Sundance Institute has announced the 2024 Directors, Screenwriters, and Native Labs fellows.
The Native Lab takes place in person in Santa Fe, New Mexico, from April 29–May 4 and will support four fellows and two artists in residence. The Lab focuses on centring Indigeneity in the storytelling of participants from Native and Indigenous backgrounds and will work on feature film and episodic scripts through one-on-one feedback sections and roundtable discussions with advisors.
The fellows are: Don Josephus Raphael Eblahan (writer-director) with Hum (Phil-usa); Ryland Walker Knight (writer-director) with The Lip Of The World (USA); Charine Pilar Gonzales (writer-director) with Ndn Time (USA...
The Native Lab takes place in person in Santa Fe, New Mexico, from April 29–May 4 and will support four fellows and two artists in residence. The Lab focuses on centring Indigeneity in the storytelling of participants from Native and Indigenous backgrounds and will work on feature film and episodic scripts through one-on-one feedback sections and roundtable discussions with advisors.
The fellows are: Don Josephus Raphael Eblahan (writer-director) with Hum (Phil-usa); Ryland Walker Knight (writer-director) with The Lip Of The World (USA); Charine Pilar Gonzales (writer-director) with Ndn Time (USA...
- 4/29/2024
- ScreenDaily
The Sundance Institute has announced its fellows for the 2024 Directors, Screenwriters, and Native labs, which include a diverse mix of artists from the realms of film, TV, and theatre. For more than 40 years, participating in a Sundance lab has been a rite of passage for those seeking to work in the upper echelons of independent film. The developmental programs take place throughout the spring and summer and allow notable rising filmmakers and Indigenous artists to hone their craft under the mentorship of working professionals. Notable alumni of the programs include Quentin Tarantino, Paul Thomas Anderson, Ryan Coogler, Wes Anderson, and Chloe Zhao.
“For over four decades since their conception, the labs remain critical to the vitality of the independent filmmaking community. It has never been more important to invest in the growth of independent storytellers. While our Directors and Screenwriters Labs take place over several weeks, our commitment to these...
“For over four decades since their conception, the labs remain critical to the vitality of the independent filmmaking community. It has never been more important to invest in the growth of independent storytellers. While our Directors and Screenwriters Labs take place over several weeks, our commitment to these...
- 4/29/2024
- by Christian Zilko
- Indiewire
The Sundance Institute has named the participants and projects set for the 2023 editions of a pair of its flagship programs: the Screenwriters Lab and Screenwriters Intensive.
Lab participants will include Joseph Sackett (Cross Pollination), Sean Wang (Dìdi (弟弟)), Abinash Bikram Shah (Elephants in the Fog), Gabriela Ortega (Huella), Walter Thompson-Hernández (If I Go Will They Miss Me), Hadas Ayalon (In a Minute You’ll Be Gone), Bernardo Cubría, John Hibey & Joshua Penn Soskin (Kill Yr Idols), Dania Bdeir & Bane Fakih (Pigeon Wars), Rashad Frett & Lin Que Ayoung (Ricky), Farida Zahran (The Leftover Ladies), Masami Kawai (Valley of the Tall Grass) and Audrey Rosenberg (Wild Animals).
Those set for the Intensive are Keisha Rae Witherspoon & Jason Fitzroy Jeffers (Arc), Shireen Alihaji (Blue Veil), Spencer Cook & Parker Smith (Lame), Jesahel Newton-Bernal (Leche), Cynthia Lowen (Light Mass Energy), Rebin Zangana (Qareen), David Liu (Santa Anita), Urvashi Pathania (Skin), Ciara Leina`ala Lacy (Untitled...
Lab participants will include Joseph Sackett (Cross Pollination), Sean Wang (Dìdi (弟弟)), Abinash Bikram Shah (Elephants in the Fog), Gabriela Ortega (Huella), Walter Thompson-Hernández (If I Go Will They Miss Me), Hadas Ayalon (In a Minute You’ll Be Gone), Bernardo Cubría, John Hibey & Joshua Penn Soskin (Kill Yr Idols), Dania Bdeir & Bane Fakih (Pigeon Wars), Rashad Frett & Lin Que Ayoung (Ricky), Farida Zahran (The Leftover Ladies), Masami Kawai (Valley of the Tall Grass) and Audrey Rosenberg (Wild Animals).
Those set for the Intensive are Keisha Rae Witherspoon & Jason Fitzroy Jeffers (Arc), Shireen Alihaji (Blue Veil), Spencer Cook & Parker Smith (Lame), Jesahel Newton-Bernal (Leche), Cynthia Lowen (Light Mass Energy), Rebin Zangana (Qareen), David Liu (Santa Anita), Urvashi Pathania (Skin), Ciara Leina`ala Lacy (Untitled...
- 1/13/2023
- by Matt Grobar
- Deadline Film + TV
The 18th Camden International Film Festival on Maine’s mid-coast – an increasingly important destination for documentary filmmakers – wrapped its in-person portion Sunday after announcing a handful of awards.
Day After…, directed by Kamar Ahmad Simon, won the festival’s Harrell Award, chosen from a group of “some of the most significant documentaries of the year.” The film is described as “A philosophical ballad along the rivers of Bangladesh, transporting the rich and poor, young and old, East and West in a century-old paddle steamer.”
“The jury was unanimous in its admiration for this film, in which an old riverboat seems to contain an entire society’s worth of dreamers and hustlers, politicians and radicals,” juror Eric Hynes said, noting that the documentary employs “both hybrid techniques and dogged observational power. This is a dazzling work of nonfiction.”
The jury awarded a special mention to Polaris, another film with a nautical theme.
Day After…, directed by Kamar Ahmad Simon, won the festival’s Harrell Award, chosen from a group of “some of the most significant documentaries of the year.” The film is described as “A philosophical ballad along the rivers of Bangladesh, transporting the rich and poor, young and old, East and West in a century-old paddle steamer.”
“The jury was unanimous in its admiration for this film, in which an old riverboat seems to contain an entire society’s worth of dreamers and hustlers, politicians and radicals,” juror Eric Hynes said, noting that the documentary employs “both hybrid techniques and dogged observational power. This is a dazzling work of nonfiction.”
The jury awarded a special mention to Polaris, another film with a nautical theme.
- 9/19/2022
- by Matthew Carey
- Deadline Film + TV
Copenhagen Intl. Documentary Film Festival, which runs March 21-April 3, has revealed the lineup for its international financing and co-production event Cph:forum.
Women are taking central stage in the lineup both as characters and storytellers, and the Forum will feature new projects by Jialing Zhang (“One Child Nation”), Ilinca Calugareanu (“Chuck Norris vs. Communism”), Tova Mozard (“Psychic”), Elizabeth Lo (“Stray”) and Lana Wilson (“Miss Americana”) among others.
The selection of 30 projects in this year’s Cph:forum represents a variety of topics, genres and artistic approaches from a diverse group of filmmakers. According to the festival, “Seeking to demonstrate the richness and heterogeneity of the documentary genre, Cph:forum presents a curated slate of films that speak to the major issues of the world we live in.”
Topics of race, equity and colonial legacy connect a personal film of Barbadian filmmaker Jason Fitzroy Jeffers (“Papa Machete”), and the newest project of the Dutch...
Women are taking central stage in the lineup both as characters and storytellers, and the Forum will feature new projects by Jialing Zhang (“One Child Nation”), Ilinca Calugareanu (“Chuck Norris vs. Communism”), Tova Mozard (“Psychic”), Elizabeth Lo (“Stray”) and Lana Wilson (“Miss Americana”) among others.
The selection of 30 projects in this year’s Cph:forum represents a variety of topics, genres and artistic approaches from a diverse group of filmmakers. According to the festival, “Seeking to demonstrate the richness and heterogeneity of the documentary genre, Cph:forum presents a curated slate of films that speak to the major issues of the world we live in.”
