Exclusive: Action megastar Keanu Reeves has partnered with Academy Award winner Fisher Stevens to co-produce a documentary on the life story of Benny “The Jet” Urquidez, the iconic athlete who introduced mixed martial arts to the world.
Titled The Jet, the film is currently in production under the direction of Emmy-nominated sports documentary editor turned filmmaker Jennifer Tiexiera. Its financiers are Chris Quintos Cathcart and Tyler Boehm of the newly formed Unapologetic Projects, a company dedicated to working with underrepresented creators. Maura Anderson and Zak Kilberg of Stevens’ recently launched production company Highly Flammable will also serve as producers along with John Scalise and his Faya Project. Nancy Weisler, Brian Maya and Chris Quintos Cathcart & Tyler Boehm of Unapologetic serve as executive producers on the project slated for release in 2025.
Nicknamed for his explosive spinning back kick, Sensei Benny “The Jet” Urquidez had a profound impact on martial arts in mainstream culture,...
Titled The Jet, the film is currently in production under the direction of Emmy-nominated sports documentary editor turned filmmaker Jennifer Tiexiera. Its financiers are Chris Quintos Cathcart and Tyler Boehm of the newly formed Unapologetic Projects, a company dedicated to working with underrepresented creators. Maura Anderson and Zak Kilberg of Stevens’ recently launched production company Highly Flammable will also serve as producers along with John Scalise and his Faya Project. Nancy Weisler, Brian Maya and Chris Quintos Cathcart & Tyler Boehm of Unapologetic serve as executive producers on the project slated for release in 2025.
Nicknamed for his explosive spinning back kick, Sensei Benny “The Jet” Urquidez had a profound impact on martial arts in mainstream culture,...
- 3/28/2024
- by Matt Grobar
- Deadline Film + TV
As more and more of the season’s precursor prizes are announced, one major Oscar mainstay has made its way home. Block out a solid chunk of time — it’s a long one.
The contender to watch this week: “Killers of the Flower Moon“
Fresh off an AFI honor and four National Board of Review distinctions, including Martin Scorsese for Best Director and Lily Gladstone for Best Actress, “Killers of the Flower Moon” has arrived on VOD ahead of its Apple TV+ streaming debut. The ambitious crime epic adapted from David Grann‘s nonfiction book about white men killing Osage Nation residents and stealing their oil headrights will surely continue this awards-season upswing when the Golden Globe nominations are announced on Monday, so now is the perfect time to catch up. Leonardo DiCaprio, Robert De Niro, and composer Robbie Robertson are among the movie’s other top candidates.
Other contenders:...
The contender to watch this week: “Killers of the Flower Moon“
Fresh off an AFI honor and four National Board of Review distinctions, including Martin Scorsese for Best Director and Lily Gladstone for Best Actress, “Killers of the Flower Moon” has arrived on VOD ahead of its Apple TV+ streaming debut. The ambitious crime epic adapted from David Grann‘s nonfiction book about white men killing Osage Nation residents and stealing their oil headrights will surely continue this awards-season upswing when the Golden Globe nominations are announced on Monday, so now is the perfect time to catch up. Leonardo DiCaprio, Robert De Niro, and composer Robbie Robertson are among the movie’s other top candidates.
Other contenders:...
- 12/9/2023
- by Matthew Jacobs
- Gold Derby
A well-told story ends when the credits roll, but not so documentaries. There, in most cases, the lives of the people depicted on-screen continue on, transformed by the fact of being filmed — and even more by whatever attention the project ignites in the culture at large. That’s why, in the hundreds of post-screening Q&As I’ve seen for docs over the years, the same questions come up virtually without fail: What’s happened since? How are the movie’s subjects doing now?
In “Subject,” co-directors Jennifer Tiexiera and Camilla Hall catch up with the people at the center of several major documentaries — from “Hoop Dreams” and “The Wolfpack” to “Capturing the Friedmans” and “The Staircase” — to see how their involvement in such projects changed their lives. That may be the hook that lures in audiences, though the film is far more than just a years-later epilogue to those high-profile docs.
In “Subject,” co-directors Jennifer Tiexiera and Camilla Hall catch up with the people at the center of several major documentaries — from “Hoop Dreams” and “The Wolfpack” to “Capturing the Friedmans” and “The Staircase” — to see how their involvement in such projects changed their lives. That may be the hook that lures in audiences, though the film is far more than just a years-later epilogue to those high-profile docs.
- 11/6/2023
- by Peter Debruge
- Variety Film + TV
Radical with Eugenio Derbez built on its smash opening in Mexico to hit no. 5 at the U.S. box office with a super $2.7 million at 416 theaters. The Pantelion/Participant release had delayed its debut Stateside by two weeks to skirt The Eras Tour juggernaut, allowing word of mouth to build for the drama about a dedicated teacher in a troubled Mexican border town.
Priscilla by Sofia Coppola is looking at an estimated $5 million weekend and a no. 4 box office slot in a major week-two expansion to 1,359 screens. The film with Cailee Spaeny as Priscilla Presley and Jacob Elordi as Elvis now has an estimated cume of $5.3 million in one of the year’s best expansions and Sofia Coppola’s second best of her career. Ticket sales were led by a younger female audience — 75% under 35 and 65% female.
Alexander Payne’s The Holdovers from Focus Features, starring Paul Giamatti, grossed $600k on 64 screens.
Priscilla by Sofia Coppola is looking at an estimated $5 million weekend and a no. 4 box office slot in a major week-two expansion to 1,359 screens. The film with Cailee Spaeny as Priscilla Presley and Jacob Elordi as Elvis now has an estimated cume of $5.3 million in one of the year’s best expansions and Sofia Coppola’s second best of her career. Ticket sales were led by a younger female audience — 75% under 35 and 65% female.
Alexander Payne’s The Holdovers from Focus Features, starring Paul Giamatti, grossed $600k on 64 screens.
- 11/5/2023
- by Jill Goldsmith
- Deadline Film + TV
A24’s Priscilla by Sofia Coppola catapults from four screens to 1,300, Alexander Payne’s The Holdovers from Focus Features expands to 60 from six and two new indies have wide debuts — What Happens Later from Bleecker Street, directed by and starring Meg Ryan, opens at 1,400 locations and Daisy Ridley-starring The Marsh King’s Daughter from Roadside Attractions at over 1,000.
What Happens Later moved here from its original Oct. 16 perch, avoiding The Eras Tour opening crush. The rom-com debut of Meg Ryan after a long hiatus co-stars David Duchovny. Based on the play Shooting Star by Steven Dietz, the pic follows a chance encounter between two ex-lovers, Willa and Bill, who are snowed in at a regional airport and indefinitely delayed. See Deadline review.
