattle" (1993), the sister of co-protagonist Sam Baldwin (played by Tom Hanks). In one of the film's subplots, Suzy is mistaken for Sam's new girlfriend.
Wilson portrayed Catherine O'Shaughnessy in the Christmas-themed black comedy "Mixed Nuts" (1994). Her character was the overly emotional and empathetic supervisor of a suicide-prevention hot-line, who was unaware that her boss was nearly bankrupt. After her boss Philip (played by Steve Martin) confessed his love for her, Catherine became his new fiancee. The film was a remake of the French comedy film "Santa Claus Is a Stinker" (1982), but added several new subplots to the basic story.
Wilson portrayed the adult version of co-protagonist Chrissy DeWitt in the coming-of-age comedy-drama film "Now and Then". The preteen version of the character was portrayed by Ashleigh Aston Moore. The film's followed the lives of four 12-year-old girls in 1970, and their reunion as adults in 1995. Chrissy was portrayed as the sexually repressed and overly naive member of the group, the product of an overprotective mother. During their reunion, Chrissy was a pregnant homemaker who had never left her hometown, and was still a naive "good girl". Her friends had become successful career women, and two of them had moved away.
Wilson had a supporting role in the comedy film "That Thing You Do!" (1996). She portrayed the waitress Marguerite, an employee at a jazz club. Marguerite tried to romance professional drummer Guy Patterson (played by Tom Everett Scott), but he ignored her when he had a chance to meet his idol, Del Paxton (played by Bill Cobbs). Guy's night out with his idol resulted in him suffering from a hangover in his performance. His music group fell apart soon after, and Guy started a romantic relationship with Faye Dolan (played by Liv Tyler), an assistant of the band members.
Wilson had a supporting role in the Christmas-themed comedy film "Jingle All the Way" (1996). She portrayed Liz Langston, the wife of workaholic salesman Howard Langston (played by Arnold Schwarzenegger). Howard loved his wife and son but neglected them. When he remembered that Liz instructed him to buy a Christmas gift for his son, it was already Christmas Eve and most shops had sold out their toys. Howard started obsessively searching for his son's favorite action figure, in the apparent belief that it will cheer up his heartbroken son. Meanwhile, Liz had to face the unwanted romantic advances of their neighbor, Ted Maltin (played by Phil Hartman). By the end of the film, Howard realized that he never bought a Christmas gift for Liz. The film was in part a satire of the commercialization of Christmas, and in part a quest for a parent to apologize for neglect through a single gift to his son. The film earned 129.8 million dollars at the worldwide box office. Wilson was nominated for the "Stinkers Bad Movie Award" for Worst Supporting Actress for this role, but lost to actress Jami Gertz (1965-).
In the psychological horror film "Psycho" (1998), Wilson portrayed Caroline, the office co-worker of Marion Crane (played by Anne Heche). The film was a remake of "Psycho" (1960), where the role of Caroline had been played by Pat Hitchcock. Caroline is remembered primarily for offering to share her tranquilizers with Marion. Caroline apparently considered them superior to aspirins in dealing with common headaches. Caroline also made references to her nagging mother, making her one of several characters in the film who had a problematic relationship with their mother.
Wilson portrayed Ellie Graham in the romantic comedy "Runaway Bride" (1999). Her character was both the ex-wife and the editor of news reporter Homer Eisenhower "Ike" Graham (played by Richard Gere). In the film, Ike had undermined his own career by publishing an inaccurate biographical article on a woman, using as his only source the ramblings of a casual acquaintance. In an effort to restore his reputation, Ike decided to write an in-depth biographical article. He systematically interviewed the woman's friends, family, and several of her ex-fiances. In the process, Ike became romantically interested in the woman. The film earned 309.5 million dollars at the worldwide box office.
Wilson produced the hit comedy film "My Big Fat Greek Wedding" (2002), in her debut as a producer. She had helped the lead actress and playwright Nia Vardalos to secure a film contract for her script. Wilson won the "Visionary Award" at the "Producers Guild of America Award". She subsequently served as an executive producer for the spin-off television series "My Big Fat Greek Life". Wilson subsequently served as one of the producers in several films. Her films include "Connie and Carla" (2004), "Mamma Mia!" (2008), "My Life in Ruins" (2009), "My Big Fat Greek Wedding 2" (2016), "Mamma Mia! Here We Go Again" (2018), and "A Simple Wedding" (2018).
