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All That Jazz
 
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All That Jazz (1979)
Starring: Sandahl Bergman, Chris Chase Rating
4.4 out of 5 stars  (124 customer reviews)

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› 35 used & new available from $2.97
Format: DVD
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Product Details

  • Actors: Sandahl Bergman, Chris Chase, Kathryn Doby, Erzebet Foldi, Nicole Fosse
  • Format: Color, DVD-Video, Widescreen, NTSC
  • Language: English
  • Subtitles: English, Spanish
  • Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  • Aspect Ratio: 1.85:1
  • Number of discs: 1
  • Rating:
  • Studio: 20th Century Fox
  • DVD Release Date: August 19, 2003
  • Run Time: 123 minutes
  • Average Customer Review: 4.4 out of 5 stars  (124 customer reviews)
  • ASIN: B00003CX8U
  • Amazon.com Sales Rank: #36,861 in Movies & TV (See Bestsellers in Movies & TV)
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  • For more information about "All That Jazz" visit the Internet Movie Database (IMDb)
Theatrical Release Information

Editorial Reviews

Amazon.com
Choreographer-turned-director Bob Fosse (Cabaret, Lenny) turns the camera on himself in this nervy, sometimes unnerving 1979 feature, a nakedly autobiographical piece that veers from gritty drama to razzle-dazzle musical, allegory to satire. It's an indication of his bravura, and possibly his self-absorption, that Fosse (who also cowrote the script) literally opens alter ego Joe Gideon's heart in a key scene--an unflinching glimpse of cardiac surgery, shot during an actual open-heart procedure.

Roy Scheider makes a brave and largely successful leap out of his usual romantic lead roles to step into Gideon's dancing pumps, and supplies a plausible sketch of an extravagant, self-destructive, self-loathing creative dynamo, while Jessica Lange serves as a largely allegorical Muse, one of the various women that the philandering Gideon pursues (and usually abandons). Gideon's other romantic partners include Fosse's own protégé (and a major keeper of his choreographic style since his death), Ann Reinking, whose leggy grace is seductive both "onstage" and off.

Fosse/Gideon's collision course with mortality, as well as his priapic obsession with the opposite sex, may offer clues into the libidinal core of the choreographer's dynamic, sexualized style of dance, but musical aficionados will be forgiven for fast-forwardi