Exclusive: In a world where the space for specialist and non English-language cinema is shrinking in cinemas, it’s encouraging to see that Tokyo-based Gaga Corporation is committed to bringing a diverse range of theatrical releases to Japanese audiences.
Launched in 1986, the company is one of Japan’s longest established buyers, releasing between 20-25 films a year, with its president and CEO Tom Yoda a familiar face on the international festival and markets circuit. The company is also an active producer of Japanese films, with recent titles including Hirokazu Kore-eda’s Monster, which is screening as a Special Presentation in Toronto, following its Best Screenplay award in Cannes.
As Japan was moving out of the pandemic, the company says it was pleased with the box office results for acquisitions such as Todd Field’s Tar, French filmmaker Claude Zidi Jr’s opera-themed Tenor and multiple Oscar winner Everything Everywhere All At Once,...
Launched in 1986, the company is one of Japan’s longest established buyers, releasing between 20-25 films a year, with its president and CEO Tom Yoda a familiar face on the international festival and markets circuit. The company is also an active producer of Japanese films, with recent titles including Hirokazu Kore-eda’s Monster, which is screening as a Special Presentation in Toronto, following its Best Screenplay award in Cannes.
As Japan was moving out of the pandemic, the company says it was pleased with the box office results for acquisitions such as Todd Field’s Tar, French filmmaker Claude Zidi Jr’s opera-themed Tenor and multiple Oscar winner Everything Everywhere All At Once,...
- 9/6/2023
- by Liz Shackleton
- Deadline Film + TV
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