In 2012, Wilson released her debut solo album as a singer, "AM/FM". The album included several classic songs from the 1960s and the 1970s, such as ""Angel of the Morning" and ""Faithless Love"". In 2014, Wilson performed for President Barack Obama and Michelle Obama at the National Christmas Tree Lighting Ceremony in Washington, DC . In 2016, Wilson released the eponymous album "Rita Wilson". It included mostly new material, including song written by Wilson herself. She joined the music band Chicago on tour in order to promote the album. Her subsequent albums included "Bigger Picture" (2018), "Halfway to Home" (2019), and "Now & Forever: Duets" (2022).
In 2015, Wilson had a month-long hiatus in her performing career. She had been diagnosed with breast cancer, and the hiatus was intended to help her deal with her health problems. She subsequently had a double mastectomy and reconstructive surgery. In 2020, Wilson and her husband contracted COVID-19 during their stay in Australia. They were experiencing only minor symptoms, but they were admitted to the Gold Coast University Hospital. After their recovery, the couple decided to donate their blood antibodies for virus research.
By 2022, Wilson was 66-years-old. The veteran actress has no apparent plans to retire yet, and her singing career has been adding to her fame. Despite a number of health scares, she remains remarkably active and energetic. Though she is better known for supporting roles rather than lead roles, Wilson is familiar to several generations of viewers through her performances in films with enduring popularity.- Actress
- Producer
- Soundtrack
Intriguing, inspiring, and never less than interesting -- key adjectives in describing the career of Beverly D'Angelo, which has well passed the four-decade mark. Perhaps deserving better movies than she generally found herself in, she nevertheless was always an object of fascination and the one to watch...whatever the role. Hardly the shrinking violet type, Hollywood counted on her for her colorful personality, down-to-earth demeanor and scene-stealing capabilities.
Beverly Heather D'Angelo was born on November 15, 1951 in Columbus, Ohio, the daughter of musicians Priscilla Ruth (Smith), a violinist, and Eugene Constantino "Gene" D'Angelo, a bass player who also managed a TV station. Her maternal grandfather, Howard Dwight Smith, was the architect who designed the Ohio ("Horseshoe") Stadium at Ohio State University. Her mother had English, Irish, Scottish, and German ancestry, and her father was of Italian descent. Beverly once attended an American school in Florence, Italy.
Initially drawn to art, Beverly worked as a animator/cartoonist at Hanna-Barbera Productions before moving to Canada to pursue a rock singing career, To make ends meet she worked as a session vocalist and sang anyplace she could -- from coffeehouses to topless bars. At one point the teenager was invited to join up with rockabilly legend Ronnie Hawkins. Beverly's acting career started up when she left the Hawkins band and joined the Charlottetown Festival repertory company. She was touring Canada as Ophelia in "Kronborg: 1582", a rock musical version of Shakespeare's "Hamlet" when the renowned Colleen Dewhurst caught a performance and saw promise in both Beverly and the show. Eventually musical director Gower Champion got into the mix and the show was completely revamped, becoming the rock musical "Rockabye Hamlet", which made its way to Broadway in 1976. While the show itself was short-lived, Beverly's Ophelia attracted fine notices and she soon found herself on the West coast with film and TV opportunities. After this point, she seldom returned to the stage but did star alongside Ed Harris in the 1995 off-Broadway production of Sam Shepard's "Simpatico", which earned her a Theatre World Award.
A role in the TV miniseries Captains and the Kings (1976) led to bit parts in The Sentinel (1977) and in the Woody Allen classic Annie Hall (1977). A string of co-starring roles followed with First Love (1977), the Clint Eastwood starrer Every Which Way But Loose (1978) and the film adaptation of the hit counterculture musical Hair (1979). Best of all for Beverly was her powerhouse featured performance as the one-and-only Patsy Cline in the acclaimed biopic Coal Miner's Daughter (1980). Both she and Oscar winner Sissy Spacek (as fellow country singer Loretta Lynn) expertly supplied their own vocals.