Topics of race, equity and colonial legacy connect a personal film of Barbadian filmmaker Jason Fitzroy Jeffers (“Papa Machete”), and the newest project of the Dutch...
- 2/10/2022
- by Leo Barraclough
- Variety Film + TV
There are 30 projects in first physical event since 2019.
New works from One Child Nation director Jialing Zhang and Chuck Norris vs. Communism filmmaker Ilinca Calugareanu are among the 30 projects participating in Cph:forum, the financing and co-production market of Cph:dox film festival.
The Forum will run from March 28-31, and will be the first in-person edition since 2019.
Scroll down for the full list of titles
Massachusetts-based Chinese filmmaker Zhang is participating with German-Dutch co-production The Total Trust (working title), produced by Knut Jager through Germany’s Filmtank. The documentary will examine the growth of surveillance culture in China, from cameras to AI profiling.
New works from One Child Nation director Jialing Zhang and Chuck Norris vs. Communism filmmaker Ilinca Calugareanu are among the 30 projects participating in Cph:forum, the financing and co-production market of Cph:dox film festival.
The Forum will run from March 28-31, and will be the first in-person edition since 2019.
Scroll down for the full list of titles
Massachusetts-based Chinese filmmaker Zhang is participating with German-Dutch co-production The Total Trust (working title), produced by Knut Jager through Germany’s Filmtank. The documentary will examine the growth of surveillance culture in China, from cameras to AI profiling.
- 2/10/2022
- by Ben Dalton
- ScreenDaily
Producing
“The Crown” actor Derek Jacobi has boarded David Bartlett’s short film “Mousie” as executive producer, Variety can exclusively reveal. The film, which is produced by Will Poole (“Waffle the Wonder Dog”), tells the story of a seven-year-old Roma girl who seeks sanctuary from the Nazis in a decaying Weimar Cabaret Club.
“’Mousie’ is such a beautiful film – original, heartbreaking, yet also uplifting,” says Jacobi, who played the Duke of Windsor in Netflix’s royal series. “It is so relevant and provocative too. Amid really atmospheric cinematography and art direction, David Bartlett’s exquisite direction has delivered the most arresting performances, led by a remarkable young child. ‘Mousie’ is unmissable.”
Writer and director Bartlett began his career at the BBC where he worked on dramatizations including “The Great Train Robbery” and “The Hitler Diaries.” “Mousie,” which is eligible for Academy Award consideration, has screened at the Dublin International Film Festival,...
“The Crown” actor Derek Jacobi has boarded David Bartlett’s short film “Mousie” as executive producer, Variety can exclusively reveal. The film, which is produced by Will Poole (“Waffle the Wonder Dog”), tells the story of a seven-year-old Roma girl who seeks sanctuary from the Nazis in a decaying Weimar Cabaret Club.
“’Mousie’ is such a beautiful film – original, heartbreaking, yet also uplifting,” says Jacobi, who played the Duke of Windsor in Netflix’s royal series. “It is so relevant and provocative too. Amid really atmospheric cinematography and art direction, David Bartlett’s exquisite direction has delivered the most arresting performances, led by a remarkable young child. ‘Mousie’ is unmissable.”
Writer and director Bartlett began his career at the BBC where he worked on dramatizations including “The Great Train Robbery” and “The Hitler Diaries.” “Mousie,” which is eligible for Academy Award consideration, has screened at the Dublin International Film Festival,...
- 11/12/2021
- by Naman Ramachandran
- Variety Film + TV
Christine D’Souza Gelb, the veteran independent film financing and sales executive, has launched a new production and management venture with Killer Films executive David Hinojosa and Kevin Rowe as founding partners.
Named 2Am, the venue brings together a trio of considerable indie film players and boasts backing from one of the space’s most premium brands: A24.
The Oscar-winning studio behind titles like “Moonlight” and “Room,” as well as the TV hit “Euphoria,” has invested in the full-service company at an undisclosed share. 2Am will operate independently, insiders said, with no exclusive first look deal with the distributor.
Gelb left Endeavor Content last summer, where she had risen to partner and served as a fixture in brokering some of the most exciting films of the past decade and a half — including titles like Lulu Wang’s “The Farewell,” Ari Aster’s “Midsommar,” Kenneth Lonergan’s Oscar winner “Manchester by the Sea,...
Named 2Am, the venue brings together a trio of considerable indie film players and boasts backing from one of the space’s most premium brands: A24.
The Oscar-winning studio behind titles like “Moonlight” and “Room,” as well as the TV hit “Euphoria,” has invested in the full-service company at an undisclosed share. 2Am will operate independently, insiders said, with no exclusive first look deal with the distributor.
Gelb left Endeavor Content last summer, where she had risen to partner and served as a fixture in brokering some of the most exciting films of the past decade and a half — including titles like Lulu Wang’s “The Farewell,” Ari Aster’s “Midsommar,” Kenneth Lonergan’s Oscar winner “Manchester by the Sea,...
- 2/24/2021
- by Matt Donnelly
- Variety Film + TV
Exclusive: Former Endeavor Content partner Christine D’Souza Gelb has teamed with Killer Films production exec David Hinojosa and manager Kevin Rowe to launch 2Am, a new production and management venture that gets off the ground with backing from A24.
The company launches with designs on managing filmmaker clients, and producing projects primarily in the film and television space. For indie studio A24, this is its first foray in investing in a management concern. Sources said there will be an arms length relationship between the two companies with no first look deal.
The catalyst for the new company is D’Souza Gelb, who spent 15 years at a top agent in film financing and sales as a partner at Endeavor Content, before surprising colleagues last May with an internal note that she would stop being an agent. She wanted to take some time and plot a course change, and early this fall she began putting together 2Am.
The company launches with designs on managing filmmaker clients, and producing projects primarily in the film and television space. For indie studio A24, this is its first foray in investing in a management concern. Sources said there will be an arms length relationship between the two companies with no first look deal.
The catalyst for the new company is D’Souza Gelb, who spent 15 years at a top agent in film financing and sales as a partner at Endeavor Content, before surprising colleagues last May with an internal note that she would stop being an agent. She wanted to take some time and plot a course change, and early this fall she began putting together 2Am.
- 2/23/2021
- by Mike Fleming Jr
- Deadline Film + TV
When beloved filmmaker Lynn Shelton unexpectedly passed away earlier this year, her tight-knit communities rallied together to find a way to honor her legacy in a way that felt appropriate for the big-hearted creator. In July, Seattle’s Northwest Film Forum and Duplass Brothers Productions announced their solution: the launch of the Lynn Shelton “Of a Certain Age” Grant. The $25,000 unrestricted cash grant will be awarded each year to a U.S.-based woman or non-binary filmmaker, age 39 or older, who has yet to direct a narrative feature.
Less than four months later, the selection committee has chosen their inaugural winner: Keisha Rae Witherspoon, a Caribbean-American filmmaker based in Miami. Per the official announcement, “Witherspoon’s work is driven by interests in science, speculative fiction, and fantasy, as well as documenting the unseen and unheralded nuances of diasporic peoples.”
Her dazzling short film “T” world-premiered at the BlackStar Film Festival...
Less than four months later, the selection committee has chosen their inaugural winner: Keisha Rae Witherspoon, a Caribbean-American filmmaker based in Miami. Per the official announcement, “Witherspoon’s work is driven by interests in science, speculative fiction, and fantasy, as well as documenting the unseen and unheralded nuances of diasporic peoples.”
Her dazzling short film “T” world-premiered at the BlackStar Film Festival...
- 10/28/2020
- by Kate Erbland
- Indiewire
Shot on a $1.5 million budget and ranking as the lowest-budgeted film in Academy Awards’ history, 2017 best picture winner “Moonlight”, highlighted the talent associated to Miami’s burgeoning film community.
To capitalize on the surge in local filmmaking talent, ArtCenter/South Florida has launched a micro-budget Cinematic Arts residency, accepting entries until Sept. 18, that will provide up to $50,000 funding per project for two feature films by Miami-based filmmakers.