The Marsh King’s Daughter stars Daisy Ridley and Ben Mendelsohn in an adaptation of a bestselling 2017 thriller by Karen Dionne,...
What Happens Later moved here from its original Oct. 16 perch, avoiding The Eras Tour opening crush. The rom-com debut of Meg Ryan after a long hiatus co-stars David Duchovny. Based on the play Shooting Star by Steven Dietz, the pic follows a chance encounter between two ex-lovers, Willa and Bill, who are snowed in at a regional airport and indefinitely delayed. See Deadline review.
The Marsh King’s Daughter stars Daisy Ridley and Ben Mendelsohn in an adaptation of a bestselling 2017 thriller by Karen Dionne,...
- 11/3/2023
- by Jill Goldsmith
- Deadline Film + TV
Black Barbie: A Documentary, which details Mattel’s introduction of a Black doll to its Barbie collection and the women that brought it to life, has landed at Netflix and Shonda Rhimes’ Shondaland.
Lagueria Davis directs the doc and produces alongside Aaliyah Williams.
The logline for the project reads: “Black Barbie celebrates the momentous impact three Black women at Mattel had on the evolution of the Barbie brand as we know it. Through these charismatic insiders’ stories, the documentary tells the story of how the first Black Barbie came to be in 1980, examining the importance of representation and how dolls can be crucial to the formation of identity and imagination.”
The film premiered at SXSW 2023. The Hollywood Reporter‘s review out of that festival reads: “Topics of conversation include the Barbie vlogs on racism during the height of the 2020 protests and feeble attempts to give Black Barbie her own stories.
Lagueria Davis directs the doc and produces alongside Aaliyah Williams.
The logline for the project reads: “Black Barbie celebrates the momentous impact three Black women at Mattel had on the evolution of the Barbie brand as we know it. Through these charismatic insiders’ stories, the documentary tells the story of how the first Black Barbie came to be in 1980, examining the importance of representation and how dolls can be crucial to the formation of identity and imagination.”
The film premiered at SXSW 2023. The Hollywood Reporter‘s review out of that festival reads: “Topics of conversation include the Barbie vlogs on racism during the height of the 2020 protests and feeble attempts to give Black Barbie her own stories.
- 10/10/2023
- by Mia Galuppo
- The Hollywood Reporter - Movie News
Netflix and Shondaland have acquired worldwide rights to “Black Barbie,” a documentary that dives into the history of the first Black Barbie doll — which debuted in 1980, 31 years after the original Barbie — and three Black women at Mattel who advocated for the toy.
Directed by Lagueria Davis, “Black Barbie” debuted at this year’s SXSW and the “work-in-progress” cut of the film was met with widespread acclaim. Now, Shonda Rhimes and Betsy Beers have signed on to the team of executive producers as part of Shondaland’s overall deal with Netflix.
“Telling Black Barbie’s story has been such a personal journey and it warms my heart to celebrate the legacy of my aunt Beulah Mae Mitchell, Kitty Black Perkins and Stacey McBride Irby in our film,” Davis said in a statement announcing the acquisition. “We couldn’t have asked for better collaborators than Shondaland and Netflix to bring this story to the world.
Directed by Lagueria Davis, “Black Barbie” debuted at this year’s SXSW and the “work-in-progress” cut of the film was met with widespread acclaim. Now, Shonda Rhimes and Betsy Beers have signed on to the team of executive producers as part of Shondaland’s overall deal with Netflix.
“Telling Black Barbie’s story has been such a personal journey and it warms my heart to celebrate the legacy of my aunt Beulah Mae Mitchell, Kitty Black Perkins and Stacey McBride Irby in our film,” Davis said in a statement announcing the acquisition. “We couldn’t have asked for better collaborators than Shondaland and Netflix to bring this story to the world.
- 10/10/2023
- by Angelique Jackson
- Variety Film + TV
In yet another high-profile acquisition from Netflix, the streaming giant and Shondaland have nabbed global rights to “Black Barbie: A Documentary.” The film comes courtesy of director Lagueria Davis with Shonda Rhimes and Betsy Beers as executive producers.
The feature celebrates the momentous impact of three Black women at Mattel had on the evolution of the Barbie brand. The documentary tells the story of how the first Black Barbie came to be in 1980. It further examines the importance of representation and how dolls can be crucial to the formation of identity and imagination.
As critic Glenn Dunks wrote in The Film Experience, the film “isn’t just about black Barbie dolls. It’s about representation, and about the biases at play in an industry that for so long never ever conceived of the idea of black children wanting a doll like Barbie.”
Critic Clint Worthington noted in The Spool that...
The feature celebrates the momentous impact of three Black women at Mattel had on the evolution of the Barbie brand. The documentary tells the story of how the first Black Barbie came to be in 1980. It further examines the importance of representation and how dolls can be crucial to the formation of identity and imagination.
As critic Glenn Dunks wrote in The Film Experience, the film “isn’t just about black Barbie dolls. It’s about representation, and about the biases at play in an industry that for so long never ever conceived of the idea of black children wanting a doll like Barbie.”
Critic Clint Worthington noted in The Spool that...
- 10/10/2023
- by Scott Mendelson
- The Wrap
‘Black Barbie: A Documentary’ Acquired By Netflix & Shondaland Following Work-In-Progress SXSW Debut
Netflix and Shondaland have snapped up worldwide rights to Black Barbie: A Documentary, a new film from Lagueria Davis that screened a previous cut, to critical acclaim, at this year’s SXSW Film Festival.
Pic is exec produced by Shonda Rhimes and Betsy Beers as part of their overall deal with Netflix, which was extended in 2021, following the Bridgerton duo’s initial signing with the streamer in 2017. It arrives at a time when the doll made world famous by Mattel has taken on a new level of cultural cachet, thanks to Greta Gerwig’s fantasy comedy Barbie, which has grossed over $1.43B worldwide since its July 21st release by Warner Bros, coming in as the highest-grossing film of 2023, as well as the top grosser in the history of the studio, and for a solo female director.
While resonating with the themes of that film written by Gerwig and Noah Baumbach,...
Pic is exec produced by Shonda Rhimes and Betsy Beers as part of their overall deal with Netflix, which was extended in 2021, following the Bridgerton duo’s initial signing with the streamer in 2017. It arrives at a time when the doll made world famous by Mattel has taken on a new level of cultural cachet, thanks to Greta Gerwig’s fantasy comedy Barbie, which has grossed over $1.43B worldwide since its July 21st release by Warner Bros, coming in as the highest-grossing film of 2023, as well as the top grosser in the history of the studio, and for a solo female director.