Playing everything from tough-as-nails prostitutes, party girls and barflies to rich, prim widows and depressed, alcoholic moms, most of Beverly's output was solid during this time. Playing happening kind of gals, she customarily rose above much of the standard comedic or dramatic material given. An interesting gallery of offbeat characters came her way in a number of hit-or-miss features: Paternity (1981), Finders Keepers (1984), Big Trouble (1986), Maid to Order (1987), High Spirits (1988), Cold Front (1989), Daddy's Dyin'... Who's Got the Will? (1990), The Pope Must Diet (1991), Man Trouble (1992), Lightning Jack (1994), The Crazysitter (1994), Merchants of Venus (1998) and Sugar Town (1999). She also sang in a few of these films.
Beverly attracted mainstream notice as Chevy Chase's beleaguered wife in the comedy spoof Vacation (1983) and its three sequels. Stronger roles came with such films as the English/Irish production The Miracle (1991) and the Neo-Nazi film American History X (1998). She was also a favorite of director John Schlesinger who used her in Honky Tonk Freeway (1981) and Eye for an Eye (1996), among others. In the spoof Pterodactyl Woman from Beverly Hills (1996), in which she served as associate producer, Beverly gamely starred as a chic Beverly Hills housewife who turns into a flying prehistoric reptile by night. Other offbeat independent filming includes Illuminata (1998), Merchants of Venus (1998), Weaver of Claybank (1915), Black Water Transit (2009), The House Bunny (2008), Episode #7.33 (2007), Bounty Killer (2013), Frat Pack (2018) and Dreamland (2016).
On TV, Beverly scored well as matricide victim Kitty Menendez in Menendez: A Killing in Beverly Hills (1994) and earned an Emmy-nomination (and arguably gave the best performance) as Stella Kowalski opposite "Hair" co-star Treat Williams in the TV remake of A Streetcar Named Desire (1984). Other topnotch TV mini-movies included Sweet Temptation (1996) and Judgment Day: The John List Story (1993), in which she played Robert Blake's devout wife. On primetime she has been cast quite assertively in recurring parts -- she has been spotted on Law & Order: Special Victims Unit (1999) as a defense attorney; Entourage (2004) as a talent agent; Shooter (2016) as a national security advisor; and Insatiable (2018) as a scheming beauty contestant coach.
Beverly's off-camera romantic life has been just as interesting. Following her relationship with "Hair" director Milos Forman, she married Lorenzo Salviati, an economics student who also was an Italian duke. She left Hollywood and lived with him in Europe, but separated after two years and returned. A six-year relationship with Irish director Neil Jordan was followed by one with Oscar-winning production designer Anton Furst; this ended tragically when, just weeks after their breakup, he committed suicide. A former union with the volatile Al Pacino produced twins Olivia and Anton, who were born in 2001.
These days, Beverly's career on camera has remained secondary to the raising of her children. Occasionally she has made use of her vocal talents performing at L.A. nightclubs and with a jazz band that included brother Jeff. From time to time she still lights up the screen as a brash professional or somebody's colorful mom; whatever time she has on screen, whether major or minor, it is always welcomed and never, ever less than...interesting.- Actor
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Omar Epps is an American actor, starring on the ABC drama Resurrection (2013).
Epps was born in Brooklyn, New York, and was raised by his mother, Bonnie Maria Epps, an elementary school principal. No stranger to the big screen, Epps has appeared in lead roles in feature films, including Paramount's Against the Ropes (2004), in which he starred opposite Meg Ryan, Paramount's Alfie (2004), opposite Jude Law and Susan Sarandon, Paramount/MTV's The Wood (1999), Miramax's In Too Deep (1999), John Singleton's Higher Learning (1995) and Juice (1992). His supporting roles include Breakfast of Champions (1999), opposite Bruce Willis and Nick Nolte, Major League II (1994), opposite Charlie Sheen, and The Program (1993) with Halle Berry. Omar was also seen in Hollywood's best-kept secret, Scream 2 (1997), MGM's remake of The Mod Squad (1999), with Claire Danes, and Love & Basketball (2000). He also starred in Takeshi Kitano's Brother (2000) for Sony Classics.