The residency will roll-off on Miami’s unique mix of talent and ethnic communities, including a large number of filmmakers with Latin American roots. It will be run by local helmer Jason Fitzroy Jeffers, co-founder of the Third Horizon Film Festival, whose Haiti-set documentary “Papa Machete,” premiered at the 2015 Sundance Film Festival and has generated over one million views on NationalGeographic.com.
Projects will be selected by a jury headed by Andrew Hevia, “Moonlight” co-producer and co-founder of the Borscht Film Festival.
Jeffers...
To capitalize on the surge in local filmmaking talent, ArtCenter/South Florida has launched a micro-budget Cinematic Arts residency, accepting entries until Sept. 18, that will provide up to $50,000 funding per project for two feature films by Miami-based filmmakers.
The residency will roll-off on Miami’s unique mix of talent and ethnic communities, including a large number of filmmakers with Latin American roots. It will be run by local helmer Jason Fitzroy Jeffers, co-founder of the Third Horizon Film Festival, whose Haiti-set documentary “Papa Machete,” premiered at the 2015 Sundance Film Festival and has generated over one million views on NationalGeographic.com.
Projects will be selected by a jury headed by Andrew Hevia, “Moonlight” co-producer and co-founder of the Borscht Film Festival.
Jeffers...
- 8/13/2018
- by Martin Dale
- Variety Film + TV
The Caribbean Film Mart (Cfm) has been in the making for several years and in September its debut took place at the 2015 trinidad+tobago film festival (ttff) . Bruce Paddington, a filmmaker himself as well as an academic and the Founder and Director of the Festival, along with Annebelle Alcazar, Jonathan Ali and Nneka Luke, and spearheading the Cfm and the Caribbean Film Database (Cfdb) , Emilie Upczak and Melanie Archer, have created an A level event which after 10 years now encompasses three important aspects of film beyond the showcasing of the Caribbean and international docs and fiction films: filmmaking, film marketing and film education which this year included an academic symposium through the University of the West Indies, a Youth Jury of young people from 16 to 21 and sold out matinees for school children.
Cfm envisages the Caribbean -- home to the most genetically variegated people of the world -- as a whole whose varied stories will go out into the larger world (much like the Trinis themselves). Coming from islands which remind us of those planets described in Le Petit Prince (The Little Prince by Antoine de Saint-Exupéry ), the Caribbeanos gathered here in Trinidad to receive coaching and positive feedback to extend their reach into the rest of world. Our world, still divided along colonial and post-colonial color and class lines needs this idealistic and inspiring vision.
For more coverage of the event, Lisa Harewood, a Barbados filmmaker, has written about the event in Shadow and Act.
This year 15 feature film projects from 10 countries were pitched and discussed at the inaugural Caribbean Film Mart (Cfm) in parallel with an academic symposium of university professors presenting on films, festivals and markets at the Hyatt Hotel. The unique mix of academics and professionals with upcoming filmmakers was vibrant, alive and upbeat, and we hope it continues to grow even though the financing from Acp Cultures which made this event possible may not continue to lend its support.
The 11 fiction feature projects and four doc projects (out of 100 submissions) selected from Guadaloupe, Cuba, Curaçao, Guyana, Jamaica, Puerto Rico, Haiti, Barbados, Dominican Republic and The Bahamas in development and pre-production were discussed over three days with 30 international film producers, sales agents and film funds coming from diverse countries in the Caribbean, Europe and North America.
The meetings resulted in professional relationships and partnerships that will enable the production and distribution of the participating projects going forward.
“We are pleased that a number of the projects are from ttff alumni, some of whom have gone through our Rbc Focus: Filmmakers’ Immersion, and others the Eave Producers’ training initiative which took place at ttff/14,” said Emilie Upczak, ttff Creative Director.
The selected projects were selected by the ttff, the Global Foundation of Democracy and Development from the Dominican Republic, the Association for the Development of Art Cinema and Practice from Guadeloupe, the Foundation of New Latin American Cinema in Cuba, and the Regional and International Festival of Cinema of Guadeloupe.
The project is co-financed by the Acp Cultures+ Program (Acp Group of States), funded by the European Union ( European Development Fund), and implemented by the Acp Group of States.
The projects were all most interesting visualized stories, and the filmmakers themselves, whether just beginning or with one or two features already under their belts, were all well prepared and professionally aligned with the more seasoned professionals in their objectives. Every one of the selected projects holds a promise of unique enchantments.
Jan Miller the international consultant and trainer specializing in film and television coproduction and coventuring who started Transatlantic Partners after she established Atlantic Partners, part of the Atlantic Film Festival in Nova Scotia, and who has delivered one of the top pitching and content development events for 20 years created a substantive and fun environment intensely devoted to the filmmakers.
The winner of the 15 selected Cfm projects was:
1. "Kidnapping Inc.” a fiction feature from Haiti to be directed by Bruno Mourral and produced by Gaethan Chancy and Remi Grelletty who both produced “Moloch Tropical” and “Murder in Pacot” and Raoul Peck the award winning director who has also produced five features and four docs.
Read more about Raoul Peck and his current production “The Young Karl Marx” on Shadow and Act.
“Kidnapping Inc.” has Canal + Antilles as a coproducer as well as private equity. They are still seeking other coproduction partners.
This twisted, dark comedy is about two delivery men working for an underground kidnapping corporation in Haiti. Doc and Zoe are scheduled to deliver a senator’s son worth $300,000. In the midst of their usual bickering, one kills the senator’s son accidentally. Trying to fix the mess they find themselves in, they stumble upon the senator’s son’s lookalike, which sets them on the craziest kidnapping of their lives.
Bruno Mourral is interested in developing the industry in Haiti as well as making movies. He says, “’Kidnapping Inc. is a dark comedy and satire of Haitian society waltzing between ‘City of God’ and ‘Pulp Fiction’. This film depicts the raw complexity and Haiti’s harsh day-to-day and pushes the viewer towards a better understanding of social issues such as color, sexism, machismo, social class discrimination and identity.
2. “The Dragon” is a fictional story from Trinidad and Tobago based upon the novel by the world renowned (but little known in the U.S.) Earl Lovelace and to be directed by his daughter Asha Lovelace. Having read the novel I can say that this story of a Trinidad community of African descendants which has inherited traits cultivated under slavery is immediately riveting. It brings another view of the radical political actions we in the U.S. witnessed in the 70s. Moreover, a musical composition written by a Trini composer who read the novel and was so enamored that he freely and without asking composed an entire opus makes this immediately into a transmedia project which is accessible and exploitable. The novel, the musical opus, and what I hope to see -- the movie -- all tell a tale of a people we can identify with but have never seen like this.
The book is a masterpiece and brings to mind “Black Orpheus” with its setting in the poverty-stricken Calvary Hill whose inhabitants’ lives are centered in the yearly Carnival. It also brings to mind John Steinbeck’s stories with struggling characters in the Salinas Valley.
Director Asha Lovelace’s debut short “George and the Bicycle Pump” premiered at Toronto International Film Festival. She co-wrote, produced and directed her first feature “Joebell and America” which screened at several film festivals and won for Best International Narrative Feature Film at the Women’s International Film Festival in Miami in 2008. She lectures on film at the University of the West Indies, founded and is festival director of Africa Film Trinidad and Tobago, a film festival dedicated to African cinema.
Producer Lesley-Anne Macfarlane has worked in the audio-visual industry in U.K. and Trinidad, graduated with an Ma in Cultural Policy and Management from City University, London and has produced several short films and music videos.
The story centers on Aldrick whose sole responsibility in life is to his dragon masquerade that he plays for Carnival. When he finds himself falling for Sylvia, the most desired young woman on the hill, he is unable to commit to her and she succumbs to the advances of an older man. This plummets Aldrick into a moment of blind rebellion that ends in tragedy and forces him to confront his role as dragon and man.