While resonating with the themes of that film written by Gerwig and Noah Baumbach,...
- 10/10/2023
- by Matt Grobar
- Deadline Film + TV
Updated with new release date in New York of Nov. 3.
Exclusive: Greenwich Entertainment is maintaining a brisk pace of acquisitions. A day after picking up North American rights to the TIFF premiere documentary Sorry/Not Sorry, the independent distributor announced it has partnered with Kanopy to acquire U.S. and Canadian rights to the feature doc Subject.
Jennifer Tiexiera and Camilla Hall produced and directed the film, which premiered at the 2022 Tribeca Festival. Greenwich plans to open the film in theaters in New York and Los Angeles on November 3, while Kanopy will host a pre-theatrical screening and Q&a with the filmmakers online through public and college libraries. Tvod/DVD, college and public library streaming kicks off December 5.
“Subject goes behind the scenes of such famous nonfiction stories as Hoop Dreams, Capturing the Friedmans, The Wolfpack, The Square and The Staircase to explore the often murky ethical dilemmas and complex...
Exclusive: Greenwich Entertainment is maintaining a brisk pace of acquisitions. A day after picking up North American rights to the TIFF premiere documentary Sorry/Not Sorry, the independent distributor announced it has partnered with Kanopy to acquire U.S. and Canadian rights to the feature doc Subject.
Jennifer Tiexiera and Camilla Hall produced and directed the film, which premiered at the 2022 Tribeca Festival. Greenwich plans to open the film in theaters in New York and Los Angeles on November 3, while Kanopy will host a pre-theatrical screening and Q&a with the filmmakers online through public and college libraries. Tvod/DVD, college and public library streaming kicks off December 5.
“Subject goes behind the scenes of such famous nonfiction stories as Hoop Dreams, Capturing the Friedmans, The Wolfpack, The Square and The Staircase to explore the often murky ethical dilemmas and complex...
- 9/12/2023
- by Matthew Carey
- Deadline Film + TV
Updated with the addition of The Holly and American Symphony to the FallDocs lineup.
The Holly, Julian Rubinstein’s documentary about conflict over a gentrifying neighborhood near Denver, and Matthew Heineman’s film American Symphony, about Grammy-winning musician Jon Batiste, have been added to the IDA’s FallDocs screening series.
American Symphony will hold an in-person screening on Tuesday, Oct. 3 at the Culver Theater in Los Angeles, followed by a live Q&a with Heineman.
The Holly will hold an in-person screening on Tuesday, Nov. 7 at the Culver Theater, followed by a live Q&a with Rubinstein, main participant Terrance Roberts, and Aqeela Sherrills, anti-violence activist and co-founder of Community Based Public Safety Collective.
Earlier: Exclusive: The International Documentary Association announced the lineup for its prestigious FallDocs 2023 program, featuring a slew of Oscar contending nonfiction films as well as more than two dozen films that haven’t yet nailed down distribution.
The Holly, Julian Rubinstein’s documentary about conflict over a gentrifying neighborhood near Denver, and Matthew Heineman’s film American Symphony, about Grammy-winning musician Jon Batiste, have been added to the IDA’s FallDocs screening series.
American Symphony will hold an in-person screening on Tuesday, Oct. 3 at the Culver Theater in Los Angeles, followed by a live Q&a with Heineman.
The Holly will hold an in-person screening on Tuesday, Nov. 7 at the Culver Theater, followed by a live Q&a with Rubinstein, main participant Terrance Roberts, and Aqeela Sherrills, anti-violence activist and co-founder of Community Based Public Safety Collective.
Earlier: Exclusive: The International Documentary Association announced the lineup for its prestigious FallDocs 2023 program, featuring a slew of Oscar contending nonfiction films as well as more than two dozen films that haven’t yet nailed down distribution.
- 8/31/2023
- by Matthew Carey
- Deadline Film + TV
Exclusive: Docaviv, the prestigious all-documentary film festival in Tel Aviv, today announced the International Competition lineup for the 25th anniversary of the event, which takes place May 11-20.
In competition are some of the early favorites for Oscar recognition, including Apolonia, Apolonia, winner of Best Feature at IDFA; 20 Days in Mariupol, the harrowing examination of the siege of the Ukrainian port city in the early days of the Russian invasion; Kokomo City, winner of two awards at Sundance, and The Eternal Memory, winner of the Grand Jury Prize for World Cinema Documentary at Sundance [scroll for the full International Competition lineup].
Docaviv is an Oscar-qualifying festival, with winners in the International, Israeli, and Shorts competitions automatically becoming eligible for Academy Awards consideration. It is the only all-documentary festival in Israel and widely considered one of the world’s foremost nonfiction film events.
Some of the expected international guests include Emmy-winning documentary producer John Battsek, who will hold...
In competition are some of the early favorites for Oscar recognition, including Apolonia, Apolonia, winner of Best Feature at IDFA; 20 Days in Mariupol, the harrowing examination of the siege of the Ukrainian port city in the early days of the Russian invasion; Kokomo City, winner of two awards at Sundance, and The Eternal Memory, winner of the Grand Jury Prize for World Cinema Documentary at Sundance [scroll for the full International Competition lineup].
Docaviv is an Oscar-qualifying festival, with winners in the International, Israeli, and Shorts competitions automatically becoming eligible for Academy Awards consideration. It is the only all-documentary festival in Israel and widely considered one of the world’s foremost nonfiction film events.
Some of the expected international guests include Emmy-winning documentary producer John Battsek, who will hold...
- 4/20/2023
- by Matthew Carey
- Deadline Film + TV
Davis Guggenheim’s “Still: A Michael J. Fox Movie” will open the eighth edition of Chicago’s Doc10 documentary film festival on May 4.
About Fox’s life, career and work as a public advocate for Parkinson’s research, “Still: A Michael J. Fox Movie” debuted at Sundance in January. Guggenheim, the Oscar-winning filmmaker behind “An Inconvenient Truth” will be at Doc10 to participate in a post-screening conversation.
Doc10, a four-day fest running May 4-7, features a selection of 10 of this year’s most acclaimed documentaries and a package of prestigious doc shorts. Dedicated to supporting social-impact documentary films, the fest is hosted by Chicago Media Project, a company that raises funds for and produces docus including “Crip Camp” and “Won’t You Be My Neighbor?”
In addition to “Still: A Michael J. Fox Movie” Doc10 will screen: Penny Lane’s “Confessions of a Good Samaritan,” Nicole Newnham’s “The Disappearance of the Shere Hite,...