He co-starred on the critically-acclaimed FOX medical drama, House (2004), for which he received an NAACP Image Award for "Outstanding Supporting Actor in a Drama Series" in 2007. He was nominated for an NAACP Image Award for "Outstanding Supporting Actor in a Drama Series" in 2005, as well, as "Outstanding Actor in a Drama Series" in 2006. Epps was nominated for an NAACP Image Award for Best Actor for his performance in the December 2002 Showtime Original movie, Conviction (2002), in which he portrayed "Carl Upchurch", a hardened criminal from South Philadelphia, who spent most of his adult life in prison. It is the story of one man's journey from prisoner to peacemaker. Omar has starred in three HBO Original movies, First Time Felon (1997), directed by Charles S. Dutton (Roc), Deadly Voyage (1996), produced by Danny Glover, and Daybreak (1993), co-starring Cuba Gooding Jr.. "First Time Felon" and "Deadly Voyage" are based on true stories. Epps also portrayed "Dr. Dennis Gant" on the Emmy Award-winning NBC drama, ER (1994). As a surgical resident, he teamed up with "Dr. Carter" (Noah Wyle) and "Dr. Benton" (Eriq La Salle). In one of the most talked about departures, Omar left audiences wondering if his character committed suicide or not.- Actress
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Actress J. Smith-Cameron was born Jean Isabel Smith in Louisville, Kentucky, and raised in Greenville, South Carolina, the daughter of an architect. She was known simply as J. Smith by her fellow students at Florida State University School of Theatre program in the mid-1970s. Despite her age, she made for a completely believable teenage Anne Frank in "The Diary of Anne Frank", was a touching and memorable Helen Keller in "The Miracle Worker", was wonderfully bizarre as Honey in "Who's Afraid of Virginia Woolf?" and demonstrated great skill and versatility in an all-female version of "The Taming of the Shrew". Smith's older sister, actress Jo Ann Smith (who later became a teacher), also attended FSU at the same time and performed in a production of the classic Iranian allegory, "The Butterfly" ("Shaparak Khanoom") by Bijan Mofid and directed by his actor/brother, Ardavan Mofid.
She made her film debut while studying at FSU, starring in the acclaimed low-budget production of Gal Young Un (1979), directed by Victor Nunez, who later directed Ulee's Gold (1997). The film, shot in Florida, starred and featured several fellow FSU alumni, including David Peck, Marc H. Glick, Tim McCormack, Gil Lazier (FSU acting teacher), and Randy Ser (who later won an Emmy as production designer for the Whitney Houston version of Cinderella (1997)). The film was not released until 1979, several years after her college graduation. Following college, she added the hyphenated Cameron to her moniker as both a tribute to her great-grandmother and to avoid confusion once she joined Actors' Equity.
As "J. Smith-Cameron", she made her Broadway debut as the crazy, suicidal "Babe" in Beth Henley's "Crimes of the Heart" (as a replacement). She went on to make an award-worthy New York impression with a Tony nomination for "Our Country's Good" (1991), winning an Outer Critics Circle award for "Lend Me a Tenor" (1989), and an Obie for her no-holds-barred performance in "As Bees in Honey Drown" (1997). Other stage successes have included "Wild Honey", "The Memory of Water", "Night Must Fall", "Tartuffe", and "After the Night and the Music".
Her TV and film work has become stronger and more frequent with each decade. She has shown that, even in the smallest role, she can draw attention to herself, as evinced by her hysterically funny bit as a sexual compulsive in the gay film Jeffrey (1995). She has played various wife and/or mother parts, some more stable than others, in such films as Mighty Aphrodite (1995), Harriet the Spy (1996) and The Rage: Carrie 2 (1999). She also had strong roles in TV guest spots on such shows as The Days and Nights of Molly Dodd (1987), in a recurring role, plus such East Coast-based television series as "The Equalizer", "Homicide: Life on the Street", "Spin City", and "Law & Order".
She met and married playwright/film writer Kenneth Lonergan. They have a daughter, Nellie, who was featured as Mabel, the secretary, in Lonergan's Oscar-nominated breakthrough play-turned-film You Can Count on Me (2000), which made film stars out of Laura Linney and Mark Ruffalo, and was particularly effective in Margaret (2011). Other film projects have included The First Wives Club (1996), In & Out (1997), Bittersweet Place (2005), Man on a Ledge (2012), Like Sunday, Like Rain (2014), and, most recently, True Blood (2008) (as a shape-shifter), as a tormented mother in Rectify (2013), and as "Gerri" in the social drama Succession (2018).- Actor
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Legendary actor Ricardo Montalban was the epitome of Latin elegance, charm and grace on film and television and in the late 1940s and early 1950s reinvigorated the Rudolph Valentino / Ramon Novarro "Latin Lover" style in Hollywood without achieving top screen stardom. Moreover, unlike most minority actors of his time, he fought to upscale the Latin (particularly, Mexican) image in Hollywood. His noted militancy may have cost him a number of roles along the way, but he gained respect and a solid reputation as a mover and shaker within the acting community while providing wider-range opportunities for Spanish-speaking actors via Los Angeles theater.