3. “ Sprinter” from Jamaica will be directed by Storm Saulter whose well-received first feature, the 2010 crime drama “Better Mus’ Come” received U.S. distribution through Ava du Vernay’s Affrm. It is being produced by Donald Ranvaud (“City of God”) who is well known and well loved on the international film circuit.
This fictional feature is set against the world of track and field – an area in which Jamaica has excelled for decades – and addresses urgent and poignant broader themes. “Those images of Rastas smoking ganja on the beach or the gunman from Kingston – it isn’t who we are,” Saulter told Jeremy Kay in a Screen interview.
In his interview with Screen, Jeremy also asked what has it been like pitching to dozens of people here.
“You kind of have to get to the soul of the thing and you see what people respond to. This is about meeting with people that can help with financing and also potentially sales agents and exploring co-production possibilities. Jamaica does not have a treaty with the U.S .but we have treaties with the U.K. and Canada. It’s this whole puzzle you have to put together. The responses have been positive.”
The film is about Akeem, a young Rastafarian, who surprisingly shatters the 200-metre high-school track record. He must make the national team tocompete at the World Youth Championships in Philadelphia if he wants a chance to reunite with his mother who has been living there illegally for ten years. Akeem’s overnight popularity and the sudden return of his estranged older brother disrupt his focus. Meanwhile, a scandal is brewing that threatens to derail his career before it’s even started.
4. “ Beauty Kingdom ” is a Dominican Republic project to be directed by Laura Amelia Guzmán and Israel Cárdenas who will also produce along with Mónica De Moya. Guzmán and Cárdenas also worked together on "Sand Dollars" (2014) which premiered at Tiff in 2014, "Jean Gentil" (2010) which premiered in Venice in 2010 and "Cochochi" (2007).
This fictional feature takes place in a magical place in the Caribbean and is about the most expensive film of all time which is about to be shot. The Diva, a 70-year-old eccentric actress (played by Geraldine Chaplin), has arrived to star in the film. She finds herself surrounded by the absurdity that such a film production implies, as she rigorously prepares for her role. All the while, she senses the impending end of the world. Nevertheless, the film must go on.
5. “Doubles With Slight Pepper” is a fiction feature coproduction of Trinidad and Tobago and the U.S. to be directed by Ian Harnarine, produced by Ryan Silbert and exec produced by Spike Lee.
Ian Harnarine , a Trinidadian living in Canada has already won numerous awards for the short that this feature is based upon and has been working on this feature for several years. The film will go into production in Trinidad in November.
In Lisa Harewood’s interview for Shadow and Act , Ian said, "The Caribbean Film Mart was incredibly important in opening up the world (literally!) to the project. To meet face to face with people from Sundance Institute, Tribeca Film Institute, Norwegian South Film Fund, World Cinema Support etc makes the opportunities available to me very real."
Dhani, a young Trinidadian street vendor, struggles to support himself and his mother by selling doubles. When his estranged father, Ragbir, unexpectedly invites him to New York, Dhani must travel to America and decide if he will save his father’s life.
Best Short Film at the Toronto International Film Festival 2011
Best Live Action Short Drama at the Genie Awards 2012 (the Canadian Academy Awards)
Filmmaker Magazine's 25 New Faces of Independent Film:
filmmakermagazine.com/news/people/ian-harnarine/
Watch the short Here.
6. “The Extraordinary Journey of Celeste Garcia” from Cuba will be the first fiction feature to be directed by Arturo Infante. His shorts have shown at home and abroad and have won several awards and he has written several produced scripts such as “Havana Eva” and “L’edad de la peseta”, films which Cuban film fans all know well. His producers,Claudia Calviño and Alejandro Tovar are two of Cuba’s top young producers whose film “Juan of the Dead” is Cuba’s most current best selling satire. Like that, this story highlights characters who must react to a surreal situation in an already slightly surreal country called Cuba.
Celeste is in her sixties and sells tickets at a planetarium. The discovery of an alien race shocks the world. Humans will send a spaceship carrying regular citizens to make contact with the alien civilization. Tired of her monotonous life, Celeste decides to apply for a spot on the ship and embark into the unknown.
What Celeste and the rest of the passengers on the ship seek in another galaxy is the Cuban dream of a better life.
Arturo speaks of his interest in characters, both real and as actors. “Growing up in a family with many women made me develop a special ‘ear’ towards the feminine. I spent my childhood in an old colonial-style house, hearing the voices of my mother, my grandmothers, aunts and neighbors. They all talking from one side to another, sharing their stories, dreams and secrets, but also their visions about the reality and politics of my country. That’s why I think the main character in my story must necessarily be a woman. I realize now that Celeste embodies all those voices of my childhood. Celeste’s character also represents my parents’ generation. A generation that gave their best years to build a utopian project that was diverted into paths that were not exactly the ones they dreamed of. A generation now marked by disenchantment and skepticism, a process of which I have been a constant witness. With my story I want to give Celeste a chance to travel to a new planet, the opportunity to see the rebirth of those fallen dreams of her youth.”
http://www.facebook.com/produccionesdela5taavenida
7. “The Fisherman’s Son” from Puerto Rico and Colombia will be directed by Edgar Deluque. Producer Annabelle Mullen from PR is a former entertainment attorney with several credits to her name. She presented this project about a transsexual running away from the city to his childhood home at a fishermen’s island after murdering a policeman. He must face his father whom he hasn’t seen in fifteen years and who doesn’t want anything to do with his transsexual child.
The writer-director, Edgar Deluque, is an emerging talent from Colombia.
8. “Hello Nicki” from Trinidad and Tobago will be directed by Miquel Galofré whose previous moving doc about songwriters who were in prison in Kingston, Jamaica, “Songs of Redemption”, showed at various festivals including Havana and Krakow. Aside from this Miquel has made six other feature docs This doc, produced by Jean Michel Gibert whose sequel to “Pan! Our Music Odyssey” called “ Re-Percussions! Our African Odyssey ” just won the award for Best Trinidad and Tobago Documentary Feature Film at ttff.
This documentary follows Shanice, a teenage girl from Trinidad, as she seeks to actualize her grand dream of making music and collaborating with Nicki Minaj, a Trinidadian born American rapper – the most popular musical personage in the world today. Shanice is a spirited soul living with cerebral palsy and has a unique way of viewing the world. She is keenly aware of the isolation her appearance has caused, but her personality remains bright, upbeat and hopeful.
http://www.miquelgalofre.com .
You can meet Shanice here: https://vimeo.com/136969025 Password: Shanice
9. “Papa Machete” from Haiti, Barbados and U.S. to be directed by Jonathan David Kane is based upon the short which screened at ttff. The producers, Jason Fitzroy Jeffers and Keisha Rae Witherspoon were discussing the doc as well as the fiction feature to be made. Many of the people they spoke with, including myself, thought the fiction feature would be more accessible, though perhaps a TV doc would also be possible with the footage they have made the 10 minute short with.
The story is fascinating as the machete was used as a weapon 200 years ago when Haitian slaves defeated Napoleon’s armies with the very tool they used to work the land. Papa Machete explores the esoteric martial art that emerged from this victory through the life and recent death of Alfred Avril, a poor farmer who was one of the art’s few remaining masters. With his passing, Avril’s two sons are confronted with loss, legacy and American dreams.
10. “Wind Rush” is conceived as a doc coproduction between Trinidad and Tobago and U.S. director-writer-producer Vashti Harrison lives in Atlanta, Geogia. Her parents are Trinis and she has a great love for Trinidad and its music. This is an experimental doc about Calypso music which serves a significant role in the Caribbean emigrant experience in London, which began in earnest in the 1950s. Calypso was the music of the minority, the voice of the other, and it helped to define the West Indian identity in England. Using the music of calypsonians Lord Beginner and Lord Kitchener as a road map to this journey of discovery and displacement, the film will focus on their homes both in Trinidad and London.