About Fox’s life, career and work as a public advocate for Parkinson’s research, “Still: A Michael J. Fox Movie” debuted at Sundance in January. Guggenheim, the Oscar-winning filmmaker behind “An Inconvenient Truth” will be at Doc10 to participate in a post-screening conversation.
Doc10, a four-day fest running May 4-7, features a selection of 10 of this year’s most acclaimed documentaries and a package of prestigious doc shorts. Dedicated to supporting social-impact documentary films, the fest is hosted by Chicago Media Project, a company that raises funds for and produces docus including “Crip Camp” and “Won’t You Be My Neighbor?”
In addition to “Still: A Michael J. Fox Movie” Doc10 will screen: Penny Lane’s “Confessions of a Good Samaritan,” Nicole Newnham’s “The Disappearance of the Shere Hite,...
- 3/27/2023
- by Addie Morfoot
- Variety Film + TV
Documentary specialist Autlook Filmsales closed a raft of sales at a vibrant market during the Copenhagen documentary festival Cph:dox.
“Subject,” directed by Camilla Hall and Jennifer Tiexiera, got picked up by Sweden’s Svt, Denmark’s Dr, Norway’s Nrk, Norway’s Vgtv, The Netherlands’ Vpro, Israel’s Yes Doc, and Madman for Australia and New Zealand. Dogwoof released the film early this month in the U.K.
“Subject” is an examination of the relationship between nonfiction filmmakers and their subjects. It raises important ethical questions during a golden of age for documentaries, when docs are screened by millions of viewers. The film re-visits protagonists of some of the most viewed documentaries of today – “The Staircase,” “The Square,” “Hoop Dreams,” “The Wolfpack” and “Capturing the Friedmans.”
Australia and New Zealand distribution powerhouse Madman Entertainment and Spanish broadcaster Movistar have acquired “The Corridors of Power,” a documentary and upcoming eight-part series.
“Subject,” directed by Camilla Hall and Jennifer Tiexiera, got picked up by Sweden’s Svt, Denmark’s Dr, Norway’s Nrk, Norway’s Vgtv, The Netherlands’ Vpro, Israel’s Yes Doc, and Madman for Australia and New Zealand. Dogwoof released the film early this month in the U.K.
“Subject” is an examination of the relationship between nonfiction filmmakers and their subjects. It raises important ethical questions during a golden of age for documentaries, when docs are screened by millions of viewers. The film re-visits protagonists of some of the most viewed documentaries of today – “The Staircase,” “The Square,” “Hoop Dreams,” “The Wolfpack” and “Capturing the Friedmans.”
Australia and New Zealand distribution powerhouse Madman Entertainment and Spanish broadcaster Movistar have acquired “The Corridors of Power,” a documentary and upcoming eight-part series.
- 3/24/2023
- by Leo Barraclough
- Variety Film + TV
We all construct narratives about our lives, drafting and redrafting them with friends, family and ourselves. But what if they were packaged by a documentarian and broadcast on Netflix, a streaming platform with 230 million subscribers across 190 countries? How would it affect you, and would anyone care? This is the subject of Subject, a documentary about documentaries, and it is a process that Margie Ratliff knows all too well.
Ratliff was in her early twenties when she appeared in The Staircase, a documentary series about the trial of her father Michael Peterson, who was charged, convicted, and then released for the murder of his wife, Kathleen. In the interest of ‘transparency’, Peterson invited cameras into the trial and into Ratliff’s life, exposing her confusion and anguish for all to see. “I can’t tell you how painful it is,” says Ratliff, now in her 40s, “…reliving my mum’s death over and over again.
Ratliff was in her early twenties when she appeared in The Staircase, a documentary series about the trial of her father Michael Peterson, who was charged, convicted, and then released for the murder of his wife, Kathleen. In the interest of ‘transparency’, Peterson invited cameras into the trial and into Ratliff’s life, exposing her confusion and anguish for all to see. “I can’t tell you how painful it is,” says Ratliff, now in her 40s, “…reliving my mum’s death over and over again.
- 3/3/2023
- by Jack Hawkins
- HeyUGuys.co.uk
Mubi starts Cannes prizewinner ‘Close’ in 74 sites.
Warner Bros’ Creed III will look to improve on the strong performances of the first two films in the boxing series, when opening in 637 UK-Ireland cinemas this weekend.
The film is the directorial debut of Michael Jordan who also stars in the film series as Adonis Creed, son of former heavyweight champion Apollo Creed. In this third instalment, Adonis’ thriving career and family life are disrupted by the resurfacing of a childhood friend and former boxing prodigy, played by Jonathan Majors.
Creed III is written by Ryan Coogler, who directed the first film...
Warner Bros’ Creed III will look to improve on the strong performances of the first two films in the boxing series, when opening in 637 UK-Ireland cinemas this weekend.
The film is the directorial debut of Michael Jordan who also stars in the film series as Adonis Creed, son of former heavyweight champion Apollo Creed. In this third instalment, Adonis’ thriving career and family life are disrupted by the resurfacing of a childhood friend and former boxing prodigy, played by Jonathan Majors.
Creed III is written by Ryan Coogler, who directed the first film...
- 3/3/2023
- by Ben Dalton
- ScreenDaily
"In the golden age of documentary, who benefits?" Dogwoof has revealed an official trailer for Subject, an intriguing new meta documentary from filmmakers Camilla Hall & Jennifer Tiexiera. This first premiered at the 2022 Tribeca Film Festival last year, and played at a few other festivals including Camden, Calgary, Palm Springs, and AFI Fest. It focuses on the ethics and responsibility inherent in documentary filmmaking. It examines well-known documentaries of the past decade and reveals the impact their commercial success has had on the lives of the onscreen subjects. Specifically focusing on the people seen in these famous docs: Staircase, Hoop Dreams, The Wolfpack, Capturing the Friedmans, and The Square. This is a compelling concept to explore, especially because this kind of exposure in a film really can be detrimental. Just look at what happened to the kid from Death in Venice - as covered in the doc The Most Beautiful Boy in the World,...
- 1/16/2023
- by Alex Billington
- firstshowing.net
The International Documentary Association (IDA) has announced the full program for its annual screening series, including the 10 films that have been chosen for its Awards Campaign Access Initiative (Acai).
The program will open with Netflix’s “Descendant,” a film produced by the Obamas’ company Higher Ground Productions. The documentary sees director Margaret Brown return to her hometown of Mobile, Alabama to document the search for The Clotilda, the last known ship to arrive in the United States, illegally carrying enslaved Africans, and the ramifications its discovery has on the community.
What will follow is a showcase of 43 feature-length documentary films that are eligible for consideration for the upcoming Academy Awards; 20 films will be screened both in-person and online, and 35 will be available for virtual viewing only.