He was born in Mexico City on November 25, 1920, the youngest of four children to Castilian Spanish immigrants, Ricarda Merino and Jenaro Montalbán. His father was a dry goods store owner. Montalbán moved to Los Angeles as a teen and lived with his much older brother Carlos Montalbán, who was then pursuing show business as both an actor and dancer. Ricardo attended Fairfax High School in Hollywood and was noticed in a student play but passed on a screen test that was offered. Instead, he traveled with his brother to New York, where he earned a bit part in the Tallulah Bankhead stage vehicle "Her Cardboard Lover" in 1940, and won subsequent roles in the plays "Our Betters" and "Private Affair".
Returning to Mexico to care for his extremely ill mother, his dark good looks and magnetic style helped propel him into the Spanish-language film industry. After nearly a dozen or so films, he was on the verge of stardom in Mexico when Metro-Goldwyn-Mayer took an interest in him and he relocated back to Los Angeles. Making his Hollywood leading debut as a robust bullfighter and twin brother of MGM star Esther Williams in the "B"-level musical Fiesta (1947), he attracted immediate attention. His second film with Williams, On an Island with You (1948), led to a contract with the studio, where he routinely ignited "Latin Lover" sparks opposite such prime female stars as Cyd Charisse, Shelley Winters, Anne Bancroft, Pier Angeli, Laraine Day and (once again) Esther Williams, this time in Neptune's Daughter (1949) (one of his MGM extravaganzas opposite gorgeous Lana Turner was actually called Latin Lovers (1953)). His strongest Hispanic competition in films at the time was Argentine-born fellow MGM player Fernando Lamas, who wound up eventually marrying Esther Williams after divorcing another MGM beauty, Arlene Dahl.
Although Montalban was the epitome of the "Latin lover" type, it actually damaged his cinematic career, pigeonholing him and hurting his momentum. He was seldom able to extricate himself from the usual portrayals of bandidos and gigolos, although he did manage to find an interesting film from time to time, such as his turn as a Mexican undercover policeman in the gritty Border Incident (1949), Mystery Street (1950), the classic war film Battleground (1949) and the hard-edged boxing drama Right Cross (1950). Occasionally, he was handed ethnic roles outside the Latino realm, such as his villainous Blackfoot Indian chief in Across the Wide Missouri (1951) starring Clark Gable, his heroic, bare-chested rebel warrior in the steamy Italian sword-and-sandals costumer The Queen of Babylon (1954) alongside Rhonda Fleming and his Japanese Kabuki actor in the Oscar-winning feature Sayonara (1957). It was during the filming of Across the Wide Missouri (1951) that he suffered a serious injury to his spine after he slipped and fell off a running horse, which resulted in a permanent limp.
Well established by this time, Montalban returned to the stage in 1954 with varied roles in such fare as "Can-Can", "The Inspector General", "South Pacific" and "Accent on Youth", before making his Broadway debut as Chico in the original musical "Seventh Heaven" (1955) with Gloria DeHaven, Kurt Kasznar and Bea Arthur. He then earned a Tony Award nomination as the only non-African-American actor in the tropical-themed musical "Jamaica" (1957) co-starring Lena Horne. He also toured as the title role in "Don Juan in Hell" in the 1960s, returning to Broadway with it in 1973 with Agnes Moorehead, Paul Henreid and Edward Mulhare, and touring once again with the show in 1991.
His strong work ethic and reservoir of talent enabled him to continue on television long after his exotic beefcake status in films had waned. He had married Loretta Young's half-sister Georgiana Young in 1944, and appeared on his sister-in-law's television series (The New Loretta Young Show (1962)) several times. He also showed up in a number of television dramatic anthologies (Playhouse 90 (1956) and Colgate Theatre (1958)) and made guest appearances on the popular series of the day, such as Death Valley Days (1952), Bonanza (1959), Burke's Law (1963), Dr. Kildare (1961), The Defenders (1961) and, more notably, a first-season episode of Star Trek (1966) in which he memorably portrayed galaxy arch-villain Khan Noonien Singh. He resurrected this character memorably in Star Trek II: The Wrath of Khan (1982).