The criticism she received was about obtaining music clearances in U.K. when she herself is not a U.K. resident or citizen. Perhaps she needs to find a U.K. producer who can also access U.K. Funds. Her experimental films and docs have shown around the world at Rotterdam, Edinburgh, N.Y. and Havana Film Festivals. All of her work focuses into her Caribbean heritage and is quite evocative, artistic and well executed.
11. “Conch” from Curaçao will be directed and produced by German Gruber whose first film, urban drama, “Sensei Redenshon” was completed in 2013 and will be released in the Netherlands this fall. This fiction feature about the natural side of Curaçao is a road movie about a young boy who runs away from home after the loss of his mother. Searching for the message that he saw her whisper into a conch shell the night before her death, he seeks clues from the characters he meets along his desolate journey. Between nightmares of drowning and daydreams of becoming a musician, he eventually confronts his fear of the sea to find the answer.
12. “Green Days by the River” is a fiction feature set against the backdrop of rural Trinidad in 1952. A fifteen-year-old boy who has just moved to a village naively seeks the affection of two girls, an attractive rich Indian girl, and a more personable and accessible one. The ensuing triangle forces him to focus on becoming a man as he must make life enduring decisions.
Director Michael Mooleedhar has made several award winning shorts.Producer Christian James graduated in 2014 with an Mfa in Cretive Producing from Columbia College Chicago, has interned with K5 International during 2014 Cannes and participated in the 2015 Rotterdam Film Festival Lab.
13. “Potomitans : Women Pillars in Revolt” , a doc project from Guadeloupe will be directed by Bouchera Azzouz whose first documentary, “Nos Meres nos daronnes” (“Our Mothers”) aired this year on France 2 (France Televisions) and was one of its biggest audience hits. This is her second work on popular feminism. Producer Nina Vilus' short "Vivre” has won awards and their “Villa Karayib”, a 3 minute 30 second series with 140 episodes aired on Canal + Antilles. Laurence Lascary is coproducing.
This film is an exploratory journey into the heart of the everyday life of five Guadeloupean women who are considered “potomitans”, women who assume professional and familial responsibilities without the help of a man. Everything rests on the courage of these women, who are trying to emancipate themselves by claiming a new way of being a woman.
It is an Art & Vision Productions, De l’autre cote du periph (Dacp) and Canal + Antilles coproduction which Canal + will broadcast in the French Caribbean. 37% of the financing is secured through the Guadeloupe regional council, Agence national pour la cohesion social et l’egalite des chances (Asce), Ministry of French overseas territories. Apcag network of theaters in Guadeloupe, Martinique and French Guyana along with Aubervilliers Theater in France will premiere the film.
14. “The Seawall” is a fiction project to be coproduced by Guyana and U.S.
Director Mason Richards says, “My intention for ‘The Seawall’ is to create a dramatic narrative set in Guyana, South America with simple characters navigating through complex issues within the Caribbean cultural context. It is also my intention to make a film that seeks to reconcile our Caribbean and non-Caribbean identities through the journey of my protagonist who returnes “home” to Guyana and is confronted with issues of his past that he has suppressed. The story needs to be told because many of us from the Caribbean diaspora struggle with “trans-national” identities, meaning we are from the Caribbean, however we’ve immigrated to other countries like the U.S. where we’ve adapted to a new dominant culture and way of life. With tht, there is a feeling of “dis-connect” as though we have left something behind, back “home” in the Caribbean, whether it’s family members, our cultural identity, or simply our childhood memories. It is also my intention to make an entertaining, quality film that highlights the beauty of the Caribbean through the stories and hearts of the characters.
The fiscal partner of this project is Frog (Friends and Returned Peace Corps Volunteers of Guyana), Verisimiltude in New York City. The executive producer C.R. Wooten has exec produced several film projects for TV and HBO and exec produced the short film, “The Seawall”.
The writer-director, Mason Richards, is an alumnus of Film Independent’s Project Involve, a recipient of Sony Pictures Diversity Fellowship 2012, winner of The Ainslie Alumni Achievement Award 2011 and Guyana’s 46th Independence Golden Arrowhead Award.
Producer Sohini Sengupta is an award-winning of creative director of theatrical campaigns, including “Birdman”, “12 Years a Slave”, “Beasts of the Southern Wild”, “Black Swan” and “Slumdog Millionaire”. She is a production team member of the Indian Film Festival of Los Angeles and was named one of Glamour Magazine’s 35 under 35 Women Who Run Hollywood.
Malachi, a struggling young writer in Brooklyn, learns of his girlfriend’s pregnancy and returns to his birth country, Guyana, to sell off his inheritance. In Guyana, Malachi ends up confronting his estranged father who abandoned him as a child. Malachi gets closure, and makes decisions about the kind of father he would be to his unborn child.
15. “Epiphany” by Maria Govan who is a self-taught filmmaker from the island of New Providence in The Bahamas. When she was 18 she moved to L.A. and worked for four years on Hollywood sets. In 1999 she returned home, bought a digital camera and began making small guerilla-style local documentaries. In 2004 she moved to New York and began writing her first narrative script “Rain” which premiered in 2008 at the Toronto International Film Festival, won several awards and aired on Showtime to a strong audience response. Her second film “Play the Devil” was shot entirely in Trinidad in the spring of 2015 and she hopes it will premiere in the winter of 2016.
Producer Abigail Hadeed has worked with Caribbean crews on big budget commercials. She worked on the short “4am” in 2011 which premiered at the Toronto International Film Festval. In 2012 she produced an award winning feature doc “La Giata” and produced “Play the Devil” with Maria.
They are looking for coproducers and can offer a 35% rebate on Trinidadian spend with a 50% rebate on roles in key positions for films shot in Trinidad. Exterior and ocean environments can be shot in the Bahamas.
Set in the Bahamas — Mary, a loner with a passion for spear fishing and the sea, is forced to give up her room to her overbearing cousin’s girlfriend, an “illegal” colorful Cuban named Gabriel. When a love triangle develops and George realizes he’s been betrayed, the women are forced into the dark terrain of human smuggling.
Links to “Rain” (director’s previous work): Trailer
Link to Maria Govan’s Show Reel: https://vimeo.com/35611171
Other films in the program but exceeding the official number of 15 include
16. “Cargo” from The Bahamas, a fiction feature based upon the short film of Kareem Mortimer. Producer Trevite Willis has produced several films including the Lgbt feather “Children of God” with Kareem directing. Producer Alexander Younis now has a doc, “Brigidy Bram ” in post-production.
“Cargo”, based upon Kareem’s short “Passage”, is about a Bahamian fisherman whose life is slowly unraveling. After wasting his remaining money at a gambling house, he is approached by a security guard who suggests that Kevin supplement his income by using his vessel as a means to transport people illegally into the United States. Kevin leads scores of migrants on a treacherous, unsettling and perilous final journey.
17. “Scattered” reminded me of “Desperately Seeking Susan” in the story of an young uptight British woman who has her run-of-the-mill life disrupted when the Caribbean grandmother she barely knew leaves a request for her to scatter her ashes in Trinidad where a free-spirited cousin takes her on a wild road trip that changes her life forever.
The director-producer-cowriter, Karen Martinez, is a Trinidadian filmmaker based in London, U.K. She has worked extensively in the film world in U.K. and the Caribbean. In 2013 she wrote, produced and directed her frist narrative fiction “After Mas”. Her most recent film, “Dreams in Transit” is an essay-style documentary of a contemporary migrant reflcting on identity and the meaning of “home”.
18. “Unfinished Sentences” by writer-director-producer Mariel Brown, an award winning documentary director and founder of the creative and production company Savant. Her documentary films have been screened on television, at festivals and other special events around the world, most recently at the Pan African Film Festival and Clermont-Ferrand.
This is a story of a writer father and a filmmaker daughter who walks the line between adoration and disappointment, success and failure, race, family and art. When he dies, in her great grief she discovers his poetry and prose transcend death, allowing her to hear his voice again and to find a way back to her own self. For more information go to http://www.unfinishedsentencesfilm.com.