The films selected for the Acai, a program meant to support independent filmmakers from historically excluded communities currently pursuing a film awards campaign, are:
Beba | Dir.
The program will open with Netflix’s “Descendant,” a film produced by the Obamas’ company Higher Ground Productions. The documentary sees director Margaret Brown return to her hometown of Mobile, Alabama to document the search for The Clotilda, the last known ship to arrive in the United States, illegally carrying enslaved Africans, and the ramifications its discovery has on the community.
What will follow is a showcase of 43 feature-length documentary films that are eligible for consideration for the upcoming Academy Awards; 20 films will be screened both in-person and online, and 35 will be available for virtual viewing only.
The films selected for the Acai, a program meant to support independent filmmakers from historically excluded communities currently pursuing a film awards campaign, are:
Beba | Dir.
- 8/30/2022
- by Marcus Jones
- Indiewire
The 18th edition of the Camden Intl. Film Festival, kicking off Sept. 15, will feature a handful of award-contending documentaries fresh off showings at Telluride and the Toronto film festivals. The Maine-based festival will unfold in a hybrid format, with both in-person events over a three-day period concluding Sept. 18, and online screenings available from Sept. 15 to Sept. 25 to audiences across North America.
This year’s Ciff highlights include the U.S. premiere of Tamana Ayazi and Marcel Mettelsiefen’s Netflix release “In Her Hands,” which follows one of Afghanistan’s first female mayors during the months leading up to the Taliban takeover the country in 2021; Chris Smith’s “Sr.,” centered on the life and career of Robert Downey Sr. and his relationship to his son, Robert Downey Jr.; and Steve James’ “A Compassionate Spy,” about Manhattan Project physicist, Soviet spy and University of Chicago alum Theodore Hall. Each of the three...
This year’s Ciff highlights include the U.S. premiere of Tamana Ayazi and Marcel Mettelsiefen’s Netflix release “In Her Hands,” which follows one of Afghanistan’s first female mayors during the months leading up to the Taliban takeover the country in 2021; Chris Smith’s “Sr.,” centered on the life and career of Robert Downey Sr. and his relationship to his son, Robert Downey Jr.; and Steve James’ “A Compassionate Spy,” about Manhattan Project physicist, Soviet spy and University of Chicago alum Theodore Hall. Each of the three...
- 8/22/2022
- by Addie Morfoot
- Variety Film + TV
The relationship between documentary subject and documentarian has been fraught with conflict since the genre’s evolution beyond “actualities” and into a narrative format pioneered by Robert Flaherty. Interrogating what it means to become a “subject” in a documentary film that ultimately takes on a life and a folklore of its own, Jennifer Tiexiera and Camilla Hall have created an essential exploration of ethics with Subject.
It’s a code of ethics that some of the film’s scholars, critics, and festival programmers argue is needed more than ever in an era when nonfiction content is more in demand from all major streamers. For some, their story grows over time—like Margaret Ratliff, who as a teen agreed to participate in a documentary about the death of her mother and the murder conviction of her father, novelist Michael Peterson. She originally agreed to participate in the series to support her...
It’s a code of ethics that some of the film’s scholars, critics, and festival programmers argue is needed more than ever in an era when nonfiction content is more in demand from all major streamers. For some, their story grows over time—like Margaret Ratliff, who as a teen agreed to participate in a documentary about the death of her mother and the murder conviction of her father, novelist Michael Peterson. She originally agreed to participate in the series to support her...
- 6/27/2022
- by John Fink
- The Film Stage
Documentaries are often crafted to explore the social issues of the world, either with an aim to simply bring these issues to light or in the hope of highlighting injustices in need of a fix. Some are made to inform and others, like any movie, to entertain. But what are the moral and ethical responsibilities of a documentary? What do their makers owe their real-life subjects? What does anyone? Such are the questions posited in Camilla Hall and Jennifer Tiexiera’s insightful documentary “Subject.”
to examine how they use their participants to craft a compelling narrative. But what does the word “compelling” mean when it involves real people and often the very real trauma of their lives? The directors attempt to answer this by following several prominent documentary participants, touching on their lives in the wake of becoming public figures through a documentary.
Margie Ratliff, daughter of convicted murderer Michael Peterson...
to examine how they use their participants to craft a compelling narrative. But what does the word “compelling” mean when it involves real people and often the very real trauma of their lives? The directors attempt to answer this by following several prominent documentary participants, touching on their lives in the wake of becoming public figures through a documentary.
Margie Ratliff, daughter of convicted murderer Michael Peterson...
- 6/16/2022
- by Kristen Lopez
- Indiewire
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A documentary dork’s delight, Jennifer Tiexiera and Camilla Hall’s Subject is one of those films about which my biggest lament is that it could have been five times as long — with the caveat that while I would be down for a 10-part series on documentary ethics, this 96-minute intro will be a thoroughly effective conversation starter.
Tiexiera and Hall’s film picks up where most documentaries end. You’ve turned your life over to a filmmaker for a few months or a few years. The film has come out. Maybe it’s won big prizes at Sundance. Maybe you even got to walk a red carpet or two. But then it’s over. Your story has been told in one very specific, strategically edited way. The director got the acclaim and the trophies.
But what about you? You’re famous. Maybe not globally famous,...
A documentary dork’s delight, Jennifer Tiexiera and Camilla Hall’s Subject is one of those films about which my biggest lament is that it could have been five times as long — with the caveat that while I would be down for a 10-part series on documentary ethics, this 96-minute intro will be a thoroughly effective conversation starter.
Tiexiera and Hall’s film picks up where most documentaries end. You’ve turned your life over to a filmmaker for a few months or a few years. The film has come out. Maybe it’s won big prizes at Sundance. Maybe you even got to walk a red carpet or two. But then it’s over. Your story has been told in one very specific, strategically edited way. The director got the acclaim and the trophies.
But what about you? You’re famous. Maybe not globally famous,...
- 6/14/2022
- by Daniel Fienberg
- The Hollywood Reporter - Movie News
For anyone aiming to be a documentary filmmaker, Jennifer Tiexiera and Camilla Hall’s 90-minute doc “Subject” should be required viewing. “Subject” explores the ethical responsibilities nonfiction filmmakers face when they decide to capture people, often at their most vulnerable, thereby forever locking them in a moment in time that will live on through the ages no matter how much a person grows or changes.
Tiexiera (“P.S. Burn This Letter Please”) and Hall (“Copwatch”) focus on some of the most successful documentaries of the past three decades and the “stars” they created and left in their wake. The directing duo explore the psychological impact of being unpaid key participants in commercially successful projects including “The Staircase,” “Hoop Dreams,” ” Wolfpack,” “The Square” and “Capturing the Friedmans.” Below, Tiexiera and Hall discuss the making of the documentary before its June 11 premiere at Tribeca.