Over the years, he continued to appear occasionally on the big screen, typically playing continental smoothies, in such films as Love Is a Ball (1963), Madame X (1966) and Sweet Charity (1969), but it was television that finally made him a household name. Montalban captivated audiences as the urbane, white-suited concierge of mystery Mr. Roarke in the Aaron Spelling series Fantasy Island (1977). He stayed with the series for six seasons, buoyed by his popular "odd couple" teaming with the late Hervé Villechaize, who played Mr. Roarke's diminutive sidekick, and fellow greeter, Tattoo. While it may have seemed a somewhat lightweight and undemanding role for the talented Montalban, it nevertheless became his signature character. The series faltered after Villechaize, who had become erratic and difficult on the set, was fired from the series in 1983. Corpulent Britisher Christopher Hewett, as Lawrence, replaced the Tattoo character but to little avail and the series was canceled one season later. The troubled Villechaize committed suicide on September 4, 1993.
An Emmy Award winner for his role in the miniseries How the West Was Won (1976) and a noteworthy villain in the Dynasty (1981) spin-off series The Colbys (1985), Montalban was also famous for a series of television commercials in which he returned somewhat to his "Latin lover" persona, primarily in a series of slick commercials for Chrysler's Cordoba automobile, pitching the elegant auto with its "rich, Corinthian leather" (it later came to light that this phrase had been conjured up as a marketing tool, and that there was no such product from Corinth or anywhere else!). As for film and television work in his later years, he good-naturedly spoofed his Hollywood image in a number of featured roles, including a hilarious send-up of himself in The Naked Gun: From the Files of Police Squad! (1988). Two of his final, larger-scaled film roles were as the grandfather in the two "Spy Kids" sequels: Spy Kids 2: Island of Lost Dreams (2002) and Spy Kids 3: Game Over (2003). His deep, soothing, confident tones could also be heard in animated features and television series.
Frustrated at Hollywood's portrayal of Mexicans, he helped to found, and gave great support, attention and distinction to, the image-building "Nosotros" organization, a Los Angeles theatre-based company designed for Latinos working in the industry. Nosotros and the Montalban foundation eventually bought the historic Doolittle Theater in Hollywood and renamed the theatre in his honor in 2004. It became the first major theater facility (1200 seats) in the United States to carry the name of a Latino performing artist. In 1980, along with Bob Thomas, he published his memoir, entitled "Reflections: A Life in Two Worlds".
A class act who was beloved in the industry for his gentle and caring nature, the long-term effects of his spinal injury eventually confined him to a wheelchair in his later years. He died in his Los Angeles home of complications from old age on January 14, 2009 at age 88. His wife having died on November 29, 2007, he was survived by their two daughters and two sons: Laura, Anita, Victor and Mark.- Actor
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Preeminent British classical actor of the first post-Olivier generation, Derek Jacobi was knighted in 1994 for his services to the theatre, and, in fact, is only the second to enjoy the honor of holding TWO knighthoods, Danish and English (Olivier was the other). Modest and unassuming in nature, Jacobi's firm place in theatre history centers around his fearless display of his characters' more unappealing aspects, their great flaws, eccentricities and, more often than not, their primal torment.
Jacobi was born in Leytonstone, London, England, the only child of Alfred George Jacobi, a department store manager, and Daisy Gertrude (Masters) Jacobi, a secretary. His paternal great-grandfather was German (from Hoxter, Germany). His interest in drama began while quite young. He made his debut at age six in the local library drama group production of "The Prince and the Swineherd" in which he appeared as both the title characters. In his teens he attended Leyton County High School and eventually joined the school's drama club ("The Players of Leyton").
Derek portrayed Hamlet at the English National Youth Theatre prior to receiving his high school diploma, and earned a scholarship to the University of Cambridge, where he initially studied history before focusing completely on the stage. A standout role as Edward II at Cambridge led to an invite by the Birmingham Repertory in 1960 following college graduation. He made an immediate impression wherein his Henry VIII (both in 1960) just happened to catch the interest of Olivier himself, who took him the talented actor under his wing. Derek became one of the eight founding members of Olivier's National Theatre Company and gradually rose in stature with performances in "The Royal Hunt of the Sun," "Othello" (as Cassio) and in "Hay Fever", among others. He also made appearances at the Chichester Festival and the Old Vic.