19. “Queen of Soca” by Kevin Adams
“’ Queen of Soca’ was inspired by my home base of Laventille, Trinidad and Tobago where the frustration of living a life of restricted opportunity is a narrative I observe often.“
“ Queen of Soca” is the story of Olivia, who lives in an impoverished community and is striving to make a better life for herself. Her life is full of struggles, but there is a light at the end of the tunnel.
The short version of “Queen of Soca”, entitled “No Soca No Life” premiered at Trinidad and Tobago Film Festival in 2012 and has been well received by movie goers and movie industry practitioners. “No Soca No Life” is currently available on Vimeo, Pay per view.
“We are now focused on the original goal of creating a blockbuster inspirational story for the world to enjoy, and using the Trinidad and Tobago culture as the vehicle for our message. On behalf of myself and my team, thank you for your interest in this project and we look forward to completing this journey with you !”
The Cfm was held from 24-27 September at the Hyatt Regency Hotel in Port of Spain, Trinidad. The ttff/15 took place from 15-29 September.
Cfm envisages the Caribbean -- home to the most genetically variegated people of the world -- as a whole whose varied stories will go out into the larger world (much like the Trinis themselves). Coming from islands which remind us of those planets described in Le Petit Prince (The Little Prince by Antoine de Saint-Exupéry ), the Caribbeanos gathered here in Trinidad to receive coaching and positive feedback to extend their reach into the rest of world. Our world, still divided along colonial and post-colonial color and class lines needs this idealistic and inspiring vision.
For more coverage of the event, Lisa Harewood, a Barbados filmmaker, has written about the event in Shadow and Act.
This year 15 feature film projects from 10 countries were pitched and discussed at the inaugural Caribbean Film Mart (Cfm) in parallel with an academic symposium of university professors presenting on films, festivals and markets at the Hyatt Hotel. The unique mix of academics and professionals with upcoming filmmakers was vibrant, alive and upbeat, and we hope it continues to grow even though the financing from Acp Cultures which made this event possible may not continue to lend its support.
The 11 fiction feature projects and four doc projects (out of 100 submissions) selected from Guadaloupe, Cuba, Curaçao, Guyana, Jamaica, Puerto Rico, Haiti, Barbados, Dominican Republic and The Bahamas in development and pre-production were discussed over three days with 30 international film producers, sales agents and film funds coming from diverse countries in the Caribbean, Europe and North America.
The meetings resulted in professional relationships and partnerships that will enable the production and distribution of the participating projects going forward.
“We are pleased that a number of the projects are from ttff alumni, some of whom have gone through our Rbc Focus: Filmmakers’ Immersion, and others the Eave Producers’ training initiative which took place at ttff/14,” said Emilie Upczak, ttff Creative Director.
The selected projects were selected by the ttff, the Global Foundation of Democracy and Development from the Dominican Republic, the Association for the Development of Art Cinema and Practice from Guadeloupe, the Foundation of New Latin American Cinema in Cuba, and the Regional and International Festival of Cinema of Guadeloupe.
The project is co-financed by the Acp Cultures+ Program (Acp Group of States), funded by the European Union ( European Development Fund), and implemented by the Acp Group of States.
The projects were all most interesting visualized stories, and the filmmakers themselves, whether just beginning or with one or two features already under their belts, were all well prepared and professionally aligned with the more seasoned professionals in their objectives. Every one of the selected projects holds a promise of unique enchantments.
Jan Miller the international consultant and trainer specializing in film and television coproduction and coventuring who started Transatlantic Partners after she established Atlantic Partners, part of the Atlantic Film Festival in Nova Scotia, and who has delivered one of the top pitching and content development events for 20 years created a substantive and fun environment intensely devoted to the filmmakers.
The winner of the 15 selected Cfm projects was:
1. "Kidnapping Inc.” a fiction feature from Haiti to be directed by Bruno Mourral and produced by Gaethan Chancy and Remi Grelletty who both produced “Moloch Tropical” and “Murder in Pacot” and Raoul Peck the award winning director who has also produced five features and four docs.
Read more about Raoul Peck and his current production “The Young Karl Marx” on Shadow and Act.
“Kidnapping Inc.” has Canal + Antilles as a coproducer as well as private equity. They are still seeking other coproduction partners.
This twisted, dark comedy is about two delivery men working for an underground kidnapping corporation in Haiti. Doc and Zoe are scheduled to deliver a senator’s son worth $300,000. In the midst of their usual bickering, one kills the senator’s son accidentally. Trying to fix the mess they find themselves in, they stumble upon the senator’s son’s lookalike, which sets them on the craziest kidnapping of their lives.
Bruno Mourral is interested in developing the industry in Haiti as well as making movies. He says, “’Kidnapping Inc. is a dark comedy and satire of Haitian society waltzing between ‘City of God’ and ‘Pulp Fiction’. This film depicts the raw complexity and Haiti’s harsh day-to-day and pushes the viewer towards a better understanding of social issues such as color, sexism, machismo, social class discrimination and identity.
2. “The Dragon” is a fictional story from Trinidad and Tobago based upon the novel by the world renowned (but little known in the U.S.) Earl Lovelace and to be directed by his daughter Asha Lovelace. Having read the novel I can say that this story of a Trinidad community of African descendants which has inherited traits cultivated under slavery is immediately riveting. It brings another view of the radical political actions we in the U.S. witnessed in the 70s. Moreover, a musical composition written by a Trini composer who read the novel and was so enamored that he freely and without asking composed an entire opus makes this immediately into a transmedia project which is accessible and exploitable. The novel, the musical opus, and what I hope to see -- the movie -- all tell a tale of a people we can identify with but have never seen like this.
The book is a masterpiece and brings to mind “Black Orpheus” with its setting in the poverty-stricken Calvary Hill whose inhabitants’ lives are centered in the yearly Carnival. It also brings to mind John Steinbeck’s stories with struggling characters in the Salinas Valley.
Director Asha Lovelace’s debut short “George and the Bicycle Pump” premiered at Toronto International Film Festival. She co-wrote, produced and directed her first feature “Joebell and America” which screened at several film festivals and won for Best International Narrative Feature Film at the Women’s International Film Festival in Miami in 2008. She lectures on film at the University of the West Indies, founded and is festival director of Africa Film Trinidad and Tobago, a film festival dedicated to African cinema.
Producer Lesley-Anne Macfarlane has worked in the audio-visual industry in U.K. and Trinidad, graduated with an Ma in Cultural Policy and Management from City University, London and has produced several short films and music videos.
The story centers on Aldrick whose sole responsibility in life is to his dragon masquerade that he plays for Carnival. When he finds himself falling for Sylvia, the most desired young woman on the hill, he is unable to commit to her and she succumbs to the advances of an older man. This plummets Aldrick into a moment of blind rebellion that ends in tragedy and forces him to confront his role as dragon and man.
3. “ Sprinter” from Jamaica will be directed by Storm Saulter whose well-received first feature, the 2010 crime drama “Better Mus’ Come” received U.S. distribution through Ava du Vernay’s Affrm. It is being produced by Donald Ranvaud (“City of God”) who is well known and well loved on the international film circuit.
This fictional feature is set against the world of track and field – an area in which Jamaica has excelled for decades – and addresses urgent and poignant broader themes. “Those images of Rastas smoking ganja on the beach or the gunman from Kingston – it isn’t who we are,” Saulter told Jeremy Kay in a Screen interview.
In his interview with Screen, Jeremy also asked what has it been like pitching to dozens of people here.
“You kind of have to get to the soul of the thing and you see what people respond to. This is about meeting with people that can help with financing and also potentially sales agents and exploring co-production possibilities. Jamaica does not have a treaty with the U.S .but we have treaties with the U.K. and Canada. It’s this whole puzzle you have to put together. The responses have been positive.”