What made you want to make this documentary?...
Tiexiera (“P.S. Burn This Letter Please”) and Hall (“Copwatch”) focus on some of the most successful documentaries of the past three decades and the “stars” they created and left in their wake. The directing duo explore the psychological impact of being unpaid key participants in commercially successful projects including “The Staircase,” “Hoop Dreams,” ” Wolfpack,” “The Square” and “Capturing the Friedmans.” Below, Tiexiera and Hall discuss the making of the documentary before its June 11 premiere at Tribeca.
What made you want to make this documentary?...
- 6/11/2022
- by Addie Morfoot
- Variety Film + TV
“Catnip for the cinephile” boasts the program synopsis for Jennifer Tiexiera and Camilla Hall’s Subject, which makes its world debut on June 11 in the Documentary Competition at this year’s Tribeca Festival. It’s a pretty spot-on claim for a doc that probes the post-screen afterlives and reflective minds of some of nonfiction cinema’s most recognizable stars. By juxtaposing contemporary interviews with characters from Capturing the Friedmans, Hoop Dreams, The Staircase, The Wolfpack, and The Square as well as interviews with acclaimed documentary directors, academics and various experts on non-fiction ethics, a bigger and deeper picture […]
The post “We Decided To Rewrite All of Our Consent Releases So That They Were More Favorable to Participants”: Jennifer Tiexiera and Camilla Hall on their Tribeca-premiering doc Subject first appeared on Filmmaker Magazine.
The post “We Decided To Rewrite All of Our Consent Releases So That They Were More Favorable to Participants”: Jennifer Tiexiera and Camilla Hall on their Tribeca-premiering doc Subject first appeared on Filmmaker Magazine.
- 6/11/2022
- by Lauren Wissot
- Filmmaker Magazine - Blog
“Catnip for the cinephile” boasts the program synopsis for Jennifer Tiexiera and Camilla Hall’s Subject, which makes its world debut on June 11 in the Documentary Competition at this year’s Tribeca Festival. It’s a pretty spot-on claim for a doc that probes the post-screen afterlives and reflective minds of some of nonfiction cinema’s most recognizable stars. By juxtaposing contemporary interviews with characters from Capturing the Friedmans, Hoop Dreams, The Staircase, The Wolfpack, and The Square as well as interviews with acclaimed documentary directors, academics and various experts on non-fiction ethics, a bigger and deeper picture […]
The post “We Decided To Rewrite All of Our Consent Releases So That They Were More Favorable to Participants”: Jennifer Tiexiera and Camilla Hall on their Tribeca-premiering doc Subject first appeared on Filmmaker Magazine.
The post “We Decided To Rewrite All of Our Consent Releases So That They Were More Favorable to Participants”: Jennifer Tiexiera and Camilla Hall on their Tribeca-premiering doc Subject first appeared on Filmmaker Magazine.
- 6/11/2022
- by Lauren Wissot
- Filmmaker Magazine-Director Interviews
Tribeca is back and looking almost like it did before Covid hit the scene and upended film festivals around the world.
The 2022 edition will have indoor screenings, something that last year’s all-outdoor version eschewed. It will also offer up a steady stream of splashy premieres, performances, concerts and talks featuring A-listers such as Jennifer Lopez, as well as new offerings from the likes of Jon Hamm, Jessica Chastain, Ray Romano, Bryan Cranston and more. That’s the kind of sizzle that New York City could use as it tries to regain its stride after coronavirus knocked it for a loop.
But some pandemic-era innovations remain. Film lovers who still prefer to avoid crowds during Covid can access many of the movies and events digitally with the Tribeca At Home platform, a sign that going forward festivals are going to continue embracing a hybrid model.
As Tribeca kicks off its 12-day run on Wednesday,...
The 2022 edition will have indoor screenings, something that last year’s all-outdoor version eschewed. It will also offer up a steady stream of splashy premieres, performances, concerts and talks featuring A-listers such as Jennifer Lopez, as well as new offerings from the likes of Jon Hamm, Jessica Chastain, Ray Romano, Bryan Cranston and more. That’s the kind of sizzle that New York City could use as it tries to regain its stride after coronavirus knocked it for a loop.
But some pandemic-era innovations remain. Film lovers who still prefer to avoid crowds during Covid can access many of the movies and events digitally with the Tribeca At Home platform, a sign that going forward festivals are going to continue embracing a hybrid model.
As Tribeca kicks off its 12-day run on Wednesday,...
- 6/8/2022
- by Brent Lang and Rebecca Rubin
- Variety Film + TV
Producer and entrepreneur Alex Lieberman has launched Bright West Entertainment, a new film finance and production company with a special focus on backing documentary content.
The company is making a big splash this month. Three of its next feature documentaries — “On the Line: The Richard Williams Story,” “Subject” and “Rudy! A Documusical” — are set to world premiere at the 2022 Tribeca Film Festival, which kicks off on Wednesday.
“I’m focused on financing interesting stories and trying to serve as a catalyst to help projects get made,” Lieberman tells Variety. “I don’t have a brand filter or a set type of story that I’m interested in making. It’s not original to say this, but I love human stories.”
Filmmakers who have worked with Lieberman say he’s committed to giving them the resources they need to get their projects finished and praise him for understanding the difficult road...
The company is making a big splash this month. Three of its next feature documentaries — “On the Line: The Richard Williams Story,” “Subject” and “Rudy! A Documusical” — are set to world premiere at the 2022 Tribeca Film Festival, which kicks off on Wednesday.
“I’m focused on financing interesting stories and trying to serve as a catalyst to help projects get made,” Lieberman tells Variety. “I don’t have a brand filter or a set type of story that I’m interested in making. It’s not original to say this, but I love human stories.”
Filmmakers who have worked with Lieberman say he’s committed to giving them the resources they need to get their projects finished and praise him for understanding the difficult road...
- 6/7/2022
- by Brent Lang
- Variety Film + TV
Tribeca Film Festival Artistic Director Frédéric Boyer with Anne-Katrin Titze (in Dôen) on Tessa Louise-Salomé’s The Wild One on Jack Garfein, narrated by Willem Dafoe: “He’s a creator of the Actors Studio in L.A. with Paul Newman and he was a mentor of Ben Gazzara and he is also a survivor of the Holocaust.”
In the first instalment with Tribeca Film Festival Artistic Director Frédéric Boyer we discuss the success of the 20th anniversary edition being back on the big screen and some of the selections of this year’s program.