It was Olivier who provided Derek his film debut, recreating his stage role of Cassio in Olivier's acclaimed cinematic version of Othello (1965). Olivier subsequently cast Derek in his own filmed presentation of Chekhov's Three Sisters (1970). On TV Derek was in celebrated company playing Don John in Much Ado About Nothing (1967) alongside Maggie Smith and then-husband Robert Stephens; Derek had played the role earlier at the Chichester Festival in 1965. After eight eventful years at the National Theatre, which included such sterling roles as Touchstone in "As You Like It", Jacobi left the company in 1971 in order to attract other mediums. He continued his dominance on stage as Ivanov, Richard III, Pericles and Orestes (in "Electra"), but his huge breakthrough would occur on TV. Coming into his own with quality support work in Man of Straw (1972), The Strauss Family (1972) and especially the series The Pallisers (1974) in which he played the ineffectual Lord Fawn, Derek's magnificence was presented front and center in the epic BBC series I, Claudius (1976). His stammering, weak-minded Emperor Claudius was considered a work of genius and won, among other honors, the BAFTA award.
Although he was accomplished in The Day of the Jackal (1973) and The Odessa File (1974), films would place a distant third throughout his career. Stage and TV, however, would continue to illustrate his classical icon status. Derek took his Hamlet on a successful world tour throughout England, Egypt, Sweden, Australia, Japan and China; in some of the afore-mentioned countries he was the first actor to perform the role in English. TV audiences relished his performances as Richard II (1978) and, of course Hamlet, Prince of Denmark (1980).
After making his Broadway bow in "The Suicide" in 1980, Derek suffered from an alarming two-year spell of stage fright. He returned, however, and toured as part of the Royal Shakespeare Company (1982-1985) with award-winning results. During this period he collected Broadway's Tony Award for his Benedick in "Much Ado about Nothing"; earned the coveted Olivier, Drama League and Helen Hayes awards for his Cyrano de Bergerac; and earned equal acclaim for his Prospero in "The Tempest" and Peer Gynt. In 1986, he finally made his West End debut in "Breaking the Code" for which he won another Helen Hayes trophy; the play was then brought to Broadway.
For the rest of the 80s and 90s, he laid stage claim to such historical figures as Lord Byron, Edmund Kean and Thomas Becket. On TV he found resounding success (and an Emmy nomination) as Adolf Hitler in Inside the Third Reich (1982), and finally took home the coveted Emmy opposite Anthony Hopkins in the WWII drama The Tenth Man (1988). He won a second Emmy in an unlikely fashion by spoofing his classical prowess on an episode of "Frasier" (his first guest performance on American TV), in which he played the unsubtle and resoundingly bad Shakespearean actor Jackson Hedley.
Kenneth Branagh was greatly influenced by mentor Jacobi and their own association would include Branagh's films Henry V (1989), Dead Again (1991), and Hamlet (1996), the latter playing Claudius to Branagh's Great Dane. Derek also directed Branagh in the actor's Renaissance Theatre Company's production of "Hamlet". In the 1990s Derek returned to the Chichester Festival, this time as artistic director, and made a fine showing in the title role of Uncle Vanya (1996).
More heralded work of late include profound portrayals of the anguished titular painter in Love Is the Devil: Study for a Portrait of Francis Bacon (1998), the role of Gracchus in the popular, Oscar-winning film Gladiator (2000), and sterling performances in such films as Two Men Went to War (2002), Bye Bye Blackbird (2005), The Riddle (2007), Endgame (2009), The King's Speech (2010), Jail Caesar (2012), and as the King in Cinderella (2015). Continuing to mesmerize on the stage, he has turned in superb performances in "Uncle Vanya" (2000), Friedrich Schiller's "Don Carlos" (2005), _A Voyage 'Round My Father (2006), "Twelfth Night" (2009) and the title role in "King Lear" (2010). On the British TV series front, he has commanded more recent attention in the title role of a crusading monk in the mystery series Mystery!: Cadfael (1994), as Lord Pirrie in Titanic: Blood and Steel (2012), as Alan in Last Tango in Halifax (2012), and as Stuart Bixby in Vicious (2013).
He and his life-time companion of three decades, Richard Clifford, filed as domestic partners in England in 2006. Clifford, a fine classical actor and producer in his own right, has shared movie time with Jacobi in Little Dorrit (1987), Henry V (1989), and the TV version of Cyrano de Bergerac (1985).- Actress
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Cerina Vincent is an actress, author, and producer with a fan base that spans all age groups and genres.
