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Track Listings
| 1. Perfect Lie (Theme Song) [Gabriel & Dresden Remix] - The Engine Room |
| 2. So Damn Beautiful - Poloroid |
| 3. Angels - Norah Jones |
| 4. Fever - Daniel Ash |
| 5. All the Way to the Top - Jazzupstarts |
| 6. The Headphonist - Kinky |
| 7. Falling - Chris Coco |
| 8. Cosmopolitans [Tri-Factor Remix] - Erin McKeown |
| 9. Price of Love - Client |
| 10. Just Be Me - Kirsty Hawkshaw |
| 11. Lonely - Bebel Gilberto |
| 12. Elvis - Alpha |
| 13. Following - Chungking |
| 14. Pride - Syntax |
| 15. Perfect Lie (Theme Song) - The Engine Room |
Product Description
Amazon.co.uk Review
Is there a more perfect musical metaphor for Nip/Tuck's themes of deeper-than-skin neuroses and narcissistic surgical reinvention than the chic chimera of a club remix? Josh Gabriel and Dave Dresden, the dub savants behind contemporary club successes that include Andain's "Beautiful Things", Motorcycle's "As the Rush Comes" and Sarah McLachlan's "Fallen," conjure up a nigh-seamless soundscape of haunting textures and percolating beats here, forcefully pushing the envelope of what a smart song-score can be in the bargain. Their rhythmic reinvention of The Engine Room's theme for the show, "A Perfect Lie," sets the cynical, haunting tone, with Gabriel and Dresden employing a sensibility that's both more mature and austere than their typical club work. G&D infuse that consistently entrancing sensibility to material as diverse as the cool-jazz of "Angels" by Wax Poetic/Norah Jones, Daniel Ash's stripped-down reinvention of the standard "Fever" and the retro-disco of Client's "Price of Love." If it's a triumph of style over substance, it's one that musically underscores the show's similar themes with grace and ever-detached elegance. --Jerry McCulley
Is there a more perfect musical metaphor for Nip/Tuck's themes of deeper-than-skin neuroses and narcissistic surgical reinvention than the chic chimera of a club remix? Josh Gabriel and Dave Dresden, the dub savants behind contemporary club successes that include Andain's "Beautiful Things", Motorcycle's "As the Rush Comes" and Sarah McLachlan's "Fallen," conjure up a nigh-seamless soundscape of haunting textures and percolating beats here, forcefully pushing the envelope of what a smart song-score can be in the bargain. Their rhythmic reinvention of The Engine Room's theme for the show, "A Perfect Lie," sets the cynical, haunting tone, with Gabriel and Dresden employing a sensibility that's both more mature and austere than their typical club work. G&D infuse that consistently entrancing sensibility to material as diverse as the cool-jazz of "Angels" by Wax Poetic/Norah Jones, Daniel Ash's stripped-down reinvention of the standard "Fever" and the retro-disco of Client's "Price of Love." If it's a triumph of style over substance, it's one that musically underscores the show's similar themes with grace and ever-detached elegance. --Jerry McCulley