The film is about Akeem, a young Rastafarian, who surprisingly shatters the 200-metre high-school track record. He must make the national team tocompete at the World Youth Championships in Philadelphia if he wants a chance to reunite with his mother who has been living there illegally for ten years. Akeem’s overnight popularity and the sudden return of his estranged older brother disrupt his focus. Meanwhile, a scandal is brewing that threatens to derail his career before it’s even started.
4. “ Beauty Kingdom ” is a Dominican Republic project to be directed by Laura Amelia Guzmán and Israel Cárdenas who will also produce along with Mónica De Moya. Guzmán and Cárdenas also worked together on "Sand Dollars" (2014) which premiered at Tiff in 2014, "Jean Gentil" (2010) which premiered in Venice in 2010 and "Cochochi" (2007).
This fictional feature takes place in a magical place in the Caribbean and is about the most expensive film of all time which is about to be shot. The Diva, a 70-year-old eccentric actress (played by Geraldine Chaplin), has arrived to star in the film. She finds herself surrounded by the absurdity that such a film production implies, as she rigorously prepares for her role. All the while, she senses the impending end of the world. Nevertheless, the film must go on.
5. “Doubles With Slight Pepper” is a fiction feature coproduction of Trinidad and Tobago and the U.S. to be directed by Ian Harnarine, produced by Ryan Silbert and exec produced by Spike Lee.
Ian Harnarine , a Trinidadian living in Canada has already won numerous awards for the short that this feature is based upon and has been working on this feature for several years. The film will go into production in Trinidad in November.
In Lisa Harewood’s interview for Shadow and Act , Ian said, "The Caribbean Film Mart was incredibly important in opening up the world (literally!) to the project. To meet face to face with people from Sundance Institute, Tribeca Film Institute, Norwegian South Film Fund, World Cinema Support etc makes the opportunities available to me very real."
Dhani, a young Trinidadian street vendor, struggles to support himself and his mother by selling doubles. When his estranged father, Ragbir, unexpectedly invites him to New York, Dhani must travel to America and decide if he will save his father’s life.
Best Short Film at the Toronto International Film Festival 2011
Best Live Action Short Drama at the Genie Awards 2012 (the Canadian Academy Awards)
Filmmaker Magazine's 25 New Faces of Independent Film:
filmmakermagazine.com/news/people/ian-harnarine/
Watch the short Here.
6. “The Extraordinary Journey of Celeste Garcia” from Cuba will be the first fiction feature to be directed by Arturo Infante. His shorts have shown at home and abroad and have won several awards and he has written several produced scripts such as “Havana Eva” and “L’edad de la peseta”, films which Cuban film fans all know well. His producers,Claudia Calviño and Alejandro Tovar are two of Cuba’s top young producers whose film “Juan of the Dead” is Cuba’s most current best selling satire. Like that, this story highlights characters who must react to a surreal situation in an already slightly surreal country called Cuba.
Celeste is in her sixties and sells tickets at a planetarium. The discovery of an alien race shocks the world. Humans will send a spaceship carrying regular citizens to make contact with the alien civilization. Tired of her monotonous life, Celeste decides to apply for a spot on the ship and embark into the unknown.
What Celeste and the rest of the passengers on the ship seek in another galaxy is the Cuban dream of a better life.
Arturo speaks of his interest in characters, both real and as actors. “Growing up in a family with many women made me develop a special ‘ear’ towards the feminine. I spent my childhood in an old colonial-style house, hearing the voices of my mother, my grandmothers, aunts and neighbors. They all talking from one side to another, sharing their stories, dreams and secrets, but also their visions about the reality and politics of my country. That’s why I think the main character in my story must necessarily be a woman. I realize now that Celeste embodies all those voices of my childhood. Celeste’s character also represents my parents’ generation. A generation that gave their best years to build a utopian project that was diverted into paths that were not exactly the ones they dreamed of. A generation now marked by disenchantment and skepticism, a process of which I have been a constant witness. With my story I want to give Celeste a chance to travel to a new planet, the opportunity to see the rebirth of those fallen dreams of her youth.”
http://www.facebook.com/produccionesdela5taavenida
7. “The Fisherman’s Son” from Puerto Rico and Colombia will be directed by Edgar Deluque. Producer Annabelle Mullen from PR is a former entertainment attorney with several credits to her name. She presented this project about a transsexual running away from the city to his childhood home at a fishermen’s island after murdering a policeman. He must face his father whom he hasn’t seen in fifteen years and who doesn’t want anything to do with his transsexual child.
The writer-director, Edgar Deluque, is an emerging talent from Colombia.
8. “Hello Nicki” from Trinidad and Tobago will be directed by Miquel Galofré whose previous moving doc about songwriters who were in prison in Kingston, Jamaica, “Songs of Redemption”, showed at various festivals including Havana and Krakow. Aside from this Miquel has made six other feature docs This doc, produced by Jean Michel Gibert whose sequel to “Pan! Our Music Odyssey” called “ Re-Percussions! Our African Odyssey ” just won the award for Best Trinidad and Tobago Documentary Feature Film at ttff.
This documentary follows Shanice, a teenage girl from Trinidad, as she seeks to actualize her grand dream of making music and collaborating with Nicki Minaj, a Trinidadian born American rapper – the most popular musical personage in the world today. Shanice is a spirited soul living with cerebral palsy and has a unique way of viewing the world. She is keenly aware of the isolation her appearance has caused, but her personality remains bright, upbeat and hopeful.
http://www.miquelgalofre.com .
You can meet Shanice here: https://vimeo.com/136969025 Password: Shanice
9. “Papa Machete” from Haiti, Barbados and U.S. to be directed by Jonathan David Kane is based upon the short which screened at ttff. The producers, Jason Fitzroy Jeffers and Keisha Rae Witherspoon were discussing the doc as well as the fiction feature to be made. Many of the people they spoke with, including myself, thought the fiction feature would be more accessible, though perhaps a TV doc would also be possible with the footage they have made the 10 minute short with.
The story is fascinating as the machete was used as a weapon 200 years ago when Haitian slaves defeated Napoleon’s armies with the very tool they used to work the land. Papa Machete explores the esoteric martial art that emerged from this victory through the life and recent death of Alfred Avril, a poor farmer who was one of the art’s few remaining masters. With his passing, Avril’s two sons are confronted with loss, legacy and American dreams.
10. “Wind Rush” is conceived as a doc coproduction between Trinidad and Tobago and U.S. director-writer-producer Vashti Harrison lives in Atlanta, Geogia. Her parents are Trinis and she has a great love for Trinidad and its music. This is an experimental doc about Calypso music which serves a significant role in the Caribbean emigrant experience in London, which began in earnest in the 1950s. Calypso was the music of the minority, the voice of the other, and it helped to define the West Indian identity in England. Using the music of calypsonians Lord Beginner and Lord Kitchener as a road map to this journey of discovery and displacement, the film will focus on their homes both in Trinidad and London.
The criticism she received was about obtaining music clearances in U.K. when she herself is not a U.K. resident or citizen. Perhaps she needs to find a U.K. producer who can also access U.K. Funds. Her experimental films and docs have shown around the world at Rotterdam, Edinburgh, N.Y. and Havana Film Festivals. All of her work focuses into her Caribbean heritage and is quite evocative, artistic and well executed.
11. “Conch” from Curaçao will be directed and produced by German Gruber whose first film, urban drama, “Sensei Redenshon” was completed in 2013 and will be released in the Netherlands this fall. This fiction feature about the natural side of Curaçao is a road movie about a young boy who runs away from home after the loss of his mother. Searching for the message that he saw her whisper into a conch shell the night before her death, he seeks clues from the characters he meets along his desolate journey. Between nightmares of drowning and daydreams of becoming a musician, he eventually confronts his fear of the sea to find the answer.
12. “Green Days by the River” is a fiction feature set against the backdrop of rural Trinidad in 1952. A fifteen-year-old boy who has just moved to a village naively seeks the affection of two girls, an attractive rich Indian girl, and a more personable and accessible one. The ensuing triangle forces him to focus on becoming a man as he must make life enduring decisions.
