The sophomore fiction of documentarist husband-and-wife duo Tenzig Sonam and Ritu Sarin is a compelling drama that unfolds in the private lives of the characters but that is also very much rooted in the political contest of the Tibet – China conflict. Ten Years after their first feature “Dreaming Lhasa”, “The Sweet Requiem” premiered at the Toronto International Film Festival – the first of a long list of Festival entries – and for its nature could be able to jump out of the festival circuit onto a distribution in theatres.
“The Sweet Requiem” is screening at Ulju Mountain Film Festival 2019
The opening scene takes us straight to the Himalaya. On a majestic, white plateau a small group of people – including a little girl – is marching with great difficulty on the snow, when a gun-shot breaks the silent; one man is down. Then the film cuts immediately on Dolkar (Tenzin Dolker), a young independent woman from Tibet,...
“The Sweet Requiem” is screening at Ulju Mountain Film Festival 2019
The opening scene takes us straight to the Himalaya. On a majestic, white plateau a small group of people – including a little girl – is marching with great difficulty on the snow, when a gun-shot breaks the silent; one man is down. Then the film cuts immediately on Dolkar (Tenzin Dolker), a young independent woman from Tibet,...
- 9/10/2019
- by Adriana Rosati
- AsianMoviePulse
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