Frédéric Boyer on Lior Ashkenazi in Moshe Rosenthal’s Karaoke: “He’s wonderful! He is typically a man, he plays the macho and it’s cool!” Photo: Anne-Katrin Titze
Shirin Neshat and Shoja Azari, Moshe Rosenthal, Del Kathryn Barton (Blaze with Simon Baker), Becky Hutner (Fashion Reimagined on Amy Powney’s Mother Of Pearl), Alexandre...
In the first instalment with Tribeca Film Festival Artistic Director Frédéric Boyer we discuss the success of the 20th anniversary edition being back on the big screen and some of the selections of this year’s program.
Frédéric Boyer on Lior Ashkenazi in Moshe Rosenthal’s Karaoke: “He’s wonderful! He is typically a man, he plays the macho and it’s cool!” Photo: Anne-Katrin Titze
Shirin Neshat and Shoja Azari, Moshe Rosenthal, Del Kathryn Barton (Blaze with Simon Baker), Becky Hutner (Fashion Reimagined on Amy Powney’s Mother Of Pearl), Alexandre...
- 5/5/2022
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Exclusive: Sirens, a rock doc about Beirut all-female thrash metal band Slave to Sirens, will get a theatrical run after Oscilloscope Laboratories bought the North American rights.
The company, which was founded by Beastie Boys’ Adam Yauch, will give the film that premiered at Sundance in January an exclusive theatrical run before launching it on digital platforms.
Directed by Rita Baghdadi, who shot and produced the film along with producing partner Camila Hall, the film explores the lives and music of Slave to Sirens, a band made up of five young metalheads whose burgeoning fame is set against the backdrop of the Lebanese revolution.
Its members wrestle with friendship, sexuality, and destruction as their music serves as a refuge to Beirut’s youth culture. At the band’s core are its two founding members, Lilas Mayassi and Shery Bechara, whose complicated relationship and subsequent tense fallout threatens the very fabric of the band.
The company, which was founded by Beastie Boys’ Adam Yauch, will give the film that premiered at Sundance in January an exclusive theatrical run before launching it on digital platforms.
Directed by Rita Baghdadi, who shot and produced the film along with producing partner Camila Hall, the film explores the lives and music of Slave to Sirens, a band made up of five young metalheads whose burgeoning fame is set against the backdrop of the Lebanese revolution.
Its members wrestle with friendship, sexuality, and destruction as their music serves as a refuge to Beirut’s youth culture. At the band’s core are its two founding members, Lilas Mayassi and Shery Bechara, whose complicated relationship and subsequent tense fallout threatens the very fabric of the band.
- 4/22/2022
- by Peter White
- Deadline Film + TV
Camilla Hall’s debut documentary, “Copwatch,” wants viewers to know these names: Dave Whitt. Ramsey Orta. Kevin Moore. Not because these men of color have been lost to police violence but because they documented it.
Ramsey Orta trained his cellphone on the arrest of Eric Garner as NYPD officer Daniel Pantaleo applied the lethal (and banned) chokehold that killed the man from Staten Island, N.Y., in July 2014. Onetime Canfield Green Apartments resident Dave Whitt began recording on his phone in the immediate aftermath of police officer Darren Wilson’s killing of Michael Brown, in Ferguson, Mo., on Aug. 9, 2014. Kevin Moore grabbed his cellphone when his dad — hearing distressed screams from the street — shouted for him to come; Moore documented the arrest of Freddie Gray, who died in Baltimore police custody in April 2015.
Last week, the We Are One online film festival added the doc — which Variety reviewed when it...
Ramsey Orta trained his cellphone on the arrest of Eric Garner as NYPD officer Daniel Pantaleo applied the lethal (and banned) chokehold that killed the man from Staten Island, N.Y., in July 2014. Onetime Canfield Green Apartments resident Dave Whitt began recording on his phone in the immediate aftermath of police officer Darren Wilson’s killing of Michael Brown, in Ferguson, Mo., on Aug. 9, 2014. Kevin Moore grabbed his cellphone when his dad — hearing distressed screams from the street — shouted for him to come; Moore documented the arrest of Freddie Gray, who died in Baltimore police custody in April 2015.
Last week, the We Are One online film festival added the doc — which Variety reviewed when it...
- 6/7/2020
- by Lisa Kennedy
- Variety Film + TV
The initiative is spearheaded by filmmakers Daphne Schmon, Emily Carlton and Elpida Stathatou.
Canadian director Shelley Thompson, Philippines filmmaker Maritte Go and UK-based documentarian Emily James were among the participants at the second edition of female-focused financing event Breaking Through The Lens in Cannes over the weekend.
The initiative - spearheaded by filmmakers Daphne Schmon, Emily Carlton and Elpida Stathatou - is aimed at connecting female directors and their producers with financiers and other partners on upcoming projects.
Carlton explains they launched the platform to address the challenges female directors face when looking to finance their projects.
“There’s clearly...
Canadian director Shelley Thompson, Philippines filmmaker Maritte Go and UK-based documentarian Emily James were among the participants at the second edition of female-focused financing event Breaking Through The Lens in Cannes over the weekend.
The initiative - spearheaded by filmmakers Daphne Schmon, Emily Carlton and Elpida Stathatou - is aimed at connecting female directors and their producers with financiers and other partners on upcoming projects.
Carlton explains they launched the platform to address the challenges female directors face when looking to finance their projects.
“There’s clearly...
- 5/20/2019
- by Melanie Goodfellow
- ScreenDaily
Inside Out, Canada’s largest Lgbtq film festival, distributor, and booster of Lgbtq content, has unveiled to Variety the 10 feature projects and eight international executives participating in its third annual Finance Forum.
“There’s a great variety to the projects this year,” Inside Out executive director Andria Wilson said before the official Finance Forum announcement. “We’ve got docs in the lineup for the first time, and two really exciting U.K. projects. The directors and producers represent a diverse cross-section of perspectives, both from their lived experiences and their bodies of work.” The festival’s 2019 film slate will be announced May 3.
The Finance Forum takes place May 30-31, during the 29th edition of the Toronto Lgbt Film Festival. The first and only Lgbtq finance event of its kind in the world, Inside Out’s forum holds an open submission call, and also reaches out to international film funds, institutions,...
“There’s a great variety to the projects this year,” Inside Out executive director Andria Wilson said before the official Finance Forum announcement. “We’ve got docs in the lineup for the first time, and two really exciting U.K. projects. The directors and producers represent a diverse cross-section of perspectives, both from their lived experiences and their bodies of work.” The festival’s 2019 film slate will be announced May 3.