Born and raised in Las Vegas, NV, she had a childhood in theatre and musicals from the age of 12. After hanging up her crown as Miss Nevada Teen USA 1996, she moved to Hollywood and began working in film and television. Cerina starred in the #1 kid's series in the world, Power Rangers Lost Galaxy as "Maya, The Yellow Power Ranger." And quickly went from a TV superhero to a silver screen siren from her "Saturn Award" nominated performance in the horror sensation Cabin Fever, and her daring, comedic role in Not Another Teen Movie. World renown as a "scream queen," horror fans also love her in Return to House on Haunted Hill, It Waits, MoniKa, Tales of Halloween and dozens of other genre-fan favorites, including a mini-series for AMC'S, The Walking Dead, and "Darkened Room, " a short film written for her and directed by David Lynch.
Cerina's comedy and drama can be seen on dozens of hit shows including Two and a Half Men, Mike and Molly, Workaholics, Californication, CSI and NCIS to name a few. Cerina just wrapped 3 seasons of Disney Channel's Stuck in the Middle where she quickly became kids favorite "TV Mom," as "Suzy Diaz" the quirky, frazzled, loving mother of 7 children. Cerina's latest movie, My Daughters Psycho Friend, premiered on Lifetime, and she just wrapped the lead role in another Lifetime thriller, Secrets in the Water, where she plays a grieving mother.
Cerina has also co-wrote the best-selling How to Eat Like a Hot Chick, How to Love Like a Hot Chick, and Live Like a Hot Chick from Harper Collins. She's been on The Today Show dozens of times giving her irreverent yet inspiring lifestyle advice for women, as well as blogged for The Huffington Post.
Cerina works every year to raise money for The Cystic Fibrosis Foundation, and The Life After Project which supports mental health and suicide prevention.- Actor
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Chad Lowe is an American actor, director, and producer.
He was born Charles Davis Lowe II in Dayton, Ohio, to Barbara Lynn (Hepler), a school teacher, and Charles Davis Lowe, a trial lawyer. He is the younger brother of actor Rob Lowe. Chad first appeared opposite Rob in the movie Oxford Blues (1984), in which he played a computer hacker. He quickly followed this up with a starring role in Silence of the Heart (1984) opposite childhood friend and fellow actor Charlie Sheen. Silence of the Heart (1984) is a dark drama about the problems teenagers often face and the subsequent danger of suicide relating to these problems. It was the first film to properly address the subject. The film also features then up-and-coming actors Sherilyn Fenn and Casey Siemaszko.
There Must Be a Pony (1986), a drama shot for TV, saw Chad starring alongside Elizabeth Taylor and Robert Wagner. He then co-starred with Donald Sutherland and Mia Sara in the occult horror film Apprentice to Murder (1988). Chad saw the eighties out with the thriller True Blood (1989) with Jeff Fahey, James Tolkan, and Sherilyn Fenn.
Next, he and Tommy Lee Jones headlined the long-running Hallmark Hall of Fame (1951) anthology, in the TV Movie segment 'April Morning' (1987). The movie is based upon the novel by the late Howard Fast and is set during the American Revolution or American War of Independence (1775-1783).
He worked steadily throughout the nineties, acting in both TV and film. In 1990 he starred with David Soul and Edward Herrmann in the TV drama So Proudly We Hail (1990). The witty drama An Inconvenient Woman (1991) followed the next year. Chad then played Charlie Sykes in the oddball fantasy-comedy-horror road movie Highway to Hell (1991).
But his role as AIDS victim Jesse McKenna in Life Goes On (1989) (1991-1993) is perhaps his most well-known. He starred with Bill Smitrovich and Patti LuPone. His performance won him an Emmy Award.
In 2000 Chad played country and western legend John Denver in Take Me Home: The John Denver Story (2000), a movie based on the musician's life and book.
Chad then starred with Richard Gere and Diane Lane in the ambitious thriller, Unfaithful (2002). He has since clocked up over sixty film and TV roles including recurring roles in ER (1994) and 24 (2001) with Kiefer Sutherland.
Chad is married to Kim Painter and they have a daughter, Mabel.
He is (2010) starring in the hit TV series Pretty Little Liars (2010).