Director Michael Mooleedhar has made several award winning shorts.Producer Christian James graduated in 2014 with an Mfa in Cretive Producing from Columbia College Chicago, has interned with K5 International during 2014 Cannes and participated in the 2015 Rotterdam Film Festival Lab.
13. “Potomitans : Women Pillars in Revolt” , a doc project from Guadeloupe will be directed by Bouchera Azzouz whose first documentary, “Nos Meres nos daronnes” (“Our Mothers”) aired this year on France 2 (France Televisions) and was one of its biggest audience hits. This is her second work on popular feminism. Producer Nina Vilus' short "Vivre” has won awards and their “Villa Karayib”, a 3 minute 30 second series with 140 episodes aired on Canal + Antilles. Laurence Lascary is coproducing.
This film is an exploratory journey into the heart of the everyday life of five Guadeloupean women who are considered “potomitans”, women who assume professional and familial responsibilities without the help of a man. Everything rests on the courage of these women, who are trying to emancipate themselves by claiming a new way of being a woman.
It is an Art & Vision Productions, De l’autre cote du periph (Dacp) and Canal + Antilles coproduction which Canal + will broadcast in the French Caribbean. 37% of the financing is secured through the Guadeloupe regional council, Agence national pour la cohesion social et l’egalite des chances (Asce), Ministry of French overseas territories. Apcag network of theaters in Guadeloupe, Martinique and French Guyana along with Aubervilliers Theater in France will premiere the film.
14. “The Seawall” is a fiction project to be coproduced by Guyana and U.S.
Director Mason Richards says, “My intention for ‘The Seawall’ is to create a dramatic narrative set in Guyana, South America with simple characters navigating through complex issues within the Caribbean cultural context. It is also my intention to make a film that seeks to reconcile our Caribbean and non-Caribbean identities through the journey of my protagonist who returnes “home” to Guyana and is confronted with issues of his past that he has suppressed. The story needs to be told because many of us from the Caribbean diaspora struggle with “trans-national” identities, meaning we are from the Caribbean, however we’ve immigrated to other countries like the U.S. where we’ve adapted to a new dominant culture and way of life. With tht, there is a feeling of “dis-connect” as though we have left something behind, back “home” in the Caribbean, whether it’s family members, our cultural identity, or simply our childhood memories. It is also my intention to make an entertaining, quality film that highlights the beauty of the Caribbean through the stories and hearts of the characters.
The fiscal partner of this project is Frog (Friends and Returned Peace Corps Volunteers of Guyana), Verisimiltude in New York City. The executive producer C.R. Wooten has exec produced several film projects for TV and HBO and exec produced the short film, “The Seawall”.
The writer-director, Mason Richards, is an alumnus of Film Independent’s Project Involve, a recipient of Sony Pictures Diversity Fellowship 2012, winner of The Ainslie Alumni Achievement Award 2011 and Guyana’s 46th Independence Golden Arrowhead Award.
Producer Sohini Sengupta is an award-winning of creative director of theatrical campaigns, including “Birdman”, “12 Years a Slave”, “Beasts of the Southern Wild”, “Black Swan” and “Slumdog Millionaire”. She is a production team member of the Indian Film Festival of Los Angeles and was named one of Glamour Magazine’s 35 under 35 Women Who Run Hollywood.
Malachi, a struggling young writer in Brooklyn, learns of his girlfriend’s pregnancy and returns to his birth country, Guyana, to sell off his inheritance. In Guyana, Malachi ends up confronting his estranged father who abandoned him as a child. Malachi gets closure, and makes decisions about the kind of father he would be to his unborn child.
15. “Epiphany” by Maria Govan who is a self-taught filmmaker from the island of New Providence in The Bahamas. When she was 18 she moved to L.A. and worked for four years on Hollywood sets. In 1999 she returned home, bought a digital camera and began making small guerilla-style local documentaries. In 2004 she moved to New York and began writing her first narrative script “Rain” which premiered in 2008 at the Toronto International Film Festival, won several awards and aired on Showtime to a strong audience response. Her second film “Play the Devil” was shot entirely in Trinidad in the spring of 2015 and she hopes it will premiere in the winter of 2016.
Producer Abigail Hadeed has worked with Caribbean crews on big budget commercials. She worked on the short “4am” in 2011 which premiered at the Toronto International Film Festval. In 2012 she produced an award winning feature doc “La Giata” and produced “Play the Devil” with Maria.
They are looking for coproducers and can offer a 35% rebate on Trinidadian spend with a 50% rebate on roles in key positions for films shot in Trinidad. Exterior and ocean environments can be shot in the Bahamas.
Set in the Bahamas — Mary, a loner with a passion for spear fishing and the sea, is forced to give up her room to her overbearing cousin’s girlfriend, an “illegal” colorful Cuban named Gabriel. When a love triangle develops and George realizes he’s been betrayed, the women are forced into the dark terrain of human smuggling.
Links to “Rain” (director’s previous work): Trailer
Link to Maria Govan’s Show Reel: https://vimeo.com/35611171
Other films in the program but exceeding the official number of 15 include
16. “Cargo” from The Bahamas, a fiction feature based upon the short film of Kareem Mortimer. Producer Trevite Willis has produced several films including the Lgbt feather “Children of God” with Kareem directing. Producer Alexander Younis now has a doc, “Brigidy Bram ” in post-production.
“Cargo”, based upon Kareem’s short “Passage”, is about a Bahamian fisherman whose life is slowly unraveling. After wasting his remaining money at a gambling house, he is approached by a security guard who suggests that Kevin supplement his income by using his vessel as a means to transport people illegally into the United States. Kevin leads scores of migrants on a treacherous, unsettling and perilous final journey.
17. “Scattered” reminded me of “Desperately Seeking Susan” in the story of an young uptight British woman who has her run-of-the-mill life disrupted when the Caribbean grandmother she barely knew leaves a request for her to scatter her ashes in Trinidad where a free-spirited cousin takes her on a wild road trip that changes her life forever.
The director-producer-cowriter, Karen Martinez, is a Trinidadian filmmaker based in London, U.K. She has worked extensively in the film world in U.K. and the Caribbean. In 2013 she wrote, produced and directed her frist narrative fiction “After Mas”. Her most recent film, “Dreams in Transit” is an essay-style documentary of a contemporary migrant reflcting on identity and the meaning of “home”.
18. “Unfinished Sentences” by writer-director-producer Mariel Brown, an award winning documentary director and founder of the creative and production company Savant. Her documentary films have been screened on television, at festivals and other special events around the world, most recently at the Pan African Film Festival and Clermont-Ferrand.
This is a story of a writer father and a filmmaker daughter who walks the line between adoration and disappointment, success and failure, race, family and art. When he dies, in her great grief she discovers his poetry and prose transcend death, allowing her to hear his voice again and to find a way back to her own self. For more information go to http://www.unfinishedsentencesfilm.com.
19. “Queen of Soca” by Kevin Adams
“’ Queen of Soca’ was inspired by my home base of Laventille, Trinidad and Tobago where the frustration of living a life of restricted opportunity is a narrative I observe often.“
“ Queen of Soca” is the story of Olivia, who lives in an impoverished community and is striving to make a better life for herself. Her life is full of struggles, but there is a light at the end of the tunnel.
The short version of “Queen of Soca”, entitled “No Soca No Life” premiered at Trinidad and Tobago Film Festival in 2012 and has been well received by movie goers and movie industry practitioners. “No Soca No Life” is currently available on Vimeo, Pay per view.
“We are now focused on the original goal of creating a blockbuster inspirational story for the world to enjoy, and using the Trinidad and Tobago culture as the vehicle for our message. On behalf of myself and my team, thank you for your interest in this project and we look forward to completing this journey with you !”
The Cfm was held from 24-27 September at the Hyatt Regency Hotel in Port of Spain, Trinidad. The ttff/15 took place from 15-29 September.
- 10/7/2015
- by Sydney Levine
- Sydney's Buzz
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