The Finance Forum takes place May 30-31, during the 29th edition of the Toronto Lgbt Film Festival. The first and only Lgbtq finance event of its kind in the world, Inside Out’s forum holds an open submission call, and also reaches out to international film funds, institutions,...
- 4/29/2019
- by Jennie Punter
- Variety Film + TV
Netflix has acquired worldwide rights to the documentary “Circus of Books” ahead of its premiere at the Tribeca Film Festival.
Rachel Mason wrote and directed the pic, and also produced it along with Kathryn Robson, Cynthia Childs, Camilla Hall and Adam Baran. Ryan Murphy, Josh Braun, John Battsek, Rhianon Jones and Gerald Herman executive produced. Bob Hawk is a consulting producer.
The doc is set in the gay porn shop “Circus of Books,” which for 35 years, has served as an epicenter for Lgbt life and culture in Los Angeles. Unbeknownst to many in the community, the store is cultivated and cared for by its owners, Karen and Barry Mason — a straight couple with three children. The movie offers an intimate portrait of the Masons and their journey to become one of the biggest distributors of hardcore gay porn in the United States. Their story unfolds through the lens of their daughter,...
Rachel Mason wrote and directed the pic, and also produced it along with Kathryn Robson, Cynthia Childs, Camilla Hall and Adam Baran. Ryan Murphy, Josh Braun, John Battsek, Rhianon Jones and Gerald Herman executive produced. Bob Hawk is a consulting producer.
The doc is set in the gay porn shop “Circus of Books,” which for 35 years, has served as an epicenter for Lgbt life and culture in Los Angeles. Unbeknownst to many in the community, the store is cultivated and cared for by its owners, Karen and Barry Mason — a straight couple with three children. The movie offers an intimate portrait of the Masons and their journey to become one of the biggest distributors of hardcore gay porn in the United States. Their story unfolds through the lens of their daughter,...
- 4/25/2019
- by Justin Kroll
- Variety Film + TV
Bet has given a 10-episode series order to the docuseries “Copwatch America,” the network announced Tuesday.
Produced by Renowned Films and Critical Content, “Copwatch America” is set to follow “copwatchers” from two U.S. cities, who turn their cameras on police to protect citizens, amplify the truth and keep abuses of power in check.
According to the network, the 10-episode series will feature voices from both sides of the issue, “from police officers who insist they are just trying to build up their communities, to the copwatchers determined to speak truth to power.”
Also Read: Lena Waithe's 'Twenties' Lands Back at Bet, Finally Gets Series Order
Executive producers on the project are Max Welch, Tim Withers and Duane Jones for Renowned Films and Critical Content CEO Tom Forman.
“Bet Networks is committed to bringing important stories of systemic issues of race and justice across our nation to light.
Produced by Renowned Films and Critical Content, “Copwatch America” is set to follow “copwatchers” from two U.S. cities, who turn their cameras on police to protect citizens, amplify the truth and keep abuses of power in check.
According to the network, the 10-episode series will feature voices from both sides of the issue, “from police officers who insist they are just trying to build up their communities, to the copwatchers determined to speak truth to power.”
Also Read: Lena Waithe's 'Twenties' Lands Back at Bet, Finally Gets Series Order
Executive producers on the project are Max Welch, Tim Withers and Duane Jones for Renowned Films and Critical Content CEO Tom Forman.
“Bet Networks is committed to bringing important stories of systemic issues of race and justice across our nation to light.
- 4/16/2019
- by Reid Nakamura
- The Wrap
Gunpowder & Sky has acquired rights in all English-speaking territories to Copwatch, the feature-length documentary that bowed this spring at the Tribeca Film Festival. It follows the story of WeCopwatch, an organization whose mission is to film police activity as a non-violent form of protest and deterrent to police brutality. The film, directed by journalist-turned-helmer Camilla Hall, includes profiles of members including Ramsey Orta, who filmed Eric Garner's final…...
- 6/12/2017
- Deadline
There’s a moment late in Camilla Hall’s Copwatch when a rare officer of color from the Ferguson Police Department engages a group of copwatchers, a term used for local, autonomous groups who document policing activity and potential wrongdoing on the side of the law. He’s careful to discuss policies he’s not a fan of while hearing them out. Copwatch isn’t a permanent solution — one would hope with the rise of body cameras and community-based policing it wouldn’t have to be — but there is still unanswered questions regarding police tactics and use of force that supervisors and chiefs remain unwilling to be transparent about for one reason or another. Or, as former NYPD Police Commissioner Bill Bratton used to say, “it looks awful, but it’s lawful.” The conversation that ends Copwatch is lively, even if the Copwatchers occasionally talk over themselves, which could be...
- 4/30/2017
- by John Fink
- The Film Stage
Festival receives record number of submissions as top brass trim roster by 20%.
World premieres of Michael Winterbottom’s The Trip To Spain (pictured), Nick Broomfield and Rudi Dolezal’s Whitney. “can I be me,”, and Hell On Earth: The Fall Of Syria And The Rise Of Isis by Sebastian Junger and Nick Quested are among the line-up at the 16th annual Tribeca Film Festival (April 19-30).
Festival top brass led by new director of programming Cara Cusumano and artistic director Frédéric Boyer unveiled on Thursday 82 of the 98 features that will screen at this year’s edition.
Trimmed down by 20%, the festival received a record number 8,700 submissions, of which 3,362 were features – and includes 32 films in competition comprising 12 documentaries, 10 Us narratives and 10 international narratives. Films in competition will compete for cash prizes totalling $160,000.
Spotlight Narrative section features 15 fiction films, while Spotlight Documentary includes 16 non-fiction films. Five fiction and one documentary film play in Midnight.
The 2017 roster...
World premieres of Michael Winterbottom’s The Trip To Spain (pictured), Nick Broomfield and Rudi Dolezal’s Whitney. “can I be me,”, and Hell On Earth: The Fall Of Syria And The Rise Of Isis by Sebastian Junger and Nick Quested are among the line-up at the 16th annual Tribeca Film Festival (April 19-30).
Festival top brass led by new director of programming Cara Cusumano and artistic director Frédéric Boyer unveiled on Thursday 82 of the 98 features that will screen at this year’s edition.
Trimmed down by 20%, the festival received a record number 8,700 submissions, of which 3,362 were features – and includes 32 films in competition comprising 12 documentaries, 10 Us narratives and 10 international narratives. Films in competition will compete for cash prizes totalling $160,000.
Spotlight Narrative section features 15 fiction films, while Spotlight Documentary includes 16 non-fiction films. Five fiction and one documentary film play in Midnight.
The 2017 roster...
- 3/2/2017
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
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